V-CVbav MS S. Maria Maggiore 26

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1516-20

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS S. Maria Maggiore 26
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 540 x 420 mm
Other Identifiers
  • RISM: I-RvatSM 26
  • CCM: VatSM 26
  • olim (Former shelfmark): J. J. III. 4
  • olim (Former shelfmark): I-Rvat MS S. Maria Maggiore 26
Notations
  • black void mensural
Relationships
External Links
Provenance
Contents 93 pieces from 11 composers
General Description

Main corpus copied by two scribes (ff. 1-64 and ff. 64'-247, respectively); five or six other scribes made later additions (HudNS). Copied in Rome, possibly for use at Church of Santa Maria Maggiore.

DIAMM, 2017
Physical Description

Some folios damaged by ink corrosion, but most music still legible

DIAMM, 2017
Binding

Original leather covers, with brass clasps; paper slip pasted to spine bears inscription 'Liber missarum in cantu figurato Jusquini.'

DIAMM, 2017
Watermark

(1) anchor (not in Briquet); (2) anchor in circle, with six-pointed star (not in Briquet); (3) generally resembles Briquet #6096, but smaller.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1516-20 (RothS), with additions to ca. 1550

DIAMM, 2017
Ruling

Staff height 24

DIAMM, 2017
Foliation

Modern pencil foliation, 1-283, on lower center rectos.

DIAMM, 2017
Decoration

Painted initials and inked calligraphic initials, some decorated with grotesque faces

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XVIe s. 283ff. Papier, 540 x 415 mm. Foliotation ancienne en haut des ff., le plus souvent rognée. Foliotation moderne au bas des ff. Les ff. 1, 213v, 214, 229v, 230, 265r-v, 283v sont blancs. Notation mesurée blanche. 10 portées par p. Capitales ornées à la plume avec figures et armes du roi de France. Reliure ancienne cuir estampé, bouillons de cuivre portant au dos sur une collette: «Liber missarum in cantu figurato Jusquini.»

Dans ce ms. de plusieurs mains (on en distingue 7 sinon 8, dont 2 principales), on peut d'après le répertoire distinguer 2 sections: I.- Nos 1 à 15, constituant le corps du ms. avec 15 messes copiées par 2 scribes: scribe A, ff. 1 à 64; scribe B, ff. 64v à 247. Répertoire franco-flamand. Ecriture cursive gothique française. Copie effectuée vraisemblablement vers 1520 ou peu après. II.- Nos 16 à 24, moins homogène avec un répertoire liturgique plus varié, copié sans plan préétabli par plusieurs scribes (dont quelques amateurs à l'écriture peu soignée) entre ca. 1530 et 1550, la messe de Crecquillon (no 25) n'ayant guère pu être connue en Italie avant cette dernière date. Or, c'est certainement dans ce pays que le ms. a été compilé, probablement à Rome par des scribes français. L'encre ayant rongé le papier, le ms. est malheureusement en voie de détérioration rapide.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

16 Masses, 2 Credos, 1 Te Deum, 3 hymns, 1 motet = 23

(Brumel)-3, (Brumel/Josquin)-1, (Busnois)-1, (Crecquillon)-1, (A. Févin)-2, (Josquin)-3, (Josquin/Moulu)-1, (Obrecht)-1, (Pipelare)-1, (Weerbecke)-2, anon-7

i + 283 paper folios, 540 x 420. Some folios damaged by ink corrosion, but most music still legible. Modern pencil foliation, 1-283, on lower center rectos. Original leather covers, with brass clasps; paper slip pasted to spine bears inscription "Liber missarum in cantu figurato Jusquini." No index. Main corpus copied by two scribes (ff. 1-64 and ff. 64'-247, respectively); five or six other scribes made later additions (HudNS). Staff height 24. Painted initials and inked calligraphic initials, some decorated with grotesque faces. Water-marks: (1) anchor (not in Briquet); (2) anchor in circle, with six-pointed star (not in Briquet); (3) generally resembles Briquet #6096, but smaller.

