V-CVbav MS Capp. Sist. 45

Biblioteca Apostolica Vaticana, Vatican City, Vatican

manuscript of polyphony: c. 1511-4

Archive	Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav)
Shelfmark	MS Capp. Sist. 45
Image Availability	DIAMM does not have images of this source.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	556 x 423 mm
Other Identifiers	RISM: I-Rvat 45 CCM: VatS 45 olim (Former shelfmark): I-Rvat MS Capp. Sist. 45
Notations	black void mensural
Copyists	Gellandi, Claudius Music Orceau, Johannes Music
Relationships	Parvus, Johannes (contemporary editor) Leo X (1475–1521) (patron) Sistine Chapel (Cappella Sistina) (copied at)
External Links	Images
External Authorities	RISM Online (sources/857000030)
Provenance	Sistine Chapel (Cappella Sistina) , Rome, Italy
Contents	Contains 59 compositions from 10 composers.

General Description

Composite of originally separate fascicles. The main scribe was Claudius Gellandi; ff. 190'-199' copied by Johannes Orceau; later text corrections by Johannes Parvus on f. 71' and f. 76 (DeanS). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017

Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings.

DIAMM, 2017

Watermark

on ff. 190-199 generally resembles Briquet #478 (SherrPM)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 25

DIAMM, 2017

Foliation

Original ink foliation, i-ccii, on upper right rectos (excludes parchment folio); modern pencil foliation (cited here), 1-204, on lower center rectos (excludes first and last flyleaves).

DIAMM, 2017

Decoration

Pen-and-wash miniatures and initials on f. 3' include coat of arms of Medici pope; DeanS identifies arms as those of Pope Leo X (1475-1521), and refutes earlier assertions that arms are those of Pope Clement VII (ca. 1475-1534). Other folios have inked calligraphic initials, some decorated with floral tracery, animals, birds, human faces, etc.

DIAMM, 2017

Index

Original index on f. 2' lists pieces in order of appearance.

DIAMM, 2017

Surface

ii paper + i parchment + 202 paper + i paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 202ff. + 2ff. limin. Papier, 555 x 420 mm. Foliotation ancienne en ch. romains: 1-202 et foliotation moderne: 1-204. Dans la foliotation ancienne, les ff. limin. Ir-v, II, 15v, 16, 30v, 31, 47v, 48, 64v, 65, 82v, 83, 97v, 98, 115, 116, 129v, 130, 145v à 149, 168v, 169, 176v, 177, 180v, 181, 187v, 188, 198v à 199, 202v sont blancs. Notation mesurée blanche. 10 portées par p. Au f. limin. IIv: Tabula. Quelques initiales ornées en coul., les autres à la plume. Reliure du XVIIIe s. cuir, fermoirs et bouillons métal.

Ms. copié par un seul scribe à une date difficile à fixer avec exactitude. On lit au f. 1.[3]: «Requiescat in pace. L'ame de feu tres bonne memoire. Treshault puissant tresvertueulx et tresvictorieux prince Monseigneur Charles de Bourbonnoys d'Auvergne, de Millan et de Chastellerault etc. Cappitaine et lieutenant général pour l'empereur en Italie. Lequel morut a l'assault de Romme le Lundi sixiesme jour de may. L'an de l'incarnacion notre seigneur mil cinq cens vingt sept. Amen. Cayron.», ce qui semble situer la copie après 1527, c'est-à-dire sous le pontificat de Clément VII (1523-1534) dont on a jusqu'à présent reconnu les armoiries dans l'initiale du f. lv. Mais, comme l'allusion au siège de Rome de 1527 a pu être ajoutée à n'importe quel moment et que les armoiries désignent un pape Médicis sans autre précision, on a pu avec autant de vraisemblance les attribuer à Léon X (1513-1521) et considérer le ms. comme datant de cette époque, surtout si l'on tient compte du répertoire et du style de l'écriture. (Cf. Bibliographie, SherrAW).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Masses, 2 Credos, 4 motets = 16

Brumel-1, Brunet [Jo. Brumes]-1, A. Févin-1, Isaac-1, Josquin-3, Josquin/(La Rue)-1, La Rue-4, La Rue/(Josquin)-1, Mouton-1, Prioris-1, Silva-1

ii paper + i parchment + 202 paper + i paper folios, 556 x 423. Composite of originally separate fascicles. Original ink foliation, i-ccii, on upper right rectos (excludes parchment folio); modern pencil foliation (cited here), 1-204, on lower center rectos (excludes first and last flyleaves). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manu-scripts with similar bindings. Original index on f. 2' lists pieces in order of appearance.

