E-MA 8

Archivo Capitular de la Catedral, Málaga, Spain

manuscript of polyphony: First half of the 17th c

Archive Archivo Capitular de la Catedral, Málaga, Spain (E-MA)
Shelfmark 8
Image Availability DIAMM does not have images of this source.
Surface Parchment
Numbering System Foliation
Measurements 510 x 350 mm
Other Identifiers
  • CCM: MalaC 8
  • olim (Former shelfmark): MS IX in POM
Copyists
Relationships
External Links
Provenance
Contents 36 pieces from 7 composers
General Description

Choirbook. Copied by Pedro Maranón, who also wrote MálaC 11 and MálaC VIII.

Cristina Urchueguía; transl. Henry Hope, 2011
Binding

Original covers of leather over wooden boards, with bronze bosses.

Cristina Urchueguía; transl. Henry Hope, 2011
Notation

not indicated

Cristina Urchueguía; transl. Henry Hope, 2011
Foliation

Original ink foliation, 5-6 + 9-97 (ff. 1-4 and 7-8 torn out; f. 34 and f. 35 both numbered '35'; last folio not numbered).

Cristina Urchueguía; transl. Henry Hope, 2011
Decoration

Inked calligraphic initials.

Cristina Urchueguía; transl. Henry Hope, 2011
Index

Incomplete original index on unnumbered folio at end

Cristina Urchueguía; transl. Henry Hope, 2011
Surface

parchment

Cristina Urchueguía; transl. Henry Hope, 2011
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 K-S-A Mass, 1 Mass Ordinary section, 2 Mass Proper sections, 1 Magnificat, 1 Te Deum, 2 canticles, 4 psalms, 7 office hymns, 1 processional hymn, 3 Lamentations, 1 Passion, 6 motets (2 incomplete) = 30

Brito-26, Morales-1, Navarro of Seville-1, F. Vasquez-1 + 1?

92 parchment folios of an original 98, 510 x 350. Original ink foliation, 5-6 + 9-97 (ff. 1-4 and 7-8 torn out; f. 34 and f. 35 both numbered "35"; last folio not numbered). Original covers of leather over wooden boards, with bronze bosses. Incomplete original index on unnumbered folio at end. Copied by Pedro Maranón, who also wrote MálaC 11, MálaC VIII, and other manuscripts not within scope of this catalogue. Inked calligraphic initials.

First half of 17th century. Copied in Malaga, for use by the cathedral choir.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
5 Gloria Stephanus de Britto
Appears on: 5
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Stephanus de Britto
5v–6v, 9 Vidi aquam Stephanus de Britto
Appears on: 5v–6v, 9
Genres: Motet
Source Attribution: Stephanus de Britto
General Note

incomplete

9v–10 Gloria Stephanus de Britto
Appears on: 9v–10
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Stephanus de Britto
10v–17 Te Deum laudamus Stephanus de Britto
Appears on: 10v–17
Genres: Te Deum
Source Attribution: Stephanus de Britto
17v–18 Benedictus Dominus Deus israel Stephanus de Britto
Appears on: 17v–18
Genres: Psalm
Source Attribution: Stephanus de Britto
21v–22 Missa feriale (a4): Kyrie Stephanus de Britto
Appears on: 21v–22
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: Stephanus de Britto
21v–22 Missa feriale (a4): Sanctus Stephanus de Britto
Appears on: 21v–22
Genres: Mass Ordinary, Sanctus [& Benedictus]
Source Attribution: Stephanus de Britto
21v–22 Missa feriale (a4): Agnus Dei Stephanus de Britto
Appears on: 21v–22
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Stephanus de Britto
22v–24 Missa pro defunctis Stephanus de Britto
Appears on: 22v–24
Genres: Requiem
Source Attribution: Stephanus de Britto
24v–25 Et incarnatus est Stephanus de Britto
Appears on: 24v–25
Genres: Credo (patrem omnipotentem), Mass Ordinary
Source Attribution: Stephanus de Britto
25v–26 Procul recedant Stephanus de Britto
Appears on: 25v–26
Genres: Motet
Source Attribution: Stephanus de Britto
26v–27 In manus tuas Stephanus de Britto
Appears on: 26v–27
Genres: Motet
Source Attribution: Stephanus de Britto
27v–29 Gloria laus et honor Stephanus de Britto
Appears on: 27v–29
Genres: Doxology
Source Attribution: Stephanus de Britto
29v–36 Non in die festo (Passion) Stephanus de Britto
Appears on: 29v–36
Genres: Passion
Source Attribution: Stephanus de Britto
36v–40 Incipit lamentatio Jeremiae Stephanus de Britto
Appears on: 36v–40
Genres: Lamentations
Source Attribution: Stephanus de Britto
40v–45 De lamentatione Jeremiae Stephanus de Britto
Appears on: 40v–45
Genres: Lamentations
Source Attribution: Stephanus de Britto
45v–50 De lamentatione Jeremiae Stephanus de Britto
Appears on: 45v–50
Genres: Lamentations
Source Attribution: Stephanus de Britto
50v–51 Victimae paschali laudes Stephanus de Britto
Appears on: 50v–51
Genres: Hymn
Source Attribution: Stephanus de Britto
51v–54 Alleluia - Anonymous

