D-LÜh Mus A 203 (a)

Bibliothek der Hansestadt Lübeck, Lübeck, Germany

partbook: c. 1586-1613

Archive Bibliothek der Hansestadt Lübeck, Lübeck, Germany (D-LÜh)
Shelfmark Mus A 203 (a)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Format portrait
Measurements 349 x 218 mm
Other Identifiers
  • CCM: LubBH 203
Notations
  • black void mensural
Copyists
Relationships
External Authorities
Provenance
  • Lübeck? Bavaria, Germany
Contents Contains 113 compositions, 90 from 44 composers, 23 are anonymous.
General Description

A Discantus partbook from a set originally of five or (probably) more volumes. Print RISM 1591/1 bound in at end of each partbook (excluded from count of folios below). Copied by several scribes, including 'JMPM,' who entered Lassus' 'O sacrum convivium' on June 23, 1613. Probably copied in Lübeck, for use at St. Peter's Church.

DIAMM, 2017
Extent

D-125 ff, A-125 ff, B-111 ff, Q-83 ff.

DIAMM, 2023
Binding

Each book has original covers of white leather and black parchment, inscribed with date '1586,' voice designation, and several monograms ('LC,' 'M ET V,' 'MN,' 'IL,' 'H'); remnants of leather ties.

DIAMM, 2017
Watermark

(1) shield with two fleurs-de-lis (Briquet # 1668); (2) crown with monogram 'GT' (resembles Briquet #9429).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Middle section of each book (motets) has original ink numbering of pieces, I-LXVII (some pieces not found in Q). In Discantus book, a modern hand has continued the piece numbering from 68 to 93; same hand has also assigned numbers 1-17 to the pieces (mainly Masses) in first section of this book.

DIAMM, 2017
Foliation

No foliation or pagination, except for original(?) foliation, 1-52, at beginning of Altus book

DIAMM, 2017
Decoration

Some plain inked initials; no other decoration

DIAMM, 2017
Index

Modern index bound in at end of Discantus book (112r-113v "Inhalt nach dem Discantus", f.114r-121v "Thematisches Inhaltsverzeichniss") - lists pieces in order of appearance, gives musical incipits for all pieces, records attributions from manuscript, and suggests attributions for some anonymous pieces, based on concordances (some suggested concordances and attributions incorrect).

DIAMM, 2023
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

14 Masses, 3 Credos, 3 Mass Proper sections, 2 canticles, 5 psalms, 12 hymns, 67 motets, 2 German/Latin sacred pieces, 8 German sacred pieces = 116

Arcadelt/(Verdelot)-1, Berchem [lachet]-1, Burck-2, Clemens non Papa-17, Clemens non Papa/Crecquillon-1, (Clemens non Papa/ Manchicourt)-1, Cleve-1, (Craen/C. Festa/A. Févin/Josquin/ Morales)-1 [2 voices added by Brück], Crecquillon-4, (C. Festa)-1, (A. Gabrieli)-1, Guyot [Johannis Castiletti]-1, Hassler-2, C. Hollander-2, Kerle-1, Knöfel-4, Kolbanus [Simon de K.]-1, Lange-1, Lassus-10, Massaini-1, Meiland-1, Morales-1, V. Neander-1, Pevernage-2, Phinot-3, Regnart-5, Riccio-3, Rivulo-2, F. Sale? [Franciscus de ?]-1, (Senfl)-1, (J. Sigfrid)-1, Tonsor-1, Utendal-3, Vaet-2, Orazio Vecchi-1, Walter-6 + 1?, Wanningus-1, Wismes -1, anon-25

4 paper partbooks of an original 5 or more (D-125 folios, A-125, B-111, Q-83), 349 x 218. Print RISM 1591/1 bound in at end of each partbook; excluded from count of folios above. No foliation or pagination, except for original? foliation, 1-52, at beginning of A book. Middle section of each book (motets) has original ink numbering of pieces, I-LXVII (some pieces not found in Q). In D book, a modern hand has continued the piece numbering from 68 to 93; same hand has also assigned numbers 1-17 to the pieces (mainly Masses) in first section of D book. Each book has original covers of white leather and black parchment, inscribed with date "1586," voice designation, and several monograms ("LC," "M ET V," "MN," "IL," "H"); remnants of leather ties. Modern index bound in at end of D book lists pieces in order of appearance, gives musical incipits for all pieces, records attributions from manuscript, and suggests attributions for some anonymous pieces, based on concordances (some suggested concordances and attributions incorrect).

Copied by several scribes, including "JMPM," who entered Lassus' "O sacrum convivium" on June 23, 1613. Some plain inked initials; no other decoration. Two watermarks: (1) shield with two fleurs-de-lis (Briquet # 1668); (2) crown with monogram "GT" (resembles Briquet #9429).

Ca. 1586-1613. Probably copied in Lübeck, for use at St. Peter's Church.

Vol 4

Composers: Add "(Josquin/Senfl)-1" and "(Schröter)-1"; change (J. Sigfrid)-1" to "(Harnisch/J. Sigfrid)-1"; change "anon-25" to "anon-23."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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Sets

Select a set to see its sources.

denotes primary source study

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: 1,262,282,320-1,350-1. Notes: physical description (partial); contents list (partial); concordances (partial); texts (partial).

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies, vol. 21.  Brooklyn. Pages: I.15; II.xiii-xiv; IV, Plate XXX. Notes: contents list (partial); concordances (partial); facsimile (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance, vol. I.  Kassel and Basel. Pages: 827. Notes: physical description (partial); contents list (partial).

Schröder, Otto (editor). 1953-70. Johann Walter: Sämtliche Werke.  Kassel and Basel. Pages: VI,xxv, 179. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Stahl, Wilhelm. 1931. Die Musik-Abteilung der Lübecker Stadtbibliothek in ihren alteren Beständen.  Lübeck. Pages: 26-7. Notes: physical description (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description