Ca. 1516-20 (RothS), with additions to ca. 1550 (HudNS). Copied in Rome, possibly for use at Church of Santa Maria Maggiore.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–3 Missa L'homme armé: Kyrie [M. PIPELARE]
Appears on: 1v–3
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [M. PIPELARE]
Voice: [no designation]
Languages: Latin
Voice Text: [Missa L'homme armé]
General Note

Publ. cf. Rvat 41 n° 2

3v–5 Missa L'homme armé: Gloria -
Appears on: 3v–5
Genres: Gloria (et in terra pax), Mass Ordinary
5v–9 Missa L'homme armé: Credo -
Appears on: 5v–9
Genres: Credo (patrem omnipotentem), Mass Ordinary
9v–12 Missa L'homme armé: Sanctus -
Appears on: 9v–12
Genres: Mass Ordinary, Sanctus [& Benedictus]
12v–14 Missa L'homme armé: Agnus Dei -
Appears on: 12v–14
Genres: Agnus Dei, Mass Ordinary
14v–16 Missa O quam suavis est: Kyrie [J. OBRECHT]*
Appears on: 14v–16
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [J. OBRECHT]*
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa O quam suavis est] Kyrie
Concordances

*D-ddr-Ju 22 ObrechtMI III

General Note

Au T du Gloria: O lumen ecclesie Doctor veritatis rosa paciencie

16v–19 Missa O quam suavis est: Gloria -
Appears on: 16v–19
Genres: Gloria (et in terra pax), Mass Ordinary
19v–23 Missa O quam suavis est: Credo -
Appears on: 19v–23
Genres: Credo (patrem omnipotentem), Mass Ordinary
23v–26 Missa O quam suavis est: Sanctus -
Appears on: 23v–26
Genres: Mass Ordinary, Sanctus [& Benedictus]
26v–29 Missa O quam suavis est: Agnus Dei -
Appears on: 26v–29
Genres: Agnus Dei, Mass Ordinary
29v–31 Missa Ave maris stella 3.1: Kyrie [JOSQUIN DES PRÉS]
Appears on: 29v–31
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [JOSQUIN DES PRÉS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Ave maris stella] Kyrie
General Note

… T: Kyrie de Ave maris stella eleyson. Publ. cf. Ma 46 n° 8

31v–33 Missa Ave maris stella 3.1: Gloria -
Appears on: 31v–33
Genres: Gloria (et in terra pax), Mass Ordinary
33v–37 Missa Ave maris stella 3.1: Patrem omnipotentem [Credo] -
Appears on: 33v–37
Genres: Credo (patrem omnipotentem), Mass Ordinary
37v–40 Missa Ave maris stella 3.1: Sanctus -
Appears on: 37v–40
Genres: Mass Ordinary, Sanctus [& Benedictus]
40v–42 Missa Ave maris stella 3.1: Agnus Dei -
Appears on: 40v–42
Genres: Agnus Dei, Mass Ordinary
42v–45 Missa Bon temps reviendra tu jamais: Kyrie [A. BRUMEL]*
Appears on: 42v–45
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [A. BRUMEL]*
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Bontemps] Kyrie
Concordances

*15392

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, II.

45v–49 Missa Bon temps reviendra tu jamais: Gloria -
Appears on: 45v–49
Genres: Gloria (et in terra pax), Mass Ordinary
49v–55 Missa Bon temps reviendra tu jamais: Credo -
Appears on: 49v–55
Genres: Credo (patrem omnipotentem), Mass Ordinary
55v–59 Missa Bon temps reviendra tu jamais: Sanctus -
Appears on: 55v–59
Genres: Mass Ordinary, Sanctus [& Benedictus]
59v–62 Missa Bon temps reviendra tu jamais: Agnus Dei -
Appears on: 59v–62
Genres: Agnus Dei, Mass Ordinary
62v–64 Missa La sol fa re mi 11.2: Kyrie [JOSQUIN DES PRÉS]
Appears on: 62v–64
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [JOSQUIN DES PRÉS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa La sol fa re mi] Kyrie
General Note

