I-Fn MS II.I.350

Biblioteca Nazionale Centrale, Florence, Italy

manuscript of polyphony: c. 1520

Archive	Biblioteca Nazionale Centrale, Florence, Italy (I-Fn)
Shelfmark	MS II.I.350
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	395 x 287 mm
Other Identifiers	RISM: I-Fn 350 CCM: FlorBN n.1.350 olim (Former shelfmark): Magl. XXXVI 113
Notations	black void mensural
Copyists	'Angelus' (scribe) Text and Music
Relationships	Hospital of Santa Maria Nuova (owner) Medici family (patron)
Provenance	Hospital of Santa Maria Nuova , Florence, Italy
Contents	Contains 69 compositions, 60 from 8 composers, 9 are anonymous.

General Description

Copied by two main scribes, with additions in five other hands (one from the 17th century or later). An inscription on f. 83 identifies one of the scribes as a certain 'Angelus'. Copied in Florence; the manuscript formerly belonged to the hospital of Santa Maria Nuova in Florence. It may be identical to a choirbook commissioned by the cathedral of Florence in 1514 (Rifkin; cf. D'AccBP, 133, n.63).

DIAMM, 2017

Physical Description

Ten folios are missing at the beginning; remaining folios are in poor condition because of ink corrosion.

DIAMM, 2017

Binding

Modern leather covers

DIAMM, 2017

Watermark

resembles Briquet #744 (perhaps identical to one in RomeV 35-40); the other resembles Briquet #5919 (a similar mark also appears in FlorBN Magl. 99-102)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Some original ink foliation still visible; modern pencil foliation, 1-90

DIAMM, 2017

Decoration

Penned initials, decorated mostly in red, sometimes in green. The date 1523 and the Medici crest appear on f. 57 (these were probably added after completion of the copying).

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM

XVIe s. 90ff. + 1f. limin. n. ch. Papier, 415 x 290 mm. Foliotation moderne au bas desff.: 1-90. Lesff. 65v, 66, 74v-75 sont blancs. Notation mesurée blanche. 10 portées par p. Initiales ornées à la plume. Quelques notes, paroles et titres sont rubriques. Au revers de la reliure, une étiquette porte: «Ex Bibliotheca Nosocomii S.M.Novae.»

La date 1523 inscrite dans un écusson en marge du f. 57, peut être considérée approximativement comme celle de la compilation du ms., copié en tout cas pas avant 1511 et peu après 1520 puisque Francesco Corteccia dans la préface de ses Responsoria (Venise 1570) signale ceux de «Bernardo da Pisa» comme «antichissimi», ce qui laisse supposer que Pisano les avait écrits à l'usage des chantres de la cathédrale de Florence alors qu'il y était maître de chapelle, entre 1511 et 1520. Consacré pour la plus large part à la liturgie des trois derniers jours de la Semaine Sainte, le ms. dans son ensemble est l'oeuvre d'un seul scribe, sauf aux ff. 66v à 75, copiés postérieurement, semble-t-il, aux p. laissées libres par le premier scribe, d'une écriture moins soignée, sans capitales ornées qui ne reprennent qu'au f. 75v. L'encre ayant rongé le papier, certaines lectures restent difficiles.

Editions

Les Responsoria de PISANO (nos 2 à 20), in CMM 32; les Lamentations de CARPENTRAS (nos 21 à 24), in CMM 58, II; celles de QUADRIS (nos 34 à 41), in Johannes de Quadris. Voir en outre à chaque pièce.

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Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Canticles, 2 psalms, 31 Lamentations, 21 motets = 59

Brumel-2, Carpentras-14, (Ducis/Masson)-1, (Jaquet of Mantua)-1, Pisano-18 + 2?, (Vitali)-1, anon-20

iii + 90 + ii paper folios, 395 x 287. Ten folios are missing at the beginning; remaining folios are in poor condition because of ink corrosion. Some original ink foliation still visible; modern pencil foliation, 1-90. Modern leather covers. Copied by two main scribes, with additions in five other hands (one from the 17th century or later). Penned initials, decorated mostly in red, sometimes in green. The date 1523 and the Medici crest appear on f. 57 (these were probably added after completion of the copying). One watermark resembles Briquet #744 (perhaps identical to one in RomeV 35-40); the other resembles Briquet #5919 (a similar mark also appears in FlorBN Magl. 99-102). The manuscript may be identical to a choirbook commissioned by the cathedral of Florence in 1514 (Rifkin; cf. D'AccBP, 133, n.63).

Ca. 1520 (D'AccBP); 1514? (Rifkin). Copied in Florence; the manuscript formerly belonged to the hospital of Santa Maria Nuova in Florence.

