I-Fn MS II.I.350

Biblioteca Nazionale Centrale, Firenze (Florence), Italy

manuscript of polyphony: c. 1520

Archive Biblioteca Nazionale Centrale, Firenze (Florence), Italy (I-Fn)
Shelfmark MS II.I.350
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 395 x 287 mm
Other Identifiers
  • RISM: I-Fn 350
  • CCM: FlorBN n.1.350
  • olim (Former shelfmark): Magl. XXXVI 113
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 69 pieces from 9 composers
General Description

Copied by two main scribes, with additions in five other hands (one from the 17th century or later). An inscription on f. 83 identifies one of the scribes as a certain 'Angelus'. Copied in Florence; the manuscript formerly belonged to the hospital of Santa Maria Nuova in Florence. It may be identical to a choirbook commissioned by the cathedral of Florence in 1514 (Rifkin; cf. D'AccBP, 133, n.63).

DIAMM, 2017
Physical Description

Ten folios are missing at the beginning; remaining folios are in poor condition because of ink corrosion.

DIAMM, 2017
Binding

Modern leather covers

DIAMM, 2017
Watermark

resembles Briquet #744 (perhaps identical to one in RomeV 35-40); the other resembles Briquet #5919 (a similar mark also appears in FlorBN Magl. 99-102)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Some original ink foliation still visible; modern pencil foliation, 1-90

DIAMM, 2017
Decoration

Penned initials, decorated mostly in red, sometimes in green. The date 1523 and the Medici crest appear on f. 57 (these were probably added after completion of the copying).

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XVIe s. 90ff. + 1f. limin. n. ch. Papier, 415 x 290 mm. Foliotation moderne au bas desff.: 1-90. Lesff. 65v, 66, 74v-75 sont blancs. Notation mesurée blanche. 10 portées par p. Initiales ornées à la plume. Quelques notes, paroles et titres sont rubriques. Au revers de la reliure, une étiquette porte: «Ex Bibliotheca Nosocomii S.M.Novae.»

La date 1523 inscrite dans un écusson en marge du f. 57, peut être considérée approximativement comme celle de la compilation du ms., copié en tout cas pas avant 1511 et peu après 1520 puisque Francesco Corteccia dans la préface de ses Responsoria (Venise 1570) signale ceux de «Bernardo da Pisa» comme «antichissimi», ce qui laisse supposer que Pisano les avait écrits à l'usage des chantres de la cathédrale de Florence alors qu'il y était maître de chapelle, entre 1511 et 1520. Consacré pour la plus large part à la liturgie des trois derniers jours de la Semaine Sainte, le ms. dans son ensemble est l'oeuvre d'un seul scribe, sauf aux ff. 66v à 75, copiés postérieurement, semble-t-il, aux p. laissées libres par le premier scribe, d'une écriture moins soignée, sans capitales ornées qui ne reprennent qu'au f. 75v. L'encre ayant rongé le papier, certaines lectures restent difficiles.

Editions

Les Responsoria de PISANO (nos 2 à 20), in CMM 32; les Lamentations de CARPENTRAS (nos 21 à 24), in CMM 58, II; celles de QUADRIS (nos 34 à 41), in Johannes de Quadris. Voir en outre à chaque pièce.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Canticles, 2 psalms, 31 Lamentations, 21 motets = 59

Brumel-2, Carpentras-14, (Ducis/Masson)-1, (Jaquet of Mantua)-1, Pisano-18 + 2?, (Vitali)-1, anon-20

iii + 90 + ii paper folios, 395 x 287. Ten folios are missing at the beginning; remaining folios are in poor condition because of ink corrosion. Some original ink foliation still visible; modern pencil foliation, 1-90. Modern leather covers. Copied by two main scribes, with additions in five other hands (one from the 17th century or later). Penned initials, decorated mostly in red, sometimes in green. The date 1523 and the Medici crest appear on f. 57 (these were probably added after completion of the copying). One watermark resembles Briquet #744 (perhaps identical to one in RomeV 35-40); the other resembles Briquet #5919 (a similar mark also appears in FlorBN Magl. 99-102). The manuscript may be identical to a choirbook commissioned by the cathedral of Florence in 1514 (Rifkin; cf. D'AccBP, 133, n.63).

