I-Fn MS Banco Rari 337

Biblioteca Nazionale Centrale, Florence, Italy

partbook: c. 1520

Archive Biblioteca Nazionale Centrale, Florence, Italy (I-Fn)
Shelfmark MS Banco Rari 337
Image Availability DIAMM does not have images of this source.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 85 x 205 mm
Other Identifiers
  • RISM: I-Fn 337
  • CCM: FlorBN BR 337
  • olim (Former shelfmark): Pal. 1178
Notations
  • black void mensural
Provenance
  • Florence, Italy
Contents Contains 107 compositions, 53 from 18 composers, 54 are anonymous.
General Description

A single Bassus partbook. Copied by several scribes. Many pieces in this manuscript are concordant with other Florentine sources, especially FlorBN BR 230. Watermarks and repertory suggest Florentine provenance.

DIAMM, 2017
Physical Description

in poor condition

DIAMM, 2017
Binding

leather covers; 16th-century

DIAMM, 2017
Watermark

suggest Florentine provenance

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern foliation, 1-138; old foliation, 14-150

DIAMM, 2017
Surface

i parchment + 137 paper

DIAMM, 2017
RISM Description

RISM

XVIe s. 139ff. Papier (1f. de garde parchemin), 85 x 205 mm. Foliotation ancienne en haut des v. des ff. commençant à 11, et foliotation moderne au bas des r. des ff.: 1-104. Dans la foliotation ancienne, les ff. 52, 53 et 98 mq. Les ff. 107 r-v, 108 r-v, 111 r-v, 118 à 150 et tous les r. des ff, sauf indication contraire, sont blancs. Notation mesurée blanche. 3 portées par p. Partie de BASSUS seul.1

Les 38 concordances avec le ms. florentin I-Fn 230 montrent que Fn 337 (où l'on relève la main de plusieurs scribes) a été probablement copié lui aussi à Florence tout au début du XVIe s., époque à laquelle se rattachent d'ailleurs les filigranes du papier. D'autre part, les compositeurs les plus largement représentés sont originaires de Florence où ils ont exercé leur activité musicale à la fin du XVe et au début du XVIe s.: G. Serragli avec 9 pièces, A. Coppinus avec 6 et Bartolomeo degli Organi avec 5.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

58 Italian secular pieces, 49 textless pieces = 107

(A.D.A)-1, (A. Agricola)-2, (Ana [F.A.V.; Fran. Vene. Orga])-2, B.-1, (Bartolomeo degli Organi [Barth. Florentinus Organista; Baccio Florentino])-2, Cara [March; F. Mto]-2, (Cesena [D. Pelegrinus])-1, (Coppinus [M. Alex])-5, (G. Fogliano)-1, Isaac-4, Josquin-2, Lurano [P. d Lo.; F.D.L.; F.A.L.]-8, Musicola-1, Pesenti [Pr. Michael]-3, (Pisano)-1, Serragli [F.°; F. Io. F.°]-10, Tromboncino [B.T.]-3, anon-58

1 partbook (B-i parchment + 137 paper folios), 85 x 205. The book is in poor condition. Modern foliation, 1-138; old foliation, 14-150. 16th-century leather covers. No index. Copied by several scribes. Many pieces in this manuscript are concordant with other Florentine sources, especially FlorBN BR 230.

Ca. 1520 (JepFR); first half of the 16th century (BecherC). Watermarks and repertory suggest Florentine provenance.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

McGee, Timothy J. 1983. 'Alla Battaglia': Music and Ceremony in Fifteenth-Century Florence. Journal of the American Musicological Society, 36: 287-302. Notes: contents list (partial); concordances (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 221-222.

Gallico, Claudio. 1976. Josquin's Compositions on Italian Texts and the Frottola. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 446-54. London, New York, and Toronto. Pages: 450-l. Notes: mention of MS; contents list (partial).

D'Accone, Frank A. 1970. Some Neglected Composers in the Florentine Chapels, ca. 1475-1525. Viator, 1: 263-88. Pages: 286. Notes: mention of MS.

Osthoff, Wolfgang. 1969. Theatergesang und Darstellende Musik in der Italienischen Renaissance. Münchner Veröffentlichungen zur Musikgeschichte, vol. 14.  Tutzing. Pages: I, 42-3)CpTp(II, 16, 45-54. Notes: physical description; mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 43ff et 126ff.

Pannella, Liliana. 1968. Le composizioni profane di una raccolta fiorentina del cinquecento. Revista Italiana di Musicologia, 3: 3-47. Pages: 41-7. Notes: concordances (partial).

D'Accone, Frank A. 1967. Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance. Analecta Musicologica, 4: 38-76. Pages: 55-6. Notes: concordances (partial).

D'Accone, Frank A (editor). 1967. Collected Works of Alessandro Coppini, Bartolomeo degli Organi, Giovanni Serragli and three anonymous works. Corpus mensurabilis musicae, vol. 32.  Neuhausen nr. Stuttgart: American Institute of Musicology. Notes: concordances (partial); transcription (partial).

Gallucci, Joseph J Jr. 1966. Festival Music in Florence, ca. l480 - ca. 1520: Canti carnascialeschi, Trionfi and Related Forms. Harvard University, Unpublished Ph.D. dissertation. Notes: contents list; concordances; transcription (partial); mention of MS; discussion.

Becherini, Bianca. 1959. Catalogo dei manoscritti musicali della Biblioteca Nazionale di Firenze.  Kassel. Pages: 109ff, n° 91.

Ghisi, Federico. 1939. Canti carnascialeschi, frottole, canzoni francesi. Note D'Archivio per la Storia Musicale, 16: 68ff. Pages: 203f.

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 449. Notes: physical description; contents list; incipitsst of contents (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII, 171, passim. Notes: physical description; transcription (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description