Vol 4

Contents: 5 canticles (1 incomplete), 1 psalm, 13 Lamentations, 22 motets = 41

Composers: Brumel-1, Carpentras-4·, (Ducis/Maffoni)-1, (Jaquet of Mantua)-1, Pisano-18 + 2?, (Quadris)-7, (Vitali)-1, anon-6

Physical: Inscription on f. 83 identifies one of the scribes as a certain "Angelus." Date: " 1521" on f. 83.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1	Una hora non potuistis (Maundy Thursday, responsory 8)	-	Pisano, Bernardo
Una hora non potuistis (Maundy Thursday, responsory 8) Pisano, Bernardo Appears on: 1 Genres: Responsory Number of voices: 2 of 4 Voice: [no designation] Languages: Italian Voice Text: Una hora non potuisti ... General Note T/B seuls. Attrib. à B. Pisano par D'Accone, mais non Publ.dans CMM 32,1
1v–3	Seniores populi concilium fecerunt (Maundy Thursday, responsory 9)	-	Pisano, Bernardo
Seniores populi concilium fecerunt (Maundy Thursday, responsory 9) Pisano, Bernardo Appears on: 1v–3 Genres: Responsory Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Seniores populi concilium fecerunt … [V]Collegerunt pontífices General Note Attrib. à B. Pisano par D'Accone Item Bibliography D'Accone, Frank A. 1988. London, British Library, MS Egerton 3655 [Facsimile reproduction, with introduction]. Renaissance Music in Facsimile, vol. 7. Garland Publishing Co.
3v–5	Omnes amici mei (Good Friday, responsory 1)	BER. PISANUS	Pisano, Bernardo
Omnes amici mei (Good Friday, responsory 1) Pisano, Bernardo Appears on: 3v–5 Genres: Responsory Source Attribution: BER. PISANUS Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Omnes amici mei …[V]. Inter iníquos. Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: III.
5v–6	Velum templi scissum est (Good Friday, responsory 2)	[B. PISANO]	Pisano, Bernardo
Velum templi scissum est (Good Friday, responsory 2) Pisano, Bernardo Appears on: 5v–6 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: [R] Velum templi scissum est . . .[V] Petre scisse sunt …
6v–8	Vinea mea electa (Good Friday, responsory 3)	[B. PISANO]	Pisano, Bernardo
Vinea mea electa (Good Friday, responsory 3) Pisano, Bernardo Appears on: 6v–8 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Vinea mea electa …[V] Sepivi te et lapides elegi …
8v–10	Tamquam ad latronem existis (Good Friday, responsory 4)	[B. PISANO]	Pisano, Bernardo
Tamquam ad latronem existis (Good Friday, responsory 4) Pisano, Bernardo Appears on: 8v–10 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Tamquam ad latronem existis …[V] Cunque injecissent …
10v–11	Tenebrae factae sunt (Good Friday, responsory 5)	[B. PISANO]	Pisano, Bernardo
Tenebrae factae sunt (Good Friday, responsory 5) Pisano, Bernardo Appears on: 10v–11 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] ° Tenebre facte sunt … [V] Exclamans Jesus …
11v–15	Animam meam tradidi (Good Friday, responsory 6)	[B. PISANO]	Pisano, Bernardo
Animam meam tradidi (Good Friday, responsory 6) Pisano, Bernardo Appears on: 11v–15 Genres: Responsory Source Attribution: [B. PISANO] Voice: [no designation] Languages: Latin Voice Text: [R] Animam meam tradidi …[V].] Insurrexerunt in me …
15v–16	Tradiderunt me in manus iniquorum (Good Friday, responsory 7)	[B. PISANO]	Pisano, Bernardo
Tradiderunt me in manus iniquorum (Good Friday, responsory 7) Pisano, Bernardo Appears on: 15v–16 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Tradiderunt me in manus iniquorum … [V] Alieni insurrexerunt adversum me . . .
16v–17	Jesum tradidit impius sumis principibus (Good Friday, responsory 8)	[B. PISANO]	Pisano, Bernardo
Jesum tradidit impius sumis principibus (Good Friday, responsory 8) Pisano, Bernardo Appears on: 16v–17 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Jesum tradidit impius sumis principibus … [V] Adduxerunt autem eum . . .
17v–19	Caligaverunt oculi mei (Good Friday, responsory 9)	[B. PISANO]	Pisano, Bernardo
Caligaverunt oculi mei (Good Friday, responsory 9) Pisano, Bernardo Appears on: 17v–19 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Caligaverunt oculi mei … [V] O vos omnes …
19v–20	Sicut ovis ad occisionem (Holy Saturday, responsory 1)	[B. PISANO]	Pisano, Bernardo
Sicut ovis ad occisionem (Holy Saturday, responsory 1) Pisano, Bernardo Appears on: 19v–20 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Sicut ovis ad occitionem … [V] Tradidit in mortem …
20v–21	Jerusalem luge et exue te (Holy Saturday, responsory 2)	[B. PISANO]	Pisano, Bernardo
Jerusalem luge et exue te (Holy Saturday, responsory 2) Pisano, Bernardo Appears on: 20v–21 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Hierusalem sugge [sic] et exue te ... [V] Deduc quasi torrentes … Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: III.
21v–23	Plange quasi virgo plebs mea (Holy Saturday, responsory 3)	[B. PISANO]	Pisano, Bernardo
Plange quasi virgo plebs mea (Holy Saturday, responsory 3) Pisano, Bernardo Appears on: 21v–23 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Piange quasi virgo plebs mea …[V] Accingile vos . . .[
23v–25	Recessit pastor noster fons aquae (Holy Saturday, responsory 4)	[B. PISANO]	Pisano, Bernardo
Recessit pastor noster fons aquae (Holy Saturday, responsory 4) Pisano, Bernardo Appears on: 23v–25 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Récessif pastor noster fons aque …[V] Destruxit quidem …
25v–26	O vos omnes qui transitis (Holy Saturday, responsory 5)	[B. PISANO]	Pisano, Bernardo
O vos omnes qui transitis (Holy Saturday, responsory 5) Pisano, Bernardo Appears on: 25v–26 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] ° O vos omnes qui transitis . . .[V] Attendue universi populi . . . Item Bibliography Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: III.
26v–29	Ecce quomodo moritur justus (Holy Saturday, responsory 6)	[B. PISANO]	Pisano, Bernardo
Ecce quomodo moritur justus (Holy Saturday, responsory 6) Pisano, Bernardo Appears on: 26v–29 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Ecce quomodo moritur justus …[V] Tamquam agnum …
