V-CVbav MS Capp. Sist. 35

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

manuscript of polyphony: c. 1487-90

Archive	Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark	MS Capp. Sist. 35
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	550-5 x 425 mm
Other Identifiers	RISM: I-Rvat 35 CCM: VatS 35 olim (Former shelfmark): I-Rvat MS Capp. Sist. 35
Notations	black void mensural
Copyists	? Orto, Marbrianus de Music ? Despres, Josquin (ca. 1450–1521) Music scribal concordance [5] Music scribal concordance [6] (perhaps Josquin or de Orto?) Music scribal concordance [3] Music
Relationships	Sistine Chapel (Cappella Sistina) (copied at)
External Links	images
External Authorities	RISM Online (sources/857000022)
Provenance	Sistine Chapel (Cappella Sistina) , Rome, Italy
Contents	Contains 106 compositions, 101 from 12 composers, 5 are anonymous.

General Description

Composite of originally separate gatherings. Copied by one main scribe, who also wrote ff. 186-186' of VatS 41 and ff. 196'-215 of VatS 51 (RothS). Six additional scribes, as follows: (1) ff. 15'-18, 20'-21; (2) added individual voices to several Mass sections copied by main scribe on ff. 88', 89', 92', 93', and 121'; (scribe 3) ff. 178'-184, 200'-203 (also wrote ff. 2'-5 and 183'-195 of VatS 51); (4) ff. 188'-191; (5) ff. 192'-200, 206'-208'; (scribe 6) ff. 204'-206 (also wrote ff. 10'-12 and 38-48 of VatS 15, ff. 50'-54', 185', and 187 of VatS 41, and all of VatS 197).

Copied in Rome, for use by Cappella Sistina - "the earliest surviving choirbook we are certain was copied in and for the papal chapel" (Jeffrey Dean - noting that Capp Sist 14 & 51, which pre-date it, may also have been so copied).

DIAMM, 2017

Physical Description

Many folios in poor condition due to ink corrosion; some music now illegible.

DIAMM, 2017

Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (except for spine, added in 1898), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings

DIAMM, 2017

Watermark

include fleur-de-lis in circle (RothS)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 25 (26-27 on ff. 137-146).

DIAMM, 2017

Foliation

Modern pencil foliation (cited here), 1-208, on lower center rectos (begins on second modern flyleaf; excludes rear flyleaf). Modern foliation replaces inconsistent and incomplete original ink foliation, i-clv, on upper right rectos, and 18th- or 19th-century ink foliation, 1-207, on lower right rectos.

DIAMM, 2017

Decoration

Ink and watercolour initials (blue, green, red) in calligraphic style, decorated with human faces, animals, and floral tracery.

DIAMM, 2017

Surface

paper

DIAMM, 2017

DIAMM Note

SherrPMM’s ‘Scribe B’ copies pieces by de Orto & des Pres (only) in Vats 15, 35, 41 and 197. RodinWIR considers it therefore “tempting to identify Scribe B as one of the two composers”.

DIAMM, 2019

RISM Description

RISM

XVe s. 208ff. Papier, 560 x 425 mm. Foliotation ajoutée au XVIIIe s. Les ff. 1r-v, 2, 7v, 8, 11, 12, 21v, 22r-v, 37v, 38, 135v à 136v, 186v à 188, 191v, 192, 203v, 204, 208v sont blancs. Notation mesurée par p. Capitales ornées en coul. Reliure du XVIIIe s. cuir, fermoirs et bouillons métal.

Ms. copié à différentes périodes mais pour la plus large part sous le pontificat d'Innocent VIII (1484-1492). On y reconnaît en effet la main du copiste du ms. 51 où figurent au f. 196 les armoiries de ce pape, que l'on trouve aussi, mais non terminées, au f. 23 du présent ms. Cependant, le motet no 24 (copié une 2e fois au no 26) écrit pour le couronnement du pape Alexandre VI en 1492 indique qu' il faut situer à cette date, et en tout cas pas après 1503 (mort d'Alexandre), la copie d'un 2e scribe aux ff. 188 à 200.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

14 Masses (1 incomplete), 1 Kyrie-Gloria Mass, 1 Kyrie-Sanctus Mass, 1 Credo, 9 motets =26 + 1 duplicate = 27

Basiron-2, Compère/(Josquin)-1, Isaac-1, Josquin-1, (Josquin/Martini)-1, Martini-1, Obrecht-2, Ockeghem-2, Orto-5 + 1?, Prioris-1, Tinctoris-1, Vaqueras-2, Weerbecke [Gaspar]-2, anon-3

ii + 207 + i paper folios, 550-5 x 425. Composite of originally separate gatherings. Many folios in poor condition due to ink corrosion; some music now illegible. Modern pencil foliation (cited here), 1-208, on lower center rectos (begins on second modern flyleaf; excludes rear flyleaf). Modern foliation replaces inconsistent and incomplete original ink foliation, i-clv, on upper right rectos, and 18th- or 19th-century ink foliation, 1-207, on lower right rectos.

Copied by one main scribe, who also wrote ff. 186-186' of VatS 41 and ff. 196'-215 of VatS 51 (RothS). Six additional scribes, as follows: (1) ff. 15'-18, 20'-21; (2) added individual voices to several Mass sections copied by main scribe on ff. 88', 89', 92', 93', and 121'; (3) ff. 178'-184, 200'-203 (also wrote ff. 2'-5 and 183'-195 of VatS 51); (4) ff. 188'-191; (5) ff. 192'-200, 206'-208'; (6) ff. 204'-206 (also wrote ff. 10'-12 and 38-48 of VatS 15, ff. 50'-54', 185', and 187 of VatS 41, and all of VatS 197). Staff height 25 (26-27 on ff. 137-146). Ink and watercolor initials (blue, green, red) in calligraphic style, decorated with human faces, animals, and floral tracery. Watermarks include fleur-de-lis in circle (RothS).

