D-HRD 9820

Schloss Fürstenberg, Bibliothek, Herdringen, Germany

manuscript of polyphony in score format: c. 1545-50?

Archive	Schloss Fürstenberg, Bibliothek, Herdringen, Germany (D-HRD)
Shelfmark	9820
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Measurements	139x168 mm
Other Identifiers	CCM: HerdF 9820 olim (Former shelfmark): PADERBORN, Erzbischöfliche Akademische Bibliothek
Copyists	scribal concordance [18] Music
External Authorities	RISM Online (sources/450037389)
Provenance	Bavaria, Germany
Contents	Contains 46 compositions, 34 from 14 composers, 12 are anonymous.

General Description

Score format. Copied by a single scribe, who also wrote HerdF 9821. Probably of German origin. More than half of the pieces are annotated with crosses and asterisks noting particular suspensions, passing dissonances; several pieces incomplete, sections of larger works written out in score perhaps for the scribe's better understanding (FallowsHerd).

DIAMM, 2017

Binding

Original covers of brown leather over cardboard; green cloth ties

DIAMM, 2017

Watermark

generally resembles Briquet #5007.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Date

CCM dates the manuscript to the late 1540s; Fallows suggests as early as the late 1520s, pointing out the extreme rarity of substantial manuscripts in score form at either period.

DIAMM, 2020

Ruling

Staff height 11

DIAMM, 2017

Foliation

No foliation or pagination. Modern pencil numbering of pieces, inconsistent and inaccurate

DIAMM, 2017

Decoration

Inked initials

DIAMM, 2017

Surface

Paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Masses (1 incomplete), 1 Gloria (incomplete), 4 Mass Ordinary sections (3 incomplete), 6 motets (3 incomplete), 3 French secular pieces, 1 German secular piece, 17 textless pieces = 34

A. Agricola-S, Arthopius-1, Brumel-2, A. Févin-2, Josquin-5, La Rue-1, Moulu-1, Moulu/(Josquin/Mouton/Verdelot)-1, Ockeghem/(Josquin)-1, Samson-1, Senfl-2, Strus(?)-1, anon-13

ii + 168 + ii paper folios, 139x168. No foliation or pagination. Modern pencil numbering of pieces, inconsistent and inaccurate. Original covers of brown leather over cardboard; green cloth ties. No index. Score format. Copied by a single scribe, who also wrote HerdF 9821. Staff height 11. Inked initials. Watermark generally resembles Briquet #5007.