29v–30	Astiterunt reges terrae (Holy Saturday, responsory 7)	[B. PISANO]	Pisano, Bernardo
Astiterunt reges terrae (Holy Saturday, responsory 7) Pisano, Bernardo Appears on: 29v–30 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Astiterunt reges terre …[V] Quare fremuerunt gentes
30v–31	Aestimatus sum cum descendentibus (Holy Saturday, responsory 8)	[B. PISANO]	Pisano, Bernardo
Aestimatus sum cum descendentibus (Holy Saturday, responsory 8) Pisano, Bernardo Appears on: 30v–31 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Exstimatus sum cum descendentibus … [V] Posuerunt me in lacu . . .
31v–33	Sepulto Domino signatum est monumentum (Holy Saturday, responsory 9)	[B. PISANO]	Pisano, Bernardo
Sepulto Domino signatum est monumentum (Holy Saturday, responsory 9) Pisano, Bernardo Appears on: 31v–33 Genres: Responsory Source Attribution: [B. PISANO] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [R] Sepulto domino signatum est monumentum … [V] Accedentes principes …
33v–40	Lamentationes Jeremiae (Feria 5, lectio I)	CARPENTRAS]*	Carpentras, Elzear Genet (ca. 1470–1548)
Lamentationes Jeremiae (Feria 5, lectio I) Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 33v–40 Genres: Motet Source Attribution: CARPENTRAS]* Number of voices: 4 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit lamentatio Hieremie … Concordances *RISM G 1572
40v–44	Lamentationes Jeremiae (Feria 6, lectio III)	CARPENTRAS	Carpentras, Elzear Genet (ca. 1470–1548)
Lamentationes Jeremiae (Feria 6, lectio III) Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 40v–44 Genres: Lamentations, Motet Source Attribution: CARPENTRAS Voice: [no designation] Languages: Latin, Hebrew Voice Text: Joth. Manus mulierum . . . General Note Secunda pars. Tertia die letio prima. Concordances RISM G 1572 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58.
44v–48	Lamentationes Jeremiae (Feria 5, lectio III)	[CARPENTRAS]	Carpentras, Elzear Genet (ca. 1470–1548)
Lamentationes Jeremiae (Feria 5, lectio III) Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 44v–48 Genres: Lamentations, Motet Source Attribution: [CARPENTRAS] Number of voices: 4 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Caph. Omnis populus ejus …
48v–53	Lamentationes Jeremiae (Sabbato Sancto, lectio I)	[CARPENTRAS]	Carpentras, Elzear Genet (ca. 1470–1548)
Lamentationes Jeremiae (Sabbato Sancto, lectio I) Carpentras, Elzear Genet (ca. 1470–1548) Appears on: 48v–53 Genres: Lamentations, Motet Source Attribution: [CARPENTRAS] Number of voices: 4 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Heth. Misericordia domini … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 58.
53v–61	Benedictus Dominus Deus	-	Anonymous
Benedictus Dominus Deus Anonymous Appears on: 53v–61 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Benedictus dominus Deus
61v–64	Benedictus Dominus Deus	-	Anonymous
Benedictus Dominus Deus Anonymous Appears on: 61v–64 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Benedictus dominus Deus General Note Versets imp
64v–65	Omnes sancii tui quaesumus Domine	[JACHET DE MANTOUE* ou BERCHEM**]	Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)
Omnes sancii tui quaesumus Domine Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: 64v–65 Genres: Motet Source Attribution: [JACHET DE MANTOUE* ou BERCHEM] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text:** Omnes sancti tui quesumus domine … Concordances RISM J 6, J 11 *15499
66v–68	Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem	[HIERONIMUS MAFFONI* ou BENEDICTUS DUCIS**]	Ducis, Benedictus (?) Maffoni, Hieronymus (?)
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem Ducis, Benedictus (?) Maffoni, Hieronymus (?) Appears on: 66v–68 Genres: Motet Source Attribution: [HIERONIMUS MAFFONI* ou BENEDICTUS DUCIS] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text:** Dilexi quoniam exaudiet dominus General Note Publ. cf. CMac N (H) n° 55 Concordances I-BGe 1209 *D-brd-Rp 940-41
66v–68	Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	[HIERONIMUS MAFFONI* ou BENEDICTUS DUCIS**]	Maffoni, Hieronymus (?) Ducis, Benedictus (?)
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Maffoni, Hieronymus (?) Ducis, Benedictus (?) Appears on: 66v–68 Genres: Motet Source Attribution: [HIERONIMUS MAFFONI* ou BENEDICTUS DUCIS] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text:** [2a p.]: [0 domine libéra] General Note Publ. cf. CMac N (H) n° 55 Concordances I-BGe 1209 *D-brd-Rp 940-41
68v–73	Lamentations - 1a pars (of 3): Heth. Cogitavit Dominus dissipare	BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Lamentations - 1a pars (of 3): Heth. Cogitavit Dominus dissipare Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 68v–73 Genres: Lamentations, Motet Source Attribution: BRUMEL Number of voices: 4 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Hetht. Cogitavit dominus dissipare … General Note La prima letione del Sabato. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
68v–73	Lamentations - 2a pars (of 3): Caph. Defecerunt pre lacrimis . .	BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Lamentations - 2a pars (of 3): Caph. Defecerunt pre lacrimis . . Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 68v–73 Genres: Motet Source Attribution: BRUMEL Number of voices: 4 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Caph. Defecerunt pre lacrimis . . General Note 2a letione del Sabato Santo Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
68v–73	Lamentations - 3a pars (of 3): Jerusalem convertere	BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Lamentations - 3a pars (of 3): Jerusalem convertere Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 68v–73 Genres: Lamentations, Motet Source Attribution: BRUMEL Number of voices: 4 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jherusalem convertere . . . Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5,V.
