V-CVbav MS Capp. Sist. 49

Biblioteca Apostolica Vaticana, Vatican City, Vatican

manuscript of polyphony: c. 1492-1504

Archive	Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav)
Shelfmark	MS Capp. Sist. 49
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	570 x 422 mm
Other Identifiers	RISM: I-Rvat 49 CCM: VatS 49 olim (Former shelfmark): I-Rvat MS Capp. Sist. 49
Notations	black void mensural
Copyists	Orceau, Johannes Music scribal concordance [1] Music scribal concordance [2] Music
Relationships	Ferreri, Antonio (patron) Sistine Chapel (Cappella Sistina) (copied at)
External Links	images
External Authorities	RISM Online (sources/857000034)
Provenance	Sistine Chapel (Cappella Sistina) , Rome, Italy
Contents	Contains 61 compositions, 38 from 6 composers, 23 are anonymous.

General Description

Composite of originally separate fascicles; new ff. 144-148, containing fragmentary Brumel Mass, now bound in incorrect sequence. The main scribe was Johannes Orceau (SherrPC). Two additional scribes: (scribe 1) ff. 36'-55, 69'-93, 129'-140 (also wrote most of VatS 15, ff. 218'-227 of VatS 23, ff. 87'-103 of VatS 41, and ff. 39'-44, 59'-63, and 65'-70 of VatS 63; (scribe 2) ff. 56'-68 (also wrote ff. 38'-49 of VatS 41, and ff. 71'-75 of VatS 63). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017

Physical Description

Some folios damaged by ink corrosion, but most music still legible.

DIAMM, 2017

Binding

Covers of dark brown leather over boards, blind tooled with decorative borders and central diamond motif. Covers date from 19th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings.

DIAMM, 2017

Watermark

(1) generally resembles Briquet #11658; (2) generally resembles Briquet #4412; (3) generally resembles Briquet #13883; (4) generally resembles Briquet #6270; (5) generally resembles Briquet #7313; (6) unidentifiable (SherrPM).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 25

DIAMM, 2017

Foliation

No original foliation remains. Modern stamped foliation, 1-142 + modern pencil foliation, 143-148, on lower right rectos (excludes first and last flyleaves).

DIAMM, 2017

Decoration

Watercolour initials on ff. 2', 36', 56'-57, 84'-85, 94', 98'-99, and 129'-130; other folios have inked calligraphic initials decorated with tracery and grotesque faces. Coat of arms of Pope Julius II (1443-1513) on f. 98'; coat of arms of Antonio Ferreri, maestro of papal chapel 1504-6, on f. 2'.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe. s. 148ff. Papier, 568 x 427 mm. Foliotation moderne. Les ff. lr-v, 2, 22v, 23, 35v, 36, 55v, 56, 68v, 69, 83v, 84, 93v, 94, 97v, 98,109v, 110,119v, 120,128v, 129, 140v à 144, 148v sont blancs. Notation mesurée blanche. 10-11 portées par p. Capitales ornées de visages à la plume.

Réuni en 1 vol. sous le pontificat de Jules II (1503-1513) dont les armoiries figurent au f. 98v, ce ms. de plusieurs mains a été constitué à partir de fascicules séparés copiés à différentes époques remontant peut-être même avant 1503, le répertoire comprenant des compositeurs actifs au tournant des XVe-XVIe s., sinon en plein XVe s. comme Dufay et Isaac. Les armoiries qui figurent au f. 98v, considérées jusqu'à présent comme celles de Jules II, seraient plus probablement celles du Cardinal Antonio Ferreri, maître de la Chapelle papale depuis 1504 (cf. Rvat 23, description).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

12 Masses (1 fragmentary and without text), 1 motet = 13

(Brumel)-1, (Dufay)-1, Hillanis-1, (Isaac)-2, (Josquin)-1, (Prioris?)-1, Vaqueras-2, anon-4

i + 142 + i + 5 + i paper folios, 570 x 422. Composite of originally separate fascicles; new ff. 144-148, containing fragmentary Brumel Mass, now bound in incorrect sequence. Some folios damaged by ink corrosion, but most music still legible. No original foliation remains. Modern stamped foliation, 1-142 + modern pencil foliation, 143-148, on lower right rectos (excludes first and last flyleaves). Covers of dark brown leather over boards, blind tooled with decorative borders and central diamond motif. Covers date from 19th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings. No index.

