Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
3v | Quando lo pomo vien dallo pomaro | - |
Cara, Marchetto
(?)
Pesenti, Martino
(?)
|
Appears on:
3v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Felice et lieta sorte
|
|||
4 | Veramente madonna in me l'ardore | - | Anonymous |
Veramente madonna in me l'ardoreAnonymous
Appears on:
4
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Veramente madonna in me l'ardore . . .
Voice:
[no designation]
Languages:
Italian
Voice Text:
Veramente madonna in me l'ardore . . .
Voice:
[no designation]
Languages:
Italian
Voice Text:
Veramente madonna in me l'ardore . . .
Voice:
[no designation]
Languages:
Italian
Voice Text:
Veramente madonna in me l'ardore . . .
|
|||
4v–5 | Amor se vuoi ch'io torni al giogo antico | [B.TROMBONCINO]* | |
Appears on:
4v–5
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Amor se voi ch'io torni al giogo antico . .
Voice:
[no designation]
Languages:
Italian
Voice Text:
Amor se voi ch'io torni al giogo antico . .
Voice:
[no designation]
Languages:
Italian
Voice Text:
Amor se voi ch'io torni al giogo antico . .
Voice:
[no designation]
Languages:
Italian
Voice Text:
Amor se voi ch'io torni al giogo antico . .
General Note[B.TROMBONCINO]* Concordances*15142 |
|||
5v–6 | Ben mi credea passar mio tempo | [B.TROMBONCINO]* | |
Appears on:
5v–6
Genres:
Madrigal (Italian)
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Ben mi credea passar mio tempo …
Voice:
[no designation]
Languages:
Italian
Voice Text:
Ben mi credea passar mio tempo …
Voice:
[no designation]
Languages:
Italian
Voice Text:
Ben mi credea passar mio tempo …
Voice:
[no designation]
Languages:
Italian
Voice Text:
Ben mi credea passar mio tempo …
General Note[B.TROMBONCINO]* Concordances*15142 |
|||
6v–7 | Hayme amor Hayme fortuna l'un et l'altro | [FRA RufINO]* | |
Appears on:
6v–7
Genres:
Italian secular
Source Attribution:
[FRA RufINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Hayme amor [Hayme fortuna] l'un et l'altro ...
Voice:
[no designation]
Languages:
Italian
Voice Text:
Hayme amor [Hayme fortuna] l'un et l'altro ...
Voice:
[no designation]
Languages:
Italian
Voice Text:
Hayme amor [Hayme fortuna] l'un et l'altro ...
Voice:
[no designation]
Languages:
Italian
Voice Text:
Hayme amor [Hayme fortuna] l'un et l'altro ...
Concordances*[1521]6 Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. |
|||
7v–8 | O morte holà perche mi fugi | [P.* = PIETRO DA H"STIA ou FRANCESCO PATAVINO] | |
Appears on:
7v–8
Genres:
Italian secular
Source Attribution:
[P.* = PIETRO DA H"STIA ou FRANCESCO PATAVINO]
Voice:
[no designation]
Languages:
Italian
Voice Text:
O morte [holà] perche mi fugi …
Voice:
[no designation]
Languages:
Italian
Voice Text:
O morte [holà] perche mi fugi …
Voice:
[no designation]
Languages:
Italian
Voice Text:
O morte [holà] perche mi fugi …
Voice:
[no designation]
Languages:
Italian
Voice Text:
O morte [holà] perche mi fugi …
Concordances*15314 Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. |
|||
8v–9 | Deh fusse almen si nota | [B.TROMBONCINO]* | |
Appears on:
8v–9
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Deh fusse almen si nota ...
Voice:
[no designation]
Languages:
Italian
Voice Text:
Deh fusse almen si nota ...
Voice:
[no designation]
Languages:
Italian
Voice Text:
Deh fusse almen si nota ...
Voice:
[no designation]
Languages:
Italian
Voice Text:
Deh fusse almen si nota ...