70v–71	Miserere mei Deus secundum miserijcordiam tuam.	-	Anonymous
Miserere mei Deus secundum miserijcordiam tuam. Anonymous Appears on: 70v–71 Genres: Miserere mei Deus, Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Miserere mei Deus secundum [miserijcordiam tuam. General Note Esquisse seul'. Mq. nombreuses notes
73v–74	Jerusalem convertere	-	Anonymous
Jerusalem convertere Anonymous Appears on: 73v–74 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Jherusalem convertere . .
73v–74	Jerusalem convertere	-	Anonymous
Jerusalem convertere Anonymous Appears on: 73v–74 Genres: Lamentations, Motet Number of voices: 4 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere . ...
75v–78	Benedictus Dominus Deus	-	Anonymous
Benedictus Dominus Deus Anonymous Appears on: 75v–78 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Benedictus dominus Deus.... General Note Versets imp.
78v–80	Benedictus Dominus Deus	-	Anonymous
Benedictus Dominus Deus Anonymous Appears on: 78v–80 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Benedictus dominus Deus. . . General Note Versets imp.
80v–82	Lamentations I - 1a pars (of 4): Incipit lamentatio Jeremiae	[J. DE QUADRIS]*	Quadris, Johannes de
Lamentations I - 1a pars (of 4): Incipit lamentatio Jeremiae Quadris, Johannes de Appears on: 80v–82 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS]* Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit lamentatio Yeremie … Concordances 15061 Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460).* Musikalische Denkmäler, vol. II. Pages: VI.
80v–82	Lamentations I - 2a pars (of 4): Aleph. Quomodo sedet	[J. DE QUADRIS]*	Quadris, Johannes de
Lamentations I - 2a pars (of 4): Aleph. Quomodo sedet Quadris, Johannes de Appears on: 80v–82 Genres: Motet Source Attribution: [J. DE QUADRIS]* Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Aleph. Quomodo sedet … Concordances 15061 Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460).* Musikalische Denkmäler, vol. II. Pages: VI.
80v–82	Lamentations I - 3a pars (of 4): Beth. Plorans ploravit	[J. DE QUADRIS]*	Quadris, Johannes de
Lamentations I - 3a pars (of 4): Beth. Plorans ploravit Quadris, Johannes de Appears on: 80v–82 Genres: Motet Source Attribution: [J. DE QUADRIS]* Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Beth. Plorans pforavit … Concordances 15061 Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460).* Musikalische Denkmäler, vol. II. Pages: VI.
80v–82	Lamentations I - 4a pars (of 4): Jerusalem convertere	[J. DE QUADRIS]*	Quadris, Johannes de
Lamentations I - 4a pars (of 4): Jerusalem convertere Quadris, Johannes de Appears on: 80v–82 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS]* Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere . . . Concordances 15061 Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460).* Musikalische Denkmäler, vol. II. Pages: VI.
81v–82	Lamentations II - 1a pars (of 3): Gimel. Migrava Judas	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations II - 1a pars (of 3): Gimel. Migrava Judas Quadris, Johannes de Appears on: 81v–82 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Gimel. Migrava Judas … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
81v–82	Lamentations II - 2a pars (of 3): Deleth. Vie Sion	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations II - 2a pars (of 3): Deleth. Vie Sion Quadris, Johannes de Appears on: 81v–82 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Deleth. Vie Syon … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
81v–82	Lamentations II - 3a pars (of 3): Jerusalem ut supra	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations II - 3a pars (of 3): Jerusalem ut supra Quadris, Johannes de Appears on: 81v–82 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Yerusalem ut supra. Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
82v–83	Lamentations III - 1a pars (of 3): He. Facti sunt hostes	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations III - 1a pars (of 3): He. Facti sunt hostes Quadris, Johannes de Appears on: 82v–83 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: He. Facti sunt hostes … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
82v–83	Lamentations III - 2a pars (of 3): He. Egressus est	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations III - 2a pars (of 3): He. Egressus est Quadris, Johannes de Appears on: 82v–83 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: He. Egressus est … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
82v–83	Lamentations III - 3a pars (of 3): Jerusalem convertere	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations III - 3a pars (of 3): Jerusalem convertere Quadris, Johannes de Appears on: 82v–83 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
83v–84	Lamentations IV - 1a pars (of 3): Beth. Cogitava Dominus	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations IV - 1a pars (of 3): Beth. Cogitava Dominus Quadris, Johannes de Appears on: 83v–84 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Beth. Cogitava dominus … General Note Feria quinta in cena domini lectio prima.
83v–84	Lamentations IV - 2a pars (of 3): Heth. Defixe sunt	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations IV - 2a pars (of 3): Heth. Defixe sunt Quadris, Johannes de Appears on: 83v–84 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: eth. Defixe sunt …
83v–84	Lamentations IV - 3a pars (of 3): Jerusalem convertere	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations IV - 3a pars (of 3): Jerusalem convertere Quadris, Johannes de Appears on: 83v–84 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS] Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere . . .
84v–85	Lamentations V - 1a pars(of 3): Jod. Sederunt in terra	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations V - 1a pars(of 3): Jod. Sederunt in terra Quadris, Johannes de Appears on: 84v–85 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jod. Sederunt in terra …
84v–85	Lamentations V - 2a pars (of 3): Caph. Defecerunt	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations V - 2a pars (of 3): Caph. Defecerunt Quadris, Johannes de Appears on: 84v–85 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Caph. Defecerunt …
84v–85	Lamentations V - 3a pars (of 3): Jerusalem convertere	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations V - 3a pars (of 3): Jerusalem convertere Quadris, Johannes de Appears on: 84v–85 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere . . .
85v–86	Lamentations VI - 1a pars (of 3): Lameth. Matribus suis dixerunt	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VI - 1a pars (of 3): Lameth. Matribus suis dixerunt Quadris, Johannes de Appears on: 85v–86 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Lameth. Matribus suis dixerunt … General Note Letio terza.
85v–86	Lamentations VI - 2a pars (of 3): Num. Cui comparabo te	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VI - 2a pars (of 3): Num. Cui comparabo te Quadris, Johannes de Appears on: 85v–86 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Num. Cui comparabo te …
85v–86	Lamentations VI - 3a pars (of 3): Jerusalem convertere	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VI - 3a pars (of 3): Jerusalem convertere Quadris, Johannes de Appears on: 85v–86 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere . . .
86v–87	Lamentations VII - 1a pars (of 3): Caph. Sion enim humiliavit	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VII - 1a pars (of 3): Caph. Sion enim humiliavit Quadris, Johannes de Appears on: 86v–87 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Caph. Syon enim humiliavit . . . General Note Feria VI.
86v–87	Lamentations VII - 2a pars (of 3): Samech. Operuisti	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VII - 2a pars (of 3): Samech. Operuisti Quadris, Johannes de Appears on: 86v–87 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Samech. Operuisti . . .
86v–87	Lamentations VII - 3a pars (of 3): Jerusalem convertere	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VII - 3a pars (of 3): Jerusalem convertere Quadris, Johannes de Appears on: 86v–87 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere . . .
87v–89	Lamentations VIII - 1a pars (of 8): Incipit oratio Jeremiae prophetae	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VIII - 1a pars (of 8): Incipit oratio Jeremiae prophetae Quadris, Johannes de Appears on: 87v–89 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Incipit oratio Yeremie … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
87v–89	Lamentations VIII - 2a pars (of 8): Recordare domine	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VIII - 2a pars (of 8): Recordare domine Quadris, Johannes de Appears on: 87v–89 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Recordare domine … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
87v–89	Lamentations VIII - 3a pars (of 8): Pupilli facti sumus	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VIII - 3a pars (of 8): Pupilli facti sumus Quadris, Johannes de Appears on: 87v–89 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Pupilli facti sumus … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
87v–89	Lamentations VIII - 4a pars (of 8): Patres nostri	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VIII - 4a pars (of 8): Patres nostri Quadris, Johannes de Appears on: 87v–89 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Patres nostri … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
87v–89	Lamentations VIII - 5a pars (of 8): In animabus nostris	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VIII - 5a pars (of 8): In animabus nostris Quadris, Johannes de Appears on: 87v–89 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: In animabus nostris … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
87v–89	Lamentations VIII - 6a pars (of 8): Senes de portis	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VIII - 6a pars (of 8): Senes de portis Quadris, Johannes de Appears on: 87v–89 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Senes de portis … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
87v–89	Lamentations VIII - 7a pars (of 8): Converte nos Domine ad te et convertemur	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VIII - 7a pars (of 8): Converte nos Domine ad te et convertemur Quadris, Johannes de Appears on: 87v–89 Genres: Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Converte nos domine … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
87v–89	Lamentations VIII - 8a pars (of 8): Jerusalem convertere	[J. DE QUADRIS]	Quadris, Johannes de
Lamentations VIII - 8a pars (of 8): Jerusalem convertere Quadris, Johannes de Appears on: 87v–89 Genres: Lamentations, Motet Source Attribution: [J. DE QUADRIS] Number of voices: 2 Voice: [no designation] Languages: Latin, Hebrew Voice Text: Jerusalem convertere … Item Bibliography Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: VI.
89v–90	Benedictus Dominus Deus Et tu puer propheta	-	Anonymous
Benedictus Dominus Deus Et tu puer propheta Anonymous Appears on: 89v–90 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: [Benedictus dominus deus] Et tu puer propheta … General Note Suivi du 2e verset seul'
90v	Benedictus Dominus Deus	-	Anonymous
Benedictus Dominus Deus Anonymous Appears on: 90v Genres: Motet Number of voices: 2 Voice: Superius Languages: Latin Voice Text: Benedictus dominus Deus ... Voice: Tenor Languages: Latin Voice Text: Benedictus dominus Deus ... Voice: [no designation] Languages: none General Note Suivi du 3e verset seul'.