Ca. 1487-90 (main layer), with additions ca. 1492-9. Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2v–3	Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra	Vaqueras	Vacqueras, Bertrandus (ca. 1450–1507)
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 2v–3 Genres: Tract Source Attribution: Vaqueras Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 78.
3v–4	Domine non secundum - 2a pars (of 3): Domine ne memineris	Vaqueras	Vacqueras, Bertrandus (ca. 1450–1507)
Domine non secundum - 2a pars (of 3): Domine ne memineris Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 3v–4 Genres: Tract Source Attribution: Vaqueras Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 78.
4v–5	Domine non secundum - 3a pars (of 3): Adjuva nos Deus	Vaqueras	Vacqueras, Bertrandus (ca. 1450–1507)
Domine non secundum - 3a pars (of 3): Adjuva nos Deus Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 4v–5 Genres: Tract Source Attribution: Vaqueras Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 78.
5v–6	Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra	Judocus de Pratis	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra Despres, Josquin (ca. 1450–1521) Appears on: 5v–6 Genres: Tract Source Attribution: Judocus de Pratis Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
5v–6	Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris	Judocus de Pratis	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris Despres, Josquin (ca. 1450–1521) Appears on: 5v–6 Genres: Tract Source Attribution: Judocus de Pratis Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra
6v–7	Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis	Judocus de Pratis	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis Despres, Josquin (ca. 1450–1521) Appears on: 6v–7 Genres: Tract Source Attribution: Judocus de Pratis Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra
6v–7	Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto	Judocus de Pratis	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto Despres, Josquin (ca. 1450–1521) Appears on: 6v–7 Genres: Tract Source Attribution: Judocus de Pratis Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra
8v–11	Intemerata Dei mater - 1a pars (of 3): Intemerata Dei mater generosa puella	-	Ockeghem, Jean de (ca. 1410–1497)
Intemerata Dei mater - 1a pars (of 3): Intemerata Dei mater generosa puella Ockeghem, Jean de (ca. 1410–1497) Appears on: 8v–11 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Intemerata dei mater generosa puella Item Bibliography Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: I.
8v–11	Intemerata Dei mater - 2a pars (of 3): Nec sine te manet	-	Ockeghem, Jean de (ca. 1410–1497)
Intemerata Dei mater - 2a pars (of 3): Nec sine te manet Ockeghem, Jean de (ca. 1410–1497) Appears on: 8v–11 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Intemerata dei mater generosa puella Item Bibliography Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: I.
8v–11	Intemerata Dei mater - 3a pars (of 3): Aspiciat facito míseros	-	Ockeghem, Jean de (ca. 1410–1497)
Intemerata Dei mater - 3a pars (of 3): Aspiciat facito míseros Ockeghem, Jean de (ca. 1410–1497) Appears on: 8v–11 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Intemerata dei mater generosa puella Item Bibliography Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: I.
12v–13	Missa Cuiusvis Toni: Kyrie	OKEGHEN	Ockeghem, Jean de (ca. 1410–1497)
Missa Cuiusvis Toni: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 12v–13 Genres: Kyrie eleison, Mass Ordinary Source Attribution: OKEGHEN Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Cujusvis toni. Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: I.
13v–15	Missa Cuiusvis Toni: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Cuiusvis Toni: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 13v–15 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
15v–18	Missa Cuiusvis Toni: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Cuiusvis Toni: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 15v–18 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
18v–20	Missa Cuiusvis Toni: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Cuiusvis Toni: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 18v–20 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
20v–21	Missa Cuiusvis Toni: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa Cuiusvis Toni: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 20v–21 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
23r–24	Missa de Beata Virgine: Kyrie	-	Anonymous
Missa de Beata Virgine: Kyrie Anonymous Appears on: 23r–24 Genres: Kyrie eleison, Mass Ordinary Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa de beata virgine] Kyrie General Note [et Gloria seul]
24v–28	Missa de Beata Virgine: Gloria	-	Anonymous
Missa de Beata Virgine: Gloria Anonymous Appears on: 24v–28 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
28v–29	Missa Quant j'ai au coeur: Kyrie	YSAAC	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 28v–29 Genres: Kyrie eleison, Mass Ordinary Source Attribution: YSAAC Number of voices: 4 Voice: [no designation] Languages: Latin, French, Greek Voice Text: [Missa Quant j'ay au cor] Kyrie General Note Publ. cf. Bc 18 n° 62 Concordances SartoriB n° 28
29v–31	Missa Quant j'ai au coeur: Gloria: 3 partes.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Gloria: 3 partes. Isaac, Heinrich (ca. 1450–1517) Appears on: 29v–31 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
31v–34	Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 31v–34 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
34v–36	Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 34v–36 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
36v–37v	Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III. Isaac, Heinrich (ca. 1450–1517) Appears on: 36v–37v Genres: Agnus Dei, Mass Ordinary Number of voices: 4
38r–39	Missa La martinella: Kyrie	JO. MARTINI	Martini, Johannes (ca. 1430–1497)
Missa La martinella: Kyrie Martini, Johannes (ca. 1430–1497) Appears on: 38r–39 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JO. MARTINI Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa La martinelie.] Kyrie General Note T: Crescit in dupLo. La Martinelle Kyrie
39v–42	Missa La martinella: Gloria	-	Martini, Johannes (ca. 1430–1497)
Missa La martinella: Gloria Martini, Johannes (ca. 1430–1497) Appears on: 39v–42 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
42v–46	Missa La martinella: Credo	-	Martini, Johannes (ca. 1430–1497)
Missa La martinella: Credo Martini, Johannes (ca. 1430–1497) Appears on: 42v–46 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
46v–49	Missa La martinella: Sanctus	-	Martini, Johannes (ca. 1430–1497)
Missa La martinella: Sanctus Martini, Johannes (ca. 1430–1497) Appears on: 46v–49 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
49v–52	Missa La martinella: Agnus Dei	-	Martini, Johannes (ca. 1430–1497)