Ca. 1520 (D'AccBP); 1514? (Rifkin). Copied in Florence; the manuscript formerly belonged to the hospital of Santa Maria Nuova in Florence.

Vol 4

Contents: 5 canticles (1 incomplete), 1 psalm, 13 Lamentations, 22 motets = 41

Composers: Brumel-1, Carpentras-4·, (Ducis/Maffoni)-1, (Jaquet of Mantua)-1, Pisano-18 + 2?, (Quadris)-7, (Vitali)-1, anon-6

Physical: Inscription on f. 83 identifies one of the scribes as a certain "Angelus." Date: " 1521" on f. 83.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Una hora non potuistis (Maundy Thursday, responsory 8) -
Appears on: 1
Genres: Responsory
Voice: [no designation]
Languages: Italian
Voice Text: Una hora non potuisti ...
General Note

T/B seuls. Attrib. à B. Pisano par D'Accone, mais non Publ.dans CMM 32,1

1v–3 Seniores populi concilium fecerunt (Maundy Thursday, responsory 9) -
Appears on: 1v–3
Genres: Responsory
Voice: [no designation]
Languages: Latin
Voice Text: [R] Seniores populi concilium fecerunt … [V]Collegerunt pontífices
General Note

Attrib. à B. Pisano par D'Accone

Item Bibliography

D'Accone, Frank A. 1988. London, British Library, MS Egerton 3655 [Facsimile reproduction, with introduction]. Renaissance Music in Facsimile.  Garland Publishing Co.

3v–5 Omnes amici mei (Good Friday, responsory 1) BER. PISANUS
Appears on: 3v–5
Genres: Responsory
Source Attribution: BER. PISANUS
Voice: [no designation]
Languages: Latin
Voice Text: [R] Omnes amici mei …[V]. Inter iníquos.

Item Bibliography

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: III.

5v–6 Velum templi scissum est (Good Friday, responsory 2) [B. PISANO]
Appears on: 5v–6
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Velum templi scissum est . . .[V] Petre scisse sunt …
6v–8 Vinea mea electa (Good Friday, responsory 3) [B. PISANO]
Appears on: 6v–8
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Vinea mea electa …[V] Sepivi te et lapides elegi …
8v–10 Tamquam ad latronem existis (Good Friday, responsory 4) [B. PISANO]
Appears on: 8v–10
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Tamquam ad latronem existis …[V] Cunque injecissent …
10v–11 Tenebrae factae sunt (Good Friday, responsory 5) [B. PISANO]
Appears on: 10v–11
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] ° Tenebre facte sunt … [V] Exclamans Jesus …
11v–15 Animam meam tradidi (Good Friday, responsory 6) [B. PISANO]
Appears on: 11v–15
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Animam meam tradidi …[V].] Insurrexerunt in me …
15v–16 Tradiderunt me in manus iniquorum (Good Friday, responsory 7) [B. PISANO]
Appears on: 15v–16
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Tradiderunt me in manus iniquorum … [V] Alieni insurrexerunt adversum me . . .
16v–17 Jesum tradidit impius sumis principibus (Good Friday, responsory 8) [B. PISANO]
Appears on: 16v–17
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Jesum tradidit impius sumis principibus … [V] Adduxerunt autem eum . . .
17v–19 Caligaverunt oculi mei (Good Friday, responsory 9) [B. PISANO]
Appears on: 17v–19
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Caligaverunt oculi mei … [V] O vos omnes …
19v–20 Sicut ovis ad occisionem (Holy Saturday, responsory 1) [B. PISANO]
Appears on: 19v–20
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Sicut ovis ad occitionem … [V] Tradidit in mortem …
20v–21 Jerusalem luge et exue te (Holy Saturday, responsory 2) [B. PISANO]
Appears on: 20v–21
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Hierusalem sugge [sic] et exue te ... [V] Deduc quasi torrentes …

Item Bibliography

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: III.