Composer	Compositions
Anonymous	Benedictus Dominus Deus – 78v–80 Benedictus Dominus Deus – 75v–78 Benedictus Dominus Deus – 61v–64 Benedictus Dominus Deus – 53v–61 Benedictus Dominus Deus – 90v Benedictus Dominus Deus Et tu puer propheta – 89v–90 Jerusalem convertere – 73v–74 Jerusalem convertere – 73v–74 Miserere mei Deus secundum miserijcordiam tuam. – 70v–71
Berchem, Jacques (ca. 1505-1567)	(?) Omnes sancii tui quaesumus Domine – 64v–65
Brumel, Antoine (ca. 1460-ca. 1513)	Lamentations - 1a pars (of 3): Heth. Cogitavit Dominus dissipare – 68v–73 Lamentations - 2a pars (of 3): Caph. Defecerunt pre lacrimis . . – 68v–73 Lamentations - 3a pars (of 3): Jerusalem convertere – 68v–73
Carpentras, Elzear Genet (ca. 1470-1548)	Lamentationes Jeremiae (Feria 5, lectio I) – 33v–40 Lamentationes Jeremiae (Feria 5, lectio III) – 44v–48 Lamentationes Jeremiae (Feria 6, lectio III) – 40v–44 Lamentationes Jeremiae (Sabbato Sancto, lectio I) – 48v–53
Ducis, Benedictus	(?) Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem – 66v–68 (?) Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam – 66v–68
Maffoni, Hieronymus	(?) Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem – 66v–68 (?) Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam – 66v–68
Mantua, Jacquet de (1483-1559)	(?) Omnes sancii tui quaesumus Domine – 64v–65
Pisano, Bernardo	Aestimatus sum cum descendentibus (Holy Saturday, responsory 8) – 30v–31 Animam meam tradidi (Good Friday, responsory 6) – 11v–15 Astiterunt reges terrae (Holy Saturday, responsory 7) – 29v–30 Caligaverunt oculi mei (Good Friday, responsory 9) – 17v–19 Ecce quomodo moritur justus (Holy Saturday, responsory 6) – 26v–29 Jerusalem luge et exue te (Holy Saturday, responsory 2) – 20v–21 Jesum tradidit impius sumis principibus (Good Friday, responsory 8) – 16v–17 O vos omnes qui transitis (Holy Saturday, responsory 5) – 25v–26 Omnes amici mei (Good Friday, responsory 1) – 3v–5 Plange quasi virgo plebs mea (Holy Saturday, responsory 3) – 21v–23 Recessit pastor noster fons aquae (Holy Saturday, responsory 4) – 23v–25 Seniores populi concilium fecerunt (Maundy Thursday, responsory 9) – 1v–3 Sepulto Domino signatum est monumentum (Holy Saturday, responsory 9) – 31v–33 Sicut ovis ad occisionem (Holy Saturday, responsory 1) – 19v–20 Tamquam ad latronem existis (Good Friday, responsory 4) – 8v–10 Tenebrae factae sunt (Good Friday, responsory 5) – 10v–11 Tradiderunt me in manus iniquorum (Good Friday, responsory 7) – 15v–16 Una hora non potuistis (Maundy Thursday, responsory 8) – 1 Velum templi scissum est (Good Friday, responsory 2) – 5v–6 Vinea mea electa (Good Friday, responsory 3) – 6v–8
Quadris, Johannes de	Lamentations I - 1a pars (of 4): Incipit lamentatio Jeremiae – 80v–82 Lamentations I - 2a pars (of 4): Aleph. Quomodo sedet – 80v–82 Lamentations I - 3a pars (of 4): Beth. Plorans ploravit – 80v–82 Lamentations I - 4a pars (of 4): Jerusalem convertere – 80v–82 Lamentations II - 1a pars (of 3): Gimel. Migrava Judas – 81v–82 Lamentations II - 2a pars (of 3): Deleth. Vie Sion – 81v–82 Lamentations II - 3a pars (of 3): Jerusalem ut supra – 81v–82 Lamentations III - 1a pars (of 3): He. Facti sunt hostes – 82v–83 Lamentations III - 2a pars (of 3): He. Egressus est – 82v–83 Lamentations III - 3a pars (of 3): Jerusalem convertere – 82v–83 Lamentations IV - 1a pars (of 3): Beth. Cogitava Dominus – 83v–84 Lamentations IV - 2a pars (of 3): Heth. Defixe sunt – 83v–84 Lamentations IV - 3a pars (of 3): Jerusalem convertere – 83v–84 Lamentations V - 1a pars(of 3): Jod. Sederunt in terra – 84v–85 Lamentations V - 2a pars (of 3): Caph. Defecerunt – 84v–85 Lamentations V - 3a pars (of 3): Jerusalem convertere – 84v–85 Lamentations VI - 1a pars (of 3): Lameth. Matribus suis dixerunt – 85v–86 Lamentations VI - 2a pars (of 3): Num. Cui comparabo te – 85v–86 Lamentations VI - 3a pars (of 3): Jerusalem convertere – 85v–86 Lamentations VII - 1a pars (of 3): Caph. Sion enim humiliavit – 86v–87 Lamentations VII - 2a pars (of 3): Samech. Operuisti – 86v–87 Lamentations VII - 3a pars (of 3): Jerusalem convertere – 86v–87 Lamentations VIII - 1a pars (of 8): Incipit oratio Jeremiae prophetae – 87v–89 Lamentations VIII - 2a pars (of 8): Recordare domine – 87v–89 Lamentations VIII - 3a pars (of 8): Pupilli facti sumus – 87v–89 Lamentations VIII - 4a pars (of 8): Patres nostri – 87v–89 Lamentations VIII - 5a pars (of 8): In animabus nostris – 87v–89 Lamentations VIII - 6a pars (of 8): Senes de portis – 87v–89 Lamentations VIII - 7a pars (of 8): Converte nos Domine ad te et convertemur – 87v–89 Lamentations VIII - 8a pars (of 8): Jerusalem convertere – 87v–89