Ca. 1545-50? Probably of German origin. No literature.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[1]–[9]	Missa O salutaris hostia: Kyrie	P. de Larue	Rue, Pierre de la (ca. 1452–1518)
Missa O salutaris hostia: Kyrie Rue, Pierre de la (ca. 1452–1518) Appears on: [1]–[9] Genres: Kyrie eleison, Mass Ordinary Source Attribution: P. de Larue Voice: [no designation] Languages: Latin, Greek Voice Text: Missa O salutaris hostia [Kyrie and Osanna-Benedictus only]
[9v]–[14v]	Missa O salutaris hostia: Sanctus (Osanna & Benedictus only)	-	Rue, Pierre de la (ca. 1452–1518)
Missa O salutaris hostia: Sanctus (Osanna & Benedictus only) Rue, Pierre de la (ca. 1452–1518) Appears on: [9v]–[14v] Genres: Mass Ordinary, Sanctus [& Benedictus]
[15]–[15v]	Missa En l'ombre d'un buissonet: Kyrie	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Missa En l'ombre d'un buissonet: Kyrie Brumel, Antoine (ca. 1460–ca. 1513) Appears on: [15]–[15v] Genres: Kyrie eleison, Mass Ordinary Source Attribution: Brumel Voice: [no designation] Languages: Latin, Greek Voice Text: Missa En lombre [d'ung buissonet] General Note the canon is incorrectly resolved
[16]–[21]	Missa En l'ombre d'un buissonet: Gloria	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa En l'ombre d'un buissonet: Gloria Brumel, Antoine (ca. 1460–ca. 1513) Appears on: [16]–[21] Genres: Gloria (et in terra pax), Mass Ordinary
[21v]–[33]	Missa En l'ombre d'un buissonet: Credo	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa En l'ombre d'un buissonet: Credo Brumel, Antoine (ca. 1460–ca. 1513) Appears on: [21v]–[33] Genres: Credo (patrem omnipotentem), Mass Ordinary
[33v]–[36v]	Missa En l'ombre d'un buissonet: Sanctus	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa En l'ombre d'un buissonet: Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Appears on: [33v]–[36v] Genres: Mass Ordinary, Sanctus [& Benedictus]
[37]–[38]	Missa En l'ombre d'un buissonet: Agnus Dei	-	Brumel, Antoine (ca. 1460–ca. 1513)
Missa En l'ombre d'un buissonet: Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Appears on: [37]–[38] Genres: Agnus Dei, Mass Ordinary General Note Agnus III only
[41]–[43]	A l'ombre d'ung buissonet au matinet 27.2	Okenghem/[Josquin]	Despres, Josquin (ca. 1450–1521)
A l'ombre d'ung buissonet au matinet 27.2 Despres, Josquin (ca. 1450–1521) Appears on: [41]–[43] Genres: Chanson Source Attribution: Okenghem/[Josquin] Voice: [no designation] Languages: French Voice Text: En lombre [d'ung buissonet au matinet] 28.12
[45]–[50v]	Missa Beata virgine = Nostra domina: Kyrie	Brumel	Rue, Pierre de la (ca. 1452–1518) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Beata virgine = Nostra domina: Kyrie Rue, Pierre de la (ca. 1452–1518) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: [45]–[50v] Genres: Kyrie eleison, Mass Ordinary Source Attribution: Brumel Voice: [no designation] Languages: Latin Voice Text: Missa De beata Virgine [incomplete] General Note fragments: end of Kyrie I, end of Christe, end of Kyrie II
[51]–[54v]	Missa Beata virgine = Nostra domina: Et in terra [Gloria]	-	Rue, Pierre de la (ca. 1452–1518) (?) Brumel, Antoine (ca. 1460–ca. 1513)
Missa Beata virgine = Nostra domina: Et in terra [Gloria] Rue, Pierre de la (ca. 1452–1518) (?) Brumel, Antoine (ca. 1460–ca. 1513) Appears on: [51]–[54v] Genres: Gloria (et in terra pax), Mass Ordinary General Note frgaments only
[55]–[69]	Missa Beata virgine = Nostra domina: Patrem omnipotentem [Credo]	-	Brumel, Antoine (ca. 1460–ca. 1513) Rue, Pierre de la (ca. 1452–1518) (?)
