CZ-ROk A V 22 (a)

Knihovna Římsko-katolické farnosti (Library of the Roman Catholic Parish), Rokycany, Czech Republic

partbook: Late 16th or early 17th century.

Archive Knihovna Římsko-katolické farnosti (Library of the Roman Catholic Parish), Rokycany, Czech Republic (CZ-ROk)
Shelfmark A V 22 (a)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Format landscape
Measurements 145 x 185 mm
Other Identifiers
  • CCM: RokyA 22
Provenance
  • Czech Republic
Contents 84 pieces from 40 composers
General Description

A Discantus partbook of a set of two volumes, each containing printed music (D-RISM L961 and RISM 1564/3, S-RISM 1564/3) with manuscript additions. Copied by a single scribe. Copied in Rokycany; originally owned by local confraternity of literati (MayroH).

DIAMM, 2017
Binding

Original covers of plain white parchment.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 13

DIAMM, 2017
Foliation

New pencil foliation in manuscript sections 1-70 + A-D

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 1-47 (5-voice works) + 1-18 (6-voice works); 19 pieces (mostly for four, three, or two voices) not numbered

DIAMM, 2017
Decoration

Piece numbers, text incipits, clefs, mensural signs, and attributions in red ink; no other decoration.

DIAMM, 2017
Index

Incomplete original index on ff. 1-1' list pieces in order of appearance.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

84 motets

(Arcadelt/Verdelot)-1, Caen/(Lupus/Richafort)-1, (Chaynée)-1, Clemens non Papa-20, (Cleve)-1, (Conseil)-1, C. Copus-1, Crecquillon-1, (Feys)-1, (Gastritz)-1, (Gombert)-1, (Gombert/ Hesdin)-1, (Gombert/Josquin/Sermisy)-1, Hellinck [Lupus]/ (Senfl/Verdelot)-1, C. Hollander-1, Josquin-4, (G. Le Roy/Verdelot)-1, Maessens-2, (Meiland)-1, Paminger-6, (Phinot)-1, (Richafort/Verdelot)-1, Senfl-1, Simonides-2, (Stoltzer)-1, (Willaert)-1, anon-29

2 paper partbooks, each containing printed music (D-RISM L961 and RISM 1564/3, S-RISM 1564/3) with manuscript additions (D-74 folios, S-55), 145 x 185. New pencil foliation in manuscript sections—D: 1-70 + A-D; S: 1-54 (omits one folio between ff. 5/6). Original numbering of pieces, 1-47 (5-voice works) + 1-18 (6-voice works); 19 pieces (mostly for four, three, or two voices) not numbered. Original covers of plain white (D) or brown (S) parchment. Incomplete original indices in both books (D: ff. 1-1'; S: unnumbered folio between ff. 5/6) list pieces in order of appearance. Copied by a single scribe. Staff height 13. Piece numbers, text incipits, clefs, mensural signs, and attributions in red ink; no other decoration. Despite MS 22b's designation as a Sexta book, it also includes various voice parts for some pieces with five or fewer voices.

Late 16th or early 17th century. Copied in Rokycany; originally owned by local confraternity of literati (MayroH).