Concordances*[c. 1520]7 |
|||
9v | Hor vedi amor che giovanetta donna | - | Anonymous |
Hor vedi amor che giovanetta donnaAnonymous
Appears on:
9v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Hor vedi amor che giovenetta donna
|
|||
10 | Deh credete donna a me | [P.L.* = PIETRO DA LODI] | |
Appears on:
10
Genres:
Italian secular
Source Attribution:
[P.L.* = PIETRO DA LODI]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Deh credete donna a me
Concordances*15142 |
|||
10v–11 | Nel tempo che riveste il verde manto | [IO.LU.V.* = JOANNES LULINUS VENETUS] | |
Appears on:
10v–11
Genres:
Italian secular
Source Attribution:
[IO.LU.V.* = JOANNES LULINUS VENETUS]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Nel tempo che riveste il verde manto
General Noteau T Concordances*15142 |
|||
11v–12 | Dapoi lunge fatiche et lungi affanni | - | Anonymous |
Dapoi lunge fatiche et lungi affanniAnonymous
Appears on:
11v–12
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Dapoi lunge fatiche et lungi affanni
|
|||
12v | Questo dolce mio dolore mi da vita et morte insieme | - | Anonymous |
Appears on:
12v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Questo dolce mio doLore mi da vita et morte insieme
Item BibliographyGallico, Claudio. 1961. Un libro di poesie per musica dell'epoca di Isabella d'Esté. Bollettino storico mantovano. Mantova. |
|||
13 | Che sara che non sara | - | Anonymous |
Che sara che non saraAnonymous
Appears on:
13
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Che sara che non sara
Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. |
|||
13v–14 | Nel dolce tempo della prima etade | - | Anonymous |
Nel dolce tempo della prima etadeAnonymous
Appears on:
13v–14
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Nel dolce tempo della prima etade
Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. |
|||
14v–15 | Debb'io sperar d'haver Donna mai pace.. | [B.TROMBONCINO]* | |
Appears on:
14v–15
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Debb'io sperar d'haver Donna mai pace..
Concordances*15131 ou [c.1517]1 Item BibliographyEinstein, Alfred (editor). 1941. Canzoni sonetti strambotti et frottole, libro tertio (Andrea Antico, 1517). Smith College Music Archives. Northampton, Mass. Pages: IV. |
|||
15v–16 | Quanta mai leggiadria quanda beltade | [B.TROMBONCINO]* | |
Appears on:
15v–16
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Quanta mai leggiadria quanta beltade
General NotePubl. cf. Fn 164 n» 27 Concordances*15131 et[c.1517]1 |
|||
16v–17 | Forza d'amor da lo superno clime | VIOLANTE | |
Appears on:
16v–17
Genres:
Italian secular
Source Attribution:
VIOLANTE
Voice:
[no designation]
Languages:
Italian
Voice Text:
Forza d'amor da lo superno clime
Item BibliographyOsthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. |
|||
17v–18 | Dura passion che per amor soporto | - | Anonymous |
Dura passion che per amor soportoAnonymous
Appears on:
17v–18
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Dura passion che per amor soporto
|
|||
18v | Amor se d'hor in hor la doglia cresce | [M. CARA* ou B.TROMBONCINO**] |
Cara, Marchetto
(?)
|
Appears on:
18v
Genres:
Italian secular
Source Attribution:
[M. CARA* ou B.TROMBONCINO**]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Amor se d'hor in hor la doglia cresce
Concordances*15172 **[c.1520]7 |
|||
19 | Che voi dir che cosi sete | [B.TROMBONCINO]* | |
Appears on:
19
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Che voi dir che cosi sete
Concordances*15162 |
|||
19v–20 | Fiamma amorosa et bella | [M. CARA* ou B.TROMBONCINO**] |
Cara, Marchetto
(?)
