D-KA UH. 1 (X. 1)

Badische Landesbibliothek, Karlsruhe, Germany

chant book with added polyphony: 14./16 Century

Archive Badische Landesbibliothek, Karlsruhe, Germany (D-KA)
Shelfmark UH. 1 (X. 1)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 450 x 353 mm
Other Identifiers
  • RISM: D-KA1
  • RISM: Kar D
Notations
  • Gothic chant
  • square
Relationships
External Links
Provenance
Contents 2 pieces from 1 composers
General Description

A Graduale from the Cistercian monastery of Wonnetal at Keuzingen. According to the latest art-historical research of Frl. Prof. Dr. E. Beer (Bern), the handwriting dates from the second quarter of the 14th Century. On f. 257v/258r the only two-sentences in gothic chant notation have been added; on f. 258v/259 there are further additions from the 16th or 17th century. Contents: f. 1-213 Graduale; f. 213-232r Kyriale (cycles), litanies; f. 232v-257r sequences; f. 257v-259r Ordinaries, Alleluia (Supplements).

DIAMM, 2017
Binding

brown leather-covered wooden boards, fittings; 14th century

DIAMM, 2017
Notation

Square notation; gothic and Roman chant

DIAMM, 2017
Ruling

9 red four-line staves per page; 10 four-line staves per page from f. 257

DIAMM, 2017
Foliation

Modern foliation 1-260; original foliation I-CCVI.

DIAMM, 2017
Decoration

beautifully illuminated

DIAMM, 2017
Surface

258 parchment + 2 paper

DIAMM, 2017
RISM Description

RISM BIV/3: 14./16. Jh.; 258 Blätter Pergament + 2 jüngere Blätter Papier, 450 x 353 mm. Moderne Foliierung von f. 1-260; originale Foliierung von f. I-CCVI. Je Seite 9 rote Vierliniensysteme mit Quadratnotation; ab f. 257 je 10 Vierliniensysteme mit gotischer und römischer Choralnotation (Nachträge) - Einband: 14. Jh.; mit braunem Leder überzogene Holzdeckel, Beschläge.

Diese Handschrift ist ein prachtvoll illuminiertes Graduale aus dem Zisterzienserkloster Wonnental bei Kenzingen. Nach den neuesten kunsthistorischen Forschungen von Frl. Prof. Dr. E. Beer (Bern) wurde die Handschrift im zweiten Viertel des 14. Jh. geschrieben. Auf f. 257v/258r stehen als Nachträge die einzigen zweistimmigen Sätze in gotischer Choralnotation; auf f. 258v/259 folgen weitere Nachträge des 16. oder 17. Jh.

Inhalt: f. 1-213 Graduale; f. 213-232r Kyriale (Zyklen), Litaneien; f. 232v-257r Sequenzen; f. 257v-259r Ordinariumssätze, Alleluia (Nachträge).

[Translation] 14th/16th century; 258 parchment leaves paper + 2 newer leaves, 450 x 353 mm. Modern foliation 1-260; original foliation I-CCVI. 9 with red four-line staves per page. Square notation; from f. 257 10 four-line staves per page with Gothic and Roman chant notation (additions). Binding: 14th century: brown leather-covered wooden boards, fittings.

This is a beautifully illuminated manuscript Graduale from the Cistercian nunnery of Wonnental at Kenzingen. According to the latest art-historical research of Frl. Prof. Dr. E. Beer (Bern), the handwriting dates from the second quarter of the 14th Century. On f. 257v/258r the only two-sentences in gothic chant notation have been added; on f. 258v/259 there are further additions from the 16th or 17th century.

Contents: f. 1-213 Graduale; f. 213-232r Kyriale (cycles), litanies; f. 232v-257r sequences; f. 257v-259r Ordinaries, Alleluia (Supplements).

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

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Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
257v–258 Sanctus - Anonymous

Sanctus

Anonymous
Appears on: 257v–258
Genres: Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus ...
Layout

parts
258 Agnus Dei - Anonymous

Agnus Dei

Anonymous
Appears on: 258
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei ...
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Agnus Dei Anonymous 258
Sanctus Anonymous 257v–258

‡ denotes primary source study

Thannabaur, Peter Josef. 1962. Das einstimmige Sanctus der römischen Messe in der handschriftlichen Überlieferung des 11. bis 16. Jahrhunderts. Erlanger Arbeiten zur Musikwissenschaft.  Munich. Pages: 113, 220.

Geering, Arnold. 1952. Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert.  Bern. Pages: 17, Nr. 49.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 302 (Anm. 2).

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description