The main scribe was Johannes Orceau (SherrPC); see general index for other manuscripts copied by Orceau. Two additional scribes: (1) ff. 36'-55, 69'-93, 129'-140 (also wrote most of VatS 15, ff. 218'-227 of VatS 23, ff. 87'-103 of VatS 41, and ff. 39'-44, 59'-63, and 65'-70 of VatS 63; (2) ff. 56'-68 (also wrote ff. 38'-49 of VatS 41, and ff. 71'-75 of VatS 63). Staff height 25. Watercolor initials on ff. 2', 36', 56'-57, 84'-85, 94', 98'-99, and 129'-130; other folios have inked calligraphic initials decorated with tracery and grotesque faces. Coat of arms of Pope Julius II (1443-1513) on f. 98'; coat of arms of Antonio Ferreri, maestro of papal chapel 1504-6, on f. 2'. Watermarks: (1) generally resembles Briquet #11658; (2) generally resembles Briquet #4412; (3) generally resembles Briquet #13883; (4) generally resembles Briquet #6270; (5) generally resembles Briquet #7313; (6) unidentifiable (SherrPM).

Ca. 1492-1504 (DeanS). Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2v–3	Missa Du bon du coeur: Kyrie	VAQUERAS	Vacqueras, Bertrandus (ca. 1450–1507)
Missa Du bon du coeur: Kyrie Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 2v–3 Genres: Kyrie eleison, Mass Ordinary Source Attribution: VAQUERAS Number of voices: 4 Voice: [no designation] Languages: Latin, French, Greek Voice Text: [Missa Du bon du ceur] Kyrie Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 78.
3v–5	Missa Du bon du coeur: Gloria	-	Vacqueras, Bertrandus (ca. 1450–1507)
Missa Du bon du coeur: Gloria Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 3v–5 Genres: Gloria (et in terra pax), Mass Ordinary
5v–9	Missa Du bon du coeur: Credo	-	Vacqueras, Bertrandus (ca. 1450–1507)
Missa Du bon du coeur: Credo Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 5v–9 Genres: Credo (patrem omnipotentem), Mass Ordinary
9v–11	Missa Du bon du coeur: Sanctus	-	Vacqueras, Bertrandus (ca. 1450–1507)
Missa Du bon du coeur: Sanctus Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 9v–11 Genres: Mass Ordinary, Sanctus [& Benedictus]
11v–13	Missa Du bon du coeur: Agnus Dei	-	Vacqueras, Bertrandus (ca. 1450–1507)
Missa Du bon du coeur: Agnus Dei Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 11v–13 Genres: Agnus Dei, Mass Ordinary
13v–14	Missa [Adieu madame]: Kyrie	-	Anonymous
Missa [Adieu madame]: Kyrie Anonymous Appears on: 13v–14 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
14v–16	Missa [Adieu madame]: Gloria	-	Anonymous
Missa [Adieu madame]: Gloria Anonymous Appears on: 14v–16 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
16v–19	Missa [Adieu madame]: Credo	-	Anonymous
Missa [Adieu madame]: Credo Anonymous Appears on: 16v–19 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
19v–21	Missa [Adieu madame]: Sanctus	-	Anonymous
Missa [Adieu madame]: Sanctus Anonymous Appears on: 19v–21 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
21v–22	Missa [Adieu madame]: Agnus Dei	-	Anonymous
Missa [Adieu madame]: Agnus Dei Anonymous Appears on: 21v–22 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
23v–25	Missa L'homme armé: Kyrie	VAQUERAS	Vacqueras, Bertrandus (ca. 1450–1507)
Missa L'homme armé: Kyrie Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 23v–25 Genres: Kyrie eleison, Mass Ordinary Source Attribution: VAQUERAS Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa l'homme armé]* Kyrie Item Bibliography Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: I, fase. IX. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 78.
25v–28	Missa L'homme armé: Gloria	-	Vacqueras, Bertrandus (ca. 1450–1507)
Missa L'homme armé: Gloria Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 25v–28 Genres: Gloria (et in terra pax), Mass Ordinary