Missa La martinella: Agnus Dei Martini, Johannes (ca. 1430–1497) Appears on: 49v–52 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
52v–53	Missa Allez regrets: Kyrie	PRIORIS	Prioris, Johannes (Denis, Dionisius) (–1515)
Missa Allez regrets: Kyrie Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 52v–53 Genres: Kyrie eleison, Mass Ordinary Source Attribution: PRIORIS Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Allez regrets] Kyrie General Note Sur le thème de la chanson de Hayne van Ghizeghem Item Bibliography Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: avec facs. du f. 55v.
53v–55	Missa Allez regrets: Gloria	-	Prioris, Johannes (Denis, Dionisius) (–1515)
Missa Allez regrets: Gloria Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 53v–55 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
55v–58	Missa Allez regrets: Credo	-	Prioris, Johannes (Denis, Dionisius) (–1515)
Missa Allez regrets: Credo Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 55v–58 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
58v–60	Missa Allez regrets: Sanctus	-	Prioris, Johannes (Denis, Dionisius) (–1515)
Missa Allez regrets: Sanctus Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 58v–60 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
60v–62	Missa Allez regrets: Agnus Dei	-	Prioris, Johannes (Denis, Dionisius) (–1515)
Missa Allez regrets: Agnus Dei Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 60v–62 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
62v–63	Missa L'homme armé 6.1: Kyrie	L. COMPÈRE [ou JOSQUIN ?*]	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Kyrie Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 62v–63 Genres: Kyrie eleison, Mass Ordinary Source Attribution: L. COMPÈRE [ou JOSQUIN ?] Number of voices:* 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa L'homme armé] Kyrie General Note T: Kyrie L'homme armé Concordances D-brd-Mbs 3154, D-ddr-LEu 51 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, I.
63v–65	Missa L'homme armé 6.1: Gloria	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Gloria Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 63v–65 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
65v–67	Missa L'homme armé 6.1: Credo	-	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)
Missa L'homme armé 6.1: Credo Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518) Appears on: 65v–67 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
67v–69	Missa L'homme armé 6.1: Sanctus	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Sanctus Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 67v–69 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
69v–71	Missa L'homme armé 6.1: Agnus Dei	-	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)
Missa L'homme armé 6.1: Agnus Dei Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?) Appears on: 69v–71 Genres: Mass Ordinary Number of voices: 4
71v–73	Missa O beate pater Donatiane: Kyrie	JA. HOBRECHT	Obrecht, Jacobus (ca. 1457–1505)
Missa O beate pater Donatiane: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 71v–73 Genres: Kyrie eleison, Mass Ordinary Source Attribution: JA. HOBRECHT Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa O beate pater Donatiane] Kyrie General Note T: Osanna et Agnus dei: O beate pater Donatiane Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: IV (Missa sine nomine).
73v–76	Missa O beate pater Donatiane: Gloria	-	Obrecht, Jacobus (ca. 1457–1505)
Missa O beate pater Donatiane: Gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 73v–76 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
76v–80	Missa O beate pater Donatiane: Credo	-	Obrecht, Jacobus (ca. 1457–1505)
Missa O beate pater Donatiane: Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 76v–80 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
80v–83	Missa O beate pater Donatiane: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa O beate pater Donatiane: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 80v–83 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
83v–85	Missa O beate pater Donatiane: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa O beate pater Donatiane: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 83v–85 Genres: Agnus Dei Number of voices: 4
85v–88	Missa L'homme armé: Kyrie cunctorum plasmator summus	TINCTORIS	Tinctoris, Johannes (ca. 1435–1511)
Missa L'homme armé: Kyrie cunctorum plasmator summus Tinctoris, Johannes (ca. 1435–1511) Appears on: 85v–88 Genres: Kyrie eleison, Mass Ordinary, Troped Kyrie Source Attribution: TINCTORIS Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa L'homme armé] Kyrie cunctorum plasmator summus Item Bibliography Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: I. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 18.
88v–92	Missa L'homme armé: Gloria	-	Tinctoris, Johannes (ca. 1435–1511)
Missa L'homme armé: Gloria Tinctoris, Johannes (ca. 1435–1511) Appears on: 88v–92 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
92v–97	Missa L'homme armé: Credo	-	Tinctoris, Johannes (ca. 1435–1511)
Missa L'homme armé: Credo Tinctoris, Johannes (ca. 1435–1511) Appears on: 92v–97 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
97v–101	Missa L'homme armé: Sanctus	-	Tinctoris, Johannes (ca. 1435–1511)
Missa L'homme armé: Sanctus Tinctoris, Johannes (ca. 1435–1511) Appears on: 97v–101 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
101v–104	Missa L'homme armé: Agnus Dei	-	Tinctoris, Johannes (ca. 1435–1511)
Missa L'homme armé: Agnus Dei Tinctoris, Johannes (ca. 1435–1511) Appears on: 101v–104 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
104v–105	Missa [ad fugam]: Kyrie	M. DE ORTO	Orto, Marbrianus de
Missa [ad fugam]: Kyrie Orto, Marbrianus de Appears on: 104v–105 Genres: Kyrie eleison, Mass Ordinary Source Attribution: M. DE ORTO Number of voices: 4 (from 3) Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Kyrie General Note Note: KGSA of the Missa are gathered in one group; the Credo is at the end of the ms (& lacks its final page)
105v–107	Missa [ad fugam]: Gloria	-	Orto, Marbrianus de
Missa [ad fugam]: Gloria Orto, Marbrianus de Appears on: 105v–107 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4 (from 3)
107v–109	Missa [ad fugam]: Sanctus	-	Orto, Marbrianus de
Missa [ad fugam]: Sanctus Orto, Marbrianus de Appears on: 107v–109 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4 (from 3)
109v–110	Missa [ad fugam]: Agnus Dei	-	Orto, Marbrianus de
Missa [ad fugam]: Agnus Dei Orto, Marbrianus de Appears on: 109v–110 Genres: Agnus Dei, Mass Ordinary Number of voices: 4 (from 3)
110v–112	Missa L'homme armé: Kyrie	PHILIPPON [BASIRON]	Basiron, Philippe (ca. 1449–1491)
Missa L'homme armé: Kyrie Basiron, Philippe (ca. 1449–1491) Appears on: 110v–112 Genres: Kyrie eleison, Mass Ordinary Source Attribution: PHILIPPON [BASIRON] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Missa L'homme armé] Item Bibliography Feininger, Laurence K (editor). 1947-48. Series I: Ordinarium missae (1948) & Series II: Poprium missae (1947). Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Rome. Pages: I.