21v–23 Plange quasi virgo plebs mea (Holy Saturday, responsory 3) [B. PISANO]
Appears on: 21v–23
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Piange quasi virgo plebs mea …[V] Accingile vos . . .[
23v–25 Recessit pastor noster fons aquae (Holy Saturday, responsory 4) [B. PISANO]
Appears on: 23v–25
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Récessif pastor noster fons aque …[V] Destruxit quidem …
25v–26 O vos omnes qui transitis (Holy Saturday, responsory 5) [B. PISANO]
Appears on: 25v–26
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] ° O vos omnes qui transitis . . .[V] Attendue universi populi . . .

Item Bibliography

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: III.

26v–29 Ecce quomodo moritur justus (Holy Saturday, responsory 6) [B. PISANO]
Appears on: 26v–29
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Ecce quomodo moritur justus …[V] Tamquam agnum …
29v–30 Astiterunt reges terrae (Holy Saturday, responsory 7) [B. PISANO]
Appears on: 29v–30
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Astiterunt reges terre …[V] Quare fremuerunt gentes
30v–31 Aestimatus sum cum descendentibus (Holy Saturday, responsory 8) [B. PISANO]
Appears on: 30v–31
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Exstimatus sum cum descendentibus … [V] Posuerunt me in lacu . . .
31v–33 Sepulto Domino signatum est monumentum (Holy Saturday, responsory 9) [B. PISANO]
Appears on: 31v–33
Genres: Responsory
Source Attribution: [B. PISANO]
Voice: [no designation]
Languages: Latin
Voice Text: [R] Sepulto domino signatum est monumentum … [V] Accedentes principes …
33v–40 Lamentationes Jeremiae (Feria 5, lectio I) CARPENTRAS]*
Appears on: 33v–40
Genres: Motet
Source Attribution: CARPENTRAS]*
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Incipit lamentatio Hieremie …
Concordances

*RISM G 1572

40v–44 Lamentationes Jeremiae (Feria 6, lectio III) CARPENTRAS
Appears on: 40v–44
Genres: Lamentations, Motet
Source Attribution: CARPENTRAS
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Joth. Manus mulierum . . .
General Note

Secunda pars. Tertia die letio prima.

Concordances

*RISM G 1572

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58.

44v–48 Lamentationes Jeremiae (Feria 5, lectio III) [CARPENTRAS]
Appears on: 44v–48
Genres: Lamentations, Motet
Source Attribution: [CARPENTRAS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Caph. Omnis populus ejus …
48v–53 Lamentationes Jeremiae (Sabbato Sancto, lectio I) [CARPENTRAS]
Appears on: 48v–53
Genres: Lamentations, Motet
Source Attribution: [CARPENTRAS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Heth. Misericordia domini …

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58.

53v–61 Benedictus Dominus Deus - Anonymous
Appears on: 53v–61
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus dominus Deus
61v–64 Benedictus Dominus Deus - Anonymous
Appears on: 61v–64
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus dominus Deus
General Note

Versets imp

64v–65 Omnes sancii tui quaesumus Domine [JACHET DE MANTOUE* ou BERCHEM**]
Appears on: 64v–65
Genres: Motet
Source Attribution: [JACHET DE MANTOUE* ou BERCHEM**]
Voice: [no designation]
Languages: Latin
Voice Text: Omnes sancti tui quesumus domine …
Concordances

*RISM J 6, J 11 **15499

66v–68 Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem [HIERONIMUS MAFFONI* ou BENEDICTUS DUCIS**]
Appears on: 66v–68
Genres: Motet
Source Attribution: [HIERONIMUS MAFFONI* ou BENEDICTUS DUCIS**]
Voice: [no designation]
Languages: Latin
Voice Text: Dilexi quoniam exaudiet dominus
General Note

Publ. cf. CMac N (H) n° 55

Concordances

*I-BGe 1209 **D-brd-Rp 940-41

66v–68 Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam [HIERONIMUS MAFFONI* ou BENEDICTUS DUCIS**]
Appears on: 66v–68
Genres: Motet
Source Attribution: [HIERONIMUS MAFFONI* ou BENEDICTUS DUCIS**]
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: [0 domine libéra]
General Note

