I-Bc R.142

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

partbook: 1515-30 (Osthoff); c. 1530-50 (Blackburn)

Archive	Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc)
Shelfmark	R.142
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	115 x 178 mm
Other Identifiers	RISM: • CCM: BolC R142
Notations	black void mensural
External Links	images
Provenance	Venezia (Venice)? Veneto, Italy
Contents	Contains 89 compositions, 81 from 21 composers, 8 are anonymous.

General Description

A single Tenor partbook. Copied by two main scribes and four additional scribes. Copied in northern Italy.

DIAMM, 2017

Extent

62 ff.

DIAMM, 2022

Binding

Original covers of brown leather with gilt acorns in corners.

DIAMM, 2017

Watermark

an unclear and badly-distorted version of the common anchor mark, similar to Briquet 470. First gathering & indices use a different paper.

DIAMM, 2022

Notation

black void mensural

DIAMM, 2017

Date

1515-30 (Osthoff); Blackburn puts it later, c. 1530-50, noting that the 4 Josquin pieces agree with the first printed source, Susato 1545.

DIAMM, 2022

Ruling

4 staves per page ruled with a single rastrum

DIAMM, 2022

Foliation

Original foliation, 1-59

DIAMM, 2017

Index

Two original indices on ff. i'-iii, the second quite incomplete.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM BIV/5

XVIe s. 59ff. et 3ff. limin. Papier, 115 x 178 mm.

Foliotation ancienne 1-59 ne tenant pas compte des 3ff. limin. foliotés postérieurement I-III. Les ff. 58 et 59 sont blancs. Au f. 12v-13, pièce inachevée, sans paroles et entièrement barrée. Notation mesurée blanche. 4 portées par p. Aux ff. Iv-III, table du ms. Rehure ancienne cuir estampé or. Partie de Tenor seul' de pièces de 3 à 7vx.

Ms. copié par plusieurs scribes italiens à quelques années de distance: on peut en distinguer six, dont deux principaux. Se basant sur le répertoire, H. Osthoff date le ms. entre ca. 1515 et 1530 (OsthoffJD II, 17), tandis que K. Jeppesen sur la foi du filigrane (l'ancre dans un cercle dont il limite l'emploi au début du XVIe s. alors qu'on le rencontre en réalité jusqu'en 1578), et sur un contresens concernant l'opinion de Torrefranca sur le motet no 35 (cf. plus bas), situe le recueil juste avant le milieu du siècle. Enfin, B. Blackburn, remarquant que trois des nombreux contrafacta de Josquin (nos 31, 39, 44) et une chanson (no 32) sont établis sur une version des chansons très semblables à celles du Septiesme livre sorti chez Susato en 1545 (1545-15), date le ms. entre ca 1530 et 1550. Mais, se serait-on encore donné la peine de copier à une date aussi tardive la lamentation sur la mort d'Anne de Bretagne survenue en 1514 (no 24) et tout un répertoire dont une partie non négligeable avait déjà été imprimée par Petrucci, c'est-à-dire avant 1519? D'autre part, Torrefranca (p. 94) remarque que le motet Alti signori (no 35), où il est rendu hommage au «Signor Gritti Andrea», ne peut avoir été composé après 1523, date où Gritti fut élu doge de Venise.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Agnus (incomplete, with text "Hercules dux Ferrariae"), 1 Magnificat, 1 Canticle, 4 psalms, 32 motets, 8 Italian secular pieces, 3 French secular pieces, 1 textless piece = 51

Brumel/(Josquin)-1, Cara [Marchetta]-1, Cara/Tromboncino-1, C. Festa/(A. Févin/Mouton)-1, S. Gallus/(Janequin)-1, (Jaquet of Mantua)-1, Jaquet of Mantua [Jachet]/(Pastrana)-1, Jaquet of Mantua/Josquin/(Verdelot)-1, Josquin-20, Josquin/Mouton-1, Josquin/(Mouton/Willaert)-1, Moulu-1, Mouton-2, Mouton/(Josquin)-1, Mouton/(Josquin/Moulu/Verdelot)-1, Paolo da Ferrara-1, Sermisy [Claudin]-1, Tromboncino-1, Verdelot-2, anon-11

1 paper partbook (T-iii + 59 folios), 113x177. Original foliation, 1-59. Original covers of brown leather with gilt acorns in corners. Two original indices on ff. i'-iii, the second quite incomplete. Copied by two main scribes and four additional scribes.

Ca. 1515-30 (KirschQM); after 1523 (JepFR); ca. 1530-50 (BlackJC). Copied in northern Italy.