[= Lesse faire a mi]Publ. cf. Bsp XXXI n° 2

64v–67 Missa La sol fa re mi 11.2: Gloria -
Appears on: 64v–67
Genres: Gloria (et in terra pax), Mass Ordinary
67v–72 Missa La sol fa re mi 11.2: Credo -
Appears on: 67v–72
Genres: Credo (patrem omnipotentem), Mass Ordinary
72v–76 Missa La sol fa re mi 11.2: Sanctus -
Appears on: 72v–76
Genres: Mass Ordinary, Sanctus [& Benedictus]
76v–77 Missa La sol fa re mi 11.2: Agnus Dei -
Appears on: 76v–77
Genres: Agnus Dei, Mass Ordinary
77v–80 Missa Victime paschali: Kyrie - Anonymous
Appears on: 77v–80
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Victime paschali]* Kyrie
Concordances

*cf. Hudson, in CMM 5, I, p. XXI

80v–84 Missa Victime paschali: Gloria - Anonymous
Appears on: 80v–84
Genres: Gloria (et in terra pax), Mass Ordinary
84v–89 Missa Victime paschali: Credo - Anonymous
Appears on: 84v–89
Genres: Credo (patrem omnipotentem), Mass Ordinary
89v–94 Missa Victime paschali: Sanctus - Anonymous
Appears on: 89v–94
Genres: Mass Ordinary, Sanctus [& Benedictus]
94v–97 Missa Victime paschali: Agnus Dei - Anonymous
Appears on: 94v–97
Genres: Agnus Dei, Mass Ordinary
97v–100 Missa O Venus bant: Kyrie [GASPAR VAN WEERBECKE]
Appears on: 97v–100
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: [GASPAR VAN WEERBECKE]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa O Venus bant] Kyrie
General Note

Publ. cf. MOe M. 1.13 n° 17

100v–104 Missa O Venus bant: Gloria -
Appears on: 100v–104
Genres: Gloria (et in terra pax), Mass Ordinary
104v–108 Missa O Venus bant: Credo -
Appears on: 104v–108
Genres: Credo (patrem omnipotentem), Mass Ordinary
108v–111, 112-114 Missa O Venus bant: Sanctus -
Appears on: 108v–111, 112-114
Genres: Mass Ordinary, Sanctus [& Benedictus]
111v, 114v–119 Missa O Venus bant: Agnus Dei -
Appears on: 111v, 114v–119
Genres: Agnus Dei, Mass Ordinary
119v–122 Missa Victime paschali laudes: Kyrie [A. BRUMEL]
Appears on: 119v–122
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [A. BRUMEL]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Victime paschali] Kyrie
General Note

incompl.,les ff. 119 et 120 déchirés. Publ. cf. Rvat 41 n° 9

122v–127 Missa Victime paschali laudes: Gloria -
Appears on: 122v–127
Genres: Gloria (et in terra pax), Mass Ordinary
127v–133 Missa Victime paschali laudes: Credo -
Appears on: 127v–133
Genres: Credo (patrem omnipotentem), Mass Ordinary
133v–137 Missa Victime paschali laudes: Sanctus -
Appears on: 133v–137
Genres: Mass Ordinary, Sanctus [& Benedictus]
137v–140 Missa Victime paschali laudes: Agnus Dei -
Appears on: 137v–140
Genres: Agnus Dei, Mass Ordinary
140v–142 Missa Ave Maria: Kyrie [A. FÉVIN]
Appears on: 140v–142
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [A. FÉVIN]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Ave Maria] Kyrie
General Note

Publ. cf. Rvat 45 n° 3

142v–145 Missa Ave Maria: Gloria -
Appears on: 142v–145
Genres: Gloria (et in terra pax), Mass Ordinary
145v–149 Missa Ave Maria: Credo -
Appears on: 145v–149
Genres: Credo (patrem omnipotentem), Mass Ordinary
149v–152 Missa Ave Maria: Sanctus -
Appears on: 149v–152
Genres: Mass Ordinary, Sanctus [& Benedictus]
152v–154 Missa Ave Maria: Agnus Dei -
Appears on: 152v–154
Genres: Agnus Dei, Mass Ordinary
154v–156 Missa L'homme armé: Kyrie [A. BUSNOIS]
Appears on: 154v–156
Genres: Mass Ordinary
Source Attribution: [A. BUSNOIS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] L'homme nude. Kyrie
General Note