Publ. cf. CMac N (H) n° 55

Concordances

*I-BGe 1209 **D-brd-Rp 940-41

68v–73 Lamentations - 1a pars (of 3): Heth. Cogitavit Dominus dissipare BRUMEL
Appears on: 68v–73
Genres: Lamentations, Motet
Source Attribution: BRUMEL
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Hetht. Cogitavit dominus dissipare …
General Note

La prima letione del Sabato.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.

68v–73 Lamentations - 2a pars (of 3): Caph. Defecerunt pre lacrimis . . BRUMEL
Appears on: 68v–73
Genres: Motet
Source Attribution: BRUMEL
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Caph. Defecerunt pre lacrimis . .
General Note

2a letione del Sabato Santo

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.

68v–73 Lamentations - 3a pars (of 3): Jerusalem convertere BRUMEL
Appears on: 68v–73
Genres: Lamentations, Motet
Source Attribution: BRUMEL
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jherusalem convertere . . .

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5,V.

70v–71 Miserere mei Deus secundum miserijcordiam tuam. - Anonymous
Appears on: 70v–71
Genres: Miserere mei Deus, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei Deus secundum [miserijcordiam tuam.
General Note

Esquisse seul'. Mq. nombreuses notes

73v–74 Jerusalem convertere - Anonymous
Appears on: 73v–74
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Jherusalem convertere . .
73v–74 Jerusalem convertere - Anonymous
Appears on: 73v–74
Genres: Lamentations, Motet
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem convertere . ...
75v–78 Benedictus Dominus Deus - Anonymous
Appears on: 75v–78
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus dominus Deus....
General Note

Versets imp.

78v–80 Benedictus Dominus Deus - Anonymous
Appears on: 78v–80
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus dominus Deus. . .
General Note

Versets imp.

80v–82 Lamentations I - 1a pars (of 4): Incipit lamentatio Jeremiae [J. DE QUADRIS]*
Appears on: 80v–82
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]*
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Incipit lamentatio Yeremie …
Concordances

*15061

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

80v–82 Lamentations I - 2a pars (of 4): Aleph. Quomodo sedet [J. DE QUADRIS]*
Appears on: 80v–82
Genres: Motet
Source Attribution: [J. DE QUADRIS]*
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Aleph. Quomodo sedet …
Concordances

*15061

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

80v–82 Lamentations I - 3a pars (of 4): Beth. Plorans ploravit [J. DE QUADRIS]*
Appears on: 80v–82
Genres: Motet
Source Attribution: [J. DE QUADRIS]*
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Beth. Plorans pforavit …
Concordances

*15061

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

80v–82 Lamentations I - 4a pars (of 4): Jerusalem convertere [J. DE QUADRIS]*
Appears on: 80v–82
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]*
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem convertere . . .
Concordances

*15061

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

81v–82 Lamentations II - 1a pars (of 3): Gimel. Migrava Judas [J. DE QUADRIS]
Appears on: 81v–82
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Gimel. Migrava Judas …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

81v–82 Lamentations II - 2a pars (of 3): Deleth. Vie Sion [J. DE QUADRIS]
Appears on: 81v–82
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Deleth. Vie Syon …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

81v–82 Lamentations II - 3a pars (of 3): Jerusalem ut supra [J. DE QUADRIS]
Appears on: 81v–82
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin
Voice Text: Yerusalem ut supra.

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

82v–83 Lamentations III - 1a pars (of 3): He. Facti sunt hostes [J. DE QUADRIS]
Appears on: 82v–83
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: He. Facti sunt hostes …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

82v–83 Lamentations III - 2a pars (of 3): He. Egressus est [J. DE QUADRIS]
Appears on: 82v–83
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: He. Egressus est …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

82v–83 Lamentations III - 3a pars (of 3): Jerusalem convertere [J. DE QUADRIS]
Appears on: 82v–83
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem convertere …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

83v–84 Lamentations IV - 1a pars (of 3): Beth. Cogitava Dominus [J. DE QUADRIS]
Appears on: 83v–84
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Beth. Cogitava dominus …
General Note

Feria quinta in cena domini lectio prima.