Alleluia

Anonymous
Appears on: 51v–54
Genres: Alleluia
54v–55 Veni sancte spiritus Stephanus de Britto
Appears on: 54v–55
Genres: Hymn
Source Attribution: Stephanus de Britto
55v–59 Alleluia - Anonymous

Alleluia

Anonymous
Appears on: 55v–59
Genres: Alleluia
59v–61 Salve te flores Stephanus de Britto
Appears on: 59v–61
Genres: Motet
Source Attribution: Stephanus de Britto
61v–64 Pater superni Stephanus de Britto
Appears on: 61v–64
Genres: Motet
Source Attribution: Stephanus de Britto
64v–66 Defensor alme Stephanus de Britto
Appears on: 64v–66
Genres: Hymn
Source Attribution: Stephanus de Britto
66v–68 Custodes hominus Stephanus de Britto
Appears on: 66v–68
Genres: Motet
Source Attribution: Stephanus de Britto
68v–72 Magnificat. Et exultavit Stephanus de Britto
Appears on: 68v–72
Genres: BVM, Canticle, Magnificat
Source Attribution: Stephanus de Britto
72v–76 Salve regina Stephanus de Britto
Appears on: 72v–76
Genres: BVM, Marian antiphon, Salve Regina
Source Attribution: Stephanus de Britto
76v–80 Regina coeli Stephanus de Britto
Appears on: 76v–80
Genres: BVM, Marian antiphon, Regina caeli laetare
Source Attribution: Stephanus de Britto
80v–82 [Nunc dimittis] Secundum verbum Stephanus de Britto
Appears on: 80v–82
Genres: Canticle, Nunc Dimittis
Source Attribution: Stephanus de Britto
82v–84 in exitu Israel - Anonymous

in exitu Israel

Anonymous
Appears on: 82v–84
Genres: Motet
84v–86 Beatus es Juanes Navarrus
Appears on: 84v–86
Genres: Motet
Source Attribution: Juanes Navarrus
86v–90 Tu es Petrus et super hanc petram II: Quodcumque ligaveris super terram Christophorus de Morales
Appears on: 86v–90
Genres: Motet
Source Attribution: Christophorus de Morales
90v–92 Miserere / In te Domine / Qui habitat Franciscus Vazquez
Appears on: 90v–92
Genres: Psalm
Source Attribution: Franciscus Vazquez
92v–93 Ave crux spes unica Stephanus de Britto
Appears on: 92v–93
Genres: Hymn
Source Attribution: Stephanus de Britto
93v–97 Veni creator spiritus Stephanus de Britto
Appears on: 93v–97
Genres: Hymn
Source Attribution: Stephanus de Britto
97v In manus tuas Domine - Anonymous
Appears on: 97v
Genres: Motet
General Note

incomplete

Composer Compositions
Anonymous
Brito, Estevao de
Gombert, Nicolas (ca. 1495–ca. 1560)
Morales, Cristóbal de (ca. 1500–1553)
Moreau, Simon
Navarro 'of Seville/Hispalensis', Juan
Vazquez, Francisco
Composition Composers (? Uncertain) Folios / Pages
[Nunc dimittis] Secundum verbum 80v–82
Alleluia Anonymous 51v–54
Alleluia Anonymous 55v–59
Ave crux spes unica 92v–93
Beatus es 84v–86
Benedictus Dominus Deus israel 17v–18
Custodes hominus 66v–68
De lamentatione Jeremiae 40v–45
De lamentatione Jeremiae 45v–50
Defensor alme 64v–66
Et incarnatus est 24v–25
Gloria 5
Gloria 9v–10
Gloria laus et honor 27v–29
in exitu Israel Anonymous 82v–84
In manus tuas 26v–27
In manus tuas Domine Anonymous 97v
Incipit lamentatio Jeremiae 36v–40
Magnificat. Et exultavit 68v–72
Miserere / In te Domine / Qui habitat 90v–92
Missa feriale (a4): Agnus Dei 21v–22
Missa feriale (a4): Kyrie 21v–22
Missa feriale (a4): Sanctus 21v–22
Missa pro defunctis 22v–24
Non in die festo (Passion) 29v–36
Pater superni 61v–64
Procul recedant 25v–26
Regina coeli 76v–80
Salve regina 72v–76
Salve te flores 59v–61
Te Deum laudamus 10v–17
Tu es Petrus et super hanc petram II: Quodcumque ligaveris super terram 86v–90
Veni creator spiritus 93v–97
Veni sancte spiritus 54v–55
Victimae paschali laudes 50v–51
Vidi aquam 5v–6v, 9

denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 137.

Kastner, Macario Santiago (editor). 1959-. Portugaliae Musica.  Lisbon. Pages: XXX,xxii-xxv,32-99. Notes: physical description (partial); contents list; transcription (partial); mention of MS; discussion.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description