28v–31	Missa L'homme armé: Credo	-	Vacqueras, Bertrandus (ca. 1450–1507)
Missa L'homme armé: Credo Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 28v–31 Genres: Credo (patrem omnipotentem), Mass Ordinary
31v–33	Missa L'homme armé: Sanctus	-	Vacqueras, Bertrandus (ca. 1450–1507)
Missa L'homme armé: Sanctus Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 31v–33 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
33v–35	Missa L'homme armé: Agnus Dei	-	Vacqueras, Bertrandus (ca. 1450–1507)
Missa L'homme armé: Agnus Dei Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 33v–35 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
36v–38	Missa L'homme armé: Kyrie	[G. DUFAY]	Du Fay, Guillaume (1397–1474)
Missa L'homme armé: Kyrie Du Fay, Guillaume (1397–1474) Appears on: 36v–38 Genres: Mass Ordinary Source Attribution: [G. DUFAY] Number of voices: 4 Voice: [no designation] Languages: Latin, French, Greek Voice Text: [Missa]l'omme armé. Kyrie General Note Publ. cf.Las 238 n° 12T du Credo: lomme armé
38v–43	Missa L'homme armé: Gloria	-	Du Fay, Guillaume (1397–1474)
Missa L'homme armé: Gloria Du Fay, Guillaume (1397–1474) Appears on: 38v–43 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
43v–49	Missa L'homme armé: Credo	-	Du Fay, Guillaume (1397–1474)
Missa L'homme armé: Credo Du Fay, Guillaume (1397–1474) Appears on: 43v–49 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
49v–53	Missa L'homme armé: Sanctus	-	Du Fay, Guillaume (1397–1474)
Missa L'homme armé: Sanctus Du Fay, Guillaume (1397–1474) Appears on: 49v–53 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
53v–55	Missa L'homme armé: Agnus Dei	-	Du Fay, Guillaume (1397–1474)
Missa L'homme armé: Agnus Dei Du Fay, Guillaume (1397–1474) Appears on: 53v–55 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
56v–58	Missa: Kyrie	-	Anonymous
Missa: Kyrie Anonymous Appears on: 56v–58 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
58v–61	Missa: Gloria	-	Anonymous
Missa: Gloria Anonymous Appears on: 58v–61 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
61v–64	Missa: Credo	-	Anonymous
Missa: Credo Anonymous Appears on: 61v–64 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
64v–66	Missa: Sanctus	-	Anonymous
Missa: Sanctus Anonymous Appears on: 64v–66 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
66v–68	Missa: Agnus Dei	-	Anonymous
Missa: Agnus Dei Anonymous Appears on: 66v–68 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
69v–71	Missa Comme femme desconfortée: Kyrie	[H. ISAAC]*	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 69v–71 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [H. ISAAC]* Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Comme femme desconfortée] Kyrie General Note T du Credo: Comme femme Concordances *E-Boc 5
71v–74	Missa Comme femme desconfortée: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 71v–74 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
74v–77	Missa Comme femme desconfortée: Credo	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 74v–77 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
77v–80	Missa Comme femme desconfortée: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 77v–80 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
80v–83	Missa Comme femme desconfortée: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 80v–83 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
84v–86	Missa Tmeiskin was jonck: Kyrie	[H. ISAAC]*	Isaac, Heinrich (ca. 1450–1517)