112v–114	Missa L'homme armé: Gloria	-	Basiron, Philippe (ca. 1449–1491)
Missa L'homme armé: Gloria Basiron, Philippe (ca. 1449–1491) Appears on: 112v–114 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
114v–117	Missa L'homme armé: Credo	-	Basiron, Philippe (ca. 1449–1491)
Missa L'homme armé: Credo Basiron, Philippe (ca. 1449–1491) Appears on: 114v–117 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
117v–119	Missa L'homme armé: Sanctus	-	Basiron, Philippe (ca. 1449–1491)
Missa L'homme armé: Sanctus Basiron, Philippe (ca. 1449–1491) Appears on: 117v–119 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
119v–122	Missa L'homme armé: Agnus Dei	-	Basiron, Philippe (ca. 1449–1491)
Missa L'homme armé: Agnus Dei Basiron, Philippe (ca. 1449–1491) Appears on: 119v–122 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
122v–124	Ave regina caelorum	Vaqueras	Vacqueras, Bertrandus (ca. 1450–1507)
Ave regina caelorum Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 122v–124 Genres: BVM, Motet Source Attribution: Vaqueras Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave regina caelorum Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 78.
124v–125	Missa de Franza: Kyrie	PHI. BAZIRON	Basiron, Philippe (ca. 1449–1491)
Missa de Franza: Kyrie Basiron, Philippe (ca. 1449–1491) Appears on: 124v–125 Genres: Kyrie eleison, Mass Ordinary Source Attribution: PHI. BAZIRON Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa de Franza] Kyrie Concordances 1509'
125v–128	Missa de Franza: Gloria	-	Basiron, Philippe (ca. 1449–1491)
Missa de Franza: Gloria Basiron, Philippe (ca. 1449–1491) Appears on: 125v–128 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
128v–131	Missa de Franza: Credo	-	Basiron, Philippe (ca. 1449–1491)
Missa de Franza: Credo Basiron, Philippe (ca. 1449–1491) Appears on: 128v–131 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
131v–133	Missa de Franza: Sanctus	-	Basiron, Philippe (ca. 1449–1491)
Missa de Franza: Sanctus Basiron, Philippe (ca. 1449–1491) Appears on: 131v–133 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
133v–135	Missa de Franza: Agnus Dei	-	Basiron, Philippe (ca. 1449–1491)
Missa de Franza: Agnus Dei Basiron, Philippe (ca. 1449–1491) Appears on: 133v–135 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
137r–138	Missa Se mieux ne vient: Kyrie	GASPAR	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Se mieux ne vient: Kyrie Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 137r–138 Genres: Kyrie eleison, Mass Ordinary Source Attribution: GASPAR Number of voices: 4 Voice: [no designation] Languages: Latin, French, Greek Voice Text: [Missa Se mieulx ne vient] Kyrie General Note T: Se mieulx ne vient Kyrie ... 3 et 4vx. Item Bibliography [No Author] 1935-1959. Reihe: Reichsdenkmale. Das Erbe deutscher Musik, vol. 1 & Vols 4 & 8. Das Glogauer Liederbuch, hrsg. von H. Ringmann. 2 vol. 1936/37 32, 33 & 34. Der Mensuralkodex des Nicolaus Apel, hrsg. von R. Gerber, 3 vol. 1956 37, 38 & 39. Das Buxheimer Orgelbuch, hrsg. von Bertha Antonia Wallner. 1959. Pages: 34.
138v–141	Missa Se mieux ne vient: Gloria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Se mieux ne vient: Gloria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 138v–141 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
141v–144	Missa Se mieux ne vient: Credo	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Se mieux ne vient: Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 141v–144 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
144v–146	Missa Se mieux ne vient: Sanctus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Se mieux ne vient: Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 144v–146 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
146v–148	Missa Se mieux ne vient: Agnus Dei	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Se mieux ne vient: Agnus Dei Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 146v–148 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
148v–149	Missa L'homme armé: Kyrie	[J. OCKEGHEM]	Ockeghem, Jean de (ca. 1410–1497)
Missa L'homme armé: Kyrie Ockeghem, Jean de (ca. 1410–1497) Appears on: 148v–149 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [J. OCKEGHEM] Number of voices: 4 Voice: [no designation] Languages: Latin, French, Greek Voice Text: [Missa L'homme armé] Kyrie General Note T: Kyrie L'homme armé … Item Bibliography Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: I.
149v–151	Missa L'homme armé: Gloria	-	Ockeghem, Jean de (ca. 1410–1497)
Missa L'homme armé: Gloria Ockeghem, Jean de (ca. 1410–1497) Appears on: 149v–151 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
151v–154	Missa L'homme armé: Credo	-	Ockeghem, Jean de (ca. 1410–1497)
Missa L'homme armé: Credo Ockeghem, Jean de (ca. 1410–1497) Appears on: 151v–154 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
154v–156	Missa L'homme armé: Sanctus	-	Ockeghem, Jean de (ca. 1410–1497)
Missa L'homme armé: Sanctus Ockeghem, Jean de (ca. 1410–1497) Appears on: 154v–156 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
156v–158	Missa L'homme armé: Agnus Dei	-	Ockeghem, Jean de (ca. 1410–1497)
Missa L'homme armé: Agnus Dei Ockeghem, Jean de (ca. 1410–1497) Appears on: 156v–158 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
158v–160	Missa Princesse d'amourettes: Kyrie	GASPAR	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Princesse d'amourettes: Kyrie Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 158v–160 Genres: Kyrie eleison, Mass Ordinary Source Attribution: GASPAR Number of voices: 4 Voice: [no designation] Languages: Latin, French, Greek Voice Text: Missa Princesse d'amourettes] Kyrie General Note T: Princesse d'amourettes. Item Bibliography Elders, Willem (editor). 1974. Gaspar van Weerbeke, Missa Princesse d'amourettes. Exempla Musica Neerlandica, vol. VIII. Vereniging voor Nederlandse Muziekgeschiedenis. Pages: VIII.
160v–162	Missa Princesse d'amourettes: Gloria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Princesse d'amourettes: Gloria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 160v–162 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
162v–165	Missa Princesse d'amourettes: Credo	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Princesse d'amourettes: Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 162v–165 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
165v–167	Missa Princesse d'amourettes: Sanctus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Princesse d'amourettes: Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 165v–167 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
167v–170	Missa Princesse d'amourettes: Agnus Dei	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Princesse d'amourettes: Agnus Dei Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 167v–170 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
170v–171	Missa Feria 4.1: Kyrie	[J. MARTINI ou JOSQUIN*]	Martini, Johannes (ca. 1430–1497) (?) Despres, Josquin (ca. 1450–1521) (?)