The main scribe was Claudius Gellandi; ff. 190'-199' copied by Johannes Orceau; later text corrections by Johannes Parvus on f. 71' and f. 76 (DeanS). See general index for other manuscripts copied by Gellandi, Orceau, and Parvus. Staff height 25. Pen-and-wash miniatures and initials on f. 3' include coat of arms of Medici pope; DeanS identifies arms as those of Pope Leo X (1475-1521), and refutes earlier assertions that arms are those of Pope Clement VII (ca. 1475-1534). Other folios have inked calligraphic initials, some decorated with floral tracery, animals, birds, human faces, etc. Watermark on ff. 190-199 generally resembles Briquet #478 (SherrPM).

Ca. 1511-4 (DeanS), with a few corrections ca. 1576-7. Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–3	Missa Beata Virgine = Missa Coronata 3.3: Kyrie	JOSQUIN DES PRÉS	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 1v–3 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JOSQUIN DES PRÉS Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: (Missa de domina nostra) General Note [= Missa De beata virgine]Publ. cf. Ma 46 n° 2
3v–7	Missa Beata Virgine = Missa Coronata 3.3: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 3v–7 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
7v–10	Missa Beata Virgine = Missa Coronata 3.3: Credo	-	Despres, Josquin (ca. 1450–1521) (?)
Missa Beata Virgine = Missa Coronata 3.3: Credo Despres, Josquin (ca. 1450–1521) (?) Appears on: 7v–10 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
10v–13	Missa Beata Virgine = Missa Coronata 3.3: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 10v–13 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
13v–15	Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 13v–15 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
16v–18	Missa Ave Maria: Kyrie	P. DE LA RUE	Rue, Pierre de la (ca. 1452–1518)
Missa Ave Maria: Kyrie Rue, Pierre de la (ca. 1452–1518) Appears on: 16v–18 Genres: Kyrie eleison, Mass Ordinary Source Attribution: P. DE LA RUE Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa De Ave Maria) Kyrie General Note (=Missa de annuntiatione Marie]Publ. cf. CMacMCD) n" 10
18v–20	Missa Ave Maria: Gloria	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ave Maria: Gloria Rue, Pierre de la (ca. 1452–1518) Appears on: 18v–20 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 5
20v–24	Missa Ave Maria: Credo	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ave Maria: Credo Rue, Pierre de la (ca. 1452–1518) Appears on: 20v–24 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 5
24v–28	Missa Ave Maria: Sanctus	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ave Maria: Sanctus Rue, Pierre de la (ca. 1452–1518) Appears on: 24v–28 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 5
28v–30	Missa Ave Maria: Agnus Dei	-	Rue, Pierre de la (ca. 1452–1518)
Missa Ave Maria: Agnus Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 28v–30 Genres: Agnus Dei, Mass Ordinary Number of voices: 5
31v–33	Missa Ave Maria: Kyrie	FÉVIN	Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Missa Ave Maria: Kyrie Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Appears on: 31v–33 Genres: Kyrie eleison, Mass Ordinary Source Attribution: FÉVIN Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa De Ave Maria) Kyrie General Note T: Kyrie Ave Maria eleyson … Item Bibliography Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation. Pages: Coll. de polyphonie classique.
33v–36	Missa Ave Maria: Gloria	-	Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Missa Ave Maria: Gloria Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Appears on: 33v–36 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
36v–42	Missa Ave Maria: Credo	-	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?)
Missa Ave Maria: Credo Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?) Appears on: 36v–42 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
42v–45	Missa Ave Maria: Sanctus	-	Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Missa Ave Maria: Sanctus Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Appears on: 42v–45 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
45v–47	Missa Ave Maria: Agnus Dei	-	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?)
Missa Ave Maria: Agnus Dei Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?) Appears on: 45v–47 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