Missa Tmeiskin was jonck: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 84v–86 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [H. ISAAC]* Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa T'meiskin was jonck]* Kyrie Concordances *StaehelinDM I, 34; III, 99; StaehelinQ, 127
86v–88	Missa Tmeiskin was jonck: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Tmeiskin was jonck: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 86v–88 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
88v–90	Missa Tmeiskin was jonck: Patrem omnipotentem [Credo]	-	Isaac, Heinrich (ca. 1450–1517)
Missa Tmeiskin was jonck: Patrem omnipotentem [Credo] Isaac, Heinrich (ca. 1450–1517) Appears on: 88v–90 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
90v–92	Missa Tmeiskin was jonck: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Tmeiskin was jonck: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 90v–92 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
92v–93	Missa Tmeiskin was jonck: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Tmeiskin was jonck: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 92v–93 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
94v–95	Salve regina - 1a pars (of 3): Salve regina mater misericordiae	-	Anonymous
Salve regina - 1a pars (of 3): Salve regina mater misericordiae Anonymous Appears on: 94v–95 Genres: BVM, Motet, Salve Regina Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve regina
95v–96	Salve regina - 2a pars (of 3): Ad te suspiramus gementes et flentes	-	Anonymous
Salve regina - 2a pars (of 3): Ad te suspiramus gementes et flentes Anonymous Appears on: 95v–96 Genres: BVM, Motet, Salve Regina Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve regina
96v–97	Salve regina - 3a pars (of 3): Et Jesum benedictum fructum ventris	-	Anonymous
Salve regina - 3a pars (of 3): Et Jesum benedictum fructum ventris Anonymous Appears on: 96v–97 Genres: BVM, Motet, Salve Regina Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve regina
98v–100	Missa: Kyrie	JO. DE HILLANAS	Hillanis, Johannes de (ca. 1460–ca. 1517)
Missa: Kyrie Hillanis, Johannes de (ca. 1460–ca. 1517) Appears on: 98v–100 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. DE HILLANAS Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie
100v–102	Missa: Gloria	-	Hillanis, Johannes de (ca. 1460–ca. 1517)
Missa: Gloria Hillanis, Johannes de (ca. 1460–ca. 1517) Appears on: 100v–102 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
102v–106	Missa: Credo	-	Hillanis, Johannes de (ca. 1460–ca. 1517)
Missa: Credo Hillanis, Johannes de (ca. 1460–ca. 1517) Appears on: 102v–106 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
106v–108	Missa: Sanctus	-	Hillanis, Johannes de (ca. 1460–ca. 1517)
Missa: Sanctus Hillanis, Johannes de (ca. 1460–ca. 1517) Appears on: 106v–108 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
108v–109	Missa: Agnus Dei	-	Hillanis, Johannes de (ca. 1460–ca. 1517)
Missa: Agnus Dei Hillanis, Johannes de (ca. 1460–ca. 1517) Appears on: 108v–109 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
110v–111	Missa Ave maris stella: Kyrie	-	Anonymous
Missa Ave maris stella: Kyrie Anonymous Appears on: 110v–111 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Ave maris stella] Kyrie
111v–113	Missa Ave maris stella: Gloria	-	Anonymous
Missa Ave maris stella: Gloria Anonymous Appears on: 111v–113 Genres: Gloria (et in terra pax), Mass Ordinary
113v–116	Missa Ave maris stella: Credo	-	Anonymous
Missa Ave maris stella: Credo Anonymous Appears on: 113v–116 Genres: Credo (patrem omnipotentem), Mass Ordinary
116v–118	Missa Ave maris stella: Sanctus	-	Anonymous
Missa Ave maris stella: Sanctus Anonymous Appears on: 116v–118 Genres: Mass Ordinary, Sanctus [& Benedictus]
