A-Wn Mus.Hs. 15501 (Kuttenberger Cantionale)

Österreichische Nationalbibliothek, Wien (Vienna), Austria

chant book with added polyphony: 1490

Archive Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn)
Shelfmark Mus.Hs. 15501 (Kuttenberger Cantionale)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System Foliation
Measurements 680 x 460 mm
Other Identifiers
  • RISM: A-Wn15501
  • CCM: VienNB Mus. 15501
  • olim (Former shelfmark): formerly Cod. 15501
Notations
  • Bohemian chant
  • black full mensural
Relationships
External Links
External Authorities
Provenance
Contents 2 pieces from 1 composers
General Description

Polyphony on ff. 53'-55 and 58'-60. Copied in Kuttenberg, for use at St. James Cathedral (Unterl).

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00226989), 2014
Binding

Original covers of brown stamped leather over wooden boards; clasps missing

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00226989), 2014
Notation

Bohemian chant notation, black mensural notation

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00226989), 2014
Ruling

red 4-line staves

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00226989), 2014
Foliation

Modern foliation, 1-252 ('184' applied to two consecutive folios).

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00226989), 2014
Decoration

Illuminated miniatures, initials, and borders.

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00226989), 2014
Surface

parchment

ÖNB online-catalogue (http://data.onb.ac.at/rec/AL00226989), 2014
RISM Description

RISM BIV/3: 15. Jh.; 252 Blätter Pergament, 680 x 460 mm. Moderne Foliierung von f. 1-252. Je Seite 9 rote Vierliniensysteme mit böhmischer Choralnotation (zum Teil mit mensuralen Elementen). Reich mit Miniaturen versehen. - Einband: 15./16. Jh., mit braunem Leder überzogene Holzdeckel, Blindpressung; Schließen fehlen.

Die in der Literatur als Kuttenberger Kantional bekannte Handschrift aus dem späten 15. oder frühen 16. Jh. ist ein Graduale in lateinischer Sprache für die böhmischen Utraquisten der Kathedralskirche St. Jakob in Kutná Hora (Kuttenberg). Mehrstimmig sind nur zwei Patrem in Mensuralnotation.

Inhalt: f. 1v ganzseitige Miniatur; f. 2-32v Kyrie und Gloria, meist tropiert; f. 33-51v Sanctus und Agnus; f. 52-60 Patrem; f. 60-62v Antiphonen; f. 62v-149v Proprium; f. 150v-250 Sequenzen; f. 251-252v leer.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Graduale, with polyphony: 2 Credos

Anonymous

253 parchment folios, 680 x 460. Modern foliation, 1-252 ("184" applied to two consecutive folios). Original covers of brown stamped leather over wooden boards; clasps missing. No index. Monophonic contents copied in Bohemian chant notation on red 4-line staves. Polyphony on ff. 53'-55 and 58'-60, in black mensural notation on red 4-line staves. Illuminated miniatures, initials, and borders.

1490 (Unterl). Copied in Kutná Hora (= Kuttenberg), for use at St. James Cathedral (Unterl).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
53c–55 Pater omnipotentem - Anonymous

Pater omnipotentem

Anonymous
Appears on: 53c–55
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Pater omnipotentem ...
58v–60 Patrem omnipotentem [Credo] - Anonymous

Patrem omnipotentem [Credo]

Anonymous
Appears on: 58v–60
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: Discantus
Languages: Latin
Voice Text: Patrem omnipotentem ...
Voice: Tenor
Languages: Latin
Voice Text: Credamus patrem omnipotentem ...
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Pater omnipotentem Anonymous 53c–55
Patrem omnipotentem [Credo] Anonymous 58v–60

‡ denotes primary source study

Orel, Alfred. 1977. Die Hauptstimme in den Salve Regina der Trienter Kodizes. Wiener Veröffentlichungen zur Musikwissenschaft Serie II.  Tutzing. Pages: 542 f.. Tf. XVI, XXIII u. XXVIII.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: 7, Tf. 79 u.

Rosenthal, Karl August. 1934. Einige unbekannte Motetten älteren Stils aus Handschriften der Nationalbibliothek, Wien. Acta Musicologica, . Pages: 8f.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 314.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description