Vol 4

Composers: Change "Josquin-20" to "Josquin-19, Josquin/(M. Forestier)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
IIIv–1	Arsi donna per voi quest'anni	TRONBONCINO (ou MARCHETO)	Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (ca. 1465–1525) (?)
Arsi donna per voi quest'anni Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (ca. 1465–1525) (?) Appears on: IIIv–1 Genres: Italian secular Source Attribution: TRONBONCINO (ou MARCHETO) Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Arsi donna per voi quest'anni ...
1v–2	Tra l'infelice son	TROMBONCINO	Tromboncino, Bartolomeo (1470–ca. 1534)
Tra l'infelice son Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 1v–2 Genres: Italian secular Source Attribution: TROMBONCINO Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Tra l'infelice son
2v–3	Adjuro vos O filiae Sion 28.28 (= Plus nuls regrets)	Josquin	Despres, Josquin (ca. 1450–1521)
Adjuro vos O filiae Sion 28.28 (= Plus nuls regrets) Despres, Josquin (ca. 1450–1521) Appears on: 2v–3 Genres: Motet Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Adiuro vos o filiae Sion [= Plus nulz regrets] Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press.
3v–4	O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta)	Con. Festa [ou N.BAULDUIN* ou A. FÉVIN ou J. MOUTON* ou JOSQUIN*]	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Festa, Costanzo (ca. 1485–1545) (?) Mouton, Jean (ca. 1459–1522) Bauldeweyn, Noel (ca. 1480–1529) (?)
O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Festa, Costanzo (ca. 1485–1545) (?) Mouton, Jean (ca. 1459–1522) Bauldeweyn, Noel (ca. 1480–1529) (?) Appears on: 3v–4 Genres: Motet Source Attribution: Con. Festa [ou N.BAULDUIN* ou A. FÉVIN ou J. MOUTON* ou JOSQUIN] Number of voices:* 4 Voice: [no designation] Languages: Latin Voice Text: O pulcherrima mulierum vulnerasti cor meum General Note Publ. cf. Bc 27 II n" 4 Concordances A-Wn 15941 *E-Bc 454 Pubi. cf. Bc 27 II n" 4
4v–6r	Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo	Josquin	Despres, Josquin (ca. 1450–1521)
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo Despres, Josquin (ca. 1450–1521) Appears on: 4v–6r Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Memor esto verbi tui servo tuo General Note 2a p.: Portio mea domine … Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
6r–7v	Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire	Josquin	Despres, Josquin (ca. 1450–1521)
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire Despres, Josquin (ca. 1450–1521) Appears on: 6r–7v Genres: Motet Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Memor esto verbi tui servo tuo General Note Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
8	In monte oliveti	-	Anonymous
In monte oliveti Anonymous Appears on: 8 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: In monte oliveti General Note Responsoria Ebdomada maioris. Responso- num I. In monte Oliveti oravit ad patrem . . .
8v–9	Iniquos odio habui verbum tuum 17.6	Josquin	Despres, Josquin (ca. 1450–1521)
Iniquos odio habui verbum tuum 17.6 Despres, Josquin (ca. 1450–1521) Appears on: 8v–9 Genres: Psalm Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Iniquos odio habui verbum tuum Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1969. Werken van Josquin des Prés: Supplement. Amsterdam.
9–9v	Missus est Gabriel angelus ad Mariam 20.6	Josquin	Despres, Josquin (ca. 1450–1521)
Missus est Gabriel angelus ad Mariam 20.6 Despres, Josquin (ca. 1450–1521) Appears on: 9–9v Genres: Motet Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Missus est Gabriel angelus Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: I.
10–11	Quam pulchra es 14.10 (2p. Labia tua distillantia)	Jo. Mo. [= Mouton] [ou Josquin ou P.Moulu]	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Quam pulchra es 14.10 (2p. Labia tua distillantia) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 10–11 Genres: Motet Source Attribution: Jo. Mo. [= Mouton] [ou Josquin ou P.Moulu] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es amica mea General Note Publ. cf. Bc 19 n° 51
11–11v	Ave Maria gratia plena (I)	Jo. Monton [= Mouton]/ Josquin	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)
Ave Maria gratia plena (I) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 11–11v Genres: Ave Maria, Motet Source Attribution: Jo. Monton [= Mouton]/ Josquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena General Note Publ. cf. Bc 19 n° 30
12–12v	Ave Maria gratia Dei plena Dominus tecum	Brumel/[Josquin]	Brumel, Antoine (ca. 1460–ca. 1513)
Ave Maria gratia Dei plena Dominus tecum Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 12–12v Genres: Ave Maria, Motet Source Attribution: Brumel/[Josquin] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena Concordances 1504' Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.* Leipzig/ Amsterdam. Pages: 1, no2.
13v	Lieti fai li arbori e fronde	MARCHETTO	Cara, Marchetto (ca. 1465–1525) (?) Padova, Marchetto da (?)
Lieti fai li arbori e fronde Cara, Marchetto (ca. 1465–1525) (?) Padova, Marchetto da (?) Appears on: 13v Genres: Italian secular Source Attribution: MARCHETTO Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Lieti fai li arbori e fronde ... General Note [2e str. de: Mentre io vo per questi boschi] Concordances cf. I-Vnm 1795-98
14	Tu sola es mater purissima que caeli	Jo. Monton [= Mouton]	Mouton, Jean (ca. 1459–1522)
Tu sola es mater purissima que caeli Mouton, Jean (ca. 1459–1522) Appears on: 14 Genres: Motet Source Attribution: Jo. Monton [= Mouton] Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Tu sola es mater purissima que celi
14v–15	Inclita sancta virginis Katherina	-	Mantua, Jacquet de (1483–1559)
Inclita sancta virginis Katherina Mantua, Jacquet de (1483–1559) Appears on: 14v–15 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Inclita sancta virginis Katherina General Note nclita sanctae virginis Cecüiae
15–16	Torela mo vilan la puta dal gaban	-	Anonymous
Torela mo vilan la puta dal gaban Anonymous Appears on: 15–16 Genres: Secular Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Torela mo vilan la puta dal gaban
16–16v	Nunc dimittis servum tuum	-	Anonymous
Nunc dimittis servum tuum Anonymous Appears on: 16–16v Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Nunc dimittis servum tuum
16v–17	Veni sponsa Christi	-	Anonymous
Veni sponsa Christi Anonymous Appears on: 16v–17 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Veni sponsa Christi
17v–18	Ecce tu pulchra es amica mea 14.6	Josquin	Despres, Josquin (ca. 1450–1521)
Ecce tu pulchra es amica mea 14.6 Despres, Josquin (ca. 1450–1521) Appears on: 17v–18 Genres: Motet Source Attribution: Josquin Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Ecce tu pulchra es amica mea General Note Publ. cf. Bc 19 n° 63
18v–19v	Magnificat Quarti Toni: Et exultavit [K.838]	JACHET [DE MANTOUE* ou P. DE PASTRANA**]	Mantua, Jacquet de (1483–1559) Pastrana, Pedro de (1490–ca. 1558) (?)
