D-HAu Ed. 1147 [Discantus]

Universitätsbibliothek, Halle an der Saale, Germany

partbook, printed book with MS additions: 1539

Archive	Universitätsbibliothek, Halle an der Saale, Germany (D-HAu)
Shelfmark	Ed. 1147 [Discantus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Format	landscape 8°
Measurements	unknown mm
Other Identifiers	CCM: HalleU 1147
Notations	black void mensural
Provenance	Germany
Contents	39 pieces from 27 composers

General Description

A Discantus partbook from a set of five volumes, consisting of the prints RISM 1540/6 and 1550/2, with manuscript additions on ff. 74-107. Copied by several scribes. Of German origin.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Other numberings: Original numbering of pieces, 1-21, in manuscript section (17 pieces unnumbered)

DIAMM, 2017

Foliation

Modern foliation on lower right rectos 1-108, includes printed and manuscript folios in single series

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

21 motets, 5 German sacred pieces, 9 French secular pieces, 1 German secular piece, 1 Italian secular piece = 37

(Bauldeweyn/Grefinger)-1, Clemens non Papa-2, Crecquillon-1, Donato-1, Heugel-1, C. Hollander-1, Josquin-3, Le Maistre-1, Lupus-1, Phinot-1, Stoltzer-1, Verdelot-1, Zirler-1, anon-21

5 paper partbooks, each consisting of the prints RISM 1540/6 and RISM 1550/2 plus manuscript additions (DATBQ-no information on number of folios), oblong 8°. Two sections, each copied by a different scribe.

Date 1539 in T book.

Vol 4

Contents: 22 motets, 3 German sacred pieces, 1 Dutch sacred piece, 9 French secular pieces, 2 German secular pieces, 1 Italian secular piece = 38

Composers: (Bauldeweyn/Grefinger)-1, (Certon)-1, Clemens non Papa-2, Crecquillon-1, Donato-1, (Gombert)-2, (Grefinger/Senfl)-1, Hellinck [Lupus]-1, Heugel-1, C. Hollander-1, Josquin-3, (L'Archier)-1, (Le Cocq)-1, (G. Le Roy) -1, LeMaistre-1, Phinot-1, (Richafort)-1, (Senfl)-2, Stoltzer-1, Verdelot-1, Willaert-1, Zirler-1, anon-11

Physical: 5 paper partbooks, each consisting of the prints RISM 1540/6 and 1550/2, with manuscript additions at end of each book (D-35 folios, A-32, T-29, B-31, Q.-25), oblong 8°. Modern foliation on lower right rectos in each book (D: 1-108; A: 1-106; T: 1-105; B: 1-104; Q:1-75) includes printed and manuscript folios in single series. Manuscript additions on ff. 74-107' of D book, ff. 75-106' of A, ff. 77-104' of T, ff. 74-103' of B, and ff. 51-75' of Q. Original numbering of pieces, 1-21, in manuscript section (17 pieces unnumbered). Copied by several scribes. No initials or decoration.