118v–119	Missa Ave maris stella: Agnus Dei	-	Anonymous
Missa Ave maris stella: Agnus Dei Anonymous Appears on: 118v–119 Genres: Agnus Dei, Mass Ordinary
120v–121	Missa [Je ne demande]: Kyrie	-	Anonymous
Missa [Je ne demande]: Kyrie Anonymous Appears on: 120v–121 Genres: Kyrie eleison, Mass Ordinary Number of voices: 2 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Je ne demando = Missa Elle est bien malade] Kyrie General Note Publ. cf. CMacMP) n° 8
121v–122	Missa [Je ne demande]: Gloria	-	Anonymous
Missa [Je ne demande]: Gloria Anonymous Appears on: 121v–122 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
122v–125	Missa [Je ne demande]: Credo	-	Anonymous
Missa [Je ne demande]: Credo Anonymous Appears on: 122v–125 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
125v–127	Missa [Je ne demande]: Sanctus	-	Anonymous
Missa [Je ne demande]: Sanctus Anonymous Appears on: 125v–127 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
127v–128	Missa [Je ne demande]: Agnus Dei	-	Anonymous
Missa [Je ne demande]: Agnus Dei Anonymous Appears on: 127v–128 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
129v–131	Missa Ad fugam = Missa sine nomine 12.1: Kyrie	[JOSQUIN DES PRÉS]*	Despres, Josquin (ca. 1450–1521)
Missa Ad fugam = Missa sine nomine 12.1: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 129v–131 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [JOSQUIN DES PRÉS]* Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: Missa ad fugam] Kyrie Concordances RISM J 673; Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931).* Leipzig/ Amsterdam. Pages: III. Sartori, Claudio. 1948. Bibliografia delle opere musicali stampate da Ottaviano Petrucci. Firenze. Pages: 48.
131v–133	Missa Ad fugam = Missa sine nomine 12.1: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Ad fugam = Missa sine nomine 12.1: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 131v–133 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
133v–135	Missa Ad fugam = Missa sine nomine 12.1: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa Ad fugam = Missa sine nomine 12.1: Credo Despres, Josquin (ca. 1450–1521) Appears on: 133v–135 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
135v–138	Missa Ad fugam = Missa sine nomine 12.1: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Ad fugam = Missa sine nomine 12.1: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 135v–138 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
138v–140	Missa Ad fugam = Missa sine nomine 12.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Ad fugam = Missa sine nomine 12.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 138v–140 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
145r	Missa L'homme armé: Gloria	[A. BRUMEL]	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé: Gloria Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 145r Source Attribution: [A. BRUMEL] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa l'homme armé] General Note Mq. Kyrie et début du Gloria. Qui tollis seulement. Sans texte.Publ. cf. Md 2268 n° 38
145v–148	Missa L'homme armé. Patrem omnipotentem [Credo]	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé. Patrem omnipotentem [Credo] Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 145v–148 Number of voices: 4 General Note untexted
148v–149	Missa L'homme armé: Sanctus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa L'homme armé: Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 148v–149 Number of voices: 4 Concordances untexted. This should be the Sanctus or Agnus but the music does not match (eg) Chigi C.VIII.234