Missa Beata virgine = Nostra domina: Patrem omnipotentem [Credo] Brumel, Antoine (ca. 1460–ca. 1513) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: [55]–[69] Genres: Credo (patrem omnipotentem), Mass Ordinary General Note fragments only
[69v]–[73]	Missa Beata virgine = Nostra domina: Sanctus	-	Brumel, Antoine (ca. 1460–ca. 1513) Rue, Pierre de la (ca. 1452–1518) (?)
Missa Beata virgine = Nostra domina: Sanctus Brumel, Antoine (ca. 1460–ca. 1513) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: [69v]–[73] Genres: Mass Ordinary, Sanctus [& Benedictus] General Note Benedictus (& end of Osanna) only
[73v]–[78]	Missa Beata virgine = Nostra domina: Agnus Dei	-	Brumel, Antoine (ca. 1460–ca. 1513) Rue, Pierre de la (ca. 1452–1518) (?)
Missa Beata virgine = Nostra domina: Agnus Dei Brumel, Antoine (ca. 1460–ca. 1513) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: [73v]–[78] Genres: Agnus Dei, Mass Ordinary General Note Agnus I, and end of Agnus III only
[81]–[81v]	Missa Mente tota tibi: Kyrie	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Kyrie Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: [81]–[81v] Genres: Kyrie eleison, Mass Ordinary General Note end of Kyrie only
[82]–[82v]	Missa Ave Maria: Excerpt from Gloria	[A.] Fevin	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?)
Missa Ave Maria: Excerpt from Gloria Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?) Appears on: [82]–[82v] Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [A.] Fevin Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Gloria of Missa Ave Maria] [incomplete due to lost folios]
[83]–[83v]	Missa Mente tota tibi: Sanctus	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Sanctus Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: [83]–[83v] Genres: Mass Ordinary, Sanctus [& Benedictus] General Note end of Osanna only, with a unique Ct not in any outher source
[83v]–[84]	Missa Mente tota tibi: Agnus Dei	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Agnus Dei Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: [83v]–[84] Genres: Agnus Dei, Mass Ordinary General Note end of Agnus I only
[84v]–[85v]	Missa Mente tota tibi: Sanctus	-	Fevin, Antoine de (ca. 1470–ca. 1512)
Missa Mente tota tibi: Sanctus Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: [84v]–[85v] Genres: Mass Ordinary, Sanctus [& Benedictus] General Note end of Sanctus only (lacks final few notes with lost page), with an important variant reading
[86]–[99]	Beatus vir qui non abiit in consilio? II: Non sic impii non sic sed tanquam?	Baltha: Arto: [= Arthopius]	Arthopius, Balthasar (–1534)
Beatus vir qui non abiit in consilio? II: Non sic impii non sic sed tanquam? Arthopius, Balthasar (–1534) Appears on: [86]–[99] Genres: Motet Source Attribution: Baltha: Arto: [= Arthopius] Voice: [no designation] Languages: Latin Voice Text: Beatus vir [qui non abiit in consilio?] II: [Non sic impii non sic sed tanquam?]
[100]–[103v]	Es soldt ein meisken holen wein	Sampson [= Samson]	Sampson
Es soldt ein meisken holen wein Sampson Appears on: [100]–[103v] Genres: Song Source Attribution: Sampson [= Samson] Voice: [no designation] Languages: German Voice Text: Es soldt ein meisken holen wein
[104]–[107v]	untexted 28.36	Josquin	Despres, Josquin (ca. 1450–1521)
untexted 28.36 Despres, Josquin (ca. 1450–1521) Appears on: [104]–[107v] Genres: Chanson, textless Source Attribution: Josquin Voice: [no designation] Languages: none Voice Text: Textless 28.36