Missa Feria 4.1: Kyrie Martini, Johannes (ca. 1430–1497) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 170v–171 Genres: Kyrie eleison, Mass Ordinary Source Attribution: [J. MARTINI ou JOSQUIN] Number of voices:* 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa de feria. Sans Gloria ni Credo] Kyrie Concordances *SartoriB n° 23
171v–173	Missa Feria 4.1: Sanctus	-	Martini, Johannes (ca. 1430–1497) (?) Despres, Josquin (ca. 1450–1521) (?)
Missa Feria 4.1: Sanctus Martini, Johannes (ca. 1430–1497) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 171v–173 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
173v–176	Missa Feria 4.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521) (?) Martini, Johannes (ca. 1430–1497) (?)
Missa Feria 4.1: Agnus Dei Despres, Josquin (ca. 1450–1521) (?) Martini, Johannes (ca. 1430–1497) (?) Appears on: 173v–176 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
176v–178	Missa Plurimorum carminum II: Kyrie	HOBRECHT	Obrecht, Jacobus (ca. 1457–1505)
Missa Plurimorum carminum II: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 176v–178 Genres: Kyrie eleison, Mass Ordinary Source Attribution: HOBRECHT Number of voices: 4 Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa Carminum] Kyrie General Note [seul1 + n" suivants]T: Je ne vu oncques la pareille. Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: IV.
178v–179	Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra	-	Anonymous
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra Anonymous Appears on: 178v–179 Genres: Motet, Tract Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: IV (Sous le nom d'Obrecht, Missa Carminum. Tractus).
179v–180	Domine non secundum - 2a pars (of 3): Domine ne memineris pars	-	Anonymous
Domine non secundum - 2a pars (of 3): Domine ne memineris pars Anonymous Appears on: 179v–180 Genres: Motet, Tract Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra
180v–181	Domine non secundum - 3a pars (of 3): Adiuva nos Deus salutaris	-	Anonymous
Domine non secundum - 3a pars (of 3): Adiuva nos Deus salutaris Anonymous Appears on: 180v–181 Genres: Motet, Tract Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra
181v–182	Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra	[M. DE ORTO]*	Orto, Marbrianus de
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra Orto, Marbrianus de Appears on: 181v–182 Genres: Tract Source Attribution: [M. DE ORTO]* Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra Concordances 1503' Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen.* Amsterdam und Leipzig. Pages: IV (Sous le nom d'Obrecht, MissaCarminum. Tractus).
182v–183	Domine non secundum - 2a pars (of 3): Domine ne memineris pars	[M. DE ORTO]*	Orto, Marbrianus de
Domine non secundum - 2a pars (of 3): Domine ne memineris pars Orto, Marbrianus de Appears on: 182v–183 Genres: Tract Source Attribution: [M. DE ORTO]* Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra Concordances *1503'
183v–184	Domine non secundum - 3a pars (of 3): Adiuva nos Deus salutaris	[M. DE ORTO]*	Orto, Marbrianus de
Domine non secundum - 3a pars (of 3): Adiuva nos Deus salutaris Orto, Marbrianus de Appears on: 183v–184 Genres: Tract Source Attribution: [M. DE ORTO]* Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Domine non secundum peccata nostra Concordances *1503'
184v–186	Missa Plurimorum carminum II: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Plurimorum carminum II: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 184v–186 Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Salve regis mater sanctissima salve humani General Note T: Gracieuse gente monyere. Sanctus Item Bibliography Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: IV (Sous le nom d'Obrecht).
188v–189	Salve regis mater - 1a pars (of 2): Salve regis mater sanctissima salve humani	De Orto	Orto, Marbrianus de
Salve regis mater - 1a pars (of 2): Salve regis mater sanctissima salve humani Orto, Marbrianus de Appears on: 188v–189 Genres: Motet Source Attribution: De Orto Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Salve regis mater sanctissima salve humani General Note [= n° 26] T: Hic est sacerdos Alexander
189v–191	Salve regis mater - 2a pars (of 2): Nostros ergo suscipe benigna	De Orto	Orto, Marbrianus de
Salve regis mater - 2a pars (of 2): Nostros ergo suscipe benigna Orto, Marbrianus de Appears on: 189v–191 Genres: Motet Source Attribution: De Orto Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Salve regis mater sanctissima salve humani General Note [= n° 26]
192v–196	Da pacem- 1a pars (of 2): Da pacem domine in diebus nostris	DE ORTO	Orto, Marbrianus de
Da pacem- 1a pars (of 2): Da pacem domine in diebus nostris Orto, Marbrianus de Appears on: 192v–196 Genres: Motet Source Attribution: DE ORTO Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
192v–196	Da pacem- 2a pars (of 2): Et pax Dei qui exsuperat omnem sensum	DE ORTO	Orto, Marbrianus de
Da pacem- 2a pars (of 2): Et pax Dei qui exsuperat omnem sensum Orto, Marbrianus de Appears on: 192v–196 Genres: Motet Source Attribution: DE ORTO Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Da pacem domine in diebus nostris
196v–198	Salve regis mater - 1a pars (of 2): Salve regis mater sanctissima salve humani	-	Orto, Marbrianus de
Salve regis mater - 1a pars (of 2): Salve regis mater sanctissima salve humani Orto, Marbrianus de Appears on: 196v–198 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Salve regis mater sanctissima salve humani
198v–200	Salve regis mater - 2a pars (of 2): Nostros ergo suscipe benigna	-	Orto, Marbrianus de
Salve regis mater - 2a pars (of 2): Nostros ergo suscipe benigna Orto, Marbrianus de Appears on: 198v–200 Genres: Motet Number of voices: 5
200v–203	Credo	De Orto	Orto, Marbrianus de
Credo Orto, Marbrianus de Appears on: 200v–203 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: De Orto Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ave Maria mater gratiae
204v–206	Ave Maria - 1a pars (of 2): Ave Maria mater gratiae	DE ORTO	Orto, Marbrianus de
Ave Maria - 1a pars (of 2): Ave Maria mater gratiae Orto, Marbrianus de Appears on: 204v–206 Genres: Ave Maria, Motet Source Attribution: DE ORTO Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ave Maria mater gratie
204v–206	Ave Maria - 2a pars (of 2): Tu felix et sacra permanes	DE ORTO	Orto, Marbrianus de
Ave Maria - 2a pars (of 2): Tu felix et sacra permanes Orto, Marbrianus de Appears on: 204v–206 Genres: Ave Maria, Motet Source Attribution: DE ORTO Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: [2a p.]:Tu felix et sacre permanes
206v–208	Missa [ad fugam]: Credo	DE ORTO	Orto, Marbrianus de
Missa [ad fugam]: Credo Orto, Marbrianus de Appears on: 206v–208 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: DE ORTO Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Credo de la Missa n" 12 General Note incomplete, missing final side: so 5vv to "catholicam et apostolicam ecclesiam", then only 2vv remain of final section