Magnificat Quarti Toni: Et exultavit [K.838] Mantua, Jacquet de (1483–1559) Pastrana, Pedro de (1490–ca. 1558) (?) Appears on: 18v–19v Genres: BVM, Canticle, Magnificat Source Attribution: JACHET [DE MANTOUE* ou P. DE PASTRANA] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text:** [Magnificat] Et exultavit General Note Versets pairs Concordances 155417 *E-TZ 4
20–20v	Pulchra tuas si nosse queas concordia	-	Anonymous
Pulchra tuas si nosse queas concordia Anonymous Appears on: 20–20v Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Pulchra tuas si nosse queas concordia
20v–21	Amor mio dolce ti vo tanto ben	-	Anonymous
Amor mio dolce ti vo tanto ben Anonymous Appears on: 20v–21 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Amor mio dolce ti vo tanto ben . . .
21v–22v	Nigra sum sed formosa	Pauli de FerrariaMONACHI SANCTI BENEDICTÍ	Ferraria, Paulo da
Nigra sum sed formosa Ferraria, Paulo da Appears on: 21v–22v Genres: Motet Source Attribution: Pauli de FerrariaMONACHI SANCTI BENEDICTÍ Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Nigra sum sed formosa General Note Quarta pars. Nigra sum sed formosa … (a trei)Aux ff. 22—22v: Alia quarta pars si placet. Nigra sum sed formosa . . .
23	Anxiatus est in me spiritus meus (= Fiere attropos)	MOLU	Moulu, Pierre (ca. 1484–ca. 1550)
Anxiatus est in me spiritus meus (= Fiere attropos) Moulu, Pierre (ca. 1484–ca. 1550) Appears on: 23 Genres: Motet Source Attribution: MOLU Voice: [no designation] Languages: Latin Voice Text: Anxiatus est in me spiritus meus [= Fiere attropos] General Note Tenor sopra fiere atropos. Lamento de la Regina di Franza. Anxiatus est in me … [Sup. Fiere atropos mauldite et inhumaine] Item Bibliography Chapman, James G. 1964. The works of Pierre Moulu: a stylistic analysis. New York University, Ph.D. Dissertation. Pages: II. Lowinsky, Edward E. 1968. The Medici Codex of 1518, a choirbook of motets dedicated to Lorenzo de Medici, duke of Urbino. Monuments of Renaissance Music, vol. 3-5. Chicago and London.
23v–24v	Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils	SEBASTIANUS GALLUS [sic pour C. JANEQUIN]	Janequin, Clement (ca. 1485–ca. 1558)
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils Janequin, Clement (ca. 1485–ca. 1558) Appears on: 23v–24v Genres: Chanson Source Attribution: SEBASTIANUS GALLUS [sic pour C. JANEQUIN] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Anxiatus est in me spiritus meus [= Fiere attropos] General Note 2a p. Fan fan fan … Item Bibliography Expert, Henry (editor). 1894-. Les maîtres musiciens de la Renaissance française. Paris. Lesure, François, and Arthur Tillman Merritt (editors). 1965-71. Clement Janequin, Chansons polyphoniques. 6 vols. Monaco. Pages: VI. Feilerer, Karl Gustav (editor). 1962-65. Altklassische Polyphonie. Das Musikwerk. Eine Beispielsammlung zur Musikgeschichte, vol. 28 & Vol. 3: Das mehrstimmige Lied des 16. Jahrhunderts in Italien, Frankreich und England; Engel, H (ed.) & Vol. 22: Die Kunst der Niederländer; Lenaerts, R B (ed.) (1962). Köln. Pages: 2.
24v–29	Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan	SEBASTIANUS GALLUS [sic pour C. JANEQUIN]	Janequin, Clement (ca. 1485–ca. 1558)
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan Janequin, Clement (ca. 1485–ca. 1558) Appears on: 24v–29 Genres: Chanson Source Attribution: SEBASTIANUS GALLUS [sic pour C. JANEQUIN] Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Anxiatus est in me spiritus meus [= Fiere attropos] Item Bibliography Expert, Henry (editor). 1894-. Les maîtres musiciens de la Renaissance française. Paris. Lesure, François, and Arthur Tillman Merritt (editors). 1965-71. Clement Janequin, Chansons polyphoniques. 6 vols. Monaco. Pages: VI. Feilerer, Karl Gustav (editor). 1962-65. Altklassische Polyphonie. Das Musikwerk. Eine Beispielsammlung zur Musikgeschichte, vol. 28 & Vol. 3: Das mehrstimmige Lied des 16. Jahrhunderts in Italien, Frankreich und England; Engel, H (ed.) & Vol. 22: Die Kunst der Niederländer; Lenaerts, R B (ed.) (1962). Köln. Pages: 2.
29	Jamais ne vi si grant dolor	-	Anonymous
Jamais ne vi si grant dolor Anonymous Appears on: 29 Genres: Chanson Number of voices: 5 Voice: [no designation] Languages: French Voice Text: Jamais ne vi si grant dolor ..
29v–30	Laudate Dominum omnes gentes, laudate eum	CLAUDIN	Sermisy, Claudin de (ca. 1490–1562)
Laudate Dominum omnes gentes, laudate eum Sermisy, Claudin de (ca. 1490–1562) Appears on: 29v–30 Genres: Motet Source Attribution: CLAUDIN Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Laudate dominum omnes gentes
30–30v	Inter natos mulierum 19.10 - 1a pars (of 2): Inter natos mulierum non surrexit major	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Inter natos mulierum 19.10 - 1a pars (of 2): Inter natos mulierum non surrexit major Despres, Josquin (ca. 1450–1521) Appears on: 30–30v Genres: Motet Source Attribution: JOSQUIN Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Inter natos mulierum General Note 2a p.: Alleluya cui nomen erat Joanes . . . Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: V.
30v–31	Inter natos mulierum 19.10 - 2a pars (of 2): Fuit homo missus a deo cui nomen	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Inter natos mulierum 19.10 - 2a pars (of 2): Fuit homo missus a deo cui nomen Despres, Josquin (ca. 1450–1521) Appears on: 30v–31 Genres: Motet Source Attribution: JOSQUIN Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Alleluya - Cui nomen erat Joanes . . . General Note 2a p.: Alleluya cui nomen erat Joanes . . . Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: V.
31v	In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio	Josquin	Despres, Josquin (ca. 1450–1521)
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio Despres, Josquin (ca. 1450–1521) Appears on: 31v Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: In illo tempore stetit Iesus in medio General Note In UL• tempore s[tetit Jesus]. / Et ecce terre motus f actus est magnus ... Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: III.
31v–32	In illo tempore stetit Jesus 19.6 - 2a pars (of 2): Ascendo ad patrem meum. Salve regina	Josquin	Despres, Josquin (ca. 1450–1521)
In illo tempore stetit Jesus 19.6 - 2a pars (of 2): Ascendo ad patrem meum. Salve regina Despres, Josquin (ca. 1450–1521) Appears on: 31v–32 Genres: BVM, Motet, Salve Regina Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Ascendo ad patrem meum
32	Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem Despres, Josquin (ca. 1450–1521) Appears on: 32 Genres: Motet Source Attribution: JOSQUIN Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Vidi speciosam sicut columbam ascendentem General Note = Tenez moy en vos bras] [= Ego sum ipse qui deleo] Concordances D-brd-Mbs 1508 "D-ddr-LEu 49 Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: I.