[110]–[114]	Pardonnez moi se je foloye verdin goie	[A.] Fevin	Fevin, Antoine de (ca. 1470–ca. 1512)
Pardonnez moi se je foloye verdin goie Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: [110]–[114] Genres: Song Source Attribution: [A.] Fevin Voice: [no designation] Languages: French Voice Text: Perdone moÿ [= Pardonnez moy se je foloye verdin goie] General Note incomplete - opening not copied
[114v]–[118]	Mon ami	Anon.	Anonymous
Mon ami Anonymous Appears on: [114v]–[118] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Mon amy General Note incomplete - opening not copied
[120]–[123v]	Ave confessorum	Mulhu [= Moulu]	Moulu, Pierre (ca. 1484–ca. 1550)
Ave confessorum Moulu, Pierre (ca. 1484–ca. 1550) Appears on: [120]–[123v] Genres: Motet Source Attribution: Mulhu [= Moulu] Voice: [no designation] Languages: Latin Voice Text: Ave confessorum
[124]–[127v]	Ante thronum	Anon.	Anonymous
Ante thronum Anonymous Appears on: [124]–[127v] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ante thronum
[128]–[129]	untexted 28.38, portion of Misericordias Domini 18.4	Josquin	Despres, Josquin (ca. 1450–1521)
untexted 28.38, portion of Misericordias Domini 18.4 Despres, Josquin (ca. 1450–1521) Appears on: [128]–[129] Genres: Motet, textless Source Attribution: Josquin Voice: [no designation] Languages: none Voice Text: Textless 28.38, portion of Misericordias Domini 18.4 General Note end of 'Misericordias Domini', with unique readings eliminating the parallel octaves
[129v]–[132]	untexted fragment	Anon.	-
untexted fragment - Appears on: [129v]–[132] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[132v]–[133v]	Nativitas tua Dei genitrix virgo gaudium	Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
Nativitas tua Dei genitrix virgo gaudium Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: [132v]–[133v] Genres: Motet Source Attribution: Senfl Voice: [no designation] Languages: none Voice Text: Textless General Note latter part of the piece only. Untexted.
[134]–[134v]	untexted fragment	Anon.	-
untexted fragment - Appears on: [134]–[134v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[135]–[135v]	Dominus regnavit decorem indutus est 17.1 II: Mirabiles elationes maris mirabilis	Josquin	Despres, Josquin (ca. 1450–1521)
Dominus regnavit decorem indutus est 17.1 II: Mirabiles elationes maris mirabilis Despres, Josquin (ca. 1450–1521) Appears on: [135]–[135v] Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Pars I of Dominus regnavit decorem indutus est] 17.1 General Note fragments only
[136]–[137v]	untexted	Straus[?] [= Strus?]	Strus, Franciscus (?)
untexted Strus, Franciscus (?) Appears on: [136]–[137v] Genres: textless Source Attribution: Straus[?] [= Strus?] Voice: [no designation] Languages: none Voice Text: Textless
[138]–[142v]	Dicte moi bergere par ou passerai ge	Josquin	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Dicte moi bergere par ou passerai ge Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: [138]–[142v] Genres: Chanson Source Attribution: Josquin Voice: [no designation] Languages: none Voice Text: Textless 28.37 General Note untexted & untitled here
[143]–[143v]	Quam pulchra es 14.10 (2p. Labia tua distillantia)	Mullou/[Josquin/Mouton/Verdelot]	Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?)