Composition	Composers (? Uncertain)	Folios / Pages
Aestimatus sum cum descendentibus (Holy Saturday, responsory 8)	Pisano, Bernardo	30v–31
Animam meam tradidi (Good Friday, responsory 6)	Pisano, Bernardo	11v–15
Astiterunt reges terrae (Holy Saturday, responsory 7)	Pisano, Bernardo	29v–30
Benedictus Dominus Deus	Anonymous	53v–61
Benedictus Dominus Deus	Anonymous	61v–64
Benedictus Dominus Deus	Anonymous	75v–78
Benedictus Dominus Deus	Anonymous	78v–80
Benedictus Dominus Deus	Anonymous	90v
Benedictus Dominus Deus Et tu puer propheta	Anonymous	89v–90
Caligaverunt oculi mei (Good Friday, responsory 9)	Pisano, Bernardo	17v–19
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem	Ducis, Benedictus (?) Maffoni, Hieronymus (?)	66v–68
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	Maffoni, Hieronymus (?) Ducis, Benedictus (?)	66v–68
Ecce quomodo moritur justus (Holy Saturday, responsory 6)	Pisano, Bernardo	26v–29
Jerusalem convertere	Anonymous	73v–74
Jerusalem convertere	Anonymous	73v–74
Jerusalem luge et exue te (Holy Saturday, responsory 2)	Pisano, Bernardo	20v–21
Jesum tradidit impius sumis principibus (Good Friday, responsory 8)	Pisano, Bernardo	16v–17
Lamentationes Jeremiae (Feria 5, lectio I)	Carpentras, Elzear Genet (ca. 1470–1548)	33v–40
Lamentationes Jeremiae (Feria 5, lectio III)	Carpentras, Elzear Genet (ca. 1470–1548)	44v–48
Lamentationes Jeremiae (Feria 6, lectio III)	Carpentras, Elzear Genet (ca. 1470–1548)	40v–44
Lamentationes Jeremiae (Sabbato Sancto, lectio I)	Carpentras, Elzear Genet (ca. 1470–1548)	48v–53
Lamentations - 1a pars (of 3): Heth. Cogitavit Dominus dissipare	Brumel, Antoine (ca. 1460–ca. 1513)	68v–73
Lamentations - 2a pars (of 3): Caph. Defecerunt pre lacrimis . .	Brumel, Antoine (ca. 1460–ca. 1513)	68v–73
Lamentations - 3a pars (of 3): Jerusalem convertere	Brumel, Antoine (ca. 1460–ca. 1513)	68v–73
Lamentations I - 1a pars (of 4): Incipit lamentatio Jeremiae	Quadris, Johannes de	80v–82
Lamentations I - 2a pars (of 4): Aleph. Quomodo sedet	Quadris, Johannes de	80v–82
Lamentations I - 3a pars (of 4): Beth. Plorans ploravit	Quadris, Johannes de	80v–82
Lamentations I - 4a pars (of 4): Jerusalem convertere	Quadris, Johannes de	80v–82
Lamentations II - 1a pars (of 3): Gimel. Migrava Judas	Quadris, Johannes de	81v–82
Lamentations II - 2a pars (of 3): Deleth. Vie Sion	Quadris, Johannes de	81v–82
Lamentations II - 3a pars (of 3): Jerusalem ut supra	Quadris, Johannes de	81v–82
Lamentations III - 1a pars (of 3): He. Facti sunt hostes	Quadris, Johannes de	82v–83
Lamentations III - 2a pars (of 3): He. Egressus est	Quadris, Johannes de	82v–83
Lamentations III - 3a pars (of 3): Jerusalem convertere	Quadris, Johannes de	82v–83
Lamentations IV - 1a pars (of 3): Beth. Cogitava Dominus	Quadris, Johannes de	83v–84
Lamentations IV - 2a pars (of 3): Heth. Defixe sunt	Quadris, Johannes de	83v–84
Lamentations IV - 3a pars (of 3): Jerusalem convertere	Quadris, Johannes de	83v–84
Lamentations V - 1a pars(of 3): Jod. Sederunt in terra	Quadris, Johannes de	84v–85
Lamentations V - 2a pars (of 3): Caph. Defecerunt	Quadris, Johannes de	84v–85
Lamentations V - 3a pars (of 3): Jerusalem convertere	Quadris, Johannes de	84v–85
Lamentations VI - 1a pars (of 3): Lameth. Matribus suis dixerunt	Quadris, Johannes de	85v–86
Lamentations VI - 2a pars (of 3): Num. Cui comparabo te	Quadris, Johannes de	85v–86
Lamentations VI - 3a pars (of 3): Jerusalem convertere	Quadris, Johannes de	85v–86
Lamentations VII - 1a pars (of 3): Caph. Sion enim humiliavit	Quadris, Johannes de	86v–87
Lamentations VII - 2a pars (of 3): Samech. Operuisti	Quadris, Johannes de	86v–87
Lamentations VII - 3a pars (of 3): Jerusalem convertere	Quadris, Johannes de	86v–87
Lamentations VIII - 1a pars (of 8): Incipit oratio Jeremiae prophetae	Quadris, Johannes de	87v–89
Lamentations VIII - 2a pars (of 8): Recordare domine	Quadris, Johannes de	87v–89
Lamentations VIII - 3a pars (of 8): Pupilli facti sumus	Quadris, Johannes de	87v–89
Lamentations VIII - 4a pars (of 8): Patres nostri	Quadris, Johannes de	87v–89
Lamentations VIII - 5a pars (of 8): In animabus nostris	Quadris, Johannes de	87v–89
Lamentations VIII - 6a pars (of 8): Senes de portis	Quadris, Johannes de	87v–89
Lamentations VIII - 7a pars (of 8): Converte nos Domine ad te et convertemur	Quadris, Johannes de	87v–89
Lamentations VIII - 8a pars (of 8): Jerusalem convertere	Quadris, Johannes de	87v–89
Miserere mei Deus secundum miserijcordiam tuam.	Anonymous	70v–71
O vos omnes qui transitis (Holy Saturday, responsory 5)	Pisano, Bernardo	25v–26
Omnes amici mei (Good Friday, responsory 1)	Pisano, Bernardo	3v–5
Omnes sancii tui quaesumus Domine	Berchem, Jacques (ca. 1505–1567) (?) Mantua, Jacquet de (1483–1559) (?)	64v–65
Plange quasi virgo plebs mea (Holy Saturday, responsory 3)	Pisano, Bernardo	21v–23
Recessit pastor noster fons aquae (Holy Saturday, responsory 4)	Pisano, Bernardo	23v–25
Seniores populi concilium fecerunt (Maundy Thursday, responsory 9)	Pisano, Bernardo	1v–3
Sepulto Domino signatum est monumentum (Holy Saturday, responsory 9)	Pisano, Bernardo	31v–33
Sicut ovis ad occisionem (Holy Saturday, responsory 1)	Pisano, Bernardo	19v–20
Tamquam ad latronem existis (Good Friday, responsory 4)	Pisano, Bernardo	8v–10
Tenebrae factae sunt (Good Friday, responsory 5)	Pisano, Bernardo	10v–11
Tradiderunt me in manus iniquorum (Good Friday, responsory 7)	Pisano, Bernardo	15v–16
Una hora non potuistis (Maundy Thursday, responsory 8)	Pisano, Bernardo	1
Velum templi scissum est (Good Friday, responsory 2)	Pisano, Bernardo	5v–6
Vinea mea electa (Good Friday, responsory 3)	Pisano, Bernardo	6v–8