32v	Petite camusette à la mort m'avez mis 30.7	Josquin	Despres, Josquin (ca. 1450–1521)
Petite camusette à la mort m'avez mis 30.7 Despres, Josquin (ca. 1450–1521) Appears on: 32v Genres: Chanson Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Petite camusette General Note Tenor primus cum secundus [en canon] Pethite camuse.[=Petite et accipetis] Concordances D-ddr-LEu 49 Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: I. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: 5.
32v–33	In nomine Jesu omne genuflectatur	JO. MONTON [ou JOSQUIN*]	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)
In nomine Jesu omne genuflectatur Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 32v–33 Genres: Motet Source Attribution: JO. MONTON [ou JOSQUIN] Number of voices:* 6 Voice: [no designation] Languages: Latin Voice Text: In nomine Iesu omne genuflectatur Concordances 15584 Item Bibliography Eitner, Robert, L Erk, and Otto Kade (editors). 1873-. Ein hundert fünfzehn weltliche und einige geistliche Lieder. Text und Musik hergestellt nebst einer. Publikation aelterer praktischer und theoretischer Musikwerke, vol. III (1875); Vol. VI (1877): Iodocus Pratensis. Eine Sammlung ausgewählter Kompositionen in Partitur gesetzt unter Mitwirkung. R. Schlecht, R; Eitner, R; Commer, F (eds.). Leipzig/Berlin: Gesellschaft für Musikforschung. Pages: VI.
33v–34	Ave Maria gratia plena [=Adieu mes amours 28.3]	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Ave Maria gratia plena [=Adieu mes amours 28.3] Despres, Josquin (ca. 1450–1521) Appears on: 33v–34 Genres: Contrafactum, Motet Source Attribution: JOSQUIN Number of voices: 7 Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena [= Adieu mes amours] General Note Adieu mes amours, transcr. ms. PCd 3, f. 1] façs. f 33v Item Bibliography Picker, Martin. 1976. Josquiniana in Some Manuscripts at Piacenza. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25June 1971, 247-60. London, New York, and Toronto. Pages: [à 3vx. avec T II et B I:.
34v	Dum staret Abraham - 1a pars (of 2): Dum staret Abraham ad illicem Mambre	Josquin	Despres, Josquin (ca. 1450–1521)
Dum staret Abraham - 1a pars (of 2): Dum staret Abraham ad illicem Mambre Despres, Josquin (ca. 1450–1521) Appears on: 34v Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Dum staret Abraham ad illicem Mambre General Note 2a p.: Qui Pro nobis propendit in Ugno crucis . . _
35–36	Dum staret Abraham - 2a pars (of 2): Qui pro nobis pependit in ligno crucis	Josquin	Despres, Josquin (ca. 1450–1521)
Dum staret Abraham - 2a pars (of 2): Qui pro nobis pependit in ligno crucis Despres, Josquin (ca. 1450–1521) Appears on: 35–36 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Dum staret Abraham ad illicem Mambre
36v–37	Alti signori	-	Anonymous
Alti signori Anonymous Appears on: 36v–37 Genres: Italian secular Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Alti signori
37v–38	Italia mia ben che'l parlar sia indarno	VERDELOT	Verdelot, Philippe (ca. 1480–ca. 1532)
Italia mia ben che'l parlar sia indarno Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 37v–38 Genres: Madrigal (Italian) Source Attribution: VERDELOT Number of voices: 5 Voice: [no designation] Languages: Italian Voice Text: Italia mia ben che'l parlar sia indarno . .
38v–39	Ultimi miei sospiri che mi lasciate	VERDELOT	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532)
Ultimi miei sospiri che mi lasciate Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 38v–39 Genres: Madrigal (Italian) Source Attribution: VERDELOT Number of voices: 6 Voice: [no designation] Languages: Italian Voice Text: Ultimi mei sospiri Item Bibliography Slim, H Colin. 1972. A Gift of Madrigals and Motets. Chicago and London. Pages: II.
39v–40	Videte omnes populi [= Nimphes nappés néridriades driades 30.6]	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Videte omnes populi [= Nimphes nappés néridriades driades 30.6] Despres, Josquin (ca. 1450–1521) Appears on: 39v–40 Genres: Contrafactum, Motet Source Attribution: JOSQUIN Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Videte omnes populi si est dolor [= Nimphes nappés néridriades driades] 30.6 General Note printed with this text in RISM 1558-4 (no.5). [= 'Haec dicit dominus' in Bartfa 2] Concordances D-ddr-Z 74 Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931).* Leipzig/ Amsterdam. Pages: I. Eitner, Robert, L Erk, and Otto Kade (editors). 1873-. Ein hundert fünfzehn weltliche und einige geistliche Lieder. Text und Musik hergestellt nebst einer. Publikation aelterer praktischer und theoretischer Musikwerke, vol. III (1875); Vol. VI (1877): Iodocus Pratensis. Eine Sammlung ausgewählter Kompositionen in Partitur gesetzt unter Mitwirkung. R. Schlecht, R; Eitner, R; Commer, F (eds.). Leipzig/Berlin: Gesellschaft für Musikforschung. Pages: VI.
40v–41v	Beatus vir - 1a pars (of 2): Beatus vir qui non abiit	JO. MOTON [sic]	Mouton, Jean (ca. 1459–1522)
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit Mouton, Jean (ca. 1459–1522) Appears on: 40v–41v Genres: Motet Source Attribution: JO. MOTON [sic] Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Beatus vir qui non abiit General Note 2a p.: Non sic impii . . .
41v–42v	Beatus vir - 2a pars (of 2): Non sic impii	JO. MOTON [sic]	Mouton, Jean (ca. 1459–1522)
Beatus vir - 2a pars (of 2): Non sic impii Mouton, Jean (ca. 1459–1522) Appears on: 41v–42v Genres: Motet Source Attribution: JO. MOTON [sic] Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Beatus vir qui non abiit
43–44	Salve regina (6vv) 25.6 - 1a pars (of 3): Salve regina mater misericordiae	JACHET ou (JOSQUIN) [ou VERDELOT]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567)
Salve regina (6vv) 25.6 - 1a pars (of 3): Salve regina mater misericordiae Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) Appears on: 43–44 Genres: BVM, Motet, Salve Regina Source Attribution: JACHET ou (JOSQUIN) [ou VERDELOT] Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note Tenor primus [2a p.] «Eia ergo tacet» 2a [ = 3a] p.: Et Jesum benedictum … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 28, II.
44	Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo	JACHET ou (JOSQUIN) [ou VERDELOT]	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 44 Genres: Motet Source Attribution: JACHET ou (JOSQUIN) [ou VERDELOT] Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note Tenor primus [2a p.] «Eia ergo tacet» 2a [ = 3a] p.: Et Jesum benedictum … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 28, II.
44v–45	Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo	JACHET ou (JOSQUIN) [ou VERDELOT]	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 44v–45 Genres: Motet Source Attribution: JACHET ou (JOSQUIN) [ou VERDELOT] Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Salve regina General Note Tenor primus [2a p.] «Eia ergo tacet» 2a [ = 3a] p.: Et Jesum benedictum … Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 28, II (Verdelot).
