E-GRcr MS 3

Capilla Real, Archivo de Música, Granada, Spain

manuscript of polyphony: late 16th - early 17th century

Archive Capilla Real, Archivo de Música, Granada, Spain (E-GRcr)
Shelfmark MS 3
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 495 x 365 mm
Other Identifiers
  • CCM: GranCR 3
  • olim (Former shelfmark): LópAM #3
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
  • Spain
Contents 48 pieces from 2 composers
General Description

An anonymous scribe copied the 4-voice pieces, through f. 71, and possibly Fray Pedro Duran the 5-voice pieces following, who also copied parts of E-GRcr MS s.s. [Tiple] and GranCR 7. Copied at the Capilla Real, Granada.

DIAMM, 2017
Binding

Original covers of brown suede leather over boards, with metal strips around edges; more recent metal clasps.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Original ink foliation.

DIAMM, 2017
Index

Original index.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 psalms, 39 motets = 41

(R. Ceballos)-4, (Morales)-1, anon-36

i + 149 paper folios, 495 x 365. Original ink foliation. Original covers of brown suede leather over boards, with metal strips around edges; more recent metal clasps. Original index. One scribe copied 4-voice pieces, through f. 71, another the 5-voice pieces following; the second scribe also copied parts of GranCR (5) and GranCR 7.

Late 16th-early 17th century. Copied at the Capilla Real, Granada.

Vol 4

Contents: 39 motets

Composers: (R. Ceballos)-37 + 1?, (Morales)-1

Physical: Copied by two scribes (ff. 1 '-71 and ff. 72'-149, respectively); second scribe (possibly Fray Pedro Duran) also wrote ToleBC 7.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 Inter vestibulum et altare -
Appears on: 1v–2
Genres: Motet
2v–6 Veni Domine et noli tardare -
Appears on: 2v–6
Genres: Motet
6v–8 Ductus est Jesus -
Appears on: 6v–8
Genres: Motet
8v–10 Clamabat autem mulier Cananaea -
Appears on: 8v–10
Genres: Motet
10v–12 Erat Jesus ejiciens daemonium -
Appears on: 10v–12
Genres: Motet
12v–14 Cum accepisset Jesus panes -
Appears on: 12v–14
Genres: Motet
14v–16 Posuerunt super caput -
Appears on: 14v–16
Genres: Motet
16v–18 Erravi sicut ovis quae periit -
Appears on: 16v–18
Genres: Motet
18v–21 Adversum me susurrabant omnes -
Appears on: 18v–21
Genres: Motet
21v–31 Eripe me Domine - 1a pars (of 3): Eripe me Domine ab homine malo -
Appears on: 21v–31
Genres: Motet
21v–31 Eripe me Domine - 2a pars (of 3): Custodi me Domine -
Appears on: 21v–31
Genres: Motet
21v–31 Eripe me Domine - 3a pars (of 3): Caput circuitus eorum -
Appears on: 21v–31
Genres: Motet
31v–34 In illo tempore cum turba plurima convenirent -
Appears on: 31v–34
Genres: Motet
34v–36 Exaudiat Dominus orationes nostras -
Appears on: 34v–36
Genres: Motet
36v–39 Regina caeli -
Appears on: 36v–39
Genres: Motet, Regina caeli laetare
39v–40 Hortus conclusus - 1a pars (of 2): Hortus conclusus soror mea sponsa -
Appears on: 39v–40
Genres: Motet
40v–41 Hortus conclusus - 2a pars (of 2): Veni sponsa mea ostende mihi -
Appears on: 40v–41
Genres: Motet
41v–44 Veni speciosa mea -
Appears on: 41v–44
Genres: Motet
44v–46 Exaltata es - 1a pars (of 2): Exaltata es sancta Dei genitrix -
Appears on: 44v–46
Genres: Motet
46v–48 Exaltata es - 2a pars (of 2): Virgo Dei genitrix que totus -
Appears on: 46v–48
Genres: Motet
48v–50 Ego quasi vitis fructificavi sua vita -
Appears on: 48v–50
Genres: Motet
50v–54 Gaude Dei genitrix -
Appears on: 50v–54
Genres: Motet
54v–57 Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum -
Appears on: 54v–57
Genres: Motet
57v–60 Ascendens Christus - 2a pars (of 2): Dominus quidem Jesus -
Appears on: 57v–60
Genres: Motet
60v–63 O doctor optime - 1a pars (of 2): O doctor optime -
Appears on: 60v–63
Genres: Motet
63v–65 O doctor optime - 2a pars (of 2): Monachorum omnium pater -
Appears on: 63v–65
Genres: Motet
65v–67 Ecce sacerdos magnus (4vv) -
Appears on: 65v–67
Genres: Motet
General Note

a 5vv re-working of this setting is at 139v

67v–69 Sancte Paule apostole -
Appears on: 67v–69
Genres: Motet
69v–72 Justorum animae -
Appears on: 69v–72
Genres: Motet
72v–75 Ambulans Jesus juxta mare Galilaeae -
Appears on: 72v–75
Genres: Motet
General Note

5vv with canon at the unison

75v–79 Dixit Jesus duscipulis suis ... caro mea -
Appears on: 75v–79
Genres: Motet
General Note

5vv with canon at the second

79v–84 In illo tempore ... descendens Petrus de navicula -
Appears on: 79v–84
Genres: Motet
General Note

5vv with canon at the third

84v–89 Introduxit me rex in cellam -
Appears on: 84v–89
Genres: Motet
General Note