Date/provenance: Ca. 1540-75. Of German origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–73v	Exemplars of Petreius 1540(6) and Berg & Neuber 1550(2)	-	Anonymous
Exemplars of Petreius 1540(6) and Berg & Neuber 1550(2) Anonymous Appears on: 1–73v Genres: Motet Voice: [no designation] Languages: insufficient Voice Text: Exemplars of Petreius 15406 and Berg & Neuber 15502
74–75	Domine Dominus noster quam admirabile 16.4	Josquin de Pres	Despres, Josquin (ca. 1450–1521) (?)
Domine Dominus noster quam admirabile 16.4 Despres, Josquin (ca. 1450–1521) (?) Appears on: 74–75 Genres: Motet Source Attribution: Josquin de Pres Voice: [no designation] Languages: Latin Voice Text: Domine dominus noster quam admirabile 16.4
75v–76	O dulcissime Domine Jesu Christe respicere	Verdelot	Verdelot, Philippe (ca. 1480–ca. 1532)
O dulcissime Domine Jesu Christe respicere Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 75v–76 Genres: Motet Source Attribution: Verdelot Voice: [no designation] Languages: Latin Voice Text: O dulcissime domine Iesu Christe respicere
76v	Splendor lucis aeternae et sol justitiae	[G. Le Roy]	Le Roy, G.
Splendor lucis aeternae et sol justitiae Le Roy, G. Appears on: 76v Genres: Motet Source Attribution: [G. Le Roy] Voice: [no designation] Languages: Latin Voice Text: Splendor lucis aeternae et sol iustitiae
77	Salva nos Domine vigilantes custodi 26.12	[Josquin/Mouton/Willaert]	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Willaert, Adrian (ca. 1490–1562) (?)
Salva nos Domine vigilantes custodi 26.12 Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Willaert, Adrian (ca. 1490–1562) (?) Appears on: 77 Genres: Motet Source Attribution: [Josquin/Mouton/Willaert] Voice: [no designation] Languages: Latin Voice Text: Salva nos [domine vigilantes custodi nos] 26.11 [D only]
77v	Veni sancte spiritus reple tuorum corda	Anon.	Anonymous
Veni sancte spiritus reple tuorum corda Anonymous Appears on: 77v Genres: Motet, Veni sancte spiritus Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus reple tuorum corda
78	Veni sancte spiritus reple tuorum corda	Anon.	Anonymous
Veni sancte spiritus reple tuorum corda Anonymous Appears on: 78 Genres: Motet, Veni sancte spiritus Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Veni sancte spiritus reple tuorum corda
78v	Missus est angelus Gabriel ad Mariam	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Missus est angelus Gabriel ad Mariam Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 78v Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Missus est angelus Gabriel ad Mariam
79	Maria autem conservabat omnia verba	Anon.	Anonymous
Maria autem conservabat omnia verba Anonymous Appears on: 79 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Maria autem conservabat omnia verba haec
79v	Veni Domine visitare nos in pace	Anon.	Anonymous
Veni Domine visitare nos in pace Anonymous Appears on: 79v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Veni domine visitare nos in pace
80	Et valde mane una sabbatorum veniunt	Anon.	Anonymous
Et valde mane una sabbatorum veniunt Anonymous Appears on: 80 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Et valde mane una sabbatorum veniunt
80v–82	Quid ultra magnificavi opera mea II: Feci mihi cantores et cantatrices	Anon.	Anonymous
Quid ultra magnificavi opera mea II: Feci mihi cantores et cantatrices Anonymous Appears on: 80v–82 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Quid ultra magnificavi opera mea II: Feci mihi cantores et cantatrices
82v–83	Flos florum fons ortorum regina polorum	Anon.	Anonymous
Flos florum fons ortorum regina polorum Anonymous Appears on: 82v–83 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Flos florum [fons ortorum regina polorum]
83v	Es taget vor dem walde steh auff [S92]	[Grefinger/Senfl]	Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Es taget vor dem walde steh auff [S92] Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 83v Genres: Song Source Attribution: [Grefinger/Senfl] Voice: [no designation] Languages: German Voice Text: Es taget vor dem walde steh auff
84	En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden	[Bauldeweyn/Grefinger]	Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?)
