A Tenor partbook consisting of the print RISM W167, with manuscript additions. Copied by several scribes. Probably of central German origin.
D-WGp ss 2181
Bibliothek des evangelischen Predigerseminars, Wittenberg, Germany
partbook: c. 1524-38 (dates in manuscript)
| Archive | Bibliothek des evangelischen Predigerseminars, Wittenberg, Germany (D-WGp) |
|---|---|
| Shelfmark | ss 2181 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Pagination |
| Measurements | c. 129 x 160 mm |
| Other Identifiers |
|
| Provenance |
|
| Contents | Contains 78 compositions, 41 from 22 composers, 37 are anonymous. |
General Description
Binding
Original leather covers, in poor condition.
Notation
not indicated
Foliation
Original ink pagination
Decoration
No initials or decoration.
Surface
Paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
*Often incorrectly cited as S 404/1048.
1 Latin/German plenary Mass, 1 Kyrie, 1 Gloria, 1 Sanctus, 2 Mass Proper sections, 9 Magnificats, 1 Te Deum, 2 office hymns, 1 processional hymn, 25 motets, 1 set of responses, 10 German sacred pieces, 19 German secular pieces, 1 Latin secular piece, 3 textless pieces = 78
(Bauldeweyn/Büchner/La Rue)-1, (Bauldeweyn/Grefinger)-1, Cigneo-1, (Ducis/Maffoni)-1, (C. Festa)-1, (Ghiselin)-1, (Isaac)-3, (Jaquet of Mantua/Verdelot/Willaert)-1, (Josquin)-1, (Richafort) -^Senfl-1ô + 1?, (Spengler)-1, C. Steffen^, Stoltzer-2, (Stoltzer/ Wolff)-1, Walter^, anon-40
1 paper partbook, consisting of the print RISM W167, with manuscript additions (T-71 folios), ca. 129 x 160. Original ink pagination. Original leather covers, in poor condition. No index. Copied by several scribes. No initials or decoration.
Ca. 1524-38 (dates in manuscript). Probably of central German origin.
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‡ denotes primary source study
Schlüter, Marie. 2010. Musikgeschichte Wittenbergs im 16. Jahrhundert: quellenkundliche und sozialgeschichtliche Untersuchungen. Göttingen. Pages: 123-146.
Deutsches Musikgeschichtliches Archiv Kassel and Staatliches Institut für Musikforschung Preußischer Kulturbesitz Berlin (editor). 1983. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. Band 2: Handschriften. Catalogus Musicus, vol. X. Kassel, Basel, Tours, and London. Pages: 333-8.
Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 27: 18-36. Pages: 3O.
Cattin, Giulio. 1973. Nuova Fonte Italiana della Polifonia intorno al 1500 (MS. Cape Town, Grey 3.b.l2). Acta Musicologica, 45: 165-221. Pages: 217.
Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München, vol. 2. Wiesbaden. Pages: 87ff.
Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa, vol. 5. Kassel. Pages: 169.
Brown, Howard Mayer. 1963. Music in the French secular theater 1400-1550. Cambridge, Mass. Pages: 197,235.
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V,110,112 VI,52,95,100).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X,125ff XV,143ff).
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Eric Jas
Friday, 5 June, 2020
In pace in idipsum (f.1) is not the setting that is attributed to Josquin elsewhere (NJE 17.5); the incipit (in Das Tenorlied volume 2) has a canonic tenor voice, which the setting attributed to Josquin does not. Composer as yet unidentified.
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description