Composer	Compositions
Anonymous	Missa Ave maris stella: Agnus Dei – 118v–119 Missa Ave maris stella: Credo – 113v–116 Missa Ave maris stella: Gloria – 111v–113 Missa Ave maris stella: Kyrie – 110v–111 Missa Ave maris stella: Sanctus – 116v–118 Missa [Adieu madame]: Agnus Dei – 21v–22 Missa [Adieu madame]: Credo – 16v–19 Missa [Adieu madame]: Gloria – 14v–16 Missa [Adieu madame]: Kyrie – 13v–14 Missa [Adieu madame]: Sanctus – 19v–21 Missa [Je ne demande]: Agnus Dei – 127v–128 Missa [Je ne demande]: Credo – 122v–125 Missa [Je ne demande]: Gloria – 121v–122 Missa [Je ne demande]: Kyrie – 120v–121 Missa [Je ne demande]: Sanctus – 125v–127 Missa: Agnus Dei – 66v–68 Missa: Credo – 61v–64 Missa: Gloria – 58v–61 Missa: Kyrie – 56v–58 Missa: Sanctus – 64v–66 Salve regina - 1a pars (of 3): Salve regina mater misericordiae – 94v–95 Salve regina - 2a pars (of 3): Ad te suspiramus gementes et flentes – 95v–96 Salve regina - 3a pars (of 3): Et Jesum benedictum fructum ventris – 96v–97
Brumel, Antoine (ca. 1460-ca. 1513)	Missa L'homme armé. Patrem omnipotentem [Credo] – 145v–148 Missa L'homme armé: Gloria – 145r Missa L'homme armé: Sanctus – 148v–149
Despres, Josquin (ca. 1450-1521)	Missa Ad fugam = Missa sine nomine 12.1: Agnus Dei – 138v–140 Missa Ad fugam = Missa sine nomine 12.1: Credo – 133v–135 Missa Ad fugam = Missa sine nomine 12.1: Gloria – 131v–133 Missa Ad fugam = Missa sine nomine 12.1: Kyrie – 129v–131 Missa Ad fugam = Missa sine nomine 12.1: Sanctus – 135v–138
Du Fay, Guillaume (1397-1474)	Missa L'homme armé: Agnus Dei – 53v–55 Missa L'homme armé: Credo – 43v–49 Missa L'homme armé: Gloria – 38v–43 Missa L'homme armé: Kyrie – 36v–38 Missa L'homme armé: Sanctus – 49v–53
Hillanis, Johannes de (ca. 1460-ca. 1517)	Missa: Agnus Dei – 108v–109 Missa: Credo – 102v–106 Missa: Gloria – 100v–102 Missa: Kyrie – 98v–100 Missa: Sanctus – 106v–108
Isaac, Heinrich (ca. 1450-1517)	Missa Comme femme desconfortée: Agnus Dei – 80v–83 Missa Comme femme desconfortée: Credo – 74v–77 Missa Comme femme desconfortée: Gloria – 71v–74 Missa Comme femme desconfortée: Kyrie – 69v–71 Missa Comme femme desconfortée: Sanctus – 77v–80 Missa Tmeiskin was jonck: Agnus Dei – 92v–93 Missa Tmeiskin was jonck: Gloria – 86v–88 Missa Tmeiskin was jonck: Kyrie – 84v–86 Missa Tmeiskin was jonck: Patrem omnipotentem [Credo] – 88v–90 Missa Tmeiskin was jonck: Sanctus – 90v–92
Vacqueras, Bertrandus (ca. 1450-1507)	Missa Du bon du coeur: Agnus Dei – 11v–13 Missa Du bon du coeur: Credo – 5v–9 Missa Du bon du coeur: Gloria – 3v–5 Missa Du bon du coeur: Kyrie – 2v–3 Missa Du bon du coeur: Sanctus – 9v–11 Missa L'homme armé: Agnus Dei – 33v–35 Missa L'homme armé: Credo – 28v–31 Missa L'homme armé: Gloria – 25v–28 Missa L'homme armé: Kyrie – 23v–25 Missa L'homme armé: Sanctus – 31v–33