En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?) Appears on: 84 Genres: Chanson, Contrafactum Source Attribution: [Bauldeweyn/Grefinger] Voice: [no designation] Languages: French Voice Text: En doleur en triste[sse languirayge] [= Ach Gott wem sol ichs klagen das heimlich leiden]
84v	Plusieurs regrets qui sur la terre 29.21	[Josquin]	Despres, Josquin (ca. 1450–1521)
Plusieurs regrets qui sur la terre 29.21 Despres, Josquin (ca. 1450–1521) Appears on: 84v Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Plusieurs regret[z qui sur la terre] 29.21
85	Je vous plusieurs en acoutant	[LvArchier]	Larchier, Jean
Je vous plusieurs en acoutant Larchier, Jean Appears on: 85 Genres: Chanson Source Attribution: [LvArchier] Voice: [no designation] Languages: French Voice Text: Je vois plusieurs [= Je vous plusieurs en acoutant]
85v	N'est-ce pas [N'est-ce point] un grand desplaisir 29.17	Josquin de Pres	Despres, Josquin (ca. 1450–1521)
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 Despres, Josquin (ca. 1450–1521) Appears on: 85v Genres: Chanson Source Attribution: Josquin de Pres Voice: [no designation] Languages: French Voice Text: Nesse pas ung [grant desplaisir] 29.17
86	Ne vous chaille mon coeur si vous aves	[Richafort/Werrecore]	Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?)
Ne vous chaille mon coeur si vous aves Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?) Appears on: 86 Genres: Chanson Source Attribution: [Richafort/Werrecore] Voice: [no designation] Languages: French Voice Text: Ne vous chaille [mon cueur si vous avez]
86v	Se dire ie losoye d'où me vient le souffrir	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Se dire ie losoye d'où me vient le souffrir Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 86v Genres: Chanson Source Attribution: [Gombert] Voice: [no designation] Languages: French Voice Text: Se dire ie losoye [dvoù me vient le souffrir]
87	Si par souffrir l'on peult vaincre fortune	[Le Cocq]	Le Cocq, Gerard
Si par souffrir l'on peult vaincre fortune Le Cocq, Gerard Appears on: 87 Genres: Chanson Source Attribution: [Le Cocq] Voice: [no designation] Languages: French Voice Text: Si par souffrir [l'on peult vaincre fortune]
87v	Triste depart m'avoit mis en douleur	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Triste depart m'avoit mis en douleur Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: 87v Genres: Chanson Source Attribution: [Gombert] Voice: [no designation] Languages: French Voice Text: Triste depart [m'avoit mis en douleur]
88–88v	Gruss dich Gott mein konig und ich bin	Thomas Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Gruss dich Gott mein konig und ich bin Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 88–88v Genres: Sacred Song Source Attribution: Thomas Crequillon Voice: [no designation] Languages: German Voice Text: Gruss dich Gott mein konig undt ich bin
89–89v	Vater unser, der du bist im Himmel	Mattheus Le Maistre	Le Maistre, Mattheus (ca. 1505–1577)
Vater unser, der du bist im Himmel Le Maistre, Mattheus (ca. 1505–1577) Appears on: 89–89v Genres: Chorale, Sacred Song Source Attribution: Mattheus Le Maistre Voice: [no designation] Languages: German Voice Text: Vater unser der du bist im himel
89–90v	Gott ist mein licht und mein seligkeit	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Gott ist mein licht und mein seligkeit Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 89–90v Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: German Voice Text: God is mÿn licht hen mÿn zalickeit
90v–91v	Elend ich rief und seuft so tief (= Jouons beau jeu tout en riant)	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Elend ich rief und seuft so tief (= Jouons beau jeu tout en riant) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 90v–91v Genres: Contrafactum, Song Source Attribution: Clemens non Papa Voice: [no designation] Languages: German Voice Text: Elendt ich rief und seufft so tief [= Juvons beau jeu tout en riant]
91v–92	E quando ha fato lovo la matina	Baldissera Donato	Donato, Baldassare (ca. 1529–1603)
E quando ha fato lovo la matina Donato, Baldassare (ca. 1529–1603) Appears on: 91v–92 Genres: Italian secular Source Attribution: Baldissera Donato Voice: [no designation] Languages: Italian Voice Text: E quando [ha] fato lovo la matina
92v–93	La la la je ne lose dire la la la	[Certon]	Certon, Pierre (–ca. 1572)