5vv with canon at the fourth

89v–95 Si quis vult post me venire -
Appears on: 89v–95
Genres: Motet
General Note

5vv with canon at the fifth

95v–98 In mense autem sexto missus est angelus Gabriel -
Appears on: 95v–98
Genres: Motet
General Note

5vv with canon at the sixth

98v–102 Spiritus Domini replevit orbem terrarum -
Appears on: 98v–102
Genres: Motet
General Note

5vv with canon at the octave

102v–107 O virgo benedicta super omnes feminas -
Appears on: 102v–107
Genres: Motet
107v–111 Voce mea ad Dominum clamavi -
Appears on: 107v–111
Genres: Motet
111v–115 Clamavi ad te Domine -
Appears on: 111v–115
Genres: Motet
115v–125 Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer clamavi -
Appears on: 115v–125
Genres: Motet
115v–125 Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi quia incolatus meus prolongatus est -
Appears on: 115v–125
Genres: Motet
125v–128 Diligite justitiam -
Appears on: 125v–128
Genres: Motet
128v–132 Cum audisset David -
Appears on: 128v–132
Genres: Motet
132v–136 O pretiosum et admirabile sacramentum -
Appears on: 132v–136
Genres: Motet
136v–139 Salve sancte Francisce -
Appears on: 136v–139
Genres: Motet
139v–142 Ecce sacerdos magnus (5vv) -
Appears on: 139v–142
Genres: Motet
General Note

a 5vv re-working of the 4vv setting at f. 65v

142v–145 Ecce nunc tempus acceptabile (5vv) -
Appears on: 142v–145
Genres: Motet
145v–149 Respicientes autem in caelum martyres -
Appears on: 145v–149
Genres: Motet
Composer Compositions
Ceballos, Rodrigo de (ca. 1525–1581)
Morales, Cristóbal de (ca. 1500–1553)
Composition Composers (? Uncertain) Folios / Pages
Ad Dominum cum tribularer - 1a pars (of 2): Ad Dominum cum tribularer clamavi 115v–125
Ad Dominum cum tribularer - 2a pars (of 2): Heu mihi quia incolatus meus prolongatus est 115v–125
Adversum me susurrabant omnes 18v–21
Ambulans Jesus juxta mare Galilaeae 72v–75
Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum 54v–57
Ascendens Christus - 2a pars (of 2): Dominus quidem Jesus 57v–60
Clamabat autem mulier Cananaea 8v–10
Clamavi ad te Domine 111v–115
Cum accepisset Jesus panes 12v–14
Cum audisset David 128v–132
Diligite justitiam 125v–128
Dixit Jesus duscipulis suis ... caro mea 75v–79
Ductus est Jesus 6v–8
Ecce nunc tempus acceptabile (5vv) 142v–145
Ecce sacerdos magnus (4vv) 65v–67
Ecce sacerdos magnus (5vv) 139v–142
Ego quasi vitis fructificavi sua vita 48v–50
Erat Jesus ejiciens daemonium 10v–12
Eripe me Domine - 1a pars (of 3): Eripe me Domine ab homine malo 21v–31
Eripe me Domine - 2a pars (of 3): Custodi me Domine 21v–31
Eripe me Domine - 3a pars (of 3): Caput circuitus eorum 21v–31
Erravi sicut ovis quae periit 16v–18
Exaltata es - 1a pars (of 2): Exaltata es sancta Dei genitrix 44v–46
Exaltata es - 2a pars (of 2): Virgo Dei genitrix que totus 46v–48
Exaudiat Dominus orationes nostras 34v–36
Gaude Dei genitrix 50v–54
Hortus conclusus - 1a pars (of 2): Hortus conclusus soror mea sponsa 39v–40
Hortus conclusus - 2a pars (of 2): Veni sponsa mea ostende mihi 40v–41
In illo tempore ... descendens Petrus de navicula 79v–84
In illo tempore cum turba plurima convenirent 31v–34
In mense autem sexto missus est angelus Gabriel 95v–98
Inter vestibulum et altare 1v–2
Introduxit me rex in cellam 84v–89
Justorum animae 69v–72
O doctor optime - 1a pars (of 2): O doctor optime 60v–63
O doctor optime - 2a pars (of 2): Monachorum omnium pater 63v–65
O pretiosum et admirabile sacramentum 132v–136
O virgo benedicta super omnes feminas 102v–107
Posuerunt super caput 14v–16
Regina caeli 36v–39
Respicientes autem in caelum martyres 145v–149
Salve sancte Francisce 136v–139
Sancte Paule apostole 67v–69
Si quis vult post me venire 89v–95
Spiritus Domini replevit orbem terrarum 98v–102
Veni Domine et noli tardare 2v–6
Veni speciosa mea 41v–44
Voce mea ad Dominum clamavi 107v–111

denotes primary source study

Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography.  Detroit. Pages: 25,32,41-57,79,84-5,88-9,92-3. Notes: contents list (partial); concordances (partial); incipits (partial); facsimile (partial); mention of MS; discussion.

López Calo, S.J., José. 1963. La Música en la Catedral de Granada en el Sigio XVI.  Granada. Pages: II, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial).

López Calo, S.J., José. 1958. El Archivo de Mùsica de la Capilla Real de Granada. Anuário Musical, 103-28. Pages: 109-10. Notes: physical description; contents list.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: XXXIV.xxiii,27-9 [incorrectly referred to as MS 4]. Notes: concordances (partial); transcription (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description