[sic pour L'homme armé] Publ. cf. MOas 221 n° 1

156v–160 Missa L'homme armé: Gloria -
Appears on: 156v–160
Genres: Gloria (et in terra pax), Mass Ordinary
160v–165 Missa L'homme armé: Credo -
Appears on: 160v–165
Genres: Credo (patrem omnipotentem), Mass Ordinary
165v–169 Missa L'homme armé: Sanctus -
Appears on: 165v–169
Genres: Mass Ordinary, Sanctus [& Benedictus]
169v–172 Missa L'homme armé: Agnus Dei -
Appears on: 169v–172
Genres: Agnus Dei, Mass Ordinary
172v–174 Missa Missus est Gabriel: Kyrie [P. MOULU]
Appears on: 172v–174
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [P. MOULU]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Missus est] Kyrie
General Note

Publ. cf. Rvat 55 n" 3

174v–176 Missa Missus est Gabriel: Gloria -
Appears on: 174v–176
Genres: Gloria (et in terra pax), Mass Ordinary
176v–179 Missa Missus est Gabriel: Credo -
Appears on: 176v–179
Genres: Credo (patrem omnipotentem), Mass Ordinary
179v–181 Missa Missus est Gabriel: Sanctus -
Appears on: 179v–181
Genres: Mass Ordinary, Sanctus [& Benedictus]
181v–183 Missa Missus est Gabriel: Agnus Dei -
Appears on: 181v–183
Genres: Agnus Dei, Mass Ordinary
183v–185 Missa L'homme armé: Kyrie [A. BRUMEL]
Appears on: 183v–185
Source Attribution: [A. BRUMEL]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa L'homme armé] Kyrie
General Note

Publ.cf. Md 2268 n° 38

185v–189 Missa L'homme armé: Gloria -
Appears on: 185v–189
189v–195 Missa L'homme armé. Patrem omnipotentem [Credo] -
Appears on: 189v–195
195v–199 Missa L'homme armé: Sanctus -
Appears on: 195v–199
199v–201 Missa L'homme armé: Agnus Dei -
Appears on: 199v–201
201v–202 Missa Sanctorum meritis: Kyrie [A. FÉVIN]*
Appears on: 201v–202
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [A. FÉVIN]*
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Sanctorum meritis] Kyrie
Concordances

*A-Wn 4810 Clinkscale II

202v–205 Missa Sanctorum meritis: Gloria -
Appears on: 202v–205
Genres: Gloria (et in terra pax), Mass Ordinary
205v–210 Missa Sanctorum meritis: Credo -
Appears on: 205v–210
Genres: Credo (patrem omnipotentem), Mass Ordinary
210v–212 Missa Sanctorum meritis: Sanctus -
Appears on: 210v–212
Genres: Mass Ordinary, Sanctus [& Benedictus]
212v–213 Missa Sanctorum meritis: Agnus Dei -
Appears on: 212v–213
Genres: Agnus Dei, Mass Ordinary
213v–216 Missa Pange lingua 4.3: Kyrie [JOSQUIN DES PRÉS]
Appears on: 213v–216
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [JOSQUIN DES PRÉS]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Pange lingua] Kyrie
General Note

Publ. cf. Ma 46 n° 7 f. 214 omitted

216v–218 Missa Pange lingua 4.3: Gloria -
Appears on: 216v–218
Genres: Gloria (et in terra pax), Mass Ordinary
218v–222 Missa Pange lingua 4.3: Credo -
Appears on: 218v–222
Genres: Credo (patrem omnipotentem), Mass Ordinary
222v–226 Missa Pange lingua 4.3: Sanctus -
Appears on: 222v–226
Genres: Mass Ordinary, Sanctus [& Benedictus]
226v–229 Missa Pange lingua 4.3: Agnus Dei -
Appears on: 226v–229
Genres: Agnus Dei, Mass Ordinary
229v–233 Missa: Kyrie - Anonymous