Vol 4

Composers: Add "(Bauldeweyn/Stoltzer)-1," "(Cadéac)-1," "(B. Comes)-1," "(Dressler)-1," "(Hemmerlen)-1," "(Schröter)-1"; change "Clemens non Papa-20" to "Clemens non Papa-19, Clemens non Papa/(Crecquillon)-1"; change "(Cleve)-1" to "(Baston/Cleve)-1"; change "anon-29" to "anon-23."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–3 Qui prophetice prompsisti (2p. Qui expansis in cruce manibus; 3p. Vita in ligno moritur) Lud: Senffel
Appears on: 2–3
Genres: Motet
Source Attribution: Lud: Senffel
Voice: [no designation]
Languages: Latin
Voice Text: Vita in ligno moritur infernus ex morsu II: Qui prophetice prompsisti ero mors III: Qui expansis in cruce manibus
3v–4v Si Deus pro nobis quis contra nos (2p. Quis igitur nos separabit a dilectione) Leonardus Paminger
Appears on: 3v–4v
Genres: Motet
Source Attribution: Leonardus Paminger
Voice: [no designation]
Languages: Latin
Voice Text: Si deus pro nobis quis contra nos? II: Quis igitur nos separabit à dilectione
4v–5v In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) Lupus [Hellinck]/[Senfl/Verdelot]
Appears on: 4v–5v
Genres: Motet
Source Attribution: Lupus [Hellinck]/[Senfl/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: [Quoniam fortitudo mea et refugium]
5v–7 Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 Josquin
Appears on: 5v–7
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Propter peccata quae peccastis ante deum [= La Spagna] 29.12
7–8 Jerusalem surge et sta in excelso et vide (2p. Leva in circuitu oculos tuos et vide) Clemens non Papa
Appears on: 7–8
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem surge et sta in excelso II: Leva in circuitu oculos tuos
8–9 Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) Arnoldus Caen/[Lupus/Richafort]
Appears on: 8–9
Genres: Motet
Source Attribution: Arnoldus Caen/[Lupus/Richafort]
Voice: [no designation]
Languages: Latin
Voice Text: Hierusalem luge et exue te vestibus II: Deduc quasi torrentem lachrymas
9–10v Homo quidam erat dives qui induebatur (2p. Accidit autem dum moreretur Lazarus) [Schröter]
Appears on: 9–10v
Genres: Motet
Source Attribution: [Schröter]
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam erat Dives qui induebatur II: Accidit autem cum moreretur Lazarus
10v–11v Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) Clemens non Papa
Appears on: 10v–11v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Venit vox de caelo cum luce superna II: Respondit miles quis es tu domine?
11v–12v In dedicatione huius templi decantabat II: Obtulerunt sacrificium super altare [Maessens]
Appears on: 11v–12v
Genres: Motet, Responsory
Source Attribution: [Maessens]
Voice: [no designation]
Languages: Latin
Voice Text: In dedicatione huius templi decantabat II: Obtulerunt sacrificium super altare
13–14v Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) Clemens non Papa
Appears on: 13–14v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Maria Magdalena et altera Maria ibant II: Cito euntes dicite discipulis eius
14v–15 Si bona suscepimus de manu Domini [Richafort/Verdelot]
Appears on: 14v–15
Genres: Motet
Source Attribution: [Richafort/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini
15v–16v Cecus sedebat secus viam transeunte Domino II: Stans autem Jesus iussit eum adduci [Phinot]
Appears on: 15v–16v
Genres: Motet
Source Attribution: [Phinot]
Voice: [no designation]
Languages: Latin
Voice Text: Caecus sedebat secus viam transeunte II: Stans autem Iesus iussit eum adduci
16v–17v Justus non conturbabitur quia Dominus II: Noli emulari in malignantibus [Gastritz]
Appears on: 16v–17v
Genres: Motet
Source Attribution: [Gastritz]
Voice: [no designation]
Languages: Latin
Voice Text: Iustus non conturbabitur quia dominus II: Noli emulari in malignantibus
17v–18 Quicquid erit tandem mea spes spes est unica II: Quid valet hic mundus? quid gloria? [Dressler]
Appears on: 17v–18
Genres: Motet