‡ denotes primary source study

D'Accone, Frank A. 1983. Singolarità di Alcuni Aspetti della Musica Sacra Fiorentina del Cinquecento," in Firenze e la Toscana dei Medici nell'Europa del '500, 513-37. Biblioteca di Storia Toscana Moderna e Contemporanea: Studi e Documenti, vol. 26. Pages: 513-4, 523, 529. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 217.

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I,152. Notes: concordances (partial).

Seay, Albert (editor). 1972-73. Elziarii Geneti (Carpentras): Opera Omnia. Corpus mensurabilis musicae, vol. 58. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II,xxi-xxiv, passim. Notes: concordances (partial); transcription (partial).

Cattin, Giulio (editor). 1972. Johannis de Quadris: Opera. Antiquat Musicae Italicae, Monumenta Veneta Sacra, vol. 2. Bologna. Pages: 78-83. Notes: contents list (partial); concordances (partial).

Jackson, Philip T, and George Edward Nugent (editors). 1971-. Jachet of Mantua: Opera Omnia. Corpus mensurabilis musicae, vol. 54. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV,xxiii. Notes: contents list (partial); concordances (partial).

Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xxxi, 38-43. Notes: mention of MS; transcription (partial).

Cattin, Giulio. 1969. II Presbyter Johannes de Quadris. Quadrivium, 10/2: 5-47. Pages: 21-35. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

D'Accone, Frank A. 1963. Bernardo Pisano, an introduction to his life and works. Musica Disciplina, 17: 115ff. Pages: 133f.

Jeppesen, Knud. 1962. Über italienische Kirchenmusik in der ersten Hälfte des 16. Jahrhunderts. Studia Musicologica, 3: 149-60. Pages: 157 et n. 10.

Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II, p. VIII.

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze. Kassel. Pages: 91 f.

Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: G. Massenkeil, in Musikalische Denkmäler VI, 6.

Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries. Los Angeles. Pages: 91. Notes: mention of MS.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Fn MS II.I.350

Biblioteca Nazionale Centrale, Florence, Italy

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