Missa: Kyrie

Anonymous
Appears on: 229v–233
Genres: Kyrie eleison, Mass Ordinary
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa] Kyrie
General Note

f. 230 omitted

233v–237 Missa: Gloria - Anonymous

Missa: Gloria

Anonymous
Appears on: 233v–237
Genres: Gloria (et in terra pax), Mass Ordinary
237v–241 Missa: Credo - Anonymous

Missa: Credo

Anonymous
Appears on: 237v–241
Genres: Credo (patrem omnipotentem), Mass Ordinary
241v–245 Missa: Sanctus - Anonymous

Missa: Sanctus

Anonymous
Appears on: 241v–245
Genres: Mass Ordinary, Sanctus [& Benedictus]
245v–247 Missa: Agnus Dei - Anonymous

Missa: Agnus Dei

Anonymous
Appears on: 245v–247
Genres: Agnus Dei, Mass Ordinary
247v–249 Vidi aquam egredientem de templo - Anonymous
Appears on: 247v–249
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vidi aquam egredientem
249v–250 Gloria Patri - -
Appears on: 249v–250
Genres: Doxology
Voice: [no designation]
Languages: none
Voice Text: without text
250v–253 Patrem 'des rouges nez'/Chascun me crie 13.1 [Credo] [JOSQUIN ou A. B.* = BRUMEL]
Appears on: 250v–253
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [JOSQUIN ou A. B.* = BRUMEL]
Voice: [no designation]
Languages: Latin
Voice Text: [Patrem des rouges nés] Patrem
General Note

[= Patrem chiascun me crie**]Publ. cf. Rvat 23 n° 11

Concordances

*D-brd-Mbs 53 **15051

253v–256 Missa N'as tu pas: Patrem omnipotentem [Credo] [GASPAR VAN WEERBECKE]*
Appears on: 253v–256
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: [GASPAR VAN WEERBECKE]*
Voice: [no designation]
Languages: Latin
Voice Text: [Missa N'as tu pas. Credo] Patrem
Concordances

*1509»

256v–259 Beata quoque agmina - Anonymous
Appears on: 256v–259
Genres: Hymn
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus
General Note

In festo omnium sanctorum. [Christe re demptor omnium]

259v–260 Te Deum [K.528] - 1a pars (of 3): Te Deum laudamus - Anonymous
Appears on: 259v–260
Genres: Liturgical work, Te Deum
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus
260v–261 Te Deum [K.528] - 2a pars (of 3): Patrem immensae maiestatis - Anonymous
Appears on: 260v–261
Genres: Liturgical work, Te Deum
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus
261v–262 Te Deum [K.528] - 3a pars (of 3): Et rege eos et extolles illos - Anonymous
Appears on: 261v–262
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus
262v–263 [Christe redemptor omnium] Beata quoque agmina - Anonymous
Appears on: 262v–263
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Christe redemptor omnium] Beata quoque agmina
263v–264 Tu lumen - 1a pars (of 3): Tu lumen tu splendor patris - Anonymous
Appears on: 263v–264
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tu lumen tu splendor patris …
General Note

[Christe redemptor omnium]

264v [untexted fragment] - Anonymous
Appears on: 264v
Genres: textless
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Sic presens testatur dies
General Note

perhaps an error in copying the beginning of 2a pars

265v–266 Tu lumen - 2a pars (of 3): Sic presens testatur dies - Anonymous
Appears on: 265v–266
Genres: Motet
266v–267 Tu lumen - 3a pars (of 3): Nos quoque qui sancto tuo - Anonymous
Appears on: 266v–267
Genres: Motet
267v–270 Missa Pis ne me peult venir: Kyrie [TH.CRECQUILLON]
Appears on: 267v–270
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: [TH.CRECQUILLON]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: [Missa Pis ne me peult venir] Kyrie
Concordances

*15463

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 63, III.