|
Appears on:
19v–20
Genres:
Italian secular
Source Attribution:
[M. CARA* ou B.TROMBONCINO**]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Fiamma amorosa et bella
Concordances*15131 **15173 Item BibliographyEinstein, Alfred (editor). 1941. Canzoni sonetti strambotti et frottole, libro tertio (Andrea Antico, 1517). Smith College Music Archives. Northampton, Mass. Pages: IV. |
|||
20v–21 | Occhi mei lassi mentre che io vi giro | [B.TROMBONCINO]* | |
Appears on:
20v–21
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Occhi mei lassi mentre che io vi giro
Concordances*1510 |
|||
21v–22 | Alhor chel verno da loco al estade | - | Anonymous |
Alhor chel verno da loco al estadeAnonymous
Appears on:
21v–22
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Alhor chel verno da loco al estade
Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. |
|||
22v–23 | Gentil donna se in voi | [B.TROMBONCINO]* | |
Appears on:
22v–23
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Gentil donna se in voi
Concordances*15162 |
|||
23v–24v | Tanto mi trovo hay lasso il cor piaghato | - | Anonymous |
Tanto mi trovo hay lasso il cor piaghatoAnonymous
Appears on:
23v–24v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Tanto mi trovo hay lasso il cor piaghato
Item BibliographyHaar, James (editor). 1964. Chanson and Madrigal, 1480-1530... a Conference at Isham Memorial Library, September 13-14 1961. Cambridge, Mass. |
|||
25 | Fato son per affanni ombra si obscura | [B.TROMBONCINO]* | |
Appears on:
25
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Fato son per affanni ombra si obscura
Concordances*[c. 1520]7 |
|||
25v–26 | Movesi'l vecchioni canuto et bianco In di trahendo | [B.TROMBONCINO]* | |
Appears on:
25v–26
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Movesi'l vecchioni canuto et bianco In di trahendo
Concordances*[c. 1520]1 |
|||
26v–27 | Amor che fai occido et poi do vita | - | Anonymous |
Amor che fai occido et poi do vitaAnonymous
Appears on:
26v–27
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Amor [che fai] occido et poi do vita
Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. |
|||
28 | La speranza in tutto è persa | [B.TROMBONCINO]* | |
Appears on:
28
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
La speranza in tutto √(r) persa
Concordances15172; 15205 |
|||
28v | Glie pur cocente el fier desir ch'o in core | [B.TROMBONCINO]* | |
Appears on:
28v
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Glie pur cocente el fier desir ch'o in core
General Note*15194 Concordances*15194 |
|||
29 | Poi ch'ai fin nesun lamento | - | Anonymous |
Poi ch'ai fin nesun lamentoAnonymous
Appears on:
29
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Poi ch'ai fin nesun lamento
|
|||
29v–30 | Se cosi bella sete | - | Anonymous |
Se cosi bella seteAnonymous
Appears on:
29v–30
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Se cosi bella sete
|
|||
30v | Quand'io piango e meco amore | [B.TROMBONCINO]* | |
Appears on:
30v
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Quand'io piango e meco amore
General Note*[c.1520]7 |
|||
31 | Piaggia seren'e verde | - | Anonymous |
Piaggia seren'e verdeAnonymous
Appears on:
31
Genres:
Fauxbourdon/faburden
Voice:
[no designation]
Languages:
Italian
Voice Text:
Piaggia seren'e verde
|
|||
31v–32 | Quando vostri begli occhi un caro velo | - | Anonymous |
Quando vostri begli occhi un caro veloAnonymous
Appears on:
31v–32
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Quando vostri begli occhi un caro velo
|
|||
32 | Si che la vo seguire | [M. CARA]* | |
Appears on:
32
Genres:
Italian secular
Source Attribution:
[M. CARA]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Si che la vo seguire
Concordances*15142 |
|||
32v–33 | Se tu svegliassi amore | - | Anonymous |
Se tu svegliassi amoreAnonymous
Appears on:
32v–33
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Se tu svegliassi amore
|
|||
33v–34 | Quand'io pens'al martyre | - | Anonymous |
Quand'io pens'al martyreAnonymous
Appears on:
33v–34
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Quand'io pens'al martyre
|
|||
34v–35 | Queste lachrime mie questi suspiri | [B.TROMBONCINO]* | |
Appears on:
34v–35
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Queste lachrime mie questi suspiri
Concordances*15142 Item BibliographyOsthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. |
|||
35v | Amor che fai | - | Anonymous |
Amor che faiAnonymous
Appears on:
35v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Amor che fai.