83v–84 Lamentations IV - 2a pars (of 3): Heth. Defixe sunt [J. DE QUADRIS]
Appears on: 83v–84
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin
Voice Text: eth. Defixe sunt …
83v–84 Lamentations IV - 3a pars (of 3): Jerusalem convertere [J. DE QUADRIS]
Appears on: 83v–84
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem convertere . . .
84v–85 Lamentations V - 1a pars(of 3): Jod. Sederunt in terra [J. DE QUADRIS]
Appears on: 84v–85
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jod. Sederunt in terra …
84v–85 Lamentations V - 2a pars (of 3): Caph. Defecerunt [J. DE QUADRIS]
Appears on: 84v–85
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Caph. Defecerunt …
84v–85 Lamentations V - 3a pars (of 3): Jerusalem convertere [J. DE QUADRIS]
Appears on: 84v–85
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem convertere . . .
85v–86 Lamentations VI - 1a pars (of 3): Lameth. Matribus suis dixerunt [J. DE QUADRIS]
Appears on: 85v–86
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Lameth. Matribus suis dixerunt …
General Note

Letio terza.

85v–86 Lamentations VI - 2a pars (of 3): Num. Cui comparabo te [J. DE QUADRIS]
Appears on: 85v–86
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin
Voice Text: Num. Cui comparabo te …
85v–86 Lamentations VI - 3a pars (of 3): Jerusalem convertere [J. DE QUADRIS]
Appears on: 85v–86
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem convertere . . .
86v–87 Lamentations VII - 1a pars (of 3): Caph. Sion enim humiliavit [J. DE QUADRIS]
Appears on: 86v–87
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Caph. Syon enim humiliavit . . .
General Note

Feria VI.

86v–87 Lamentations VII - 2a pars (of 3): Samech. Operuisti [J. DE QUADRIS]
Appears on: 86v–87
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Samech. Operuisti . . .
86v–87 Lamentations VII - 3a pars (of 3): Jerusalem convertere [J. DE QUADRIS]
Appears on: 86v–87
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem convertere . . .
87v–89 Lamentations VIII - 1a pars (of 8): Incipit oratio Jeremiae prophetae [J. DE QUADRIS]
Appears on: 87v–89
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin
Voice Text: Incipit oratio Yeremie …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

87v–89 Lamentations VIII - 2a pars (of 8): Recordare domine [J. DE QUADRIS]
Appears on: 87v–89
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin
Voice Text: Recordare domine …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

87v–89 Lamentations VIII - 3a pars (of 8): Pupilli facti sumus [J. DE QUADRIS]
Appears on: 87v–89
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin
Voice Text: Pupilli facti sumus …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

87v–89 Lamentations VIII - 4a pars (of 8): Patres nostri [J. DE QUADRIS]
Appears on: 87v–89
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin
Voice Text: Patres nostri …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

87v–89 Lamentations VIII - 5a pars (of 8): In animabus nostris [J. DE QUADRIS]
Appears on: 87v–89
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin
Voice Text: In animabus nostris …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

87v–89 Lamentations VIII - 6a pars (of 8): Senes de portis [J. DE QUADRIS]
Appears on: 87v–89
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin
Voice Text: Senes de portis …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

87v–89 Lamentations VIII - 7a pars (of 8): Converte nos Domine ad te et convertemur [J. DE QUADRIS]
Appears on: 87v–89
Genres: Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin
Voice Text: Converte nos domine …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

87v–89 Lamentations VIII - 8a pars (of 8): Jerusalem convertere [J. DE QUADRIS]
Appears on: 87v–89
Genres: Lamentations, Motet
Source Attribution: [J. DE QUADRIS]
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Jerusalem convertere …

Item Bibliography

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: VI.