270v–273 Missa Pis ne me peult venir: Gloria -
Appears on: 270v–273
Genres: Gloria (et in terra pax), Mass Ordinary
273v–178 Missa Pis ne me peult venir: Credo -
Appears on: 273v–178
Genres: Credo (patrem omnipotentem), Mass Ordinary
278v–281 Missa Pis ne me peult venir: Sanctus -
Appears on: 278v–281
Genres: Mass Ordinary, Sanctus [& Benedictus]
281v–283 Missa Pis ne me peult venir: Agnus Dei 6 voc. -
Appears on: 281v–283
Genres: Agnus Dei, Mass Ordinary
Composer Compositions
Anonymous
Brumel, Antoine (ca. 1460–ca. 1513)
Busnoys, Antoine (ca. 1430–1492)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Fevin, Antoine de (ca. 1470–ca. 1512)
Fevin, Robert de (fl. 1500-1515)
Moulu, Pierre (ca. 1484–ca. 1550)
Obrecht, Jacobus (ca. 1457–1505)
Pipelare, Mattheus (ca. 1450–ca. 1515)
Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Composition Composers (? Uncertain) Folios / Pages
[Christe redemptor omnium] Beata quoque agmina Anonymous 262v–263
[untexted fragment] Anonymous 264v
Beata quoque agmina Anonymous 256v–259
Gloria Patri - 249v–250
Missa Ave Maria: Agnus Dei 152v–154
Missa Ave Maria: Credo 145v–149
Missa Ave Maria: Gloria 142v–145
Missa Ave Maria: Kyrie 140v–142
Missa Ave Maria: Sanctus 149v–152
Missa Ave maris stella 3.1: Agnus Dei 40v–42
Missa Ave maris stella 3.1: Gloria 31v–33
Missa Ave maris stella 3.1: Kyrie 29v–31
Missa Ave maris stella 3.1: Patrem omnipotentem [Credo] 33v–37
Missa Ave maris stella 3.1: Sanctus 37v–40
Missa Bon temps reviendra tu jamais: Agnus Dei 59v–62
Missa Bon temps reviendra tu jamais: Credo 49v–55
Missa Bon temps reviendra tu jamais: Gloria 45v–49
Missa Bon temps reviendra tu jamais: Kyrie 42v–45
Missa Bon temps reviendra tu jamais: Sanctus 55v–59
Missa L'homme armé. Patrem omnipotentem [Credo] 189v–195
Missa L'homme armé: Agnus Dei 12v–14
Missa L'homme armé: Agnus Dei 169v–172
Missa L'homme armé: Agnus Dei 199v–201
Missa L'homme armé: Credo 5v–9
Missa L'homme armé: Credo 160v–165
Missa L'homme armé: Gloria 3v–5
Missa L'homme armé: Gloria 156v–160
Missa L'homme armé: Gloria 185v–189
Missa L'homme armé: Kyrie 1v–3
Missa L'homme armé: Kyrie 154v–156
Missa L'homme armé: Kyrie 183v–185
Missa L'homme armé: Sanctus 9v–12
Missa L'homme armé: Sanctus 165v–169
Missa L'homme armé: Sanctus 195v–199
Missa La sol fa re mi 11.2: Agnus Dei 76v–77
Missa La sol fa re mi 11.2: Credo 67v–72
Missa La sol fa re mi 11.2: Gloria 64v–67
Missa La sol fa re mi 11.2: Kyrie 62v–64
Missa La sol fa re mi 11.2: Sanctus 72v–76
Missa Missus est Gabriel: Agnus Dei 181v–183
Missa Missus est Gabriel: Credo 176v–179
Missa Missus est Gabriel: Gloria 174v–176
Missa Missus est Gabriel: Kyrie 172v–174
Missa Missus est Gabriel: Sanctus 179v–181
Missa N'as tu pas: Patrem omnipotentem [Credo] 253v–256
Missa O quam suavis est: Agnus Dei 26v–29
Missa O quam suavis est: Credo 19v–23
Missa O quam suavis est: Gloria 16v–19
Missa O quam suavis est: Kyrie 14v–16
Missa O quam suavis est: Sanctus 23v–26
Missa O Venus bant: Agnus Dei 111v, 114v–119
Missa O Venus bant: Credo 104v–108
Missa O Venus bant: Gloria 100v–104
Missa O Venus bant: Kyrie 97v–100
Missa O Venus bant: Sanctus 108v–111, 112-114
Missa Pange lingua 4.3: Agnus Dei 226v–229
Missa Pange lingua 4.3: Credo 218v–222
Missa Pange lingua 4.3: Gloria 216v–218
Missa Pange lingua 4.3: Kyrie 213v–216
Missa Pange lingua 4.3: Sanctus 222v–226
Missa Pis ne me peult venir: Agnus Dei 6 voc. 281v–283
Missa Pis ne me peult venir: Credo 273v–178
Missa Pis ne me peult venir: Gloria 270v–273
Missa Pis ne me peult venir: Kyrie 267v–270
Missa Pis ne me peult venir: Sanctus 278v–281
Missa Sanctorum meritis: Agnus Dei 212v–213
Missa Sanctorum meritis: Credo 205v–210
Missa Sanctorum meritis: Gloria 202v–205
Missa Sanctorum meritis: Kyrie 201v–202
Missa Sanctorum meritis: Sanctus 210v–212
Missa Victime paschali laudes: Agnus Dei 137v–140
Missa Victime paschali laudes: Credo 127v–133
Missa Victime paschali laudes: Gloria 122v–127
Missa Victime paschali laudes: Kyrie 119v–122
Missa Victime paschali laudes: Sanctus 133v–137
Missa Victime paschali: Agnus Dei Anonymous 94v–97
Missa Victime paschali: Credo Anonymous 84v–89
Missa Victime paschali: Gloria Anonymous 80v–84
Missa Victime paschali: Kyrie Anonymous 77v–80
Missa Victime paschali: Sanctus Anonymous 89v–94
Missa: Agnus Dei Anonymous 245v–247
Missa: Credo Anonymous 237v–241
Missa: Gloria Anonymous 233v–237
Missa: Kyrie Anonymous 229v–233
Missa: Sanctus Anonymous 241v–245
Patrem 'des rouges nez'/Chascun me crie 13.1 [Credo] 250v–253
Te Deum [K.528] - 1a pars (of 3): Te Deum laudamus Anonymous 259v–260
Te Deum [K.528] - 2a pars (of 3): Patrem immensae maiestatis Anonymous 260v–261
Te Deum [K.528] - 3a pars (of 3): Et rege eos et extolles illos Anonymous 261v–262
Tu lumen - 1a pars (of 3): Tu lumen tu splendor patris Anonymous 263v–264
Tu lumen - 2a pars (of 3): Sic presens testatur dies Anonymous 265v–266
Tu lumen - 3a pars (of 3): Nos quoque qui sancto tuo Anonymous 266v–267
Vidi aquam egredientem de templo Anonymous 247v–249