Composer	Compositions
Anonymous	Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra – 178v–179 Domine non secundum - 2a pars (of 3): Domine ne memineris pars – 179v–180 Domine non secundum - 3a pars (of 3): Adiuva nos Deus salutaris – 180v–181 Missa de Beata Virgine: Gloria – 24v–28 Missa de Beata Virgine: Kyrie – 23r–24
Basiron, Philippe (ca. 1449-1491)	Missa L'homme armé: Agnus Dei – 119v–122 Missa L'homme armé: Credo – 114v–117 Missa L'homme armé: Gloria – 112v–114 Missa L'homme armé: Kyrie – 110v–112 Missa L'homme armé: Sanctus – 117v–119 Missa de Franza: Agnus Dei – 133v–135 Missa de Franza: Credo – 128v–131 Missa de Franza: Gloria – 125v–128 Missa de Franza: Kyrie – 124v–125 Missa de Franza: Sanctus – 131v–133
Compère, Loyset (ca. 1445-1518)	Missa L'homme armé 6.1: Agnus Dei – 69v–71 Missa L'homme armé 6.1: Credo – 65v–67 Missa L'homme armé 6.1: Gloria – 63v–65 Missa L'homme armé 6.1: Kyrie – 62v–63 Missa L'homme armé 6.1: Sanctus – 67v–69
Despres, Josquin (ca. 1450-1521)	Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra – 5v–6 Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris – 5v–6 Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis – 6v–7 Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto – 6v–7 (?) Missa Feria 4.1: Agnus Dei – 173v–176 (?) Missa Feria 4.1: Kyrie – 170v–171 (?) Missa Feria 4.1: Sanctus – 171v–173 (?) Missa L'homme armé 6.1: Agnus Dei – 69v–71 (?) Missa L'homme armé 6.1: Credo – 65v–67 (?) Missa L'homme armé 6.1: Gloria – 63v–65 (?) Missa L'homme armé 6.1: Kyrie – 62v–63 (?) Missa L'homme armé 6.1: Sanctus – 67v–69
Isaac, Heinrich (ca. 1450-1517)	Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III. – 36v–37v Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. – 31v–34 Missa Quant j'ai au coeur: Gloria: 3 partes. – 29v–31 Missa Quant j'ai au coeur: Kyrie – 28v–29 Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. – 34v–36
Martini, Johannes (ca. 1430-1497)	(?) Missa Feria 4.1: Agnus Dei – 173v–176 (?) Missa Feria 4.1: Kyrie – 170v–171 (?) Missa Feria 4.1: Sanctus – 171v–173 Missa La martinella: Agnus Dei – 49v–52 Missa La martinella: Credo – 42v–46 Missa La martinella: Gloria – 39v–42 Missa La martinella: Kyrie – 38r–39 Missa La martinella: Sanctus – 46v–49
Obrecht, Jacobus (ca. 1457-1505)	Missa O beate pater Donatiane: Agnus Dei – 83v–85 Missa O beate pater Donatiane: Credo – 76v–80 Missa O beate pater Donatiane: Gloria – 73v–76 Missa O beate pater Donatiane: Kyrie – 71v–73 Missa O beate pater Donatiane: Sanctus – 80v–83 Missa Plurimorum carminum II: Kyrie – 176v–178 Missa Plurimorum carminum II: Sanctus – 184v–186
Ockeghem, Jean de (ca. 1410-1497)	Intemerata Dei mater - 1a pars (of 3): Intemerata Dei mater generosa puella – 8v–11 Intemerata Dei mater - 2a pars (of 3): Nec sine te manet – 8v–11 Intemerata Dei mater - 3a pars (of 3): Aspiciat facito míseros – 8v–11 Missa Cuiusvis Toni: Agnus Dei – 20v–21 Missa Cuiusvis Toni: Credo – 15v–18 Missa Cuiusvis Toni: Gloria – 13v–15 Missa Cuiusvis Toni: Kyrie – 12v–13 Missa Cuiusvis Toni: Sanctus – 18v–20 Missa L'homme armé: Agnus Dei – 156v–158 Missa L'homme armé: Credo – 151v–154 Missa L'homme armé: Gloria – 149v–151 Missa L'homme armé: Kyrie – 148v–149 Missa L'homme armé: Sanctus – 154v–156
Orto, Marbrianus de	Ave Maria - 1a pars (of 2): Ave Maria mater gratiae – 204v–206 Ave Maria - 2a pars (of 2): Tu felix et sacra permanes – 204v–206 Credo – 200v–203 Da pacem- 1a pars (of 2): Da pacem domine in diebus nostris – 192v–196 Da pacem- 2a pars (of 2): Et pax Dei qui exsuperat omnem sensum – 192v–196 Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra – 181v–182 Domine non secundum - 2a pars (of 3): Domine ne memineris pars – 182v–183 Domine non secundum - 3a pars (of 3): Adiuva nos Deus salutaris – 183v–184 Missa [ad fugam]: Agnus Dei – 109v–110 Missa [ad fugam]: Credo – 206v–208 Missa [ad fugam]: Gloria – 105v–107 Missa [ad fugam]: Kyrie – 104v–105 Missa [ad fugam]: Sanctus – 107v–109 Salve regis mater - 1a pars (of 2): Salve regis mater sanctissima salve humani – 188v–189 Salve regis mater - 1a pars (of 2): Salve regis mater sanctissima salve humani – 196v–198 Salve regis mater - 2a pars (of 2): Nostros ergo suscipe benigna – 189v–191 Salve regis mater - 2a pars (of 2): Nostros ergo suscipe benigna – 198v–200
Prioris, Johannes (Denis, Dionisius) (-1515)	Missa Allez regrets: Agnus Dei – 60v–62 Missa Allez regrets: Credo – 55v–58 Missa Allez regrets: Gloria – 53v–55 Missa Allez regrets: Kyrie – 52v–53 Missa Allez regrets: Sanctus – 58v–60
Tinctoris, Johannes (ca. 1435-1511)	Missa L'homme armé: Agnus Dei – 101v–104 Missa L'homme armé: Credo – 92v–97 Missa L'homme armé: Gloria – 88v–92 Missa L'homme armé: Kyrie cunctorum plasmator summus – 85v–88 Missa L'homme armé: Sanctus – 97v–101
Vacqueras, Bertrandus (ca. 1450-1507)	Ave regina caelorum – 122v–124 Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra – 2v–3 Domine non secundum - 2a pars (of 3): Domine ne memineris – 3v–4 Domine non secundum - 3a pars (of 3): Adjuva nos Deus – 4v–5
Weerbecke, Gaspar van (ca. 1445-ca. 1516)	Missa Princesse d'amourettes: Agnus Dei – 167v–170 Missa Princesse d'amourettes: Credo – 162v–165 Missa Princesse d'amourettes: Gloria – 160v–162 Missa Princesse d'amourettes: Kyrie – 158v–160 Missa Princesse d'amourettes: Sanctus – 165v–167 Missa Se mieux ne vient: Agnus Dei – 146v–148 Missa Se mieux ne vient: Credo – 141v–144 Missa Se mieux ne vient: Gloria – 138v–141 Missa Se mieux ne vient: Kyrie – 137r–138 Missa Se mieux ne vient: Sanctus – 144v–146

