Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
34 | [Gloria Patri] | - | Anonymous |
[Gloria Patri]Anonymous
Appears on:
34
Genres:
Doxology
General Noteincomplete; last line (of a doxology) only |
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34 | Verbum caro [v.4 of Pange lingua] | Ruys | |
Appears on:
34
Genres:
Hymn
Source Attribution:
Ruys
Voice:
[no designation]
Languages:
none
Voice Text:
1 work
|
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34v | [Lauda Jerusalem] Quoniam confortavit (tone 8) | - | Anonymous |
Appears on:
34v
Genres:
Fauxbourdon/faburden, Psalm
General Noteodd-numbered verses |
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35 | Beatus vir (tone 6) | - | Anonymous |
Beatus vir (tone 6)Anonymous
Appears on:
35
Genres:
Fauxbourdon/faburden, Psalm
General Notealternatim setting, incomplete; does not match the text of Ps.111 |
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35 | (psalm setting, tone 6) | - | Anonymous |
(psalm setting, tone 6)Anonymous
Appears on:
35
Genres:
Fauxbourdon/faburden, Psalm, textless
General Notetextless falsobordone setting for a psalm |
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35v–36 | Salve regina (alternatim) | (anon) | |
Appears on:
35v–36
Genres:
Antiphon, BVM, Salve Regina
Source Attribution:
(anon)
Voice:
[no designation]
Languages:
none
Voice Text:
2 works
|
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36 | Deo gratias | guerrero | |
Appears on:
36
Genres:
Deo gratias
Source Attribution:
guerrero
ConcordancesAlso copied at f. 37 |
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36–36v | [Beati omnes] Labores manum tuarum (tone 1) | Morales | |
Appears on:
36–36v
Genres:
Fauxbourdon/faburden, Psalm
Source Attribution:
Morales
|
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36v–37 | (psalm setting, tone 8) | Morales | |
Appears on:
36v–37
Genres:
Fauxbourdon/faburden, Psalm, textless
Source Attribution:
Morales
|
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37 | Deo gratias | guerrero | |
Appears on:
37
Genres:
Deo gratias
Source Attribution:
guerrero
ConcordancesAlso copied at f. 36 |
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37v | Ego sum panis vivus | fran[cis]co De tapia | |
Appears on:
37v
Genres:
Motet
Source Attribution:
fran[cis]co De tapia
Voice:
[no designation]
Languages:
none
Voice Text:
7 works
|
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38 | Tenebrae factae sunt | fran[cis]co De tapia | |
Appears on:
38
Genres:
Responsory
Source Attribution:
fran[cis]co De tapia
|
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38v | O magnum mysterium | morales | |
Appears on:
38v
Genres:
Motet
Source Attribution:
morales
|
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39 | Da mihi in disco | fran[cis]co De tapia | |
Appears on:
39
Genres:
Motet
Source Attribution:
fran[cis]co De tapia
|
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39 | [Te Deum] Te ergo quaesumus | fran[cis]co de tapia | |
Appears on:
39
Genres:
Te Deum
Source Attribution:
fran[cis]co de tapia
|
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39v–40 | Sancti Jacobi apostoli | s[anta] m[ari]a | |
Appears on:
39v–40
Genres:
Motet
Source Attribution:
s[anta] m[ari]a
General Notedescribed as a 'calenda', i.e. a festive motet |
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40–40v | Nativitas Sancti Joanis | santa maria | |
Appears on:
40–40v
Genres:
Motet
Source Attribution:
santa maria
General Notedescribed as a 'calenda', i.e. a festive motet |
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40v–41 | Romae Sancti Joanis ante portam | santa maria | |
Appears on:
40v–41
Genres:
Motet
Source Attribution:
santa maria
General Notedescribed as a 'calenda', i.e. a festive motet |
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41v | Jesus Christus eternus Deus | santa m[ari]a | |
Appears on:
41v
Genres:
Motet
Source Attribution:
santa m[ari]a
General Notedescribed as a 'calenda', i.e. a festive motet |
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42 | Alleluia. Ego vos elegi | fran[cis]co De tapia | |
Appears on:
42
Genres:
Alleluia
Source Attribution:
fran[cis]co De tapia
|
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42v–43 | Alleluia. Pascha nostrum | fran[cis]co De tapia | |
Appears on:
42v–43
Genres:
Alleluia
Source Attribution:
fran[cis]co De tapia
|
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43–43v | Gaudeamus omnes | De tapia | |
Appears on:
43–43v
Genres:
Gradual
Source Attribution:
De tapia
|
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44v–45 | Magnificat (tone 4): Anima mea | Alonso Lovo | |
Appears on:
44v–45
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Alonso Lovo
Voice:
[no designation]
Languages:
none
Voice Text:
1 work
|
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45v–49 | Missa Benedicta es caelorum regina: Kyrie | misa valenciana de morales | |
Appears on:
45v–49
Genres:
Kyrie eleison, Mass Ordinary
Source Attribution:
misa valenciana de morales