48v–51	Missa Alma Redemptoris Mater: Kyrie	JO. MOUTON	Mouton, Jean (ca. 1459–1522)
Missa Alma Redemptoris Mater: Kyrie Mouton, Jean (ca. 1459–1522) Appears on: 48v–51 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. MOUTON Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa De Alma redemptoris) Kyrie General Note T: Kyrie Aima redemptoris ...Publ. cf. MOe N 1.2. n" 5
51v–54	Missa Alma Redemptoris Mater: Gloria	-	Mouton, Jean (ca. 1459–1522)
Missa Alma Redemptoris Mater: Gloria Mouton, Jean (ca. 1459–1522) Appears on: 51v–54 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
54v–59	Missa Alma Redemptoris Mater: Credo	-	Mouton, Jean (ca. 1459–1522)
Missa Alma Redemptoris Mater: Credo Mouton, Jean (ca. 1459–1522) Appears on: 54v–59 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
59v–61	Missa Alma Redemptoris Mater: Sanctus	-	Mouton, Jean (ca. 1459–1522)
Missa Alma Redemptoris Mater: Sanctus Mouton, Jean (ca. 1459–1522) Appears on: 59v–61 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
61v–64	Missa Alma Redemptoris Mater: Agnus Dei	-	Mouton, Jean (ca. 1459–1522)
Missa Alma Redemptoris Mater: Agnus Dei Mouton, Jean (ca. 1459–1522) Appears on: 61v–64 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
65v–67	Missa Cum jocunditate = Missa Dirige 3.4: Kyrie	PE. DE LA RUE	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)
Missa Cum jocunditate = Missa Dirige 3.4: Kyrie Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) Appears on: 65v–67 Genres: Kyrie eleison, Mass Ordinary Source Attribution: PE. DE LA RUE Number of voices: 3 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa cum jocunditate) Kyrie General Note T: Kyrie cum jocunditate
67v–70	Missa Cum jocunditate = Missa Dirige 3.4: Gloria	-	Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa Cum jocunditate = Missa Dirige 3.4: Gloria Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 67v–70 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 5
70v–76	Missa Cum jocunditate = Missa Dirige 3.4: Credo	-	Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa Cum jocunditate = Missa Dirige 3.4: Credo Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 70v–76 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 5
76v–80	Missa Cum jocunditate = Missa Dirige 3.4: Sanctus	-	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)
Missa Cum jocunditate = Missa Dirige 3.4: Sanctus Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) Appears on: 76v–80 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 5
80v–82	Missa Cum jocunditate = Missa Dirige 3.4: Agnus Dei	-	Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa Cum jocunditate = Missa Dirige 3.4: Agnus Dei Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 80v–82 Genres: Agnus Dei, Mass Ordinary Number of voices: 5
83v–85	Missa Almana = Missa Pourquoy non: Kyrie	PE. DE LA RUE	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Kyrie Rue, Pierre de la (ca. 1452–1518) Appears on: 83v–85 Genres: Kyrie eleison, Mass Ordinary Source Attribution: PE. DE LA RUE Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa Pourquoy non) Kyrie General Note [=Missa Almana]T: Kyrie Pourquoy non Concordances A-Wn 1783
85v–87	Missa Almana = Missa Pourquoy non: Gloria	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Gloria Rue, Pierre de la (ca. 1452–1518) Appears on: 85v–87 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
87v–91	Missa Almana = Missa Pourquoy non: Credo	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Credo Rue, Pierre de la (ca. 1452–1518) Appears on: 87v–91 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
91v–94	Missa Almana = Missa Pourquoy non: Sanctus	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Sanctus Rue, Pierre de la (ca. 1452–1518) Appears on: 91v–94 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
94v–97	Missa Almana = Missa Pourquoy non: Agnus Dei	-	Rue, Pierre de la (ca. 1452–1518)
Missa Almana = Missa Pourquoy non: Agnus Dei Rue, Pierre de la (ca. 1452–1518) Appears on: 94v–97 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
98v–100	Missa Adieu mes amours: Kyrie	ANDREAS (DE SILVA)	Silva, Andreas de (ca. 1475–ca. 1522)
Missa Adieu mes amours: Kyrie Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 98v–100 Genres: Kyrie eleison, Mass Ordinary Source Attribution: ANDREAS (DE SILVA) Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie General Note Ct. Agnus III: Adieu mes amours