denotes primary source study

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music.  Chicago and London. Pages: 196, 264. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 209-10, 258, 349, 373, 392. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hudson, Barton. 1976. A Neglected Source of Renaissance Polyphony: Rome, Santa Maria Maggiore JJ. III. 4. Acta Musicologica, 166-80. Notes: physical description; contents list; concordances; incipits (partial); mention of MS; discussion.

Lowinsky, Edward E. 1976. Problems in Editing the Music of Josquin des Prez: A Critique of the First Edition and Proposals for the Second Edition [Symposium]. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 723-54. London, New York, and Toronto. Pages: 735. Notes: physical description; mention of MS; discussion.

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS.  American Institute of Musicology. Pages: 56, 116 [incorrectly referred to as VatSM 32]. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 162. Notes: physical description; contents list; incipitsst of contents (partial); incipits (partial).

Croll, Gerhard. 1952. Ein wenig bekanntes Chorbuch des frühen 16. Jahrhunderts aus dem Besitz der Vatikanischen Bibliothek. Sammlung Musikwissenschaftlicher Aufsätze: Herrn Professor Dr. Rudolf Gerber ... überreicht von seinem Doktoranden,  Göttingen. Notes: physical description; contents list; concordances (partial); incipits (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: P. Kast, in MGG 11, col. 768.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931).  Leipzig/ Amsterdam. Pages: L. Lockwood, in Josquin, 735.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Julia Craig-McFeely

Wednesday, 27 June, 2018

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description