89v–90 Benedictus Dominus Deus Et tu puer propheta - Anonymous
Appears on: 89v–90
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: [Benedictus dominus deus] Et tu puer propheta …
General Note

Suivi du 2e verset seul'

90v Benedictus Dominus Deus - Anonymous
Appears on: 90v
Genres: Motet
Voice: Superius
Languages: Latin
Voice Text: Benedictus dominus Deus ...

Voice: Tenor
Languages: Latin
Voice Text: Benedictus dominus Deus ...

Voice: [no designation]
Languages: none
General Note

Suivi du 3e verset seul'.

Composer Compositions
Anonymous
Berchem, Jacques (ca. 1505–1567)
Brumel, Antoine (ca. 1460–ca. 1513)
Carpentras, Elzear Genet (ca. 1470–1548)
Ducis, Benedictus
Maffoni, Hieronymus
Mantua, Jacquet de (1483–1559)
Pisano, Bernardo
Quadris, Johannes de
Composition Composers (? Uncertain) Folios / Pages
Aestimatus sum cum descendentibus (Holy Saturday, responsory 8) 30v–31
Animam meam tradidi (Good Friday, responsory 6) 11v–15
Astiterunt reges terrae (Holy Saturday, responsory 7) 29v–30
Benedictus Dominus Deus Anonymous 53v–61
Benedictus Dominus Deus Anonymous 61v–64
Benedictus Dominus Deus Anonymous 75v–78
Benedictus Dominus Deus Anonymous 78v–80
Benedictus Dominus Deus Anonymous 90v
Benedictus Dominus Deus Et tu puer propheta Anonymous 89v–90
Caligaverunt oculi mei (Good Friday, responsory 9) 17v–19
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem 66v–68
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam 66v–68
Ecce quomodo moritur justus (Holy Saturday, responsory 6) 26v–29
Jerusalem convertere Anonymous 73v–74
Jerusalem convertere Anonymous 73v–74
Jerusalem luge et exue te (Holy Saturday, responsory 2) 20v–21
Jesum tradidit impius sumis principibus (Good Friday, responsory 8) 16v–17
Lamentationes Jeremiae (Feria 5, lectio I) 33v–40
Lamentationes Jeremiae (Feria 5, lectio III) 44v–48
Lamentationes Jeremiae (Feria 6, lectio III) 40v–44
Lamentationes Jeremiae (Sabbato Sancto, lectio I) 48v–53
Lamentations - 1a pars (of 3): Heth. Cogitavit Dominus dissipare 68v–73
Lamentations - 2a pars (of 3): Caph. Defecerunt pre lacrimis . . 68v–73
Lamentations - 3a pars (of 3): Jerusalem convertere 68v–73
Lamentations I - 1a pars (of 4): Incipit lamentatio Jeremiae 80v–82
Lamentations I - 2a pars (of 4): Aleph. Quomodo sedet 80v–82
Lamentations I - 3a pars (of 4): Beth. Plorans ploravit 80v–82
Lamentations I - 4a pars (of 4): Jerusalem convertere 80v–82
Lamentations II - 1a pars (of 3): Gimel. Migrava Judas 81v–82
Lamentations II - 2a pars (of 3): Deleth. Vie Sion 81v–82
Lamentations II - 3a pars (of 3): Jerusalem ut supra 81v–82
Lamentations III - 1a pars (of 3): He. Facti sunt hostes 82v–83
Lamentations III - 2a pars (of 3): He. Egressus est 82v–83
Lamentations III - 3a pars (of 3): Jerusalem convertere 82v–83
Lamentations IV - 1a pars (of 3): Beth. Cogitava Dominus 83v–84
Lamentations IV - 2a pars (of 3): Heth. Defixe sunt 83v–84
Lamentations IV - 3a pars (of 3): Jerusalem convertere 83v–84
Lamentations V - 1a pars(of 3): Jod. Sederunt in terra 84v–85
Lamentations V - 2a pars (of 3): Caph. Defecerunt 84v–85
Lamentations V - 3a pars (of 3): Jerusalem convertere 84v–85
Lamentations VI - 1a pars (of 3): Lameth. Matribus suis dixerunt 85v–86
Lamentations VI - 2a pars (of 3): Num. Cui comparabo te 85v–86
Lamentations VI - 3a pars (of 3): Jerusalem convertere 85v–86
Lamentations VII - 1a pars (of 3): Caph. Sion enim humiliavit 86v–87
Lamentations VII - 2a pars (of 3): Samech. Operuisti 86v–87
Lamentations VII - 3a pars (of 3): Jerusalem convertere 86v–87
Lamentations VIII - 1a pars (of 8): Incipit oratio Jeremiae prophetae 87v–89
Lamentations VIII - 2a pars (of 8): Recordare domine 87v–89
Lamentations VIII - 3a pars (of 8): Pupilli facti sumus 87v–89
Lamentations VIII - 4a pars (of 8): Patres nostri 87v–89
Lamentations VIII - 5a pars (of 8): In animabus nostris 87v–89
Lamentations VIII - 6a pars (of 8): Senes de portis 87v–89
Lamentations VIII - 7a pars (of 8): Converte nos Domine ad te et convertemur 87v–89
Lamentations VIII - 8a pars (of 8): Jerusalem convertere 87v–89
Miserere mei Deus secundum miserijcordiam tuam. Anonymous 70v–71
O vos omnes qui transitis (Holy Saturday, responsory 5) 25v–26
Omnes amici mei (Good Friday, responsory 1) 3v–5
Omnes sancii tui quaesumus Domine 64v–65
Plange quasi virgo plebs mea (Holy Saturday, responsory 3) 21v–23
Recessit pastor noster fons aquae (Holy Saturday, responsory 4) 23v–25
Seniores populi concilium fecerunt (Maundy Thursday, responsory 9) 1v–3
Sepulto Domino signatum est monumentum (Holy Saturday, responsory 9) 31v–33
Sicut ovis ad occisionem (Holy Saturday, responsory 1) 19v–20
Tamquam ad latronem existis (Good Friday, responsory 4) 8v–10
Tenebrae factae sunt (Good Friday, responsory 5) 10v–11
Tradiderunt me in manus iniquorum (Good Friday, responsory 7) 15v–16
Una hora non potuistis (Maundy Thursday, responsory 8) 1
Velum templi scissum est (Good Friday, responsory 2) 5v–6
Vinea mea electa (Good Friday, responsory 3) 6v–8