Source Attribution: [Dressler]
Voice: [no designation]
Languages: Latin
Voice Text: Quicquid erit tandem mea spes spes est unica II: Quid valet hic mundus? quid gloria?
18v–19 O martyr egregie O salutaris medice [B. Comes]
Appears on: 18v–19
Genres: Motet
Source Attribution: [B. Comes]
Voice: [no designation]
Languages: Latin
Voice Text: O martyr egregie O salutaris medice
19–20 Hodie Christus natus est hodie salvator [B. Comes]
Appears on: 19–20
Genres: Motet
Source Attribution: [B. Comes]
Voice: [no designation]
Languages: Latin
Voice Text: Hodie Christus natus est hodie salvator
20–21 Heu mihi Domine quia peccavi nimis (2p. Anima mea turbata est valde) [B. Comes]
Appears on: 20–21
Genres: Motet
Source Attribution: [B. Comes]
Voice: [no designation]
Languages: Latin
Voice Text: Heu mihi domine quia peccavi nimis II: Anima mea turbata est valde
21–22 Puellae saltanti imperavit mater nil aliud II: Domine mi rex da mihi in disco Anon. Anonymous
Appears on: 21–22
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Puellae saltanti mater imperavit nihil II: Domine mi rex da mihi in disco
22–23v Angelus Domini in somniis apparuit Joseph (2p. Tunc Herodes ubi vidit indignatus est) Leonhardus Paminger
Appears on: 22–23v
Genres: Motet
Source Attribution: Leonhardus Paminger
Voice: [no designation]
Languages: Latin
Voice Text: Angelus domini in somnis apparuit Ioseph II: Tunc Herodes ubi vidit sibi illusum
23v–25 Descendit de caelis missus ab arce patris II: Exivit per auream portam lux et decus III: Missus ab arce veniebat magnam [Paminger]
Appears on: 23v–25
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Descendit de coelis missus ab arce II: Et exivit per auream portam III: Missus ab arce veniebat magnam
25–26 Verbum caro factum est et habitabit II: Plenum gratia et veritate III: In principio erat verbum et verbum [Paminger]
Appears on: 25–26
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Verbum caro factum est et habitavit II: Plenum gratia et veritate III: [In principio] erat verbum et verbum
26–27 Pastores quidnam vidisitis annuntiate (2p. Natum vidimus et choros angelorum) [Clemens non Papa]
Appears on: 26–27
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Pastores quidnam vidistis anunctiate nobis II: Natum vidimus et choros angelorum
27–27v O admirabile commercium creator generis [Stoltzer]
Appears on: 27–27v
Genres: Motet
Source Attribution: [Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: O admirabile commertium creator generis
27v–28v Super ripam Jordanis stabat beatus Johannes (2p. Vox de caelo sonuit et vox patris) Clemens non Papa/[Crecquillon]
Appears on: 27v–28v
Genres: Motet
Source Attribution: Clemens non Papa/[Crecquillon]
Voice: [no designation]
Languages: Latin
Voice Text: Super ripam Iordanis stabat beatus Ioannes II: Vox de coelo sonuit et vox patris
28v–29v Assumpsit Jesus Petrum et Jacobum (2p. Et ecce vox de nube) Clemens non Papa
Appears on: 28v–29v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Assumpsit Iesus Petrum et Iacobum II: Et ecce vox de nube dicens
30–30v Factum est silentium in caelo dum committeret (2p. Millia millium ministrabant ei) [Clemens non Papa]
Appears on: 30–30v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Factum est silentium in coelo dum commiteret II: Millia millium ministrabant ei
31–31v Emendemus in melius quae ignoranter II: Peccavimus Dominum meum et nescio ubi [Feys]
Appears on: 31–31v
Genres: Motet
Source Attribution: [Feys]
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius que ignoranter II: Peccavimus cum patribus nostris
32 Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) [Gombert/Josquin/Sermisy]
Appears on: 32
Genres: Contrafactum, Motet
Source Attribution: [Gombert/Josquin/Sermisy]
Voice: [no designation]
Languages: Latin
Voice Text: Da siceram maerentibus et vinum his 29.11 [= Je ne me puis tenir d'aymer]