100v–102	Missa Adieu mes amours: Gloria	-	Silva, Andreas de (ca. 1475–ca. 1522)
Missa Adieu mes amours: Gloria Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 100v–102 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
102v–109	Missa Adieu mes amours: Credo	-	Silva, Andreas de (ca. 1475–ca. 1522)
Missa Adieu mes amours: Credo Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 102v–109 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 6
109v–113	Missa Adieu mes amours: Sanctus	-	Silva, Andreas de (ca. 1475–ca. 1522)
Missa Adieu mes amours: Sanctus Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 109v–113 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
113v–115	Missa Adieu mes amours: Agnus Dei	-	Silva, Andreas de (ca. 1475–ca. 1522)
Missa Adieu mes amours: Agnus Dei Silva, Andreas de (ca. 1475–ca. 1522) Appears on: 113v–115 Genres: Agnus Dei, Mass Ordinary Number of voices: 4/6
116v–118	Missa Hercules dux Ferrariae 11.1: Kyrie	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: 116v–118 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JOSQUIN Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de Hercules dux Ferrarie) Kyrie General Note Dedicatee: Hercules, Duc of Ferrara [=Missa Philippus rex Castilhe]* [=Missa Fridericus dux Saxsonie]*T: Kyrie dux Ferrarie eleyson . . . Publ. cf. Bc 142 n" 48 Concordances B-Br 9126 **D-ddr-Ju 3
118v–120	Missa Hercules dux Ferrariae 11.1: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 118v–120 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
120v–125	Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo]	-	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo] Despres, Josquin (ca. 1450–1521) Appears on: 120v–125 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
125v–127	Missa Hercules dux Ferrariae 11.1: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: 125v–127 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
127v–129	Missa Hercules dux Ferrariae 11.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 127v–129 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
130v–133	Missa Nunqua fue pena major: Kyrie	PERSON DE LA RUE	Rue, Pierre de la (ca. 1452–1518)
Missa Nunqua fue pena major: Kyrie Rue, Pierre de la (ca. 1452–1518) Appears on: 130v–133 Genres: Kyrie eleison, Mass Ordinary Source Attribution: PERSON DE LA RUE Number of voices: 24 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de Nunqua fue pena maior) Kyrie General Note Sans Agnus. T: Kyrie Nunqua fue pena maior
133v–137	Missa Nunqua fue pena major: Gloria	-	Rue, Pierre de la (ca. 1452–1518)
Missa Nunqua fue pena major: Gloria Rue, Pierre de la (ca. 1452–1518) Appears on: 133v–137 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
137v–141	Missa Nunqua fue pena major: Credo	-	Rue, Pierre de la (ca. 1452–1518)
Missa Nunqua fue pena major: Credo Rue, Pierre de la (ca. 1452–1518) Appears on: 137v–141 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
141v–145	Missa Nunqua fue pena major: Sanctus	-	Rue, Pierre de la (ca. 1452–1518)
Missa Nunqua fue pena major: Sanctus Rue, Pierre de la (ca. 1452–1518) Appears on: 141v–145 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
149v–151	Missa Ut re mi fa sol la: Kyrie	BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Ut re mi fa sol la: Kyrie Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 149v–151 Genres: Kyrie eleison, Mass Ordinary Source Attribution: BRUMEL Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: (Missa de Ut ré mi fa sol la) Kyrie General Note T: Kyrie Ut ré mi fa sol la eleyson … Publ. cf. PEco 1013 n° 2
151v–156	Missa Ut re mi fa sol la: Gloria	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Ut re mi fa sol la: Gloria Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 151v–156 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
156v–161	Missa Ut re mi fa sol la: Credo	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Ut re mi fa sol la: Credo Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 156v–161 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
161v–165	Missa Ut re mi fa sol la: Sanctus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Ut re mi fa sol la: Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 161v–165 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
