| Archive | Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav) |
|---|---|
| Shelfmark | MS Capp. Sist. 16 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 561 x 430 mm |
| Other Identifiers |
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| Notations |
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| Copyists |
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| Relationships |
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| External Links | |
| External Authorities | |
| Provenance |
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| Contents | 63 pieces from 10 composers |
Copied by Claudius Gellandi (DeanS). Copied in Rome, for use by Cappella Sistina.
Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings.
black void mensural
Ca. 1512-7 (DeanS)
Staff height 25
Other numberings: Original numbering of Masses, I-X; original numbering of motets, I-V
Original ink foliation (cited here), i-clxxiiii, on upper right rectos; modern pencil foliation, 1-176, on lower center rectos (excludes first modern flyleaf and both rear flyleaves).
Coloured initials on ff. i'-ii; other folios have inked calligraphic initials decorated with tracery. Coat of arms of Pope Leo X (1475-1521) on f. i'.
Original index on verso of front original flyleaf lists pieces in order of appearance.
paper
RISM
XVIe s. 176 ff. Papier, 520 x 345 mm. Foliotation ancienne en ch. romains, 1-174 ne tenant pas compte des 2 ff. lim. n. ch. Les ff. limin. [Ir-v, II], les ff. 1, 20v, 21, 35v, 36, 46v, 47, 60v, 61, 73v, 74, 88v, 89, 99v, 100, 115v, 116, 130v, 131, 149v, 150, 154v, 155, 159v, 160, 164v, 165, 169v, 170, 174v sont blancs. Notation mesurée blanche. 12 portées par p. Au v° du f. limin. [II]: Tabula hujus libri. Aux ff. lv-2, capitales enluminées. Reliure du XVIIIe s.
Ce ms. de deux mains, dont l'un des scribes du Cod. Mediceo (I-FI 666. Cf. Rifkin, Bibliographie), a été copié sous le pontificat de Léon X (1513-1521) dont on trouve les armes aux ff. lv-2, tandis qu'on lit au f. 64: «Vivat Leo.»
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
10 Masses, 5 motets = 15
Brumel-1, A. Févin-3, A. Févin/(Divitis)-1, Josquin-5, Mouton-1, Pipelare-1, Regis-1, Turleron [Hylaire]-1, Willaert [Adrien]-1
ii + i + 174 + ii paper folios, 561 x 430. Original ink foliation (cited below), i-clxxiiii, on upper right rectos; modern pencil foliation, 1-176, on lower center rectos (excludes first modern flyleaf and both rear flyleaves). Original numbering of Masses, I-X; original numbering of motets, I-V. Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings.
Original index on verso of front original flyleaf lists pieces in order of appearance. Copied by Claudius Gellandi (DeanS); see general index for other manuscripts copied by the same scribe. Staff height 25. Colored initials on ff. i'-ii; other folios have inked calligraphic initials decorated with tracery. Coat of arms of Pope Leo X (1475-1521) on f. i'.
Ca. 1512-7 (DeanS). Copied in Rome, for use by Cappella Sistina.
Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| 1v–4 | Missa Beata virgine = Nostra domina: Kyrie | BRUMEL * Missa de Nstra D[omi]na | |
|
Appears on:
1v–4
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
BRUMEL * Missa de Nstra D[omi]na
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
(Missa de nostra domina) Kyrie
General Note[= Missa De beata virgine]Au Gloria, Tr.: Spiritus et alme . . .Publ. cf. Bsp XXXI n' 6 |
|||
| 4v–8 | Missa Beata virgine = Nostra domina: Et in terra [Gloria] | - | |
|
Appears on:
4v–8
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 8v–14 | Missa Beata virgine = Nostra domina: Patrem omnipotentem [Credo] | - | |
|
Appears on:
8v–14
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
| 14v–18 | Missa Beata virgine = Nostra domina: Sanctus | - | |
|
Appears on:
14v–18
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
| 18v–20 | Missa Beata virgine = Nostra domina: Agnus Dei | - | |
|
Appears on:
18v–20
Genres:
Agnus Dei, Mass Ordinary
|
|||
| 21v–23 | Missa Fors seulement: Kyrie | PIPELARE * Missa de Fors seulement | |
|
Appears on:
21v–23
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
PIPELARE * Missa de Fors seulement
Voice:
[no designation]
Languages:
Latin, French, Greek
Voice Text:
(Missa de Fors seulement) Kyrie
General NoteT: Kyrie fors seulement eleyson … Publ. cf. MOcap Xn'2 |
|||
| 23v–25 | Missa Fors seulement: Gloria | - | |
|
Appears on:
23v–25
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 25v–29 | Missa Fors seulement: Credo | - | |
|
Appears on:
25v–29
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
| 29v–32 | Missa Fors seulement: Sanctus | - | |
|
Appears on:
29v–32
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
| 32v–35 | Missa Fors seulement: Agnus Dei | - | |
|
Appears on:
32v–35
Genres:
Agnus Dei, Mass Ordinary
|
|||
| 36v–37 | Missa Pange lingua 4.3: Kyrie | JOSQUIN * Missa de Pange lingua | |
|
Appears on:
36v–37
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
JOSQUIN * Missa de Pange lingua
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
(Missa de Pange lingua) Kyrie
General NoteT: Kyrie Pange lingua … Publ. cf. Ma 46 n° 7 Item BibliographyOsthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: Facs. des ff. 30v-37: I et Musikgeschichte in Bildern III/5. |
|||
| 37v–39 | Missa Pange lingua 4.3: Gloria | - | |
|
Appears on:
37v–39
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 39v–42 | Missa Pange lingua 4.3: Credo | - | |
|
Appears on:
39v–42
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
| 42v–44 | Missa Pange lingua 4.3: Sanctus | - | |
|
Appears on:
42v–44
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
| 44v–46 | Missa Pange lingua 4.3: Agnus Dei | - | |
|
Appears on:
44v–46
Genres:
Agnus Dei, Mass Ordinary
|
|||
| 47v–49 | Missa Mente tota tibi: Kyrie | ANT. DE FÉVIN * Missa de Mente tota | |
|
Appears on:
47v–49
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
ANT. DE FÉVIN * Missa de Mente tota
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
(Missa de Mente tota) Kyrie
Item BibliographyClinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation. Expert, Henry (editor). 1894-. Les maîtres musiciens de la Renaissance française. Paris. |
|||
| 49v–51 | Missa Mente tota tibi: Gloria | - | |
|
Appears on:
49v–51
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 51v–56 | Missa Mente tota tibi: Credo | - | |
|
Appears on:
51v–56
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
| 56v–58 | Missa Mente tota tibi: Sanctus | - | |
|
Appears on:
56v–58
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
| 58v–60 | Missa Mente tota tibi: Agnus Dei | - | |
|
Appears on:
58v–60
Genres:
Agnus Dei, Mass Ordinary
|
|||
| 61v–63 | Missa Feria (5vv): Kyrie | ANT. DE FÉVIN * Missa de Feria | |
|
Appears on:
61v–63
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
ANT. DE FÉVIN * Missa de Feria
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
(Missa de Feria) Kyrie
Item BibliographyClinkscale, Edward Henry. 1965. The Complete Works of Antoine de Févin. New York University, Ph.D. dissertation. |
|||
| 63v–65 | Missa Feria (5vv): Gloria: 2 partes. | - | |
|
Appears on:
63v–65
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 65v–68 | Missa Feria (5vv): Credo: 4 partes. | - | |
|
Appears on:
65v–68
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
| 68v–71 | Missa Feria (5vv): Sanctus (with: Pleni: 2 voces, Benedictus: 3 voces). | - | |
|
Appears on:
68v–71
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
| 71v–73 | Missa Feria (5vv): Agnus I. Agnus II: 2 voces. Agnus III: 6 voces. | - | |
|
Appears on:
71v–73
Genres:
Agnus Dei, Mass Ordinary
|
|||
| 74v–76 | Missa: Kyrie | HYLAIRE [PENET] | |
|
Appears on:
74v–76
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
HYLAIRE [PENET]
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
[Missa] Kyrie
|
|||
| 76v–80 | Missa: Gloria | - | |
|
Appears on:
76v–80
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 80v–83 | Missa: Credo | - | |
|
Appears on:
80v–83
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
| 83v–86 | Missa: Sanctus | - | |
|
Appears on:
83v–86
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
| 86v–88 | Missa: Agnus Dei | - | |
|
Appears on:
86v–88
Genres:
Agnus Dei, Mass Ordinary
|
|||
| 89v–90 | Missa Ad Placitum = Missa parva: Kyrie | ANT. DE FÉVIN * Missa parva | |
|
Appears on:
89v–90
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
ANT. DE FÉVIN * Missa parva
Voice:
[no designation]
Languages:
Latin
Voice Text:
(Missa parva) [= Missa Dites moi m'avés pensé]
General NotePubl. cf. Bc 19 n° 81 |
|||
| 90v–92 | Missa Ad Placitum = Missa parva: Gloria | - | |
|
Appears on:
90v–92
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 92v–96 | Missa Ad Placitum = Missa parva: Credo | - | |
|
Appears on:
92v–96
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
| 96v–98 | Missa Ad Placitum = Missa parva: Sanctus | - | |
|
Appears on:
96v–98
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
| 98v–99 | Missa Ad Placitum = Missa parva: Agnus Dei | - | |
|
Appears on:
98v–99
Genres:
Agnus Dei, Mass Ordinary
|
|||
| 100v–102 | Missa Dites-moi m'avés pensé: Kyrie | ANT. DE FÉVIN * Missa dictes moy toutes | |
|
Appears on:
100v–102
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
ANT. DE FÉVIN * Missa dictes moy toutes
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
(Missa dictes moy toutes) Kyrie
General NoteT: Kyrie Dictes moy toutes vos pensées … Publ. cf. Bc 19 n° 87 |
|||
| 102v–105 | Missa Dites-moi m'avés pensé: Gloria | - | |
|
Appears on:
102v–105
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 105v–110 | Missa Dites-moi m'avés pensé: Credo | - | |
|
Appears on:
105v–110
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
| 110v–113 | Missa Dites-moi m'avés pensé: Sanctus | - | |
|
Appears on:
110v–113
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
| 113v–115 | Missa Dites-moi m'avés pensé: Agnus Dei | - | |
|
Appears on:
113v–115
Genres:
Agnus Dei, Mass Ordinary
|
|||
| 116v–118 | Missa Mente tota supplicamus: Kyrie | ADRIEN [WILLAERT] * MIssa de Mente tota | |
|
Appears on:
116v–118
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
ADRIEN [WILLAERT] * MIssa de Mente tota
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
(Missa de Mente tota) Kyrie
General NoteT: Kyrie Mente tota tibi supplicamus |
|||
| 118v–121 | Missa Mente tota supplicamus: Gloria | - | |
|
Appears on:
118v–121
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 121v–125 | Missa Mente tota supplicamus: Credo | - | |
|
Appears on:
121v–125
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
| 125v–127 | Missa Mente tota supplicamus: Sanctus | - | |
|
Appears on:
125v–127
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
| 127v–130 | Missa Mente tota supplicamus: Agnus Dei | - | |
|
Appears on:
127v–130
Genres:
Agnus Dei, Mass Ordinary
|
|||
| 131v–134 | Missa Tu es Petrus: Kyrie | JO. MOUTON * Missa Tu es petrus | |
|
Appears on:
131v–134
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
JO. MOUTON * Missa Tu es petrus
Voice:
[no designation]
Languages:
Latin, Greek
Voice Text:
(Missa Tu es Petrus) Kyrie
General NoteT lus: Kyrie tu es Petrus eleyson … Publ. cf. MOe N.1.2 n° 3 |
|||
| 134v–139 | Missa Tu es Petrus: Gloria | - | |
|
Appears on:
134v–139
Genres:
Gloria (et in terra pax), Mass Ordinary
|
|||
| 139v–144 | Missa Tu es Petrus: Credo | - | |
|
Appears on:
139v–144
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
|||
| 144v–147 | Missa Tu es Petrus: Sanctus | - | |
|
Appears on:
144v–147
Genres:
Mass Ordinary, Sanctus [& Benedictus]
|
|||
| 147v–149 | Missa Tu es Petrus: Agnus Dei | - | |
|
Appears on:
147v–149
Genres:
Agnus Dei, Mass Ordinary
|
|||
| 150v–152 | Clangat plebs - 1a pars (of 3): Clangat plebs flores theotece voce sonora | Regis | |
|
Appears on:
150v–152
Genres:
Motet
Source Attribution:
Regis
Voice:
[no designation]
Languages:
Latin
Voice Text:
Clangat plebs flores theotece voce sonora
General NoteT: Sicut lilium Publ. cf. Rvat 15 n° 44, avec facs. f. 150v-151 |
|||
| 152v–153 | Clangat plebs - 2a pars (of 3): Carmina cadentem | Regis | |
|
Appears on:
152v–153
Genres:
Motet
Source Attribution:
Regis
Voice:
[no designation]
Languages:
Latin
Voice Text:
Clangat plebs flores theotece voce sonora
General NoteT: Sic amica mea . . .Publ. cf. Rvat 15 n° 44, avec facs. f. 150v-151 |
|||
| 153v–154 | Clangat plebs - 3a pars (of 3): Hac mala terge malis / Sicut lilium inter spinas | Regis | |
|
Appears on:
153v–154
Genres:
Motet
Source Attribution:
Regis
Voice:
[no designation]
Languages:
Latin
Voice Text:
Clangat plebs flores theotece voce sonora
General NoteT: Sicut lilium Publ. cf. Rvat 15 n° 44, avec facs. f. 150v-151 |
|||
| 155v–157 | Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina | Josquin | |
|
Appears on:
155v–157
Genres:
Motet
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Benedicta es caelorum regina
General NotePubl. cf. Bc 142 n" 47 |
|||
| 157v–158 | Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum | Josquin | |
|
Appears on:
157v–158
Genres:
Motet
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Benedicta es caelorum regina
General NotePubl. cf. Bc 142 n" 47 |
|||
| 158v–159 | Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum | Josquin | |
|
Appears on:
158v–159
Genres:
Motet
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Benedicta es caelorum regina
General NotePubl. cf. Bc 142 n" 47 |
|||
| 160v–162 | Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus | Josquin | |
|
Appears on:
160v–162
Genres:
Motet
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Praeter rerum seriem
General NotePubl. cf. Bc 142 n- 41 |
|||
| 162v–164 | Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud | Josquin | |
|
Appears on:
162v–164
Genres:
Motet
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Praeter rerum seriem
General NotePubl. cf. Bc 142 n- 41 |
|||
| 165v–167 | Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo | Josquin | |
|
Appears on:
165v–167
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Memor esto verbi tui servo tuo
General NotePubl. cf. Bc 142 n° 5 |
|||
| 167v–169 | Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire | Josquin | |
|
Appears on:
167v–169
Genres:
Motet
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Memor esto verbi tui servo tuo
General NotePubl. cf. Bc 142 n° 5 |
|||
| 170v–172 | Virgo salutiferi 25.13 - 1a pars (of 3): Virgo salutiferi genitrix intacta | Josquin | |
|
Appears on:
170v–172
Genres:
Motet
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Virgo salutiferi genitrix intacta
General NotePubl. cf. Fl 666 n° 42 |
|||
| 172v–173 | Virgo salutiferi 25.13 - 2a pars (of 3): Tu potis es prime scelus | Josquin | |
|
Appears on:
172v–173
Genres:
Motet
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Virgo salutiferi genitrix intacta
General NotePubl. cf. Fl 666 n° 42 |
|||
| 173v–174 | Virgo salutiferi 25.13 - 3a pars (of 3): Nunc caeli regina tuis pro gentibus | Josquin | |
|
Appears on:
173v–174
Genres:
Motet
Source Attribution:
Josquin
Voice:
[no designation]
Languages:
Latin
Voice Text:
Virgo salutiferi genitrix intacta
General NotePubl. cf. Fl 666 n° 42 Sup. et 1er T des 3 p.: Ave Maria gratia plena |
|||
‡ denotes primary source study
Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 80, 94-5, 128, 179, 199-200, 226-7, 282-4, passim. Notes: physical description (partial); contents list; concordances (partial); facsimile (partial); mention of MS; discussion.