La la la je ne lose dire la la la Certon, Pierre (–ca. 1572) Appears on: 92v–93 Genres: Chanson Source Attribution: [Certon] Voice: [no designation] Languages: French Voice Text: La la la ie ne lose dire la la la
93v–95	Susanna se videns rapi stuprandam fraude	Christanus Hollander	Hollander, Christian
Susanna se videns rapi stuprandam fraude Hollander, Christian Appears on: 93v–95 Genres: Motet Source Attribution: Christanus Hollander Voice: [no designation] Languages: Latin Voice Text: Susanna se videns rapi stuprandam fraude
96–97	Deus in nomine tua salvum me fac II: Ecce enim Deus adjuvat me	Dominicus Phynoth	Phinot, Dominique
Deus in nomine tua salvum me fac II: Ecce enim Deus adjuvat me Phinot, Dominique Appears on: 96–97 Genres: Motet Source Attribution: Dominicus Phynoth Voice: [no designation] Languages: Latin Voice Text: Deus in nomine tuo salvum me fac II: Ecce enim deus adiuvat me et dominus
97v–98v	Congregati sunt inimici nostri et gloriantur II: Tu Domine qui superborum corda	Anon.	Anonymous
Congregati sunt inimici nostri et gloriantur II: Tu Domine qui superborum corda Anonymous Appears on: 97v–98v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Congregati sunt inimici nostri et gloriantur II: Tu domine qui superborum corda
98v–99	Verbum iniquum (II) (2p. Duo rogavi te)	Adrianus Wilhart	Willaert, Adrian (ca. 1490–1562) (?) Betti, Stefano (?) Brunet, Johannes (?)
Verbum iniquum (II) (2p. Duo rogavi te) Willaert, Adrian (ca. 1490–1562) (?) Betti, Stefano (?) Brunet, Johannes (?) Appears on: 98v–99 Genres: Motet Source Attribution: Adrianus Wilhart Voice: [no designation] Languages: Latin Voice Text: Verbum iniquum et dolosum longe fac II: Duo rogavi te ne deneges mihi
99v–100	Qui confidunt in Domino II: Quia non relinquet	Lupus [Hellinck]	Hellinck, Lupus (ca. 1494–1541)
Qui confidunt in Domino II: Quia non relinquet Hellinck, Lupus (ca. 1494–1541) Appears on: 99v–100 Genres: Motet Source Attribution: Lupus [Hellinck] Voice: [no designation] Languages: Latin Voice Text: Qui confidunt in domino sicut mons Syon II: Quia non relinquet dominus virgam
100v–101v	Herr, wie lang wiltu mein so gar vergessen (2p. Schau doch und erhöre mich Herr; 3p. Ich hoff aber auff Deine gütte)	Thomas Stoltzer	Stoltzer, Thomas (ca. 1480–1526)
Herr, wie lang wiltu mein so gar vergessen (2p. Schau doch und erhöre mich Herr; 3p. Ich hoff aber auff Deine gütte) Stoltzer, Thomas (ca. 1480–1526) Appears on: 100v–101v Genres: Motet Source Attribution: Thomas Stoltzer Voice: [no designation] Languages: German Voice Text: Herr wie lang wiltu meyn so gar vergessenn II: Schau doch und erhor mich meyn Her III: Ich hoff aber auff deyne güthe
102–102v	Os justi meditabitur II: Noli aemulari (P64)	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Os justi meditabitur II: Noli aemulari (P64) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 102–102v Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Os iusti meditabitur sapientiam et lingua II: Noli aemulari in malignantibus
102v–104v	Exaudiat te - 2a pars (of 2): Letabimur in salutari tuo et in nomine	Johan Heugel	Heugel, Johannes
Exaudiat te - 2a pars (of 2): Letabimur in salutari tuo et in nomine Heugel, Johannes Appears on: 102v–104v Genres: Motet Source Attribution: Johan Heugel Voice: [no designation] Languages: Latin Voice Text: Credidi propter quod locutus sum ego II: Vota mea domino reddam coram omni
104v–105	Valde honorandus est beatus Johannes	Stephanus Zirler	Zirler, Stephan (ca. 1518–1568)
Valde honorandus est beatus Johannes Zirler, Stephan (ca. 1518–1568) Appears on: 104v–105 Genres: Motet Source Attribution: Stephanus Zirler Voice: [no designation] Languages: Latin Voice Text: Valde honorandus est beatus Johannes
105–106v	Angelus Domini descendit de caelo et accedens II: Angelus Domini locutus est mulieribus	Anon.	Anonymous
Angelus Domini descendit de caelo et accedens II: Angelus Domini locutus est mulieribus Anonymous Appears on: 105–106v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Angelus domini descendit de caelo et accedens II: Angelus domini locutus est mulieribus
106v–107v	O pater omnipotens precibus si flecteris?	Anon.	Anonymous
O pater omnipotens precibus si flecteris? Anonymous Appears on: 106v–107v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O pater omnipotens [precibus si flecteris?]