45v–46	Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Josquin	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Despres, Josquin (ca. 1450–1521) Appears on: 45v–46 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Praeter rerum seriem General Note 2a p.: Virtus sancii spiritus . . . Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 18. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
46–47	Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Josquin	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud Despres, Josquin (ca. 1450–1521) Appears on: 46–47 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Praeter rerum seriem Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 18. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
47–48	Veni sancte spiritus 26.18 - 1a pars (of 2): Veni sancte spiritus et emitte	JOSQUIN [ou M. FORESTIER*]	Despres, Josquin (ca. 1450–1521) (?) Forestier, Mathurin (?)
Veni sancte spiritus 26.18 - 1a pars (of 2): Veni sancte spiritus et emitte Despres, Josquin (ca. 1450–1521) (?) Forestier, Mathurin (?) Appears on: 47–48 Genres: Motet, Veni sancte spiritus Source Attribution: JOSQUIN [ou M. FORESTIER] Number of voices:* 6 Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus et emitte General Note 2a p.: O lux beatíssima . . . Concordances S-Uu 76 Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.* Wolfenbüttel/Berlin. Pages: 18. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: III.
48–49	Veni sancte spiritus 26.18 - 2a pars (of 2): O lux beatissima reple cordis	JOSQUIN [ou M. FORESTIER*]	Forestier, Mathurin (?) Despres, Josquin (ca. 1450–1521)
Veni sancte spiritus 26.18 - 2a pars (of 2): O lux beatissima reple cordis Forestier, Mathurin (?) Despres, Josquin (ca. 1450–1521) Appears on: 48–49 Source Attribution: JOSQUIN [ou M. FORESTIER] Number of voices:* 6 Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus et emitte Concordances S-Uu 76 Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk.* Wolfenbüttel/Berlin. Pages: 18. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: III.
49–50	O Maria virgo sanctissima (= Se congié prens de mes belles amours 30.11)	Josquin	Despres, Josquin (ca. 1450–1521)
O Maria virgo sanctissima (= Se congié prens de mes belles amours 30.11) Despres, Josquin (ca. 1450–1521) Appears on: 49–50 Genres: Chanson, Sequence Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: O Maria virgo sanctissima [= Se congie prens] General Note [= Miserator dominus et misericors] Publ. cf. Bc 71 n° 8 Concordances D-ddr-LEu 49
50v–51	O virgo virginum 24.10 - 1a pars (of 2): O virgo virginum	Josquin	Despres, Josquin (ca. 1450–1521)
O virgo virginum 24.10 - 1a pars (of 2): O virgo virginum Despres, Josquin (ca. 1450–1521) Appears on: 50v–51 Genres: Contrafactum Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: O virgo virginum General Note Tenor primus. O virgo virginum 2a p.: Filie Hierusalem. Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 57. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: V.
51v–52	O virgo virginum 24.10 - 2a pars (of 2): Filie Jerusalem quid me admiramini	Josquin	Despres, Josquin (ca. 1450–1521)
O virgo virginum 24.10 - 2a pars (of 2): Filie Jerusalem quid me admiramini Despres, Josquin (ca. 1450–1521) Appears on: 51v–52 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: O virgo virginum General Note Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 57. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: V.
52v–53v	Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Josquin	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo Despres, Josquin (ca. 1450–1521) Appears on: 52v–53v Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Huc me sydereo descendere iussit Olympo General Note [2a p.] Felle sitim magni regis … Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
53v–54	Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit	Josquin	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit Despres, Josquin (ca. 1450–1521) Appears on: 53v–54 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Huc me sydereo descendere iussit Olympo
54v	Ave nobilissima creatura 23.11 - 1a pars (of 2): Ave nobilissima creatura humilima	Josquin	Despres, Josquin (ca. 1450–1521)
Ave nobilissima creatura 23.11 - 1a pars (of 2): Ave nobilissima creatura humilima Despres, Josquin (ca. 1450–1521) Appears on: 54v Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Ave nobilissima creatura General Note 2a p.: [Tibi domina gloriosa] Benedictatu . . . Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
54v–55	Ave nobilissima creatura 23.11 - 2a pars (of 2): Tibi domina gloriosa commendo	Josquin	Despres, Josquin (ca. 1450–1521)
Ave nobilissima creatura 23.11 - 2a pars (of 2): Tibi domina gloriosa commendo Despres, Josquin (ca. 1450–1521) Appears on: 54v–55 Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Ave nobilissima creatura Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: II.
55–55v	Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	Josquin	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina Despres, Josquin (ca. 1450–1521) Appears on: 55–55v Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Benedicta es caelorum regina General Note [2a p Per Mud ave. 2vx.] [3a p.] Nunc mater ex ora natum … Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: III. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: 5.
56	Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	Josquin	Despres, Josquin (ca. 1450–1521)
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum Despres, Josquin (ca. 1450–1521) Appears on: 56 Genres: Motet Source Attribution: Josquin Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Benedicta es caelorum regina General Note [2a p Per Mud ave. 2vx.] [3a p.] Nunc mater ex ora natum … Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten. Leipzig/ Amsterdam. Pages: III. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: 5.
56v	Missa Hercules dux Ferrariae 11.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 56v Genres: Agnus Dei, Mass Ordinary Number of voices: 6 General Note incomplete. text "Hercules dux Ferrariae"
57	Salva nos Domine vigilantes custodi 26.12	JOSQUIN [ou A. WILLAERT* ou J. MOUTON]	Willaert, Adrian (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)
Salva nos Domine vigilantes custodi 26.12 Willaert, Adrian (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 57 Genres: Motet Source Attribution: JOSQUIN [ou A. WILLAERT* ou J. MOUTON] Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Salva nos Domine vigilantes General Note Publ. cf. Bc 19 n° 18 Concordances *154210
57v	Fors seulement l'attente que je meure 28.15	-	Ghiselin (Verbonnet), Johannes (?) Despres, Josquin (ca. 1450–1521) (?)
Fors seulement l'attente que je meure 28.15 Ghiselin (Verbonnet), Johannes (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 57v Genres: Chanson