Quam pulchra es 14.10 (2p. Labia tua distillantia) Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: [143]–[143v] Genres: Motet Source Attribution: Mullou/[Josquin/Mouton/Verdelot] Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es [amica mea quam pulchra] 14.10 II: [Labia tua lilia distillantia] [excerpt from Pars II]
[144]–[144v]	untexted	Magor(?)	Magor (?)
untexted Magor (?) Appears on: [144]–[144v] Genres: textless Source Attribution: Magor(?) Voice: [no designation] Languages: none Voice Text: Textless
[145]–[145v]	untexted fragment	Anon.	-
untexted fragment - Appears on: [145]–[145v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[146]	untexted fragment	Anon.	-
untexted fragment - Appears on: [146] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[146v]–[147v]	untexted fragment	Anon.	-
untexted fragment - Appears on: [146v]–[147v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[148]–[148v]	untexted fragment	Anon.	-
untexted fragment - Appears on: [148]–[148v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[149]–[149v]	untexted fragment	Anon.	-
untexted fragment - Appears on: [149]–[149v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[150]–[151]	untexted fragment	Anon.	-
untexted fragment - Appears on: [150]–[151] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[152]–[152v]	Missa Secundi toni: Excerpt from Gloria	[A.] Agricola	Agricola, Alexander (ca. 1445–1506)
Missa Secundi toni: Excerpt from Gloria Agricola, Alexander (ca. 1445–1506) Appears on: [152]–[152v] Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: [A.] Agricola Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Gloria of Missa Secundi toni] General Note Gloria extract, with one variant in Ct compared with only other known source
[153]	Missa Secundi toni: Excerpt from Osanna	[A.] Agricola	Agricola, Alexander (ca. 1445–1506)
Missa Secundi toni: Excerpt from Osanna Agricola, Alexander (ca. 1445–1506) Appears on: [153] Genres: Mass Ordinary Source Attribution: [A.] Agricola Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Osanna of Missa Secundi toni] General Note excerpt with variants vs the only other known source
[153v]–[154]	Missa Secundi Toni: Patrem omnipotentem [Credo]	[A.] Agricola	Agricola, Alexander (ca. 1445–1506)
Missa Secundi Toni: Patrem omnipotentem [Credo] Agricola, Alexander (ca. 1445–1506) Appears on: [153v]–[154] Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: [A.] Agricola Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Credo of Missa Secundi toni] General Note opening bars only
[154v]–[155]	untexted fragment	Anon.	-
untexted fragment - Appears on: [154v]–[155] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[155v]–[156v]	untexted fragment	Anon.	-
untexted fragment - Appears on: [155v]–[156v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[157]–[157v]	untexted [excerpt from Die Brunnlein]	Senfl	Senfl, Ludwig (ca. 1486–ca. 1543)
untexted [excerpt from Die Brunnlein] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: [157]–[157v] Genres: textless Source Attribution: Senfl Voice: [no designation] Languages: none Voice Text: Textless
[160]–[168v]	Misericordias Domini 18.4	Josquin	Despres, Josquin (ca. 1450–1521)
Misericordias Domini 18.4 Despres, Josquin (ca. 1450–1521) Appears on: [160]–[168v] Genres: Motet Source Attribution: Josquin Voice: [no designation] Languages: Latin Voice Text: Misericordias domini [in aeternum cantabo] 18.4 [Pars I only] General Note first 92 bars, then blank 167v, then bars bars 93-102 omitting final chord. Readings do not match any known source.