32v–33 Ne recorderis peccata mea Domine cum veneris [Hemmerlen]
Appears on: 32v–33
Genres: Motet
Source Attribution: [Hemmerlen]
Voice: [no designation]
Languages: Latin
Voice Text: Ne recorderis peccata mea domine
33 Deus adjutor meus in tribulatione Joannes Simonides
Appears on: 33
Genres: Motet
Source Attribution: Joannes Simonides
Voice: [no designation]
Languages: Latin
Voice Text: Deus adiutor meus in tribulatione
33v–34 Non est bonum hominem esse solum faciamus [Dressler]
Appears on: 33v–34
Genres: Motet
Source Attribution: [Dressler]
Voice: [no designation]
Languages: Latin
Voice Text: Non est bonum hominem esse solum faciamus
34–34v Constitues eos principes super omnem terram [Gombert]
Appears on: 34–34v
Genres: Motet
Source Attribution: [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Constitues eos principes super omnem
34v–35 Susanne un jour d'amour solicitée par deux viellards [Lassus]
Appears on: 34v–35
Genres: Chanson
Source Attribution: [Lassus]
Voice: [no designation]
Languages: Latin
Voice Text: Ingemuit Suzanna videns se circumventum [= Susanne un jour d'amour solicitée]
35–36 Decantabat populus in Israel et universa [Clemens non Papa]
Appears on: 35–36
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Decantabat populus in Israel alleluia
36–36v Ego me diligentes diligo et qui mane [Clemens non Papa]
Appears on: 36–36v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ego me diligentes diligo et qui mane
37–37v Omnes gentes attendite ad tam pulchrum [Clemens non Papa/Maillard]
Appears on: 37–37v
Genres: Motet
Source Attribution: [Clemens non Papa/Maillard]
Voice: [no designation]
Languages: Latin
Voice Text: Omnes gentes attendite ad tam pulchrum
37v–38v Adesto dolori meo (2p. Interiora mea) [Clemens non Papa]
Appears on: 37v–38v
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Adesto dolori meo O deus nimium fatigor II: Interiora mea effervuerunt absque
38v–40 In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) [Lattre]
Appears on: 38v–40
Genres: Motet
Source Attribution: [Lattre]
Voice: [no designation]
Languages: Latin
Voice Text: In te domine speravi non confundar II: Quoniam fortitudo mea et refugium
40v–41v Beati omnes qui timent Dominum qui ambulant II: Benedicat tibi Dominus ex Sion [Figulus]
Appears on: 40v–41v
Genres: Motet
Source Attribution: [Figulus]
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum qui ambulant II: Benedicat tibi dominus ex Syon
41v–42v Nisi Dominus aedificaverit domum frustra (2p. Cum dederit dilectis suis somnum) [Senfl]
Appears on: 41v–42v
Genres: Motet
Source Attribution: [Senfl]
Voice: [no designation]
Languages: Latin
Voice Text: Nisi dominus edificaverit domum in vanum II: Cum dederit dilectis suis somnum
42v–44 Sana me domine et sanabor salvum me fac (2p. Omnia iudicia tua justa sunt) Clemens non Papa
Appears on: 42v–44
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Sana me domine et sanabor salvum me fac II: Omnia iuditia tua iusta sunt
44–44v Dum complerentur dies Pentecostes erant omnes [Arcadelt/Verdelot]
Appears on: 44–44v
Genres: Motet
Source Attribution: [Arcadelt/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Dum complerentur dies pentecostes
44v–45v O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse) Anon. Anonymous
Appears on: 44v–45v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: O deus immensi fabricator maxime mundi II: Quiri potius miserere animae peccasse
45v–46v Ab oriente venerunt magi (2p. Videntes autem stellam) Clemens non Papa
Appears on: 45v–46v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Ab oriente venerunt magi Jerosolimam II: Videntes autem stellam gavisi sunt
47–48 Alleluia. Spiritus Domini replevit orbem II: Laudes deo devotas dulci voce [Gombert/Hesdin]
Appears on: 47–48
Genres: Alleluia, Motet
Source Attribution: [Gombert/Hesdin]
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Spiritus domini replevit orbem II: Laudes deo devotas dulci voce