Composer	Compositions
Anonymous	Alti signori – 36v–37 Amor mio dolce ti vo tanto ben – 20v–21 In monte oliveti – 8 Jamais ne vi si grant dolor – 29 Nunc dimittis servum tuum – 16–16v Pulchra tuas si nosse queas concordia – 20–20v Torela mo vilan la puta dal gaban – 15–16 Veni sponsa Christi – 16v–17
Bauldeweyn, Noel (ca. 1480-1529)	(?) O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) – 3v–4
Berchem, Jacques (ca. 1505-1567)	Salve regina (6vv) 25.6 - 1a pars (of 3): Salve regina mater misericordiae – 43–44 (?) Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo – 44 (?) Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo – 44v–45
Brumel, Antoine (ca. 1460-ca. 1513)	Ave Maria gratia Dei plena Dominus tecum – 12–12v
Cara, Marchetto (ca. 1465-1525)	(?) Arsi donna per voi quest'anni – IIIv–1 (?) Lieti fai li arbori e fronde – 13v
Despres, Josquin (ca. 1450-1521)	Adjuro vos O filiae Sion 28.28 (= Plus nuls regrets) – 2v–3 (?) Ave Maria gratia plena (I) – 11–11v Ave Maria gratia plena [=Adieu mes amours 28.3] – 33v–34 Ave nobilissima creatura 23.11 - 1a pars (of 2): Ave nobilissima creatura humilima – 54v Ave nobilissima creatura 23.11 - 2a pars (of 2): Tibi domina gloriosa commendo – 54v–55 Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina – 55–55v Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum – 56 Dum staret Abraham - 1a pars (of 2): Dum staret Abraham ad illicem Mambre – 34v Dum staret Abraham - 2a pars (of 2): Qui pro nobis pependit in ligno crucis – 35–36 Ecce tu pulchra es amica mea 14.6 – 17v–18 (?) Fors seulement l'attente que je meure 28.15 – 57v Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo – 52v–53v Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit – 53v–54 In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio – 31v In illo tempore stetit Jesus 19.6 - 2a pars (of 2): Ascendo ad patrem meum. Salve regina – 31v–32 (?) In nomine Jesu omne genuflectatur – 32v–33 Iniquos odio habui verbum tuum 17.6 – 8v–9 Inter natos mulierum 19.10 - 1a pars (of 2): Inter natos mulierum non surrexit major – 30–30v Inter natos mulierum 19.10 - 2a pars (of 2): Fuit homo missus a deo cui nomen – 30v–31 Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo – 4v–6r Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire – 6r–7v Missa Hercules dux Ferrariae 11.1: Agnus Dei – 56v Missus est Gabriel angelus ad Mariam 20.6 – 9–9v O Maria virgo sanctissima (= Se congié prens de mes belles amours 30.11) – 49–50 O virgo virginum 24.10 - 1a pars (of 2): O virgo virginum – 50v–51 O virgo virginum 24.10 - 2a pars (of 2): Filie Jerusalem quid me admiramini – 51v–52 Petite camusette à la mort m'avez mis 30.7 – 32v Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus – 45v–46 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud – 46–47 (?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – 10–11 (?) Salva nos Domine vigilantes custodi 26.12 – 57 (?) Salve regina (6vv) 25.6 - 1a pars (of 3): Salve regina mater misericordiae – 43–44 (?) Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo – 44 (?) Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo – 44v–45 (?) Veni sancte spiritus 26.18 - 1a pars (of 2): Veni sancte spiritus et emitte – 47–48 Veni sancte spiritus 26.18 - 2a pars (of 2): O lux beatissima reple cordis – 48–49 Videte omnes populi [= Nimphes nappés néridriades driades 30.6] – 39v–40 Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem – 32
Ferrabosco, Alfonso (the elder) (1543-1588)	(?) Ultimi miei sospiri che mi lasciate – 38v–39
Ferraria, Paulo da	Nigra sum sed formosa – 21v–22v
Festa, Costanzo (ca. 1485-1545)	(?) O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) – 3v–4
Fevin, Antoine de (ca. 1470-ca. 1512)	(?) O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) – 3v–4
Forestier, Mathurin	(?) Veni sancte spiritus 26.18 - 1a pars (of 2): Veni sancte spiritus et emitte – 47–48 (?) Veni sancte spiritus 26.18 - 2a pars (of 2): O lux beatissima reple cordis – 48–49
Ghiselin (Verbonnet), Johannes	(?) Fors seulement l'attente que je meure 28.15 – 57v
Janequin, Clement (ca. 1485-ca. 1558)	Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils – 23v–24v Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan – 24v–29
Mantua, Jacquet de (1483-1559)	Inclita sancta virginis Katherina – 14v–15 Magnificat Quarti Toni: Et exultavit [K.838] – 18v–19v (?) Salve regina (6vv) 25.6 - 1a pars (of 3): Salve regina mater misericordiae – 43–44 (?) Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo – 44 (?) Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo – 44v–45
Moulu, Pierre (ca. 1484-ca. 1550)	Anxiatus est in me spiritus meus (= Fiere attropos) – 23 (?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – 10–11
Mouton, Jean (ca. 1459-1522)	(?) Ave Maria gratia plena (I) – 11–11v Beatus vir - 1a pars (of 2): Beatus vir qui non abiit – 40v–41v Beatus vir - 2a pars (of 2): Non sic impii – 41v–42v (?) In nomine Jesu omne genuflectatur – 32v–33 O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta) – 3v–4 (?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – 10–11 (?) Salva nos Domine vigilantes custodi 26.12 – 57 Tu sola es mater purissima que caeli – 14
Padova, Marchetto da	(?) Lieti fai li arbori e fronde – 13v
Pastrana, Pedro de (1490-ca. 1558)	(?) Magnificat Quarti Toni: Et exultavit [K.838] – 18v–19v
Sermisy, Claudin de (ca. 1490-1562)	Laudate Dominum omnes gentes, laudate eum – 29v–30
Tromboncino, Bartolomeo (1470-ca. 1534)	(?) Arsi donna per voi quest'anni – IIIv–1 Tra l'infelice son – 1v–2
Verdelot, Philippe (ca. 1480-ca. 1532)	Italia mia ben che'l parlar sia indarno – 37v–38 (?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – 10–11 (?) Salve regina (6vv) 25.6 - 1a pars (of 3): Salve regina mater misericordiae – 43–44 (?) Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo – 44 (?) Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo – 44v–45 Ultimi miei sospiri che mi lasciate – 38v–39
Willaert, Adrian (ca. 1490-1562)	(?) Salva nos Domine vigilantes custodi 26.12 – 57