165v–168	Missa Ut re mi fa sol la: Agnus Dei	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa Ut re mi fa sol la: Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 165v–168 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
169v–176	Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo]	YSAAC	Isaac, Heinrich (ca. 1450–1517)
Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo] Isaac, Heinrich (ca. 1450–1517) Appears on: 169v–176 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: YSAAC Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: [Missa Virgo prudentíssima] Credo: Patrem General Note [= Missa De Assumptione Beate Marie Virginis. Credo]T: Virgo prudentíssima . .Publ. cf. Fn 232 n° 1 Concordances B-Br 6428
177v–180	Credo de villagiis [Patrem omnipotentem]	PE. DE LA RUE	Rue, Pierre de la (ca. 1452–1518)
Credo de villagiis [Patrem omnipotentem] Rue, Pierre de la (ca. 1452–1518) Appears on: 177v–180 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: PE. DE LA RUE Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: (Patrem de villagiis) Patrem
181v–185	Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Josquin	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo Despres, Josquin (ca. 1450–1521) Appears on: 181v–185 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Huc me sydereo descendere iussit Olympo General Note Publ. cf. Bc 142 n» 45
185v–187	Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit	Josquin	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit Despres, Josquin (ca. 1450–1521) Appears on: 185v–187 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Huc me sydereo descendere iussit Olympo General Note Publ. cf. Bc 142 n» 45
188v–190	Benedicta es caelorum regina - 1a pars (of 2): Benedicta es caelorum regina	Prioris	Prioris, Johannes (Denis, Dionisius) (–1515)
Benedicta es caelorum regina - 1a pars (of 2): Benedicta es caelorum regina Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 188v–190 Genres: Motet Source Attribution: Prioris Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Benedicta es caelorum regina Item Bibliography Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation.
190v–192	Benedicta es caelorum regina - 2a pars (of 2): Per illud ave prolatum	Prioris	Prioris, Johannes (Denis, Dionisius) (–1515)
Benedicta es caelorum regina - 2a pars (of 2): Per illud ave prolatum Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 190v–192 Genres: Motet Source Attribution: Prioris Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Benedicta es caelorum regina Item Bibliography Douglas, Conrad Edward Mary. 1969. The motets of Johannes Prioris with a prefatory bio-bibliographical study. University of Illinois, Ph.D. Dissertation.
192v–195	Ave Maria ... virgo serena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum virgo serena	Jo. Brumes [= Brunet]	Brunet, Johannes
Ave Maria ... virgo serena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum virgo serena Brunet, Johannes Appears on: 192v–195 Genres: Sequence Source Attribution: Jo. Brumes [= Brunet] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V (op. dub.).
195v–198	Ave Maria ... virgo serena - 2a pars (of 2): Tu civitatis regis iusticie	Jo. Brumes [= Brunet]	Brunet, Johannes
Ave Maria ... virgo serena - 2a pars (of 2): Tu civitatis regis iusticie Brunet, Johannes Appears on: 195v–198 Genres: Ave Maria, Motet Source Attribution: Jo. Brumes [= Brunet] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V (op. dub.).
199v–201	O bone et dulcissime 21.9 - 1a pars (of 2): O bone et dulcissime Jesu Christe per tuam	Josquin	Despres, Josquin (ca. 1450–1521)
O bone et dulcissime 21.9 - 1a pars (of 2): O bone et dulcissime Jesu Christe per tuam Despres, Josquin (ca. 1450–1521) Appears on: 199v–201 Genres: Motet Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O bone et dulcissime Iesu Christe General Note Publ. cf. Bsp XXIX n° 11
201v–202	O bone et dulcissime 21.9 - 2a pars (of 2): Si ego commisi per quod dannare	Josquin	Despres, Josquin (ca. 1450–1521)
O bone et dulcissime 21.9 - 2a pars (of 2): Si ego commisi per quod dannare Despres, Josquin (ca. 1450–1521) Appears on: 201v–202 Genres: Motet Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: O bone et dulcissime Iesu Christe General Note Publ. cf. Bsp XXIX n° 11