48–49 In trinitate o fideles confidamus nostram II: Purifica mentes nostras immaculatis [Cadéac]
Appears on: 48–49
Genres: Motet
Source Attribution: [Cadéac]
Voice: [no designation]
Languages: Latin
Voice Text: In trinitate O fideles laetemur nostram II: Purifica mentes nostras immaculatas
49 Veni Domine et noli tardare Anon. Anonymous
Appears on: 49
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Veni domine et noli tardare
50–50v Veni sancte spiritus reple tuorum corda Leonardus Paminger
Appears on: 50–50v
Genres: Motet, Veni sancte spiritus
Source Attribution: Leonardus Paminger
Voice: [no designation]
Languages: Latin
Voice Text: Veni sancte spiritus reple tuorum corda
50v–51v Hoc est praeceptum meum ut diligatis (2p. Mementote sermonis mei quem ego dixi) Clemens non Papa
Appears on: 50v–51v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Hoc est praeceptum meum ut diligatis II: Mementote sermonis mei quem ego dixi
51v–52v Deus in adjutorium meum intende Domine (2p. Ecce in tenebris sedeo et lumen) Clemens non Papa
Appears on: 51v–52v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Deus in adiutorium meum intende domine II: Ecce in tenebris sedeo et lumen
52v–53v Illuminare Jerusalem quia venit lux tua II: Et gloria Domini super te Jerusalem III: Et ambulabunt gentes in lumine tuo Leo: Paminger
Appears on: 52v–53v
Genres: Motet
Source Attribution: Leo: Paminger
Voice: [no designation]
Languages: Latin
Voice Text: Illuminare Jerusalem quia venit lux tua II: Et gloria domini super te Hierusalem III: Et ambulabunt gentes in lumine tuo
53v–54v Fremuit spiritus Jesu et turbavit seipsum (2p. Videns Dominus flentes sorores Lazari) Clemens non Papa
Appears on: 53v–54v
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Fremuit spiritus Jesu et turbavit seipsum II: Videns dominus flentes sorores Lazari
54v–55 Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) Josquin
Appears on: 54v–55
Genres: Motet
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Praeter rerum seriem parit deum 24.12 II: Virtus sancti spiritus opus illud
55v–56 Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) [Josquin]
Appears on: 55v–56
Genres: Motet
Source Attribution: [Josquin]
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es caelorum regina et mundi 23.13 II: Per illud ave prolatum III: [Nunc mater exora natum]
56v–57 Ascendit Deus in jubilatione (2p. Et Dominus in voce tubae; 3p. Gloria patri et filio) Leonardus Paminger
Appears on: 56v–57
Genres: Motet
Source Attribution: Leonardus Paminger
Voice: [no designation]
Languages: Latin
Voice Text: Ascendit deus in iubilatione alleluia II: Et dominus in voce tubae alleluia III: Gloria patri et filio et spiritui
57v–58 Veni sponsa Christi accipe coronam II: Veni electa mea et ponam in te Petrus Massenus
Appears on: 57v–58
Genres: Motet
Source Attribution: Petrus Massenus
Voice: [no designation]
Languages: Latin
Voice Text: Veni sponsa Christi accipe coronam II: Veni electa mea et ponam in te
58v–60v Benedic anima mea Domino et omnia quae (2p. Longanimis et multum misericors; 3p. Dominus in caelo paravit sedem) Leonardus Paminger
Appears on: 58v–60v
Genres: Motet
Source Attribution: Leonardus Paminger
Voice: [no designation]
Languages: Latin
Voice Text: Benedic anima mea domino et omnia quae II: Miserator et misericors dominus III: Dominus in caelo paravit sedem suam
60v–61 Gaudete filiae Jerusalem nam flores apparuerunt [Meiland]
Appears on: 60v–61
Genres: Motet
Source Attribution: [Meiland]
Voice: [no designation]
Languages: Latin
Voice Text: Gaudete filiae Hierusalem nam flores
61v–62 Lucerna pedibus meis verbum tuum Anon. Anonymous
Appears on: 61v–62
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Lucerna pedibus meis verbum tuum
62–62v Verbum iniquum et dolosum longe fac a me Anon.
Appears on: 62–62v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Verbum iniquum et dolosum longe fac à me