Composer	Compositions
Anonymous	Angelus Domini descendit de caelo et accedens II: Angelus Domini locutus est mulieribus – 105–106v Congregati sunt inimici nostri et gloriantur II: Tu Domine qui superborum corda – 97v–98v Et valde mane una sabbatorum veniunt – 80 Exemplars of Petreius 1540(6) and Berg & Neuber 1550(2) – 1–73v Flos florum fons ortorum regina polorum – 82v–83 Maria autem conservabat omnia verba – 79 O pater omnipotens precibus si flecteris? – 106v–107v Quid ultra magnificavi opera mea II: Feci mihi cantores et cantatrices – 80v–82 Veni Domine visitare nos in pace – 79v Veni sancte spiritus reple tuorum corda – 77v Veni sancte spiritus reple tuorum corda – 78
Bauldeweyn, Noel (ca. 1480–1529)	(?) En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden – 84
Betti, Stefano	(?) Verbum iniquum (II) (2p. Duo rogavi te) – 98v–99
Brunet, Johannes	(?) Verbum iniquum (II) (2p. Duo rogavi te) – 98v–99
Certon, Pierre (–ca. 1572)	La la la je ne lose dire la la la – 92v–93
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Elend ich rief und seuft so tief (= Jouons beau jeu tout en riant) – 90v–91v Gott ist mein licht und mein seligkeit – 89–90v
Crecquillon, Thomas (ca. 1505–ca. 1557)	Gruss dich Gott mein konig und ich bin – 88–88v
Despres, Josquin (ca. 1450–1521)	(?) Domine Dominus noster quam admirabile 16.4 – 74–75 N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 – 85v Plusieurs regrets qui sur la terre 29.21 – 84v (?) Salva nos Domine vigilantes custodi 26.12 – 77
Donato, Baldassare (ca. 1529–1603)	E quando ha fato lovo la matina – 91v–92
Gombert, Nicolas (ca. 1495–ca. 1560)	Se dire ie losoye d'où me vient le souffrir – 86v Triste depart m'avoit mis en douleur – 87v
Grefinger, Wolfgang	(?) En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden – 84 (?) Es taget vor dem walde steh auff [S92] – 83v
Hellinck, Lupus (ca. 1494–1541)	Qui confidunt in Domino II: Quia non relinquet – 99v–100
Heugel, Johannes	Exaudiat te - 2a pars (of 2): Letabimur in salutari tuo et in nomine – 102v–104v
Hollander, Christian	Susanna se videns rapi stuprandam fraude – 93v–95
Larchier, Jean	Je vous plusieurs en acoutant – 85
Le Cocq, Gerard	Si par souffrir l'on peult vaincre fortune – 87
Le Maistre, Mattheus (ca. 1505–1577)	Vater unser, der du bist im Himmel – 89–89v
Le Roy, G.	Splendor lucis aeternae et sol justitiae – 76v
Mouton, Jean (ca. 1459–1522)	(?) Salva nos Domine vigilantes custodi 26.12 – 77
Phinot, Dominique	Deus in nomine tua salvum me fac II: Ecce enim Deus adjuvat me – 96–97
Richafort, Jean (ca. 1480–ca. 1550)	(?) Ne vous chaille mon coeur si vous aves – 86
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) Es taget vor dem walde steh auff [S92] – 83v Missus est angelus Gabriel ad Mariam – 78v (?) Os justi meditabitur II: Noli aemulari (P64) – 102–102v
Stoltzer, Thomas (ca. 1480–1526)	Herr, wie lang wiltu mein so gar vergessen (2p. Schau doch und erhöre mich Herr; 3p. Ich hoff aber auff Deine gütte) – 100v–101v
Verdelot, Philippe (ca. 1480–ca. 1532)	O dulcissime Domine Jesu Christe respicere – 75v–76
Werrecore, Matthias Hermann	(?) Ne vous chaille mon coeur si vous aves – 86
Willaert, Adrian (ca. 1490–1562)	(?) Salva nos Domine vigilantes custodi 26.12 – 77 (?) Verbum iniquum (II) (2p. Duo rogavi te) – 98v–99
Zirler, Stephan (ca. 1518–1568)	Valde honorandus est beatus Johannes – 104v–105