Composer	Compositions
Brumel, Antoine (ca. 1460-ca. 1513)	Missa Ut re mi fa sol la: Agnus Dei – 165v–168 Missa Ut re mi fa sol la: Credo – 156v–161 Missa Ut re mi fa sol la: Gloria – 151v–156 Missa Ut re mi fa sol la: Kyrie – 149v–151 Missa Ut re mi fa sol la: Sanctus – 161v–165
Brunet, Johannes	Ave Maria ... virgo serena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum virgo serena – 192v–195 Ave Maria ... virgo serena - 2a pars (of 2): Tu civitatis regis iusticie – 195v–198
Despres, Josquin (ca. 1450-1521)	Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo – 181v–185 Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit – 185v–187 Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei – 13v–15 (?) Missa Beata Virgine = Missa Coronata 3.3: Credo – 7v–10 Missa Beata Virgine = Missa Coronata 3.3: Gloria – 3v–7 Missa Beata Virgine = Missa Coronata 3.3: Kyrie – 1v–3 Missa Beata Virgine = Missa Coronata 3.3: Sanctus – 10v–13 (?) Missa Cum jocunditate = Missa Dirige 3.4: Agnus Dei – 80v–82 (?) Missa Cum jocunditate = Missa Dirige 3.4: Credo – 70v–76 (?) Missa Cum jocunditate = Missa Dirige 3.4: Gloria – 67v–70 (?) Missa Cum jocunditate = Missa Dirige 3.4: Kyrie – 65v–67 (?) Missa Cum jocunditate = Missa Dirige 3.4: Sanctus – 76v–80 Missa Hercules dux Ferrariae 11.1: Agnus Dei – 127v–129 Missa Hercules dux Ferrariae 11.1: Gloria – 118v–120 Missa Hercules dux Ferrariae 11.1: Kyrie – 116v–118 Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo] – 120v–125 Missa Hercules dux Ferrariae 11.1: Sanctus – 125v–127 O bone et dulcissime 21.9 - 1a pars (of 2): O bone et dulcissime Jesu Christe per tuam – 199v–201 O bone et dulcissime 21.9 - 2a pars (of 2): Si ego commisi per quod dannare – 201v–202
Fevin, Antoine de (ca. 1470-ca. 1512)	(?) Missa Ave Maria: Agnus Dei – 45v–47 (?) Missa Ave Maria: Credo – 36v–42 (?) Missa Ave Maria: Gloria – 33v–36 (?) Missa Ave Maria: Kyrie – 31v–33 (?) Missa Ave Maria: Sanctus – 42v–45
Fevin, Robert de (1500-1515)	(?) Missa Ave Maria: Agnus Dei – 45v–47 (?) Missa Ave Maria: Credo – 36v–42 (?) Missa Ave Maria: Gloria – 33v–36 (?) Missa Ave Maria: Kyrie – 31v–33 (?) Missa Ave Maria: Sanctus – 42v–45
Isaac, Heinrich (ca. 1450-1517)	Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo] – 169v–176
Mouton, Jean (ca. 1459-1522)	Missa Alma Redemptoris Mater: Agnus Dei – 61v–64 Missa Alma Redemptoris Mater: Credo – 54v–59 Missa Alma Redemptoris Mater: Gloria – 51v–54 Missa Alma Redemptoris Mater: Kyrie – 48v–51 Missa Alma Redemptoris Mater: Sanctus – 59v–61
Prioris, Johannes (Denis, Dionisius) (-1515)	Benedicta es caelorum regina - 1a pars (of 2): Benedicta es caelorum regina – 188v–190 Benedicta es caelorum regina - 2a pars (of 2): Per illud ave prolatum – 190v–192
Rue, Pierre de la (ca. 1452-1518)	Credo de villagiis [Patrem omnipotentem] – 177v–180 Missa Almana = Missa Pourquoy non: Agnus Dei – 94v–97 Missa Almana = Missa Pourquoy non: Credo – 87v–91 Missa Almana = Missa Pourquoy non: Gloria – 85v–87 Missa Almana = Missa Pourquoy non: Kyrie – 83v–85 Missa Almana = Missa Pourquoy non: Sanctus – 91v–94 Missa Ave Maria: Agnus Dei – 28v–30 Missa Ave Maria: Credo – 20v–24 Missa Ave Maria: Gloria – 18v–20 Missa Ave Maria: Kyrie – 16v–18 Missa Ave Maria: Sanctus – 24v–28 Missa Cum jocunditate = Missa Dirige 3.4: Agnus Dei – 80v–82 Missa Cum jocunditate = Missa Dirige 3.4: Credo – 70v–76 Missa Cum jocunditate = Missa Dirige 3.4: Gloria – 67v–70 Missa Cum jocunditate = Missa Dirige 3.4: Kyrie – 65v–67 Missa Cum jocunditate = Missa Dirige 3.4: Sanctus – 76v–80 Missa Nunqua fue pena major: Credo – 137v–141 Missa Nunqua fue pena major: Gloria – 133v–137 Missa Nunqua fue pena major: Kyrie – 130v–133 Missa Nunqua fue pena major: Sanctus – 141v–145
Silva, Andreas de (ca. 1475-ca. 1522)	Missa Adieu mes amours: Agnus Dei – 113v–115 Missa Adieu mes amours: Credo – 102v–109 Missa Adieu mes amours: Gloria – 100v–102 Missa Adieu mes amours: Kyrie – 98v–100 Missa Adieu mes amours: Sanctus – 109v–113

