I-Bu MS 1549

Biblioteca Universitaria, Bologna, Italy

Gradual with added polyphony: 12th - Early 15th century

Archive Biblioteca Universitaria, Bologna, Italy (I-Bu)
Shelfmark MS 1549
Surface Parchment
Numbering System Foliation
Measurements 260 x 180 mm
Other Identifiers
  • RISM: I-Bul549
Notations
  • black full mensural
  • neumatic choral
Relationships
Provenance
Contents 3 pieces from 1 composers
General Description

A Graduale (described as an Antiphoner), from the monastery of S. Domenico in Bologna. Added probably later are two pieces in score f. 199r. Added much later was a single fragmentary voice on the same folio.

DIAMM, 2017
Binding

box with leather spine; 19th century

DIAMM, 2017
Notation

square (corpus); neumatic choral (fol. 199r, score), black full mensural (fol. 199v, single voice)

DIAMM, 2017
Ruling

red F- and yellow c-noted lines (corpus); scratched, five-line systems (score); five-line system (single voice)

DIAMM, 2017
Foliation

199rv

DIAMM, 2017
Foliation

modern pencil foliation f. 1-199, as well as two older inconsistent foliations

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
DIAMM Note

Corpus is 12th-13th century Gradual. Later pieces added in score on f.199. 199 folios in total. Modern foliation.

DIAMM, 2017
RISM Description

RISM B/IV 4: 12./15. Jh.; 199 Blätter Pergament + 1 moderne Vorsatzblatt, 260 x 180 mm Moderne Bleistiftfoliierung von f. 1-199; ferner zwei ältere, nicht konsequente Foliierung - Einband: 19. Jh.; Karton mit Lederrücken.

Das aus dem Kloster S. Domenico in Bologna stammende Graduale (als Antiphonarium bezeichnet!) wurde im 12./13. Jh. in italienischen, der Quadratnotation nahestehenden Neumen auf rote F- und gelbe c-Linien notiert. Etwas jünger (vielleicht aber noch 13. Jh.) sind die beiden vermutlich zweistimmige Stücke in Partiturnotation (neumenartige Choralnotation) auf geritzten Fünfliniensystemen auf f. 199r. Wesentlich später (Ende 14./15. Jh.) wurde die nur fragmentarisch und offenbar rasch auf ein Fünfliniensystem in schwarzer Mensuralnotation hingeworfene Einzelstimme auf f. 199v geschrieben.

[Translation] 199 parchment leaves + 1 leaf modern forepaper, 260 x 180 mm of modern pencil foliation f. 1-199; also two older, not consistent Foliations - Binding: 19th Century; box with leather spine.

This manuscript came from the monastery of S. Domenico in Bologna. It is a Graduale (but described as an Antiphoner!) It was created in the 12th or 13th centuries in Italy, using square notation closely related to neumes. There are red F- and yellow c-noted lines. Probably slightly later (maybe even the 13th century) are the two pieces in score notation (neume chant notation) on scratched, five-line systems on f. 199r. Much later (perhaps the end of the 14th/early 15th century) is a fragmentary addition: a five-line system in black mensural with a single voice written on f. 199v.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

199

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
199 Benedicamus - Anonymous

Benedicamus

Anonymous
Appears on: 199
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Clef: no clef
Voice Text: Benedicamus.
Voice: [no designation]
Languages: Latin
Clef: no clef
Voice Text: Benedicamus.
Layout

score
199 Benedicamus - Anonymous

Benedicamus

Anonymous
Appears on: 199
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Clef: no clef
Voice Text: Agnus dei ... pecata mundi.
Voice: [no designation]
Languages: Latin
Clef: no clef
Voice Text: Agnus dei ... pecata mundi.
Layout

score
199v Questa fançula Da amor - Anonymous

Questa fançula Da amor

Anonymous
Appears on: 199v
Genres: Ballade
Voice: [no designation]
Languages: Italian
Mensuration: c
Clef: c3
Voice Text: Questa fançula Da amor
Layout

parts
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Benedicamus Anonymous 199
Benedicamus Anonymous 199
Questa fançula Da amor Anonymous 199v

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‡ denotes primary source study

Foschi, Laura. 2004. Report of Susan K. Rankin, Between Oral and Written: Thirteenth-Century Italian Sources of Poliphony, in Un millennio di polifonia liturgica tra oralità e scrittura. Quindicesimo seminario di studio. Venezia, 2-4 maggio 1996, Venezia - Bologna, Fondazione Ugo e Olga Levi - Il Mulino, 2002, pp. 75-98. Medioevo latino, 623. Pages: 623 n. 4860; Ms. utilizzato nello studio segnalato .

Rankin, Susan K. 2002. Between oral and written: thirteenth-Century italian sources of polyphony. Un millennio di polifonia liturgica tra oralità e scrittura, Quaderni di musica e storia. edited by Susan K. Rankin, 75-98. Venezia - Bologna: Fondazione Ugo e Olga Levi - Il Mulino. Pages: 84-85, 89, 93; Edizione di alcuni esempi musicali tratti dal ms.

Huglo, Dom Michel. 2002. Report of Susan Rankin, Between oral and written: Thirteenth-Century italian sources of polyphony, in Un millennio di polifonia liturgica tra oralità e scrittura, a cura di F. Cattin e F. A. Gallo, Venezia-Bologna, Fondazione Levi-Il Mulino, 2002, pp. 75-95. Scriptorium, 250*. Pages: B. C. n. 594; Ms. anteriore al 1300 contenente brani liturgici a due voci.

Baroffio, Bonifacio, Alberto Doda, and Rodobaldo Tibaldi. 2000. Musicae Imagines. Gli studi di paleografia musicale e l'esigenza di nuovi strumenti di ricerca. Scrittura e civiltà, 449-491. Pages: 464 nr. 54, Bibliografia sul ms. .

Baroffio, Giacomo (compiler). 1999. Iter liturgicum Italicum a cura di Giacomo Baroffio.  Padova: CLEUP. Pages: 29, Antifonario domenicano di produzione bolognese del sec. XII, con notazione musicale.

Masai, François. 1971. Report of Michel Huglo, Les listes alléluiatiques dans les témoins du graduel grégorien, in Speculum musicae artis. Festgabe für Heinrich Husmann, Munich, Finck, 1970. Scriptorium, 149-150. Pages: 149-150 B. C. nr.190.

Lamping, Gerlinde. 1970. Report of Michel Huglo, Réglement du XIIIe siècle pour la transcription des livres notés, in Festschrift Bruno Stäblein zum 70. Geburtstag, Kassel, 1967, pp. 121-133. Scriptorium, 480-481. Pages: 480-481 B. C. nr.512.

Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1.  Bologna: Universita degli studi di Bologna. Pages: (Facs.): , IX, tav. XXI Riproduzione della c. 199r.

Grégoire, Réginald. 1968. Repertorium liturgicum italicum. Studi medievali, 465-592. Pages: 484, Breve descrizione e bibliografia.

Frati, Lodovico. 1916. Codici musicali della R. Biblioteca Universitaria di Bologna. Rivista Musicale Italiana, 219-42. Pages: 224 (jedoch ohne Vermerk der genannten Stücke); 241, Notazione musicale sopra una linea-chiave. Mutilo .

Frati, Lodovico. 1900. Indice dei codici latini conservati nella R. Biblioteca Universitaria di Bologna. Estratto degli Studi italiani di filologia classica, 103ff. Pages: 351, Descrizione catalografica.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Surface Note; DIAMM Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description