Book of “masses by Josquin”, though clearly several are wrongly attributed to him. Copied by a single scribe. Probably copied in Italy. Inscription on first original flyleaf: 'pagato a my paulo da lucca scudi 3 et mez(z)o et lo ha pagato il Sr. pietro marya(?) pane q(ues)to di 5 decemre 1596.' Date of acquisition by Biblioteca Ambrosiana unknown.
| Archive | Biblioteca Ambrosiana, Milano, Italy (I-Ma) |
|---|---|
| Shelfmark | MS E.46 Inf. |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Mixed Paper and Parchment |
| Numbering System | Foliation |
| Measurements | 465-8 x 338-40 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 9 compositions from 3 composers. |
General Description
Physical Description
Agnus and most of Sanctus of last Mass missing.
Binding
New covers of thin parchment on cardboard; spine darkened by leather stain.
Watermark
resembles Briquet #6300
Liminary Note
Inscription on first original flyleaf: 'Iste liber principis musicorum Josquini, qui multas missas continet pro varietate temporum et festivitatum totius anni meretur habere locum in bibliotheca illustrissimae dominationis, quod res sacras continet religioni convenientes, et ad cul tum divinum sit consentaneum et materia satis diviatura (durata?). Fr.(?) Alfonsus(?) Ciaconis(?).'
Notation
black void mensural
Foliation
Original ink foliation, 1-88; modern pencil foliation, 1-92, includes original flyleaves at end
Decoration
Inked calligraphic initials.
Surface
i paper + ii paper + 88 parchment + iv paper + i paper
RISM Description
RISM
XVIe s., 88ff. Parchemin (+2ff. papier ch. 89-90, ajoutés plus tard avec l'intention probable de terminer la messe de Josquin, mais restés blancs), 465 x 340 mm. Foliotation moderne. Le f. lr est blanc. Notation mesurée blanche. 12 portées par p. Initiales ornées à la plume.
Ms. compilé (vraisemblablement pas après 1540) à une époque où la réputation de Josquin était encore grande puisque 7 des 9 messes du ms. portent son nom (dont 2 cependant faussement attribuées: nos 1 et 4) et qu'un certain Fr. Alfonsus Ciacondus a noté au f. de garde: «Iste liber Principis musicorum Josquini qui multas missas continet pro varietate temporum et festivitatum totius anni meretur habere locum in bibliotheca illustrissime dominationis, tpios res sacras continet religioni convenientes, et ad cultum divinum sit consentaneum et materia satis duratura.» Plus bas sur le même f. on lit: «pagato a my paulo da Iucca scudi 3 et mezo et lo fa pagato il Sr pietro mangiapane questo di 5 décembre 1596.» La présence de l'une des premières oiesses de Morales dans ce ms. italien (no 5) marque peut-être l'époque de la domination de Charles-Quint qui, à la mort de Francesco II Sforza, en 1535, Prit le titre de Duc de Milan, ce qui expliquerait la note du Fr. Alfonsus Ciacondus lorsqu'il dit que le recueil était conservé «in bibliotheca illustrissime dominationis.» Cette époque correspondrait, de surcroît, avec le séjour de Morales en Italie où il servit le pape à Rome de 1535 à 1540 avant de regagner l'Espagne.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
9 Masses
Josquin-5, Josquin/(La Rue)-2, La Rue/(Josquin)-1, Morales-1
i paper + ii paper + 88 parchment + iv paper + i paper folios, 465-8 x 338-40. Original ink foliation, 1-88; modern pencil foliation, 1-92, includes original flyleaves at end. New covers of thin parchment on cardboard; spine darkened by leather stain. No index. Copied by a single scribe. Inked calligraphic initials. Watermark resembles Briquet #6300. Agnus and most of Sanctus of last Mass missing. Inscription on first original flyleaf: "Iste liber principis musicorum Josquini, qui multas missas continet pro varietate temporum et festivitatum totius anni meretur habere locum in bibliotheca illustrissimae dominationis, quod res sacras continet religioni convenientes, et ad cul tum divinum sit consentaneum et materia satis diviatura(?). Fr.(?) Alfonsus(?) Ciaconis(?)."
Mid 16th century? Probably copied in Italy. Inscription on first original flyleaf: "pagato a my paulo da lucca scudi 3 et mez(z)o et lo ha pagato il Sr. pietro marya(?) pane q(ues)to di 5 decemre 1596." Date of acquisition by Biblioteca Ambrosiana unknown.
The inventory could not be loaded.
‡ denotes primary source study
Elzinga, Harry. 1993. Josquin’s “Missa Quem dicunt homines” : a Re-examination. Tijdschrift van de Vereniging Voortrekker Nederlandse Musiekgeschiedenis, 43/2: 87-104. Notes: Contents list; transcriptions (partial); description (partial).
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 142-143.
Lockwood, Lewis Henry. 1970. The Counter-Reformation and the Masses of Vincenzo Ruffo. Venice. Pages: 147-8. Notes: contents list (partial); mention of MS; discussion.
Nugent, George Edward. 1970. The Life and Works of Antonius Divitis. North Texas State University, Unpublished Ph.D. dissertation. Pages: I, 53. Notes: contents list (partial); mention of MS; discussion.
Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age. Berkeley and Los Angeles. Pages: 65, 71-2. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.
Lockwood, Lewis Henry. 1959. The Counter-Reformation and the Sacred Music of Vincenzo Ruffa. Princeton University, Unpublished Ph.D. dissertation. Pages: 174-5. Notes: contents list (partial); mention of MS; discussion.
Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie. Brussels. Pages: 42, 156-7, 162-3. Notes: contents list (partial); concordances (partial).
Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola. Madrid (later Barcelona, later Rome). Pages: 10ff. Notes: physical description; contents list; incipitsst of contents (partial); transcription (partial).
Smijers, Albert (editor). 1927-56. Werken van Josquin des Prez: Missen. Amsterdam. Pages: II, vi-xii; VI, v; VIII, vi-xvi; XVI, xlv-lx; XVIII, ix-xiv. Notes: physical description (partial); contents list; concordances (partial).
Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: p. VI.
Amelli, Ambrogio M. 1909, 1910. Indice dei Codici Manoscritti della Biblioteca Ambrosiana. Rivista delle Biblioteche e degli Archivi, 20 (1909), 142-72; 21 (1910): 39-46,58-78,151-8,183-92. Pages: XXI, 75. Notes: physical description (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Liminary Note; Notation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description