|
|||
36 | De l'anticha e dura impresa | - | Anonymous |
De l'anticha e dura impresaAnonymous
Appears on:
36
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
De l'anticha e dura impresa
|
|||
36v | Deh perche sete si dura | - | Anonymous |
Deh perche sete si duraAnonymous
Appears on:
36v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Deh perche sete si dura
|
|||
37 | Segui cor l'alta tua impresa. | - | Anonymous |
Segui cor l'alta tua impresa.Anonymous
Appears on:
37
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Segui cor l'alta tua impresa.
|
|||
37v–38 | Gioia m'abonda al cor tant'e si pura _ | [B. TROMBONCINO]* | |
Appears on:
37v–38
Genres:
Italian secular
Source Attribution:
[B. TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Gioia m'abonda al cor tant'e si pura _
Concordances*15142 |
|||
38v | Duo intrepidi guerrier ardenti et franchi | - | Anonymous |
Appears on:
38v
Genres:
Motet
Voice:
[no designation]
Languages:
Latin
Voice Text:
Duo intrepidi guerrier ardenti et franchi
|
|||
39 | Per ristar del corpo lasso | - | Anonymous |
Per ristar del corpo lassoAnonymous
Appears on:
39
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Per ristar del corpo lasso
|
|||
39v–40 | O vaghe luci sol produitt' in terra | - | Anonymous |
O vaghe luci sol produitt' in terraAnonymous
Appears on:
39v–40
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
O vaghe luci sol produitt' in terra
|
|||
40 | La mia vita e vita et morte | - | Anonymous |
La mia vita e vita et morteAnonymous
Appears on:
40
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
La mia vita e vita et morte
|
|||
40v–41 | Amor la tua virtute | - | Anonymous |
Amor la tua virtuteAnonymous
Appears on:
40v–41
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Amor la tua virtute
|
|||
41v | Nel foco tremo et ardo in mezo el giaccio | [B.TROMBONCINO]* | |
Appears on:
41v
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Nel foco tremo et ardo in mezo el giaccio
Concordances*15172 ou 15205 |
|||
42 | Non me dir che non si po | [H. DE LAURO]* | |
Appears on:
42
Genres:
Italian secular
Source Attribution:
[H. DE LAURO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Non me dir che non si po
Concordances*1517Z et 15205 |
|||
42v | Su su leva alza le ciglia | [B.TROMBONCINO]* | |
Appears on:
42v
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Su su leva alza le ciglia
Concordances*15172 ou 15205 |
|||
43 | So ben che v'accorgete | - | Anonymous |
So ben che v'accorgeteAnonymous
Appears on:
43
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
So ben che v'accorgete
|
|||
43v–44 | Donne io non scio di che mi preghi amore | - | Anonymous |
Donne io non scio di che mi preghi amoreAnonymous
Appears on:
43v–44
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Donne io non scio di che mi preghi amore..
|
|||
44v | Sol del cor si pasce amore | - | Anonymous |
Sol del cor si pasce amoreAnonymous
Appears on:
44v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Sol del cor si pasce amore
|
|||
45 | Son pur mia che mia che mai nol cresi | - | Anonymous |
Son pur mia che mia che mai nol cresiAnonymous
Appears on:
45
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Son pur mia che mia che mai nol cresi
|
|||
45v–46 | Ite pietosi mei sospiri ardenti | - | Anonymous |
Ite pietosi mei sospiri ardentiAnonymous
Appears on:
45v–46
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Ite pietosi mei sospiri ardenti
|
|||
46v | Mentre io vo per questi boschi / Et di duri amari toschi | [M. CARA] |
Cara, Marchetto
(?)