Composition	Composers (? Uncertain)	Folios / Pages
Adjuro vos O filiae Sion 28.28 (= Plus nuls regrets)	Despres, Josquin (ca. 1450–1521)	2v–3
Alti signori	Anonymous	36v–37
Amor mio dolce ti vo tanto ben	Anonymous	20v–21
Anxiatus est in me spiritus meus (= Fiere attropos)	Moulu, Pierre (ca. 1484–ca. 1550)	23
Arsi donna per voi quest'anni	Tromboncino, Bartolomeo (1470–ca. 1534) (?) Cara, Marchetto (ca. 1465–1525) (?)	IIIv–1
Ave Maria gratia Dei plena Dominus tecum	Brumel, Antoine (ca. 1460–ca. 1513)	12–12v
Ave Maria gratia plena (I)	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?)	11–11v
Ave Maria gratia plena [=Adieu mes amours 28.3]	Despres, Josquin (ca. 1450–1521)	33v–34
Ave nobilissima creatura 23.11 - 1a pars (of 2): Ave nobilissima creatura humilima	Despres, Josquin (ca. 1450–1521)	54v
Ave nobilissima creatura 23.11 - 2a pars (of 2): Tibi domina gloriosa commendo	Despres, Josquin (ca. 1450–1521)	54v–55
Beatus vir - 1a pars (of 2): Beatus vir qui non abiit	Mouton, Jean (ca. 1459–1522)	40v–41v
Beatus vir - 2a pars (of 2): Non sic impii	Mouton, Jean (ca. 1459–1522)	41v–42v
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina	Despres, Josquin (ca. 1450–1521)	55–55v
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum	Despres, Josquin (ca. 1450–1521)	56
Dum staret Abraham - 1a pars (of 2): Dum staret Abraham ad illicem Mambre	Despres, Josquin (ca. 1450–1521)	34v
Dum staret Abraham - 2a pars (of 2): Qui pro nobis pependit in ligno crucis	Despres, Josquin (ca. 1450–1521)	35–36
Ecce tu pulchra es amica mea 14.6	Despres, Josquin (ca. 1450–1521)	17v–18
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 1a pars (of 2): Escoutez tous gentils	Janequin, Clement (ca. 1485–ca. 1558)	23v–24v
Escoutez tous gentils (= La guerre, La bataille de Marignan) - 2a pars (of 2): Fan, fere, lere, fan, lan	Janequin, Clement (ca. 1485–ca. 1558)	24v–29
Fors seulement l'attente que je meure 28.15	Ghiselin (Verbonnet), Johannes (?) Despres, Josquin (ca. 1450–1521) (?)	57v
Huc me sidereo 21.5 - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Despres, Josquin (ca. 1450–1521)	52v–53v
Huc me sidereo 21.5 - 2a pars (of 2): Felle sitim magni regis satiavit	Despres, Josquin (ca. 1450–1521)	53v–54
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio	Despres, Josquin (ca. 1450–1521)	31v
In illo tempore stetit Jesus 19.6 - 2a pars (of 2): Ascendo ad patrem meum. Salve regina	Despres, Josquin (ca. 1450–1521)	31v–32
In monte oliveti	Anonymous	8
In nomine Jesu omne genuflectatur	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)	32v–33
Inclita sancta virginis Katherina	Mantua, Jacquet de (1483–1559)	14v–15
Iniquos odio habui verbum tuum 17.6	Despres, Josquin (ca. 1450–1521)	8v–9
Inter natos mulierum 19.10 - 1a pars (of 2): Inter natos mulierum non surrexit major	Despres, Josquin (ca. 1450–1521)	30–30v
Inter natos mulierum 19.10 - 2a pars (of 2): Fuit homo missus a deo cui nomen	Despres, Josquin (ca. 1450–1521)	30v–31
Italia mia ben che'l parlar sia indarno	Verdelot, Philippe (ca. 1480–ca. 1532)	37v–38
Jamais ne vi si grant dolor	Anonymous	29
Laudate Dominum omnes gentes, laudate eum	Sermisy, Claudin de (ca. 1490–1562)	29v–30
Lieti fai li arbori e fronde	Cara, Marchetto (ca. 1465–1525) (?) Padova, Marchetto da (?)	13v
Magnificat Quarti Toni: Et exultavit [K.838]	Mantua, Jacquet de (1483–1559) Pastrana, Pedro de (1490–ca. 1558) (?)	18v–19v
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo	Despres, Josquin (ca. 1450–1521)	4v–6r
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire	Despres, Josquin (ca. 1450–1521)	6r–7v
Missa Hercules dux Ferrariae 11.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	56v
Missus est Gabriel angelus ad Mariam 20.6	Despres, Josquin (ca. 1450–1521)	9–9v
Nigra sum sed formosa	Ferraria, Paulo da	21v–22v
Nunc dimittis servum tuum	Anonymous	16–16v
O Maria virgo sanctissima (= Se congié prens de mes belles amours 30.11)	Despres, Josquin (ca. 1450–1521)	49–50
O pulcherrima mulierum vulnerasti cor meum (2p. Descendi in ortum meum veni dilecta)	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Festa, Costanzo (ca. 1485–1545) (?) Mouton, Jean (ca. 1459–1522) Bauldeweyn, Noel (ca. 1480–1529) (?)	3v–4
O virgo virginum 24.10 - 1a pars (of 2): O virgo virginum	Despres, Josquin (ca. 1450–1521)	50v–51
O virgo virginum 24.10 - 2a pars (of 2): Filie Jerusalem quid me admiramini	Despres, Josquin (ca. 1450–1521)	51v–52
Petite camusette à la mort m'avez mis 30.7	Despres, Josquin (ca. 1450–1521)	32v
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Despres, Josquin (ca. 1450–1521)	45v–46
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Despres, Josquin (ca. 1450–1521)	46–47
Pulchra tuas si nosse queas concordia	Anonymous	20–20v
Quam pulchra es 14.10 (2p. Labia tua distillantia)	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	10–11
Salva nos Domine vigilantes custodi 26.12	Willaert, Adrian (ca. 1490–1562) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)	57
Salve regina (6vv) 25.6 - 1a pars (of 3): Salve regina mater misericordiae	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567)	43–44
Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	44
Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo	Mantua, Jacquet de (1483–1559) (?) Berchem, Jacques (ca. 1505–1567) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	44v–45
Torela mo vilan la puta dal gaban	Anonymous	15–16
Tra l'infelice son	Tromboncino, Bartolomeo (1470–ca. 1534)	1v–2
Tu sola es mater purissima que caeli	Mouton, Jean (ca. 1459–1522)	14
Ultimi miei sospiri che mi lasciate	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532)	38v–39
Veni sancte spiritus 26.18 - 1a pars (of 2): Veni sancte spiritus et emitte	Despres, Josquin (ca. 1450–1521) (?) Forestier, Mathurin (?)	47–48
Veni sancte spiritus 26.18 - 2a pars (of 2): O lux beatissima reple cordis	Forestier, Mathurin (?) Despres, Josquin (ca. 1450–1521)	48–49
Veni sponsa Christi	Anonymous	16v–17
Videte omnes populi [= Nimphes nappés néridriades driades 30.6]	Despres, Josquin (ca. 1450–1521)	39v–40
Vidi speciosam - 1a pars (of 2): Vidi speciosam sicut columbam ascendentem	Despres, Josquin (ca. 1450–1521)	32