Composition	Composers (? Uncertain)	Folios / Pages
Ave Maria ... virgo serena - 1a pars (of 2): Ave Maria gratia plena Dominus tecum virgo serena	Brunet, Johannes	192v–195
Ave Maria ... virgo serena - 2a pars (of 2): Tu civitatis regis iusticie	Brunet, Johannes	195v–198
Benedicta es caelorum regina - 1a pars (of 2): Benedicta es caelorum regina	Prioris, Johannes (Denis, Dionisius) (–1515)	188v–190
Benedicta es caelorum regina - 2a pars (of 2): Per illud ave prolatum	Prioris, Johannes (Denis, Dionisius) (–1515)	190v–192
Credo de villagiis [Patrem omnipotentem]	Rue, Pierre de la (ca. 1452–1518)	177v–180
Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Despres, Josquin (ca. 1450–1521)	181v–185
Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit	Despres, Josquin (ca. 1450–1521)	185v–187
Missa Adieu mes amours: Agnus Dei	Silva, Andreas de (ca. 1475–ca. 1522)	113v–115
Missa Adieu mes amours: Credo	Silva, Andreas de (ca. 1475–ca. 1522)	102v–109
Missa Adieu mes amours: Gloria	Silva, Andreas de (ca. 1475–ca. 1522)	100v–102
Missa Adieu mes amours: Kyrie	Silva, Andreas de (ca. 1475–ca. 1522)	98v–100
Missa Adieu mes amours: Sanctus	Silva, Andreas de (ca. 1475–ca. 1522)	109v–113
Missa Alma Redemptoris Mater: Agnus Dei	Mouton, Jean (ca. 1459–1522)	61v–64
Missa Alma Redemptoris Mater: Credo	Mouton, Jean (ca. 1459–1522)	54v–59
Missa Alma Redemptoris Mater: Gloria	Mouton, Jean (ca. 1459–1522)	51v–54
Missa Alma Redemptoris Mater: Kyrie	Mouton, Jean (ca. 1459–1522)	48v–51
Missa Alma Redemptoris Mater: Sanctus	Mouton, Jean (ca. 1459–1522)	59v–61
Missa Almana = Missa Pourquoy non: Agnus Dei	Rue, Pierre de la (ca. 1452–1518)	94v–97
Missa Almana = Missa Pourquoy non: Credo	Rue, Pierre de la (ca. 1452–1518)	87v–91
Missa Almana = Missa Pourquoy non: Gloria	Rue, Pierre de la (ca. 1452–1518)	85v–87
Missa Almana = Missa Pourquoy non: Kyrie	Rue, Pierre de la (ca. 1452–1518)	83v–85
Missa Almana = Missa Pourquoy non: Sanctus	Rue, Pierre de la (ca. 1452–1518)	91v–94
Missa Ave Maria: Agnus Dei	Rue, Pierre de la (ca. 1452–1518)	28v–30
Missa Ave Maria: Agnus Dei	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?)	45v–47
Missa Ave Maria: Credo	Rue, Pierre de la (ca. 1452–1518)	20v–24
Missa Ave Maria: Credo	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?)	36v–42
Missa Ave Maria: Gloria	Rue, Pierre de la (ca. 1452–1518)	18v–20
Missa Ave Maria: Gloria	Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)	33v–36
Missa Ave Maria: Kyrie	Rue, Pierre de la (ca. 1452–1518)	16v–18
Missa Ave Maria: Kyrie	Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)	31v–33
Missa Ave Maria: Sanctus	Rue, Pierre de la (ca. 1452–1518)	24v–28
Missa Ave Maria: Sanctus	Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)	42v–45
Missa Beata Virgine = Missa Coronata 3.3: Agnus Dei	Despres, Josquin (ca. 1450–1521)	13v–15
Missa Beata Virgine = Missa Coronata 3.3: Credo	Despres, Josquin (ca. 1450–1521) (?)	7v–10
Missa Beata Virgine = Missa Coronata 3.3: Gloria	Despres, Josquin (ca. 1450–1521)	3v–7
Missa Beata Virgine = Missa Coronata 3.3: Kyrie	Despres, Josquin (ca. 1450–1521)	1v–3
Missa Beata Virgine = Missa Coronata 3.3: Sanctus	Despres, Josquin (ca. 1450–1521)	10v–13
Missa Cum jocunditate = Missa Dirige 3.4: Agnus Dei	Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?)	80v–82
Missa Cum jocunditate = Missa Dirige 3.4: Credo	Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?)	70v–76
Missa Cum jocunditate = Missa Dirige 3.4: Gloria	Rue, Pierre de la (ca. 1452–1518) Despres, Josquin (ca. 1450–1521) (?)	67v–70
Missa Cum jocunditate = Missa Dirige 3.4: Kyrie	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)	65v–67
Missa Cum jocunditate = Missa Dirige 3.4: Sanctus	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518)	76v–80
Missa Hercules dux Ferrariae 11.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	127v–129
Missa Hercules dux Ferrariae 11.1: Gloria	Despres, Josquin (ca. 1450–1521)	118v–120
Missa Hercules dux Ferrariae 11.1: Kyrie	Despres, Josquin (ca. 1450–1521)	116v–118
Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo]	Despres, Josquin (ca. 1450–1521)	120v–125
Missa Hercules dux Ferrariae 11.1: Sanctus	Despres, Josquin (ca. 1450–1521)	125v–127
Missa Nunqua fue pena major: Credo	Rue, Pierre de la (ca. 1452–1518)	137v–141
Missa Nunqua fue pena major: Gloria	Rue, Pierre de la (ca. 1452–1518)	133v–137
Missa Nunqua fue pena major: Kyrie	Rue, Pierre de la (ca. 1452–1518)	130v–133
Missa Nunqua fue pena major: Sanctus	Rue, Pierre de la (ca. 1452–1518)	141v–145
Missa Ut re mi fa sol la: Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	165v–168
Missa Ut re mi fa sol la: Credo	Brumel, Antoine (ca. 1460–ca. 1513)	156v–161
Missa Ut re mi fa sol la: Gloria	Brumel, Antoine (ca. 1460–ca. 1513)	151v–156
Missa Ut re mi fa sol la: Kyrie	Brumel, Antoine (ca. 1460–ca. 1513)	149v–151
Missa Ut re mi fa sol la: Sanctus	Brumel, Antoine (ca. 1460–ca. 1513)	161v–165
Missa Virgo prudentissima (6vv): Patrem omnipotentem [Credo]	Isaac, Heinrich (ca. 1450–1517)	169v–176
O bone et dulcissime 21.9 - 1a pars (of 2): O bone et dulcissime Jesu Christe per tuam	Despres, Josquin (ca. 1450–1521)	199v–201
O bone et dulcissime 21.9 - 2a pars (of 2): Si ego commisi per quod dannare	Despres, Josquin (ca. 1450–1521)	201v–202