62v–64 Te Deum patrem ingenitum te filium (2p. Quoniam magnus es tu et fatiens) Christianus Holander
Appears on: 62v–64
Genres: Motet, Te Deum
Source Attribution: Christianus Holander
Voice: [no designation]
Languages: Latin
Voice Text: Te deum patrem ingenitum te filium II: Quoniam magnus es tu et faciens
64v–65v Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) [Baston/Cleve]
Appears on: 64v–65v
Genres: Motet
Source Attribution: [Baston/Cleve]
Voice: [no designation]
Languages: Latin
Voice Text: Dum transisset sabbatum Maria Magdalenae II: Et valde mane una sabbatorum
65v–67 O magnum misterium et admirabile sacramentum (2p. Domine audivi auditum tuum et timui) Clemens non Papa
Appears on: 65v–67
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: O magnum mysterium et admirabile sacramentum II: Domine audivi auditum tuum et timui
67–68 Omnis plantatio quam non plantavit II: Ego sum vitis vera et pater meus Caspar Copus
Appears on: 67–68
Genres: Motet
Source Attribution: Caspar Copus
Voice: [no designation]
Languages: Latin
Voice Text: Omnis plantatio quam non plantavit II: Ego sum vitis vera et pater meus
68–69 Domine Deus omnipotens tu non posuisti (2p. Confiteor tibi me peccasse) (6vv) Tomas Crequilon
Appears on: 68–69
Genres: Motet
Source Attribution: Tomas Crequilon
Voice: [no designation]
Languages: Latin
Voice Text: Dominus deus omnipotens tu non posuisti II: Confiteor me tibi peccasse super
70–70v Spiritus Domini replevit orbem terrarum (2p. Confirma hoc Deus quod operatus es) [Paminger]
Appears on: 70–70v
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit orbem terrarum II: Confirma hoc deus quod operatus es
A Sustinuimus pacem et non venit quesivimus in D II: Peccavimus impie egimus iniquitatem [Phinot]68
Appears on: A
Genres: Motet
Source Attribution: [Phinot]68
Voice: [no designation]
Languages: Latin
Voice Text: Sustinuimus pacem et non venit quesivimus (Incomplete in D book, ending only) II: Peccavimus impie egimus iniquitatem
A–B Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) Josquin
Appears on: A–B
Genres: Motet, Stabat Mater
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa iuxta crucem 25.9 II: Christe verbum fons amoris me sentire
Bv–Cv In honore Christi filii Dei jubilemus (2p. Caeleste beneficium Christi incarnatio) Clemens non Papa
Appears on: Bv–Cv
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: In honore Christi filii dei iubilemus II: Coeleste beneficium Christi incarnatio
Cv–Dv Veni sponsa Christi veni de libano J: Simonides Montanus
Appears on: Cv–Dv
Genres: Motet
Source Attribution: J: Simonides Montanus
Voice: [no designation]
Languages: Latin
Voice Text: Veni sponsa Christi veni de libano
Dv Lucerna pedibus meis verbum tuum [Dressler]
Appears on: Dv
Genres: Motet
Source Attribution: [Dressler]
Voice: [no designation]
Languages: Latin
Voice Text: Lucerna pedibus meis verbum tuum
S 25–25v Dilexisti justitiam et odisti iniquitatem II: Diffusa est gratia in labiis tuis [Chaynée]
Appears on: S 25–25v
Genres: Motet
Source Attribution: [Chaynée]
Voice: [no designation]
Languages: Latin
Voice Text: Dilexisti iustitiam et odisti iniquitatem II: Diffusa est gratia in labiis tuis
S 46–47 Timor et tremor venit in Nivem civitatem [Clemens non Papa]
Appears on: S 46–47
Genres: Motet
Source Attribution: [Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Timor et tremor venit in Ninive civitatem
S 47–47v Sicut sydus radium profert virgo filium [Willaert]
Appears on: S 47–47v
Genres: Motet
Source Attribution: [Willaert]
Voice: [no designation]
Languages: Latin
Voice Text: Sicut sydus radium profert virgo filium
S 48 Vigilate quia nescitis qua hora Dominus (II) [Paminger]
Appears on: S 48
Genres: Motet
Source Attribution: [Paminger]
Voice: [no designation]
Languages: Latin
Voice Text: Vigilate quia nescitis qua hora dominus
Concordances

