Main scribe was Martinus Baccalarius de Vyskytná (inscription inside front cover); several other scribes made later additions. Polyphony on ff. 15'-22, 23'-31, 73'-77', 78'-82', 167', 178', 180', 189, 208', 356-361, 362'-384. Copied in Kolin (RISM).
| Archive | Národní muzeum, Prague, Czech Republic (CZ-Pnm) |
|---|---|
| Shelfmark | MS XIII A 2 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 480 x 320 mm |
| Other Identifiers |
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| Notations |
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| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Copyists | |
| External Links | |
| Provenance |
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| Contents | Contains 56 compositions, 16 from 1 composer, 40 are anonymous. |
General Description
Binding
Original covers of white blind-tooled leather over wooden boards; metal clasps, corners, and bosses
Notation
Gothic chant, black full mensural, black void mensural
Ruling
red staves.
Foliation
Modern foliation, 1-384
Decoration
Illuminated miniatures and floral borders; Gothic initials.
Surface
paper
RISM Description
RISM BIV/3: 16. Jh.; 384 Blätter Papier (f. 384 in den hinteren Deckel geklebt) + 1 Vorsatzblatt 480 x 320 mm. Moderne Foliierung von f. 1-384. Je Seite meist 9 rote Vierliniensysteme für einstimmige Fünfliniensysteme für mehrstimmige Stücke. Böhmische Choral- sowie schwarze und ausnahmsweise weiße Mensuralnotation - Einband: 16. Jh.; mit weißem Leder überzogene Holzdeckel, Blindpressung, Metallbeschläge.
Dieses hussitische Gradual-Kantionale wurde 1512 von Martinus Baccalarius de Vyskytná geschrieben. Es stammt aus Kolín nad Labem und gehört mit zu den wichtigsten Quellen utraquistischer Mehrstimmigkeit.
Inhalt: Mit Ausnahme von Incipitverzeichnis Nr. 54 sind alle Texte lat. Die Handschrift beginnt mit einer Sammlung von Ordinariumssätzen, es folgen Propriumsstücke, Sequenzen, Kantionen und Motetten (Cantilenae).
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Graduale-Cantionale, with polyphony:
5 Credos, 12 Sanctus, 37 motets, 1 Czech sacred piece = 55
(P. Wilhelmi)-8 +1?, anon-46
i + 384 paper folios, 480 x 320. Modern foliation, 1-384. Original covers of white blind-tooled leather over wooden boards; metal clasps, corners, and bosses. Gothic chant notation, black mensural notation, and white mensural notation on red staves. Main scribe was Martinus Baccalarius de Vyskytná (inscription inside front cover); several other scribes made later additions. Polyphony on ff. 15'-22, 23'-31, 73'-77', 78'-82', 167', 178', 180', 189, 208', 356-361, 362'-384. Illuminated miniatures and floral borders; Gothic initials.
1512 (date inside front cover). Copied in Kolin (RISM).
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‡ denotes primary source study
Černý, Jaromír. 1984. Vícehlasé pisnë konduktového typu v ceskych pramenech 15. století. Miscellanea Musicologica [Prague], 31: 39-142. Pages: 51,79-80,128,130,132-3,138. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Fojtíková, Jana. 1981. Hudební doklady Husova kultu z 15. a 16. stoleti. Miscellanea Musicologica [Prague], 29: 51-145. Pages: 70-1,85,88,101,106-7,111,114,116. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Orel, Alfred. 1977. Die Hauptstimme in den Salve Regina der Trienter Kodizes. Wiener Veröffentlichungen zur Musikwissenschaft Serie II, vol. 4. Tutzing. Pages: 544.
Černý, Jaromír. 1975. Petrus Wilhelmi de Grudencz: Neznámy Skladatel Doby Dufayovy v Ceskych Pramenech. Hudební Veda, 12: 195-238. Pages: 205,224-31,234. Notes: mention of MS; contents list (partial); concordances (partial); incipits (partial).
Černý, Jaromír. 1975. Stredovëky vicehlas v Ceskych zemích. Miscellanea Musicologica [Prague], 27-28: 9-116. Pages: 90. Notes: mention of MS; contents list (partial).
Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800. Kassel. Pages: B IV/3,220-30. Notes: physical description; contents list; concordances (partial); incipits (partial); additional bibliography.
Černý, Jaromír. 1971. K nejstarSím dejinám moteta v ceskych zemích. Miscellanea Musicologica [Prague], 24: 7-90. Pages: 7ff,47ff,60-2,81-3. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.
Snížková-Škrhová, Jitka. 1967. Solnicky Gradual Samuela Soukenika. Casopis Národního Muzea, 136: . Pages: 21 (Ue. von Nr. 5).
Thannabaur, Peter Josef. 1962. Das einstimmige Sanctus der römischen Messe in der handschriftlichen Überlieferung des 11. bis 16. Jahrhunderts. Erlanger Arbeiten zur Musikwissenschaft, vol. 1. Munich. Pages: 113 u. 229.
Snížková-Škrhová, Jitka. 1958. Ceská Polyfonni Tvorba. Prague. Pages: 21-5,96,[106]. Notes: contents list (partial); transcription (partial); facsimile (partial).
Ewerhart, Rudolf. 1955. Die Handschrift 322/1994 der Stadtbibliothek Trier als musikalische Quelle. Kölner Beiträge zur Musikforschung, vol. VII. Regensburg. Pages: 56 (Ue. z. T. nach CS-Pnm XIII A 2, Nr. 38).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: X.1597. Notes: mention of MS.
Buzga, J. 1949-79. Prager Handschriften. Die Musik in Geschichte und Gegenwart, 1st Edition, 10: . Pages: 1597.
Bartos, F M. 1926. Soupis Rukopisu Národního Musea v Praze. Prague. Pages: II,248f.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 301(Anm.l), 311 (Anm. 2), 314/315.
Orel, Dobroslav. 1922. Počátky umělého vícehlasu v Čechách [The beginnings of composed polyphony in Bohemia]. Sborník filozofickej fakulty Univerzity Komenského v Bratislave, 143–214. Bratislava. Pages: 179.
Orel, Dobroslav. 1922. Kancionál Franusuv. Prague. Pages: 127 f. (Ue. von Nr. 43); 23, 147.
Orel, Dobroslav. 1914. Der Mensuralkodex "Speciálnik": Ein Beitrag zur Geschichte der Mensuralmusik und Notenschrift in Böhmen bis 1540. Vienna. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Nejedly, Zdenëk. 1913. Reprinted 1955-6 as Vols. 43-5 of the author's complete works. Citations refer to original edition.. Dejiny Husitského Zpevu za Válek Husitsky'ch. Prague. Pages: Bd. I, III, V u. VI.
Blume, C, and Guido Maria Dreves (editors). 1886-1922; Reprinted: Frankfurt am Main 1961; Indices 1978. Analecta Hymnica Medii Aevi. 55 vols. Leipzig. Pages: XLVb, 8.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description