‡ denotes primary source study

Sherr, Richard Jonathan. 1996. Papal Music Manuscripts in the Late Fifteenth and Early Sixteenth Centuries. Renaissance Manuscript Studies, vol. 5. Neuhausen nr. Stuttgart. Notes: physical description (partial); contents list (partial).

Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 58, 80ff, 94, 241-2, passim. Notes: physical description (partial); contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae, vol. 90. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xiv, 18-28. Notes: contents list (partial); transcription (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxviii, 27, 61. Notes: physical description; contents list (partial); concordances (partial).

Rifkin, Joshua. 1976. Ein römisches Messenrepertoire am bayerischen Hof-Bemerkungen zum Wolfenbütteler Chorbuch A Aug. 2° und zu seinem Umkreis. Paper read at colloquium "Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez," held at Wolfenbüttel, September 14-17, 1976, . Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Sherr, Richard Jonathan. 1976. A Workshop on Josquin's masses. Josquin des Prez. Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971, 713. London.

Sherr, Richard Jonathan. 1975. The Papal Chapel ca. 1492-1513 and Its Polyphonic Sources. Princeton University, Unpublished Ph.D. dissertation. Pages: 137, 283-5. Notes: physical description (partial); contents list (partial).

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 27-8, 373. Notes: contents list (partial); mention of MS; discussion.

Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 26: 305-26. Pages: 308. Notes: mention of MS.

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xvii-xviii; V, xlii, 113-20. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae, vol. 43. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, vii. Notes: contents list (partial); concordances (partial).

Clinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation. Pages: I, 224. Notes: contents list (partial); concordances (partial).

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices. Vatican City. Pages: 92-4. Notes: physical description; contents list.

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: M. Staehelin, in Musikalische Denkmäler VIII, 145.

Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VIII, 145, 160ff. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie. Brussels. Pages: 38, 155ff. Notes: contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: P. Kast, in MGG XI, col. 752.

Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: VII, vii-xii; XVI, xliv-lx. Notes: contents list (partial); concordances (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: VI, vi, x-xii; XXV, xli, xliv. Notes: physical description; contents list (partial); concordances (partial).

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 19.

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Riccardo Pintus

Wednesday, 17 January, 2018

Incorrect work reference to Kyrie only, changed to full mass reference

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description