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	Missa Secundi Toni: Patrem omnipotentem [Credo] – [153v]–[154] Missa Secundi toni: Excerpt from Gloria – [152]–[152v] Missa Secundi toni: Excerpt from Osanna – [153]
Anonymous	Ante thronum – [124]–[127v] Mon ami – [114v]–[118] untexted fragment – [134]–[134v] untexted fragment – [129v]–[132] untexted fragment – [146] untexted fragment – [148]–[148v] untexted fragment – [146v]–[147v] untexted fragment – [145]–[145v] untexted fragment – [150]–[151] untexted fragment – [155v]–[156v] untexted fragment – [149]–[149v] untexted fragment – [154v]–[155]
Arthopius, Balthasar (-1534)	Beatus vir qui non abiit in consilio? II: Non sic impii non sic sed tanquam? – [86]–[99]
Brumel, Antoine (ca. 1460-ca. 1513)	Missa Beata virgine = Nostra domina: Agnus Dei – [73v]–[78] Missa Beata virgine = Nostra domina: Et in terra [Gloria] – [51]–[54v] Missa Beata virgine = Nostra domina: Kyrie – [45]–[50v] Missa Beata virgine = Nostra domina: Patrem omnipotentem [Credo] – [55]–[69] Missa Beata virgine = Nostra domina: Sanctus – [69v]–[73] Missa En l'ombre d'un buissonet: Agnus Dei – [37]–[38] Missa En l'ombre d'un buissonet: Credo – [21v]–[33] Missa En l'ombre d'un buissonet: Gloria – [16]–[21] Missa En l'ombre d'un buissonet: Kyrie – [15]–[15v] Missa En l'ombre d'un buissonet: Sanctus – [33v]–[36v]
Despres, Josquin (ca. 1450-1521)	A l'ombre d'ung buissonet au matinet 27.2 – [41]–[43] (?) Dicte moi bergere par ou passerai ge – [138]–[142v] Dominus regnavit decorem indutus est 17.1 II: Mirabiles elationes maris mirabilis – [135]–[135v] Misericordias Domini 18.4 – [160]–[168v] (?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – [143]–[143v] untexted 28.36 – [104]–[107v] untexted 28.38, portion of Misericordias Domini 18.4 – [128]–[129]
Fevin, Antoine de (ca. 1470-ca. 1512)	(?) Missa Ave Maria: Excerpt from Gloria – [82]–[82v] Missa Mente tota tibi: Agnus Dei – [83v]–[84] Missa Mente tota tibi: Kyrie – [81]–[81v] Missa Mente tota tibi: Sanctus – [83]–[83v] Missa Mente tota tibi: Sanctus – [84v]–[85v] Pardonnez moi se je foloye verdin goie – [110]–[114]
Fevin, Robert de (1500-1515)	(?) Missa Ave Maria: Excerpt from Gloria – [82]–[82v]
Magor	(?) untexted – [144]–[144v]
Moulu, Pierre (ca. 1484-ca. 1550)	Ave confessorum – [120]–[123v] (?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – [143]–[143v]
Mouton, Jean (ca. 1459-1522)	(?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – [143]–[143v]
Rue, Pierre de la (ca. 1452-1518)	(?) Dicte moi bergere par ou passerai ge – [138]–[142v] (?) Missa Beata virgine = Nostra domina: Agnus Dei – [73v]–[78] (?) Missa Beata virgine = Nostra domina: Et in terra [Gloria] – [51]–[54v] (?) Missa Beata virgine = Nostra domina: Kyrie – [45]–[50v] (?) Missa Beata virgine = Nostra domina: Patrem omnipotentem [Credo] – [55]–[69] (?) Missa Beata virgine = Nostra domina: Sanctus – [69v]–[73] Missa O salutaris hostia: Kyrie – [1]–[9] Missa O salutaris hostia: Sanctus (Osanna & Benedictus only) – [9v]–[14v]
Sampson	Es soldt ein meisken holen wein – [100]–[103v]
Senfl, Ludwig (ca. 1486-ca. 1543)	Nativitas tua Dei genitrix virgo gaudium – [132v]–[133v] untexted [excerpt from Die Brunnlein] – [157]–[157v]
Strus, Franciscus	(?) untexted – [136]–[137v]
Verdelot, Philippe (ca. 1480-ca. 1532)	(?) Quam pulchra es 14.10 (2p. Labia tua distillantia) – [143]–[143v]