Composition	Composers (? Uncertain)	Folios / Pages
Missa [Adieu madame]: Agnus Dei	Anonymous	21v–22
Missa [Adieu madame]: Credo	Anonymous	16v–19
Missa [Adieu madame]: Gloria	Anonymous	14v–16
Missa [Adieu madame]: Kyrie	Anonymous	13v–14
Missa [Adieu madame]: Sanctus	Anonymous	19v–21
Missa [Je ne demande]: Agnus Dei	Anonymous	127v–128
Missa [Je ne demande]: Credo	Anonymous	122v–125
Missa [Je ne demande]: Gloria	Anonymous	121v–122
Missa [Je ne demande]: Kyrie	Anonymous	120v–121
Missa [Je ne demande]: Sanctus	Anonymous	125v–127
Missa Ad fugam = Missa sine nomine 12.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	138v–140
Missa Ad fugam = Missa sine nomine 12.1: Credo	Despres, Josquin (ca. 1450–1521)	133v–135
Missa Ad fugam = Missa sine nomine 12.1: Gloria	Despres, Josquin (ca. 1450–1521)	131v–133
Missa Ad fugam = Missa sine nomine 12.1: Kyrie	Despres, Josquin (ca. 1450–1521)	129v–131
Missa Ad fugam = Missa sine nomine 12.1: Sanctus	Despres, Josquin (ca. 1450–1521)	135v–138
Missa Ave maris stella: Agnus Dei	Anonymous	118v–119
Missa Ave maris stella: Credo	Anonymous	113v–116
Missa Ave maris stella: Gloria	Anonymous	111v–113
Missa Ave maris stella: Kyrie	Anonymous	110v–111
Missa Ave maris stella: Sanctus	Anonymous	116v–118
Missa Comme femme desconfortée: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	80v–83
Missa Comme femme desconfortée: Credo	Isaac, Heinrich (ca. 1450–1517)	74v–77
Missa Comme femme desconfortée: Gloria	Isaac, Heinrich (ca. 1450–1517)	71v–74
Missa Comme femme desconfortée: Kyrie	Isaac, Heinrich (ca. 1450–1517)	69v–71
Missa Comme femme desconfortée: Sanctus	Isaac, Heinrich (ca. 1450–1517)	77v–80
Missa Du bon du coeur: Agnus Dei	Vacqueras, Bertrandus (ca. 1450–1507)	11v–13
Missa Du bon du coeur: Credo	Vacqueras, Bertrandus (ca. 1450–1507)	5v–9
Missa Du bon du coeur: Gloria	Vacqueras, Bertrandus (ca. 1450–1507)	3v–5
Missa Du bon du coeur: Kyrie	Vacqueras, Bertrandus (ca. 1450–1507)	2v–3
Missa Du bon du coeur: Sanctus	Vacqueras, Bertrandus (ca. 1450–1507)	9v–11
Missa L'homme armé. Patrem omnipotentem [Credo]	Brumel, Antoine (ca. 1460–ca. 1513)	145v–148
Missa L'homme armé: Agnus Dei	Vacqueras, Bertrandus (ca. 1450–1507)	33v–35
Missa L'homme armé: Agnus Dei	Du Fay, Guillaume (1397–1474)	53v–55
Missa L'homme armé: Credo	Vacqueras, Bertrandus (ca. 1450–1507)	28v–31
Missa L'homme armé: Credo	Du Fay, Guillaume (1397–1474)	43v–49
Missa L'homme armé: Gloria	Vacqueras, Bertrandus (ca. 1450–1507)	25v–28
Missa L'homme armé: Gloria	Du Fay, Guillaume (1397–1474)	38v–43
Missa L'homme armé: Gloria	Brumel, Antoine (ca. 1460–ca. 1513)	145r
Missa L'homme armé: Kyrie	Vacqueras, Bertrandus (ca. 1450–1507)	23v–25
Missa L'homme armé: Kyrie	Du Fay, Guillaume (1397–1474)	36v–38
Missa L'homme armé: Sanctus	Vacqueras, Bertrandus (ca. 1450–1507)	31v–33
Missa L'homme armé: Sanctus	Du Fay, Guillaume (1397–1474)	49v–53
Missa L'homme armé: Sanctus	Brumel, Antoine (ca. 1460–ca. 1513)	148v–149
Missa Tmeiskin was jonck: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	92v–93
Missa Tmeiskin was jonck: Gloria	Isaac, Heinrich (ca. 1450–1517)	86v–88
Missa Tmeiskin was jonck: Kyrie	Isaac, Heinrich (ca. 1450–1517)	84v–86
Missa Tmeiskin was jonck: Patrem omnipotentem [Credo]	Isaac, Heinrich (ca. 1450–1517)	88v–90
Missa Tmeiskin was jonck: Sanctus	Isaac, Heinrich (ca. 1450–1517)	90v–92
Missa: Agnus Dei	Anonymous	66v–68
Missa: Agnus Dei	Hillanis, Johannes de (ca. 1460–ca. 1517)	108v–109
Missa: Credo	Anonymous	61v–64
Missa: Credo	Hillanis, Johannes de (ca. 1460–ca. 1517)	102v–106
Missa: Gloria	Anonymous	58v–61
Missa: Gloria	Hillanis, Johannes de (ca. 1460–ca. 1517)	100v–102
Missa: Kyrie	Anonymous	56v–58
Missa: Kyrie	Hillanis, Johannes de (ca. 1460–ca. 1517)	98v–100
Missa: Sanctus	Anonymous	64v–66
Missa: Sanctus	Hillanis, Johannes de (ca. 1460–ca. 1517)	106v–108
Salve regina - 1a pars (of 3): Salve regina mater misericordiae	Anonymous	94v–95
Salve regina - 2a pars (of 3): Ad te suspiramus gementes et flentes	Anonymous	95v–96
Salve regina - 3a pars (of 3): Et Jesum benedictum fructum ventris	Anonymous	96v–97