not the same as the piece in D-Rp 220-222

S 48v Fili mi ne neglexeris correptionem Dominus Anon. Anonymous
Appears on: S 48v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Fili mi ne neglexeris correptionem dominus
S 49–49v Non turbetur cor vestrum (II) (2p. Ego rogabo patrem et alium paracletum) [G. Le Roy/Verdelot]
Appears on: S 49–49v
Genres: Motet
Source Attribution: [G. Le Roy/Verdelot]
Voice: [no designation]
Languages: Latin
Voice Text: Non turbetur cor vestrum alleluia II: Ego rogabo patrem et alium paracletum
S 49v–51 Tres juvenes qui custodiebant corpus (2p. Tunc scribentes singuli suum verbum) CNP [= Clemens non Papa]
Appears on: S 49v–51
Genres: Motet
Source Attribution: CNP [= Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Tres iuvenes qui custodiebant corpus II: Tunc scribentes singuli suum verbum
S 51–52 Innuebant patri eius quae vellet vocari (2p. Apertus est os Zachariae et prophetavit) Clemens non Papa
Appears on: S 51–52
Genres: Motet
Source Attribution: Clemens non Papa
Voice: [no designation]
Languages: Latin
Voice Text: Innuebant patri eius quem vellet vocavi II: Apertum est os Zachariae et prophetavit
S 52–52v Unica spes mea Christus spes mihi altera Anon. Anonymous
Appears on: S 52–52v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Unica spes mea Christus spes mihi altera
S 52v–53v Magi dixerunt in Betleem Juda sic enim Anon. Anonymous
Appears on: S 52v–53v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Magi dixerunt in Betleem Juda sic enim
S 53v Respice finem rerum finis habet crimen Anon. Anonymous
Appears on: S 53v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Respice finem rerum finis habet crimen
S 54 Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini [Bauldeweyn/Stoltzer]
Appears on: S 54
Genres: Motet
Source Attribution: [Bauldeweyn/Stoltzer]
Voice: [no designation]
Languages: Latin
Voice Text: Venite filii audite me timorem domini [Pars II of Benedicam dominum in omni tempore]
S 54–54v Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes [Conseil]
Appears on: S 54–54v
Genres: Motet
Source Attribution: [Conseil]
Voice: [no designation]
Languages: Latin
Voice Text: Effunde iram tuam in gentes [Pars II of Deus venerunt gentes in haereditatem]
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507–1568)
Baston, Josquin (fl. 1542–63)
Bauldeweyn, Noel (ca. 1480–1529)
Cadeac, P(ierre?)
Caen, Arnold
Chaynée, Jean de (ca. 1540–1577)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Comes, Juan Bautista
Conseil, Jean (ca. 1498–1534)
Copus, Caspar
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Dressler, Gallus
Feys, Arnoldus
Figulus, Wolfgang (ca. 1525–1589)
Gaillard, Gilles
Gastritz, Mathias
Gombert, Nicolas (ca. 1495–ca. 1560)
Hellinck, Lupus (ca. 1494–1541)
Hemmerlen, Georgius
Hesdin, Nicolle des Celliers de (–1538)
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Le Roy, G.
Maessens, Pieter
Maillard, Jean (fl. c1538–1570)
Meiland, Jacob (1542–1577)
Paminger, Leonhard (1495–1567)
Petit (de Latre), Jehan
Phinot, Dominique
Richafort, Jean (ca. 1480–ca. 1550)
Schroeter, Leonhard
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Simonides, Johannes
Stoltzer, Thomas (ca. 1480–1526)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Ab oriente venerunt magi (2p. Videntes autem stellam) 45v–46v
Adesto dolori meo (2p. Interiora mea) 37v–38v
Alleluia. Spiritus Domini replevit orbem II: Laudes deo devotas dulci voce 47–48
Angelus Domini in somniis apparuit Joseph (2p. Tunc Herodes ubi vidit indignatus est) 22–23v
Ascendit Deus in jubilatione (2p. Et Dominus in voce tubae; 3p. Gloria patri et filio) 56v–57
Assumpsit Jesus Petrum et Jacobum (2p. Et ecce vox de nube) 28v–29v
Beati omnes qui timent Dominum qui ambulant II: Benedicat tibi Dominus ex Sion 40v–41v
Benedic anima mea Domino et omnia quae (2p. Longanimis et multum misericors; 3p. Dominus in caelo paravit sedem) 58v–60v
Benedicam Dominum - 2a pars (of 4): Venite filii audite me timorem Domini S 54
Benedicta es caelorum regina et mundi 23.13 (2p. Per illud ave prolatum; 3p. Nunc mater exora natum) 55v–56
Cecus sedebat secus viam transeunte Domino II: Stans autem Jesus iussit eum adduci 15v–16v
Constitues eos principes super omnem terram 34–34v
Da siceram merentibus et vinum his (=Je ne me puis tenir d'aimer 29.11) 32
Decantabat populus in Israel et universa 35–36
Descendit de caelis missus ab arce patris II: Exivit per auream portam lux et decus III: Missus ab arce veniebat magnam 23v–25
Deus adjutor meus in tribulatione 33
Deus in adjutorium meum intende Domine (2p. Ecce in tenebris sedeo et lumen) 51v–52v
Deus venerunt gentes - 2a pars (of 3): Effunde iram tuam in gentes S 54–54v
Dilexisti justitiam et odisti iniquitatem II: Diffusa est gratia in labiis tuis S 25–25v
Domine Deus omnipotens tu non posuisti (2p. Confiteor tibi me peccasse) (6vv) 68–69
Dum complerentur dies Pentecostes erant omnes 44–44v
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) 64v–65v
Ego me diligentes diligo et qui mane 36–36v
Emendemus in melius quae ignoranter II: Peccavimus Dominum meum et nescio ubi 31–31v