denotes primary source study

D'Accone, Frank A. 1983. Singolarità di Alcuni Aspetti della Musica Sacra Fiorentina del Cinquecento," in Firenze e la Toscana dei Medici nell'Europa del '500, 513-37. Biblioteca di Storia Toscana Moderna e Contemporanea: Studi e Documenti.  Pages: 513-4, 523, 529. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 217.

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I,152. Notes: concordances (partial).

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,xxi-xxiv, passim. Notes: concordances (partial); transcription (partial).

Cattin, Giulio (editor). 1972. Johannis de Quadris: Opera. Antiquat Musicae Italicae, Monumenta Veneta Sacra.  Bologna. Pages: 78-83. Notes: contents list (partial); concordances (partial).

Jackson, Philip T, and George Edward Nugent (editors). 1971-. Jachet of Mantua: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xxiii. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xxxi, 38-43. Notes: mention of MS; transcription (partial).

Cattin, Giulio. 1969. II Presbyter Johannes de Quadris. Quadrivium, 5-47. Pages: 21-35. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

D'Accone, Frank A. 1963. Bernardo Pisano, an introduction to his life and works. Musica Disciplina, 115ff. Pages: 133f.

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II, p. VIII.

Jeppesen, Knud. 1962. Über italienische Kirchenmusik in der ersten Hälfte des 16. Jahrhunderts. Studia Musicologica, 149-60. Pages: 157 et n. 10.

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze.  Kassel. Pages: 91 f.

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler.  Pages: G. Massenkeil, in Musikalische Denkmäler VI, 6.

Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries.  Los Angeles. Pages: 91. Notes: mention of MS.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

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Répertoire Internationale des Sources Musicales

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