|
Appears on:
46v
Genres:
Contrafactum, Italian secular
Source Attribution:
[M. CARA]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Mentre io vo per questi boschi... /Et di duri amari toschi
|
|||
47 | Crudel fugi se sai | [B. TROMBONCINO* ou M. CARA**] |
Cara, Marchetto
(?)
|
Appears on:
47
Genres:
Italian secular
Source Attribution:
[B. TROMBONCINO* ou M. CARA**]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Crudel fugi se sai
Concordances»15131 **15173 Item BibliographyEinstein, Alfred (editor). 1941. Canzoni sonetti strambotti et frottole, libro tertio (Andrea Antico, 1517). Smith College Music Archives. Northampton, Mass. Pages: IV (Tromboncino). |
|||
47v–48 | Quella serena fronte hai lasso | [B.TROMBONCINO]* | |
Appears on:
47v–48
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Quella serena fronte hai lasso
Concordances*15162 |
|||
48v–49v | Aspicias utinam quae sit scribentis | [B.TROMBONCINO]* | |
Appears on:
48v–49v
Genres:
Motet
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Latin
Voice Text:
Aspicias utinam quae sit scribentis
Concordances*15162 |
|||
50 | Baco baco santo idio | - | Anonymous |
Baco baco santo idioAnonymous
Appears on:
50
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Baco baco santo idio
|
|||
50v–51 | Spesso mirar la desiata luce | - | Anonymous |
Spesso mirar la desiata luceAnonymous
Appears on:
50v–51
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Spesso mirar la desiata luce
|
|||
51–51v | Non e pace gioia o speme | - | Anonymous |
Non e pace gioia o spemeAnonymous
Appears on:
51–51v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Non e pace gioia o speme
|
|||
52–52v | Donna non ve adirate | - | Anonymous |
Donna non ve adirateAnonymous
Appears on:
52–52v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Donna non ve adirate
|
|||
52v–53 | Perche son tutto foco | [M. CARA]* | |
Appears on:
52v–53
Genres:
Italian secular
Source Attribution:
[M. CARA]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Perche son tutto foco.
Concordances*[c. 1530]1 |
|||
53v | Queste non son più lagrime che fore | [B.TROMBONCINO]* | |
Appears on:
53v
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Queste non son pi√π lagrime che fore
Concordances*15172 et 15205 Item BibliographyEinstein, Alfred. 1949. The Italian Madrigal. 3 vols. Princeton. Pages: III. |
|||
54 | Felice et lieta sorte [i] | - | Anonymous |
Felice et lieta sorte [i]Anonymous
Appears on:
54
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Felice et lieta sorte
|
|||
54v | Bella come voi bella donna | - | Anonymous |
Bella come voi bella donnaAnonymous
Appears on:
54v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Bella come voi bella donna
|
|||
55 | A l'ombra al caldo al gelo | - | Anonymous |
A l'ombra al caldo al geloAnonymous
Appears on:
55
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
A l'ombra al caldo al gelo
|
|||
55v–56 | Qual maraviglia o donna | M. C[ARA] | |
Appears on:
55v–56
Genres:
Italian secular
Source Attribution:
M. C[ARA]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Qual maraviglia o donna
|
|||
56v–57 | Pensate sel fu doglia di morire | [M. CARA]* | |
Appears on:
56v–57
Genres:
Italian secular
Source Attribution:
[M. CARA]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Pensate sel fu doglia di morire
Concordances*[c.1530]1 |
|||
57v | Vostro son ne d'altra mai | - | Anonymous |
Vostro son ne d'altra maiAnonymous
Appears on:
57v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Vostro son ne d'altra mai
|
|||
58 | Per fugir la mia morte alma mia spene | [M. CARA]* | |
Appears on:
58
Genres:
Italian secular
Source Attribution:
[M. CARA]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Per fugir la mia morte alma mia spene
Concordances*[c. 1520]7 |