‡ denotes primary source study

MacCracken, Thomas Gregg. 1985. The Manuscript Uppsala, Universitetsbiblioteket, Vokalmusik i handskrift 76b. University of Chicago, Unpublished Ph.D. dissertation. Pages: 128-9,131-2,209-10, 450-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 79.

Blackburn, Bonnie J. 1976. Josquin's Chansons: Ignored and Lost Sources. Journal of the American Musicological Society, 29: 30-76. Pages: 50-4. Notes: contents list (partial); mention of MS; discussion.

Elders, Willem. 1976. Plainchant in the Motets, Hymns, and Magnificat of Josquin des Prez. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971, London, New York, and Toronto. Pages: 527. Notes: concordances (partial).

Jeffery, Brian. 1976. The Literary Texts of Josquin's Chansons. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 401-420. London, New York, and Toronto. Pages: 413, 420. Notes: mention of MS.

Picker, Martin. 1976. Josquiniana in Some Manuscripts at Piacenza. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25June 1971, 247-60. London, New York, and Toronto. Pages: 248ff. Notes: contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Sparks, Edgar H. 1976. Problems of Authenticity in Josquin's Motets. Josquin des Prez: Proceedings of the International J osquin Festival-Conference ... 21-25June 1971, 345-59. London, New York, and Toronto. Pages: 358. Notes: concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 149ff. Notes: contents list (partial); concordances (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 112. Notes: concordances (partial).

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1969. Werken van Josquin des Prés: Supplement. Amsterdam. Pages: 85. Notes: transcription (partial).

Benthem, Jaap van. 1968-70. Zur Struktur und Authentizität der Chansons à 5 & 6 von Josquin des Prez. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 21: 170-88. Pages: 187 n» 25.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 16, 111, Plate XI. Notes: physical description; contents list; incipitsst of contents (partial); facsimile (partial).

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V. Chicago. Pages: III, 68, 108, 117, 177ff, 201f. Notes: mention of MS; concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 245, passim. Notes: mention of MS; concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 125. Notes: concordances (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V.xix. Notes: contents list (partial); concordances (partial); t.

Einstein, Alfred. 1949. The Italian Madrigal. 3 vols. Princeton. Pages: 325. Notes: mention of MS.

Torrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. Pages: 92ff, 168, 250, 259f.

Cameni, Alberto. 1931. Per un Precursore del Palestrina: II Compositore Piemontese Costanzo Festa. Bollettino Bibliografico Musicale, 4/4: 5-20. Pages: 9. Notes: mention of MS.

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: II, p. VII.

Gaspari, Gaetano (compiler). 1905. Catalogo della biblioteca del Liceo musicale di Bologna compilato da Gaetano Gaspari: compiuto e pubblicato da Dr Raffaele Cadolini, aggiunto al bibliotecario. 4 vols. Bologna. Pages: II, 342. Notes: physical description (partial).

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Edward Tambling

Sunday, 23 July, 2023

Salve regina at ff. 43-45 incorrectly shown as by Mouton; now corrected

Edward Tambling

Tuesday, 22 November, 2022

Tidied up details on 2a pars of Josquin's Inter natos

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Bc R.142

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

partbook: 1515-30 (Osthoff); c. 1530-50 (Blackburn)

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