Composition	Composers (? Uncertain)	Folios / Pages
Angelus Domini descendit de caelo et accedens II: Angelus Domini locutus est mulieribus	Anonymous	105–106v
Congregati sunt inimici nostri et gloriantur II: Tu Domine qui superborum corda	Anonymous	97v–98v
Deus in nomine tua salvum me fac II: Ecce enim Deus adjuvat me	Phinot, Dominique	96–97
Domine Dominus noster quam admirabile 16.4	Despres, Josquin (ca. 1450–1521) (?)	74–75
E quando ha fato lovo la matina	Donato, Baldassare (ca. 1529–1603)	91v–92
Elend ich rief und seuft so tief (= Jouons beau jeu tout en riant)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	90v–91v
En doleur en tristesse languirayge = Ach Gott wem sol ichs klagen das heimlich leiden	Bauldeweyn, Noel (ca. 1480–1529) (?) Grefinger, Wolfgang (?)	84
Es taget vor dem walde steh auff [S92]	Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	83v
Et valde mane una sabbatorum veniunt	Anonymous	80
Exaudiat te - 2a pars (of 2): Letabimur in salutari tuo et in nomine	Heugel, Johannes	102v–104v
Exemplars of Petreius 1540(6) and Berg & Neuber 1550(2)	Anonymous	1–73v
Flos florum fons ortorum regina polorum	Anonymous	82v–83
Gott ist mein licht und mein seligkeit	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	89–90v
Gruss dich Gott mein konig und ich bin	Crecquillon, Thomas (ca. 1505–ca. 1557)	88–88v
Herr, wie lang wiltu mein so gar vergessen (2p. Schau doch und erhöre mich Herr; 3p. Ich hoff aber auff Deine gütte)	Stoltzer, Thomas (ca. 1480–1526)	100v–101v
Je vous plusieurs en acoutant	Larchier, Jean	85
La la la je ne lose dire la la la	Certon, Pierre (–ca. 1572)	92v–93
Maria autem conservabat omnia verba	Anonymous	79
Missus est angelus Gabriel ad Mariam	Senfl, Ludwig (ca. 1486–ca. 1543)	78v
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17	Despres, Josquin (ca. 1450–1521)	85v
Ne vous chaille mon coeur si vous aves	Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?)	86
O dulcissime Domine Jesu Christe respicere	Verdelot, Philippe (ca. 1480–ca. 1532)	75v–76
O pater omnipotens precibus si flecteris?	Anonymous	106v–107v
Os justi meditabitur II: Noli aemulari (P64)	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	102–102v
Plusieurs regrets qui sur la terre 29.21	Despres, Josquin (ca. 1450–1521)	84v
Qui confidunt in Domino II: Quia non relinquet	Hellinck, Lupus (ca. 1494–1541)	99v–100
Quid ultra magnificavi opera mea II: Feci mihi cantores et cantatrices	Anonymous	80v–82
Salva nos Domine vigilantes custodi 26.12	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) (?) Willaert, Adrian (ca. 1490–1562) (?)	77
Se dire ie losoye d'où me vient le souffrir	Gombert, Nicolas (ca. 1495–ca. 1560)	86v
Si par souffrir l'on peult vaincre fortune	Le Cocq, Gerard	87
Splendor lucis aeternae et sol justitiae	Le Roy, G.	76v
Susanna se videns rapi stuprandam fraude	Hollander, Christian	93v–95
Triste depart m'avoit mis en douleur	Gombert, Nicolas (ca. 1495–ca. 1560)	87v
Valde honorandus est beatus Johannes	Zirler, Stephan (ca. 1518–1568)	104v–105
Vater unser, der du bist im Himmel	Le Maistre, Mattheus (ca. 1505–1577)	89–89v
Veni Domine visitare nos in pace	Anonymous	79v
Veni sancte spiritus reple tuorum corda	Anonymous	77v
Veni sancte spiritus reple tuorum corda	Anonymous	78
Verbum iniquum (II) (2p. Duo rogavi te)	Willaert, Adrian (ca. 1490–1562) (?) Betti, Stefano (?) Brunet, Johannes (?)	98v–99

Set: Ed. 1147

Type: Partbooks

No images available

D-HAu Ed. 1147 [Altus]

No images available

D-HAu Ed. 1147 [Bassus]

No images available

D-HAu Ed. 1147 [Discantus]

No images available

D-HAu Ed. 1147 [Quintus]

No images available

D-HAu Ed. 1147 [Tenor]

‡ denotes primary source study

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 263,271. Notes: mention of MS; contents list (partial).

Sparks, Edgar H. 1972. The music of Noel Bauldeweyn. American Musicological Society. Pages: 138. Notes: concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 306. Notes: mention of MS.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa. Kassel. Pages: 167, 183-4. Notes: physical description (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI,173. Notes: mention of MS.

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: I,v-vi. Notes: contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description