|||
58v–59 | Donna non mi tenete | [B.TROMBONCINO]* | |
Appears on:
58v–59
Genres:
Italian secular
Source Attribution:
[B.TROMBONCINO]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Donna non mi tenete
Concordances*15142 |
|||
59v–60 | Doglia che non aguagli | M. C(ARA] | |
Appears on:
59v–60
Genres:
Italian secular
Source Attribution:
M. C(ARA]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Doglia che non aguagli
|
|||
60v–61 | Perche piangi alma se dal pianto mai | [M. CARA]* | |
Appears on:
60v–61
Genres:
Italian secular
Source Attribution:
[M. CARA]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Perche piangi alma se dal pianto mai
Concordances*15314 |
|||
61–62 | Alma gentil che di tua vagha spoglia | [M. CARA]* | |
Appears on:
61–62
Genres:
Motet
Source Attribution:
[M. CARA]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Alma gentil che di tua vagha spoglia
Concordances*15266 |
|||
62–63 | Amor da che convien che pur mi doglia | - | Anonymous |
Amor da che convien che pur mi dogliaAnonymous
Appears on:
62–63
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Amor da che convien che pur mi doglia
|
|||
63v–64 | Se in me estremo e I'ardor el ghiaccio estremo | - | Anonymous |
Appears on:
63v–64
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Se in me estremo e I'ardor el ghiaccio estremo
|
|||
64–65 | O dolce farfarela el me convien assarte | - | Anonymous |
O dolce farfarela el me convien assarteAnonymous
Appears on:
64–65
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
O dolce farfarela el me convien assarte..
General NotePubl. cf. MOe L.11.8 n° 56 |
|||
65–65v | Madona i non scio dir tante parole | - | Anonymous |
Madona i non scio dir tante paroleAnonymous
Appears on:
65–65v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Madona i non scio dir tante parole
General Notemq. T |
|||
66 | Cangia sperar mia voglia | [M. CARA]* | |
Appears on:
66
Genres:
Italian secular
Source Attribution:
[M. CARA]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Cangia sperar mia voglia
General NoteMq. T Concordances*15172 et 15205 |
|||
66v | Hay hay che de desio | - | Anonymous |
Hay hay che de desioAnonymous
Appears on:
66v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Hay hay che de desio
|
|||
67–67v | Piangea la donna mia | [M. CARA]* | |
Appears on:
67–67v
Genres:
Italian secular
Source Attribution:
[M. CARA]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Piangea la donna mia
Concordances*[c. 1520]7 |
|||
67v–68v | Cossi estrema e la doglia | - | Anonymous |
Cossi estrema e la dogliaAnonymous
Appears on:
67v–68v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Cossi estrema e la doglia
|
|||
68v–69 | Ogni foco m'attrista ove io non veggio | - | Anonymous |
Ogni foco m'attrista ove io non veggioAnonymous
Appears on:
68v–69
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Ogni foco m'attrista ove io non veggio
|
|||
69v | Poi ch'ai mio largo pianto | M. C[ARA] | |
Appears on:
69v
Genres:
Italian secular
Source Attribution:
M. C[ARA]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Poi ch'ai mio largo pianto
|
|||
70 | Tante volte si si si | [M. CARA]* | |
Appears on:
70
Genres:
Italian secular
Source Attribution:
[M. CARA]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
Tante volte si si si
Concordances*15142 |
|||
70v | Egli e meglio che m'ami | - | Anonymous |
Egli e meglio che m'amiAnonymous
Appears on:
70v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
E glie meglio che m'ami
|
|||
71–71v | Perche non oso dimostrar la piagha | DARIUS AP'LIS | |
Appears on:
71–71v
Genres:
Italian secular
Source Attribution:
DARIUS AP'LIS
Voice:
[no designation]
Languages:
Italian
Voice Text:
Perche non oso dimostrar la piagha
|
|||
81v–82 | La via de lafiumera voglio fare | - | Anonymous |