Composition	Composers (? Uncertain)	Folios / Pages
Ave Maria - 1a pars (of 2): Ave Maria mater gratiae	Orto, Marbrianus de	204v–206
Ave Maria - 2a pars (of 2): Tu felix et sacra permanes	Orto, Marbrianus de	204v–206
Ave regina caelorum	Vacqueras, Bertrandus (ca. 1450–1507)	122v–124
Credo	Orto, Marbrianus de	200v–203
Da pacem- 1a pars (of 2): Da pacem domine in diebus nostris	Orto, Marbrianus de	192v–196
Da pacem- 2a pars (of 2): Et pax Dei qui exsuperat omnem sensum	Orto, Marbrianus de	192v–196
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra	Vacqueras, Bertrandus (ca. 1450–1507)	2v–3
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra	Anonymous	178v–179
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra	Orto, Marbrianus de	181v–182
Domine non secundum - 2a pars (of 3): Domine ne memineris	Vacqueras, Bertrandus (ca. 1450–1507)	3v–4
Domine non secundum - 2a pars (of 3): Domine ne memineris pars	Anonymous	179v–180
Domine non secundum - 2a pars (of 3): Domine ne memineris pars	Orto, Marbrianus de	182v–183
Domine non secundum - 3a pars (of 3): Adiuva nos Deus salutaris	Anonymous	180v–181
Domine non secundum - 3a pars (of 3): Adiuva nos Deus salutaris	Orto, Marbrianus de	183v–184
Domine non secundum - 3a pars (of 3): Adjuva nos Deus	Vacqueras, Bertrandus (ca. 1450–1507)	4v–5
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra	Despres, Josquin (ca. 1450–1521)	5v–6
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris	Despres, Josquin (ca. 1450–1521)	5v–6
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis	Despres, Josquin (ca. 1450–1521)	6v–7
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto	Despres, Josquin (ca. 1450–1521)	6v–7
Intemerata Dei mater - 1a pars (of 3): Intemerata Dei mater generosa puella	Ockeghem, Jean de (ca. 1410–1497)	8v–11
Intemerata Dei mater - 2a pars (of 3): Nec sine te manet	Ockeghem, Jean de (ca. 1410–1497)	8v–11
Intemerata Dei mater - 3a pars (of 3): Aspiciat facito míseros	Ockeghem, Jean de (ca. 1410–1497)	8v–11
Missa [ad fugam]: Agnus Dei	Orto, Marbrianus de	109v–110
Missa [ad fugam]: Credo	Orto, Marbrianus de	206v–208
Missa [ad fugam]: Gloria	Orto, Marbrianus de	105v–107
Missa [ad fugam]: Kyrie	Orto, Marbrianus de	104v–105
Missa [ad fugam]: Sanctus	Orto, Marbrianus de	107v–109
Missa Allez regrets: Agnus Dei	Prioris, Johannes (Denis, Dionisius) (–1515)	60v–62
Missa Allez regrets: Credo	Prioris, Johannes (Denis, Dionisius) (–1515)	55v–58
Missa Allez regrets: Gloria	Prioris, Johannes (Denis, Dionisius) (–1515)	53v–55
Missa Allez regrets: Kyrie	Prioris, Johannes (Denis, Dionisius) (–1515)	52v–53
Missa Allez regrets: Sanctus	Prioris, Johannes (Denis, Dionisius) (–1515)	58v–60
Missa Cuiusvis Toni: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	20v–21
Missa Cuiusvis Toni: Credo	Ockeghem, Jean de (ca. 1410–1497)	15v–18
Missa Cuiusvis Toni: Gloria	Ockeghem, Jean de (ca. 1410–1497)	13v–15
Missa Cuiusvis Toni: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	12v–13
Missa Cuiusvis Toni: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	18v–20
Missa de Beata Virgine: Gloria	Anonymous	24v–28
Missa de Beata Virgine: Kyrie	Anonymous	23r–24
Missa de Franza: Agnus Dei	Basiron, Philippe (ca. 1449–1491)	133v–135
Missa de Franza: Credo	Basiron, Philippe (ca. 1449–1491)	128v–131
Missa de Franza: Gloria	Basiron, Philippe (ca. 1449–1491)	125v–128
Missa de Franza: Kyrie	Basiron, Philippe (ca. 1449–1491)	124v–125
Missa de Franza: Sanctus	Basiron, Philippe (ca. 1449–1491)	131v–133
Missa Feria 4.1: Agnus Dei	Despres, Josquin (ca. 1450–1521) (?) Martini, Johannes (ca. 1430–1497) (?)	173v–176
Missa Feria 4.1: Kyrie	Martini, Johannes (ca. 1430–1497) (?) Despres, Josquin (ca. 1450–1521) (?)	170v–171
Missa Feria 4.1: Sanctus	Martini, Johannes (ca. 1430–1497) (?) Despres, Josquin (ca. 1450–1521) (?)	171v–173
Missa L'homme armé 6.1: Agnus Dei	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	69v–71
Missa L'homme armé 6.1: Credo	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)	65v–67
Missa L'homme armé 6.1: Gloria	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	63v–65
Missa L'homme armé 6.1: Kyrie	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	62v–63
Missa L'homme armé 6.1: Sanctus	Compère, Loyset (ca. 1445–1518) Despres, Josquin (ca. 1450–1521) (?)	67v–69
Missa L'homme armé: Agnus Dei	Tinctoris, Johannes (ca. 1435–1511)	101v–104
Missa L'homme armé: Agnus Dei	Basiron, Philippe (ca. 1449–1491)	119v–122
Missa L'homme armé: Agnus Dei	Ockeghem, Jean de (ca. 1410–1497)	156v–158
Missa L'homme armé: Credo	Tinctoris, Johannes (ca. 1435–1511)	92v–97
Missa L'homme armé: Credo	Basiron, Philippe (ca. 1449–1491)	114v–117
Missa L'homme armé: Credo	Ockeghem, Jean de (ca. 1410–1497)	151v–154
Missa L'homme armé: Gloria	Tinctoris, Johannes (ca. 1435–1511)	88v–92
Missa L'homme armé: Gloria	Basiron, Philippe (ca. 1449–1491)	112v–114
Missa L'homme armé: Gloria	Ockeghem, Jean de (ca. 1410–1497)	149v–151
Missa L'homme armé: Kyrie	Basiron, Philippe (ca. 1449–1491)	110v–112
Missa L'homme armé: Kyrie	Ockeghem, Jean de (ca. 1410–1497)	148v–149
Missa L'homme armé: Kyrie cunctorum plasmator summus	Tinctoris, Johannes (ca. 1435–1511)	85v–88
Missa L'homme armé: Sanctus	Tinctoris, Johannes (ca. 1435–1511)	97v–101
Missa L'homme armé: Sanctus	Basiron, Philippe (ca. 1449–1491)	117v–119
Missa L'homme armé: Sanctus	Ockeghem, Jean de (ca. 1410–1497)	154v–156
Missa La martinella: Agnus Dei	Martini, Johannes (ca. 1430–1497)	49v–52
Missa La martinella: Credo	Martini, Johannes (ca. 1430–1497)	42v–46
Missa La martinella: Gloria	Martini, Johannes (ca. 1430–1497)	39v–42
Missa La martinella: Kyrie	Martini, Johannes (ca. 1430–1497)	38r–39
Missa La martinella: Sanctus	Martini, Johannes (ca. 1430–1497)	46v–49
Missa O beate pater Donatiane: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	83v–85
Missa O beate pater Donatiane: Credo	Obrecht, Jacobus (ca. 1457–1505)	76v–80
Missa O beate pater Donatiane: Gloria	Obrecht, Jacobus (ca. 1457–1505)	73v–76
Missa O beate pater Donatiane: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	71v–73
Missa O beate pater Donatiane: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	80v–83
Missa Plurimorum carminum II: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	176v–178
Missa Plurimorum carminum II: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	184v–186
Missa Princesse d'amourettes: Agnus Dei	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	167v–170
Missa Princesse d'amourettes: Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	162v–165
Missa Princesse d'amourettes: Gloria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	160v–162
Missa Princesse d'amourettes: Kyrie	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	158v–160
Missa Princesse d'amourettes: Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	165v–167
Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III.	Isaac, Heinrich (ca. 1450–1517)	36v–37v
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	Isaac, Heinrich (ca. 1450–1517)	31v–34
Missa Quant j'ai au coeur: Gloria: 3 partes.	Isaac, Heinrich (ca. 1450–1517)	29v–31
Missa Quant j'ai au coeur: Kyrie	Isaac, Heinrich (ca. 1450–1517)	28v–29
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	Isaac, Heinrich (ca. 1450–1517)	34v–36
Missa Se mieux ne vient: Agnus Dei	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	146v–148
Missa Se mieux ne vient: Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	141v–144
Missa Se mieux ne vient: Gloria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	138v–141
Missa Se mieux ne vient: Kyrie	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	137r–138
Missa Se mieux ne vient: Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	144v–146
Salve regis mater - 1a pars (of 2): Salve regis mater sanctissima salve humani	Orto, Marbrianus de	188v–189
Salve regis mater - 1a pars (of 2): Salve regis mater sanctissima salve humani	Orto, Marbrianus de	196v–198
Salve regis mater - 2a pars (of 2): Nostros ergo suscipe benigna	Orto, Marbrianus de	189v–191
Salve regis mater - 2a pars (of 2): Nostros ergo suscipe benigna	Orto, Marbrianus de	198v–200