Factum est silentium in caelo dum committeret (2p. Millia millium ministrabant ei) 30–30v
Fili mi ne neglexeris correptionem Dominus Anonymous S 48v
Fremuit spiritus Jesu et turbavit seipsum (2p. Videns Dominus flentes sorores Lazari) 53v–54v
Gaudete filiae Jerusalem nam flores apparuerunt 60v–61
Heu mihi Domine quia peccavi nimis (2p. Anima mea turbata est valde) 20–21
Hoc est praeceptum meum ut diligatis (2p. Mementote sermonis mei quem ego dixi) 50v–51v
Hodie Christus natus est hodie salvator 19–20
Homo quidam erat dives qui induebatur (2p. Accidit autem dum moreretur Lazarus) 9–10v
Illuminare Jerusalem quia venit lux tua II: Et gloria Domini super te Jerusalem III: Et ambulabunt gentes in lumine tuo 52v–53v
In dedicatione huius templi decantabat II: Obtulerunt sacrificium super altare 11v–12v
In honore Christi filii Dei jubilemus (2p. Caeleste beneficium Christi incarnatio) Bv–Cv
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) 4v–5v
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) 38v–40
In trinitate o fideles confidamus nostram II: Purifica mentes nostras immaculatis 48–49
Innuebant patri eius quae vellet vocari (2p. Apertus est os Zachariae et prophetavit) S 51–52
Jerusalem luge et exue te vestibus (2p. Deduc quasi torrentem lachrimas) 8–9
Jerusalem surge et sta in excelso et vide (2p. Leva in circuitu oculos tuos et vide) 7–8
Justus non conturbabitur quia Dominus II: Noli emulari in malignantibus 16v–17v
Lucerna pedibus meis verbum tuum Anonymous 61v–62
Lucerna pedibus meis verbum tuum Dv
Magi dixerunt in Betleem Juda sic enim Anonymous S 52v–53v
Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) 13–14v
Ne recorderis peccata mea Domine cum veneris 32v–33
Nisi Dominus aedificaverit domum frustra (2p. Cum dederit dilectis suis somnum) 41v–42v
Non est bonum hominem esse solum faciamus 33v–34
Non turbetur cor vestrum (II) (2p. Ego rogabo patrem et alium paracletum) S 49–49v
O admirabile commercium creator generis 27–27v
O Deus immensi fabricator maxime mundi (2p. Quiri potius miserere animae peccasse) Anonymous 44v–45v
O magnum misterium et admirabile sacramentum (2p. Domine audivi auditum tuum et timui) 65v–67
O martyr egregie O salutaris medice 18v–19
Omnes gentes attendite ad tam pulchrum 37–37v
Omnis plantatio quam non plantavit II: Ego sum vitis vera et pater meus 67–68
Pastores quidnam vidisitis annuntiate (2p. Natum vidimus et choros angelorum) 26–27
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) 54v–55
Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 5v–7
Puellae saltanti imperavit mater nil aliud II: Domine mi rex da mihi in disco Anonymous 21–22
Qui prophetice prompsisti (2p. Qui expansis in cruce manibus; 3p. Vita in ligno moritur) 2–3
Quicquid erit tandem mea spes spes est unica II: Quid valet hic mundus? quid gloria? 17v–18
Respice finem rerum finis habet crimen Anonymous S 53v
Sana me domine et sanabor salvum me fac (2p. Omnia iudicia tua justa sunt) 42v–44
Si bona suscepimus de manu Domini 14v–15
Si Deus pro nobis quis contra nos (2p. Quis igitur nos separabit a dilectione) 3v–4v
Sicut sydus radium profert virgo filium S 47–47v
Spiritus Domini replevit orbem terrarum (2p. Confirma hoc Deus quod operatus es) 70–70v
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) A–B
Super ripam Jordanis stabat beatus Johannes (2p. Vox de caelo sonuit et vox patris) 27v–28v
Susanne un jour d'amour solicitée par deux viellards 34v–35
Sustinuimus pacem et non venit quesivimus in D II: Peccavimus impie egimus iniquitatem A
Te Deum patrem ingenitum te filium (2p. Quoniam magnus es tu et fatiens) 62v–64
Timor et tremor venit in Nivem civitatem S 46–47
Tres juvenes qui custodiebant corpus (2p. Tunc scribentes singuli suum verbum) S 49v–51
Unica spes mea Christus spes mihi altera Anonymous S 52–52v
Veni Domine et noli tardare Anonymous 49
Veni sancte spiritus reple tuorum corda 50–50v
Veni sponsa Christi accipe coronam II: Veni electa mea et ponam in te 57v–58
Veni sponsa Christi veni de libano Cv–Dv
Venit vox de caelo cum luce superna (2p. Respondit miles quis es tu Domine) 10v–11v
Verbum caro factum est et habitabit II: Plenum gratia et veritate III: In principio erat verbum et verbum 25–26
Verbum iniquum et dolosum longe fac a me 62–62v
Vigilate quia nescitis qua hora Dominus (II) S 48

Set: A V 22 (a-b)

Type: Partbooks

No images available

CZ-ROk A V 22 (a)

No images available

CZ-ROk A V 22 (b)

denotes primary source study

Snížková-Škrhová, Jitka. 1982. Niederländische Musik in Böhmischen Handschriften des 16. Jahrhunderts. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 96-104. Pages: 99, 101-3.

Mayrová, Katerina. 1980. Hudební Prameny Literátského Bratrstva v Rokycanech za XVI. a Zacátku XVII. Století. Charles University (Prague), Unpublished Ph.D. dissertation. Pages: 49-77.

Snížková-Škrhová, Jitka. 1976. Josquin in Czech Sources of the Second Half of the Sixteenth Century. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971,  London, New York, and Toronto. Pages: 280-1,284.

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description