La via de lafiumera voglio fareAnonymous
Appears on:
81v–82
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
La via de lafiumera voglio fare
Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. Pages: avec facs. |
|||
82v–83 | Donne venite al ballo donne innamorate | [P.* = PIETRO DA HOSTIA ou FRANCESCO PATAVINO] | |
Appears on:
82v–83
Genres:
Italian secular
Source Attribution:
[P.* = PIETRO DA HOSTIA ou FRANCESCO PATAVINO]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Donne venite al ballo
General NotePubl. cf. Fc 2440 n° 47 Concordances*15314 |
|||
83v–84 | Dal orto se ne vien la vilanella | - | Anonymous |
Dal orto se ne vien la vilanellaAnonymous
Appears on:
83v–84
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Da l'orto se ne vien la villanella
General NotePubl. cf. MOe L.11.8 n" 64; Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. Pages: facs. |
|||
84v | De la da l'acqua sta la mia amorosa | [P.* =PIETRO DA HOSTIA ou FRANCESCO PATAVINO] | |
Appears on:
84v
Genres:
Italian secular
Source Attribution:
[P.* =PIETRO DA HOSTIA ou FRANCESCO PATAVINO]
Voice:
[no designation]
Languages:
Italian
Voice Text:
De la da l'acqua sta la mia amorosa
Concordances*15266 Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. |
|||
85 | Un cavalier di Spagna cavalcha per la via | [P.* =PIETRO DA HOSTIA ou FRANCESCO PATAVINO] | |
Appears on:
85
Genres:
Italian secular
Source Attribution:
[P.* =PIETRO DA HOSTIA ou FRANCESCO PATAVINO]
Voice:
[no designation]
Languages:
Italian
Voice Text:
Un cavalier di Spagna cavalcha per la via _ _
General NotePubl. cf. Fc 2440 n° 48 Concordances*15266 |
|||
85v | L'ultimo dì di maggio d'un bel mattino | [S. FESTA]* | |
Appears on:
85v
Genres:
Italian secular
Source Attribution:
[S. FESTA]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
L'ultimo di di mazo un bel matino
General NotePubl. cf. Fc 2440 n° 49 Concordances*15266 |
|||
86 | Vaghe le montanine | - | Anonymous |
Vaghe le montanineAnonymous
Appears on:
86
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
O vagghe montanine pastorelle
General Note[= Vaghe le montanine] [= 0 vaghe di Jesu]*Publ. cf. Fc 2440 n° 50 Concordances»OsthoffT I, 39-40 |
|||
86v | Jandussa que bella brigha. Que bella zoventù. Ne par estre vegnu al parais | - | Anonymous |
Appears on:
86v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Jandussa que bella brigha. [Que bella zovent√π]. Ne par estre vegnu al parais
Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. |
|||
87 | Dov'e l'amore dov'e la fede | - | Anonymous |
Dov'e l'amore dov'e la fedeAnonymous
Appears on:
87
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Dov'e l'amore dov'e la fede
Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. |
|||
87v | E levami d'una bella matina | - | Anonymous |
E levami d'una bella matinaAnonymous
Appears on:
87v
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
E levami d'una bella matina
Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. Pages: avec facs. |
|||
88 | Favelami fantina voltate in qua da mi | - | Anonymous |
Favelami fantina voltate in qua da miAnonymous
Appears on:
88
Genres:
Italian secular
Voice:
[no designation]
Languages:
Italian
Voice Text:
Favelami fantina voltate in qua da mi
Item BibliographyTorrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. |
|||
88v–89v | La mi fa solfa re la falsa reconchina | ROFINO [=FRA RUFFINO D'ASSISI]* | |
Appears on:
88v–89v
Genres:
textless
Source Attribution:
ROFINO [=FRA RUFFINO D'ASSISI]*
Voice:
[no designation]
Languages:
Italian
Voice Text:
La mi fa solfa re la falsa reconchina
Item BibliographyJeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: I, 161. Torrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. Pages: avec facs. |