Composition	Composers (? Uncertain)	Folios / Pages
A l'ombre d'ung buissonet au matinet 27.2	Despres, Josquin (ca. 1450–1521)	[41]–[43]
Ante thronum	Anonymous	[124]–[127v]
Ave confessorum	Moulu, Pierre (ca. 1484–ca. 1550)	[120]–[123v]
Beatus vir qui non abiit in consilio? II: Non sic impii non sic sed tanquam?	Arthopius, Balthasar (–1534)	[86]–[99]
Dicte moi bergere par ou passerai ge	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)	[138]–[142v]
Dominus regnavit decorem indutus est 17.1 II: Mirabiles elationes maris mirabilis	Despres, Josquin (ca. 1450–1521)	[135]–[135v]
Es soldt ein meisken holen wein	Sampson	[100]–[103v]
Misericordias Domini 18.4	Despres, Josquin (ca. 1450–1521)	[160]–[168v]
Missa Ave Maria: Excerpt from Gloria	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fevin, Robert de (fl. 1500-1515) (?)	[82]–[82v]
Missa Beata virgine = Nostra domina: Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513) Rue, Pierre de la (ca. 1452–1518) (?)	[73v]–[78]
Missa Beata virgine = Nostra domina: Et in terra [Gloria]	Rue, Pierre de la (ca. 1452–1518) (?) Brumel, Antoine (ca. 1460–ca. 1513)	[51]–[54v]
Missa Beata virgine = Nostra domina: Kyrie	Rue, Pierre de la (ca. 1452–1518) (?) Brumel, Antoine (ca. 1460–ca. 1513)	[45]–[50v]
Missa Beata virgine = Nostra domina: Patrem omnipotentem [Credo]	Brumel, Antoine (ca. 1460–ca. 1513) Rue, Pierre de la (ca. 1452–1518) (?)	[55]–[69]
Missa Beata virgine = Nostra domina: Sanctus	Brumel, Antoine (ca. 1460–ca. 1513) Rue, Pierre de la (ca. 1452–1518) (?)	[69v]–[73]
Missa En l'ombre d'un buissonet: Agnus Dei	Brumel, Antoine (ca. 1460–ca. 1513)	[37]–[38]
Missa En l'ombre d'un buissonet: Credo	Brumel, Antoine (ca. 1460–ca. 1513)	[21v]–[33]
Missa En l'ombre d'un buissonet: Gloria	Brumel, Antoine (ca. 1460–ca. 1513)	[16]–[21]
Missa En l'ombre d'un buissonet: Kyrie	Brumel, Antoine (ca. 1460–ca. 1513)	[15]–[15v]
Missa En l'ombre d'un buissonet: Sanctus	Brumel, Antoine (ca. 1460–ca. 1513)	[33v]–[36v]
Missa Mente tota tibi: Agnus Dei	Fevin, Antoine de (ca. 1470–ca. 1512)	[83v]–[84]
Missa Mente tota tibi: Kyrie	Fevin, Antoine de (ca. 1470–ca. 1512)	[81]–[81v]
Missa Mente tota tibi: Sanctus	Fevin, Antoine de (ca. 1470–ca. 1512)	[83]–[83v]
Missa Mente tota tibi: Sanctus	Fevin, Antoine de (ca. 1470–ca. 1512)	[84v]–[85v]
Missa O salutaris hostia: Kyrie	Rue, Pierre de la (ca. 1452–1518)	[1]–[9]
Missa O salutaris hostia: Sanctus (Osanna & Benedictus only)	Rue, Pierre de la (ca. 1452–1518)	[9v]–[14v]
Missa Secundi toni: Excerpt from Gloria	Agricola, Alexander (ca. 1445–1506)	[152]–[152v]
Missa Secundi toni: Excerpt from Osanna	Agricola, Alexander (ca. 1445–1506)	[153]
Missa Secundi Toni: Patrem omnipotentem [Credo]	Agricola, Alexander (ca. 1445–1506)	[153v]–[154]
Mon ami	Anonymous	[114v]–[118]
Nativitas tua Dei genitrix virgo gaudium	Senfl, Ludwig (ca. 1486–ca. 1543)	[132v]–[133v]
Pardonnez moi se je foloye verdin goie	Fevin, Antoine de (ca. 1470–ca. 1512)	[110]–[114]
Quam pulchra es 14.10 (2p. Labia tua distillantia)	Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?)	[143]–[143v]
untexted	Strus, Franciscus (?)	[136]–[137v]
untexted	Magor (?)	[144]–[144v]
untexted 28.36	Despres, Josquin (ca. 1450–1521)	[104]–[107v]
untexted 28.38, portion of Misericordias Domini 18.4	Despres, Josquin (ca. 1450–1521)	[128]–[129]
untexted [excerpt from Die Brunnlein]	Senfl, Ludwig (ca. 1486–ca. 1543)	[157]–[157v]
untexted fragment	-	[129v]–[132]
untexted fragment	-	[134]–[134v]
untexted fragment	-	[145]–[145v]
untexted fragment	-	[146]
untexted fragment	-	[146v]–[147v]
untexted fragment	-	[148]–[148v]
untexted fragment	-	[149]–[149v]
untexted fragment	-	[150]–[151]
untexted fragment	-	[154v]–[155]
untexted fragment	-	[155v]–[156v]

‡ denotes primary source study

‡ Fallows, David. 2009. The Contents of the Herdringen Scores. Uno gentile e subtile ingenio: Studies ... in honour of Bonnie J. Blackburn, 217-232. Brepols. Notes: description; inventory; discussion of ms.

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Benjamin Ory

Tuesday, 14 January, 2025

The untexted fragment by Ludwig Senfl on fol. 132v–133v recognised as the ending of Senfl's motet "Nativitas tua, Dei Genitrix Virgo". (Identified through collaboration between The 1520s Project (https://1520s-project.org) and the New Senfl Edition.)

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-HRD 9820

Schloss Fürstenberg, Bibliothek, Herdringen, Germany

manuscript of polyphony in score format: c. 1545-50?

General Description

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Decoration

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Census Catalogue of Music Description

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Benjamin Ory

Tuesday, 14 January, 2025

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017