Boorman, Stanley. 1983. Notational Spelling and Scribal Habit. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. Wiesbaden. Pages: 86-7, 98. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 247. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Boorman, Stanley. 1977. Review of EMN II (Josquin: Missa Pange Lingua). The Musical Quarterly, 436-40. Pages: 437-8. Notes: physical description; mention of MS; discussion.
Rifkin, Joshua. 1976. Ein römisches Messenrepertoire am bayerischen Hof-Bemerkungen zum Wolfenbütteler Chorbuch A Aug. 2° und zu seinem Umkreis. Paper read at colloquium "Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez," held at Wolfenbüttel, September 14-17, 1976, . Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 305-26. Pages: 308f. Notes: physical description; mention of MS; discussion.
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xiii. Notes: contents list (partial); concordances (partial).
Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, x. Notes: contents list (partial); concordances (partial).
Cross, Ronald (editor). 1966-. Matthaeus Pipelare: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, x. Notes: contents list (partial); concordances (partial).
Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: I, 192, Abb. 21. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.
Beck, Hermann. 1960. Adrian Willaerts Messen. Archiv für Musikwissenschaft, 215-42. Pages: 223. Notes: contents list (partial); concordances (partial); incipits (partial).
Llorens Cisteró, José Maria. 1960. Capellae Sistinae Codices musicis notis instructi sive manu scripti sive praelo excussi. Studi e testi. Città del Vaticano. Pages: 29-31. Notes: physical description; contents list.
Spratt, John F. 1960. The Masses of Antoine de Févin. Florida State University, Unpublished Ph.D. dissertation. Pages: I, 3; II, 37-92, 187-258. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.
Lindenburg, Cornells W H (editor). 1956. Johannis Regis: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, ii, [ix], 21-9. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); facsimile (partial); mention of MS; discussion.
Kast, Paul. 1955. Studien zu den Messen des Jean Mouton. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 56, 59, 65, 196. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: P. Kast, VII, 208; XI, 752. Notes: mention of MS; facsimile (partial).
Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: (XVIII, viii-xiv. Notes: contents list (partial); concordances (partial).
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: VI, vi, viii-x; VII, vii-xii; XI, x-xiii. Notes: contents list (partial); concordances (partial).
Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 7.
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The Missa on f. 74v-88 is the same as the one in I-Rvat, MS Pal. lat. 1982 "Illayre" in V-CVbav, MS Pal. lat. 1982, daté de 1513-1523, f. 131-140, "Hylaire" in V-CVbav, CS 16, daté de 1512-1517, f. 74v-88. Most unlikely by Hilaire Penet, it should be reattributed to Hilaire Turluron (who is in Rome at that time) https://rism.online/people/50042351 https://www.diamm.ac.uk/people/1326/
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NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description