D-Tud Mc 48

Universitätsbibliothek, Tübingen, Germany

theory treatise with polyphony: Second half of 15th century.

Archive Universitätsbibliothek, Tübingen, Germany (D-Tud)
Shelfmark Mc 48
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 210 x 145-50 mm
Other Identifiers
  • CCM: TubU 48
Inventory This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Relationships
External Links
Provenance
  • Bavaria, Germany?
Contents 5 pieces from 1 composers
General Description

Anonymous polyphony ( ff. 99'-106'), copied by a single scribe, in a treatise consisting of i + 116 folios. Of German origin. Possibly owned in 16th century by Conrad Hager, canon of collegiate church at Ehingen.

DIAMM, 2017
Binding

Rebound in modern covers

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Modern pencil foliation, 1-116, on upper right rectos

DIAMM, 2017
Decoration

A few inked calligraphic initials.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Treatises on music, with polyphony:

3 Kyries, 1 Credo, 1 Mass Proper section, 1 Magnificat, 3 motets, 1 Latin/ German sacred piece = 10

Anonymous

i + 116 paper folios, 210 x 145-50. Modern pencil foliation, 1-116, on upper right rectos. Rebound in modern covers. Polyphony on ff. 99'-106', copied by a single scribe. A few inked calligraphic initials.

Second half of 15th century. Of German origin. Possibly owned in 16th century by Conrad Hager, canon of collegiate church at Ehingen.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
[-] Ascendo ad patrem meum et patrem vestrum - Anonymous

Ascendo ad patrem meum et patrem vestrum

Anonymous
Appears on: [-]
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Ascendo ad patrem meum
[-] Lauda Jerusalem Dominum - Anonymous

Lauda Jerusalem Dominum

Anonymous
Appears on: [-]
Genres: Psalm
Voice: [no designation]
Languages: Latin
Voice Text: Lauda Ierusalem dominum
[-] Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo - Anonymous

Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo

Anonymous
Appears on: [-]
Genres: Introit, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilaei
[-] Venerandum crucis signatum - Anonymous

Venerandum crucis signatum

Anonymous
Appears on: [-]
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Venerandum crucis signatum
[-] Surrexit Christus hodie - Anonymous

Surrexit Christus hodie

Anonymous
Appears on: [-]
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surrexit Christus hodie
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Ascendo ad patrem meum et patrem vestrum Anonymous [-]
Lauda Jerusalem Dominum Anonymous [-]
Surrexit Christus hodie Anonymous [-]
Venerandum crucis signatum Anonymous [-]
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo Anonymous [-]

‡ denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: B III/3, 201-7.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description