‡ denotes primary source study

Dean, Jeffrey J. 2009. The Far-Reaching Consequences of Basiron's L’Homme Armé Mass. . Notes: discussion.

Rodin, Jesse. 2008. “When in Rome…”: What Josquin Learned in the Sistine Chapel. Journal of the American Musicological Society, Vol. 61/2: 307-372. Pages: 319. Notes: discussion, scribal concordances.

Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 38: 470-523. Pages: 477-9, 512, 514, 518, 521-2. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: III, xi-ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Noblitt, Thomas L. 1983. Filiation vis-à-vis its Alternatives: Approaches to Textual Criticism. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. 111-27. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Roth, Adalbert. 1983. Zur Datierung der frühen Chorbücher der päpstlichen Kapelle. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen, vol. 26. 239-68. Wiesbaden. Pages: 250, 267-8. Notes: physical description (partial); mention of MS; discussion.

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae, vol. 90. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xvi, 47-70. Notes: contents list (partial); transcription (partial).

Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae, vol. 95. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xi-xiii,147-63, 219. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Reynolds, Christopher Alan. 1982. The Music Chapel at San Pietro in Vaticano in the Later Fifteenth Century. Princeton University, Unpublished Ph.D. dissertation. Pages: 87-8, 95-6, 154, 236, 251. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 8, 19, 22-4, 200, 216, 245. Notes: contents list (partial); mention of MS; discussion.

Gore, Glenn Leon. 1978. The Works of Philippe Basiron (Philippon?): Transcription and Commentary. West Virginia University, Unpublished Ph.D. dissertation. Pages: I, 6, 12-4, 35ff; II, x-xiii, xix, 86-132. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Sherr, Richard Jonathan (editor). 1978. Bertrandi Vaqueras: Opera Omnia. Corpus mensurabilis musicae, vol. 78. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: ix, xiii, 98-111. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxviii, 32-4, 59-60, 84; III, 76-7. Notes: contents list; Dcontents list (partial); concordances (partial); mention of MS; discussion.

Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae, vol. 18. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: x, xii, 74-114. Notes: contents list (partial); transcription (partial).

Sherr, Richard Jonathan. 1975. The Papal Chapel ca. 1492-1513 and Its Polyphonic Sources. Princeton University, Unpublished Ph.D. dissertation. Pages: 191-2. Notes: physical description; mention of MS; discussion.

Curtis, Alan (editor). 1974. Gaspar van Weerbeke, Missa Princesse d'amourettes 4 vx. Exempla Musica Neerlandica. 1964- (VvNM), vol. VII. Edited by Willem Elders. Amsterdam. Pages: VIII. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Miller, Ronald Lee. 1974. The Musical Works of Marbriano de Orto: Transcription and Commentary. Indiana University, Unpublished Ph.D. dissertation. Pages: I, 15-7, 106ff, 124ff, 140, 159ff; II, 293-339, 358-82, 424-57. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 27-8, 39-138, 372, 397-443. Notes: physical description; contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Lockwood, Lewis Henry. 1973-74. Aspects of the 'L'Homme armé' Tradition. Proceedings of the Royal Musical Association, 100: 97-122. Pages: 110.

Finscher, Ludwig. 1966. Loyset Compère: Life and works. MSD, vol. 12. Roma. Pages: 118.

Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 7-8, 53-4, 287, Abb. 3. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices. Vatican City. Pages: 69-72, 483-4. Notes: physical description; contents list; incipits (partial).

Llorens Cisteró, José Maria. 1960. Capellae Sistinae Codices musicis notis instructi sive manu scripti sive praelo excussi. Studi e testi, vol. 202. Città del Vaticano. Pages: 69ff.

Plamenac, Dragan (editor). 1947-. Johannes Ockeghem: Collected Works. American Musicological Society. Pages: I, xvi-ff, 44-56. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Stephan, Wolfgang. 1937. Die Burgundisch-Niederländische Motette zur Zeit Ockeghems. Kassel. Pages: 93.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: II, vii, ix. Notes: physical description; contents list (partial); concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XX/XXI, passim. Notes: physical description (partial); contents list (partial); transcription (partial).

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 14.

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Giacomo Pirani

Tuesday, 17 November, 2020

Pointed out that the tractus "Domine non secundum peccata nostra" on ff. 5v-7 which in the MS is attributed to "Judocus de Pratis" (i.e. to Johannes de Stockem) has been attributed to Josquin Desprez.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description