‡ denotes primary source study

Sherr, Richard Jonathan. 1996. Papal Music Manuscripts in the Late Fifteenth and Early Sixteenth Centuries. Renaissance Manuscript Studies, vol. 5. Neuhausen nr. Stuttgart. Notes: physical description; contents list; concordances; incipits; mention of MS; discussion.

Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 44, 46, 247-8, 281, passim. Notes: physical description (partial); contents list; discussion.

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae, vol. 90. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xvi-xix, 71-93. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 201, 209-10, 245, 247, 349, 372. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Sherr, Richard Jonathan (editor). 1978. Bertrandi Vaqueras: Opera Omnia. Corpus mensurabilis musicae, vol. 78. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xii, l-82. Notes: contents list (partial); transcription (partial).

Sherr, Richard Jonathan. 1977. Notes on Two Roman Manuscripts of the Early Sixteenth Century. The Musical Quarterly, 63: 48-73. Pages: 51-4. Notes: facsimile (partial); mention of MS; discussion.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxviii, 31-2, 34, 60-l, 79, 84; III, 81-6, 99-103, 204. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 111. Notes: contents list (partial); concordances (partial).

Sherr, Richard Jonathan. 1975. The Papal Chapel ca. 1492-1513 and Its Polyphonic Sources. Princeton University, Unpublished Ph.D. dissertation. Pages: 252-3, passim. Notes: physical description (partial); contents list; discussion.

Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae, vol. 65. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, xxii, xlix, 188-90; VII, xxxvii. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Staehelin, Martin. 1973. Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 23: 79-91. Pages: 82, 89. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xviii; II, xvii. Notes: contents list (partial); concordances (partial).

Nitschke, Wolfgang. 1968. Studien zu den Cantus-Firmus-Messen Guillaume Dufays. Berliner Studien zur Musikwissenschaft, vol. 13. Berlin. Pages: I, 202ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1960. Capellae Sistinae Codices musicis notis instructi sive manu scripti sive praelo excussi. Studi e testi, vol. 202. Città del Vaticano. Pages: 100ff.

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices. Vatican City. Pages: 100-2, 487-8. Notes: physical description; contents list; incipits (partial).

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae, vol. 1. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, vi-xiv, 44-65. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: I, 132. Notes: physical description (partial); contents list (partial).

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: XIV, xxv-xxviii. Notes: physical description; contents list; concordances (partial).

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 21, 142.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description