General Noteearly version of the mass. "Analysis of the surviving voice part ... shows how Morales apparently quite freely re-worked the material for his Rome Dorico publication ... This concern for unity was also shown through the substitution of the former Credo (related to Credo I, and the Credo of his a4 Marian mass) with one matching the dual parody thematic structure of the other mass sections. The Gloria was also completely re-styled, and parts of some of the later sections of the mass were exchanged in the final version." (Nelson2010) Item BibliographyNelson, Bernadette. 2002. Was Morales in Valencia? New light on the origins of the Missa Benedicta es, caelorum regina. Early Music, 365-379. |
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45v–49 | Missa Benedicta es caelorum regina: Gloria | - | |
Appears on:
45v–49
Genres:
Gloria (et in terra pax), Mass Ordinary
General Noteearly version of the mass. "Analysis of the surviving voice part ... shows how Morales apparently quite freely re-worked the material for his Rome Dorico publication ... This concern for unity was also shown through the substitution of the former Credo (related to Credo I, and the Credo of his a4 Marian mass) with one matching the dual parody thematic structure of the other mass sections. The Gloria was also completely re-styled, and parts of some of the later sections of the mass were exchanged in the final version." (Nelson2010) Item BibliographyNelson, Bernadette. 2002. Was Morales in Valencia? New light on the origins of the Missa Benedicta es, caelorum regina. Early Music, 365-379. |
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45v–49 | Missa Benedicta es caelorum regina: Credo | - | |
Appears on:
45v–49
Genres:
Credo (patrem omnipotentem), Mass Ordinary
General Noteearly version of the mass. "Analysis of the surviving voice part ... shows how Morales apparently quite freely re-worked the material for his Rome Dorico publication ... This concern for unity was also shown through the substitution of the former Credo (related to Credo I, and the Credo of his a4 Marian mass) with one matching the dual parody thematic structure of the other mass sections. The Gloria was also completely re-styled, and parts of some of the later sections of the mass were exchanged in the final version." (Nelson2010) Item BibliographyNelson, Bernadette. 2002. Was Morales in Valencia? New light on the origins of the Missa Benedicta es, caelorum regina. Early Music, 365-379. |
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45v–49 | Missa Benedicta es caelorum regina: Sanctus | - | |
Appears on:
45v–49
Genres:
Mass Ordinary, Sanctus [& Benedictus]
General Noteearly version of the mass; no Osanna or Benedictus. "Analysis of the surviving voice part ... shows how Morales apparently quite freely re-worked the material for his Rome Dorico publication ... This concern for unity was also shown through the substitution of the former Credo (related to Credo I, and the Credo of his a4 Marian mass) with one matching the dual parody thematic structure of the other mass sections. The Gloria was also completely re-styled, and parts of some of the later sections of the mass were exchanged in the final version." (Nelson2010) Item BibliographyNelson, Bernadette. 2002. Was Morales in Valencia? New light on the origins of the Missa Benedicta es, caelorum regina. Early Music, 365-379. |
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45v–49 | Missa Benedicta es caelorum regina: Agnus | - | |
Appears on:
45v–49
Genres:
Agnus Dei, Mass Ordinary
General Noteearly version of the mass; one Agnus Dei 'miserere nobis' only. "Analysis of the surviving voice part ... shows how Morales apparently quite freely re-worked the material for his Rome Dorico publication ... This concern for unity was also shown through the substitution of the former Credo (related to Credo I, and the Credo of his a4 Marian mass) with one matching the dual parody thematic structure of the other mass sections. The Gloria was also completely re-styled, and parts of some of the later sections of the mass were exchanged in the final version." (Nelson2010) Item BibliographyNelson, Bernadette. 2002. Was Morales in Valencia? New light on the origins of the Missa Benedicta es, caelorum regina. Early Music, 365-379. |
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49v | [Ave maris stella] Monstra te esse (II) | Morales | |
Appears on:
49v
Genres:
Ave maris stella, BVM, Vespers
Source Attribution:
Morales
Voice:
[no designation]
Languages:
none
Voice Text:
10 works
|
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49v | Deo gratias | morales | |
Appears on:
49v
Genres:
Response
Source Attribution:
morales
|
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50–50v | Magnificat (tone 8): Anima mea [K.528] | morales | |
Appears on:
50–50v
Genres:
BVM, Canticle, Magnificat
Source Attribution:
morales
|
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51 | [Pange lingua] Tantum ergo | (anon) | |
Appears on:
51
Genres:
Hymn
Source Attribution:
(anon)
Concordancesalso copied at f. 52 |
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51v | Dominus dixit ad me | - | Anonymous |
Dominus dixit ad meAnonymous
Appears on:
51v
Genres:
Introit, Sequence
|
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52 | [Pange lingua] Tantum ergo | morales | |
Appears on:
52
Genres:
Hymn
Source Attribution:
morales
Concordancesalso copied at f. 51 |
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52v–55 | Misa del Gallo (Christmas mass): Kyrie | - | Anonymous |
Misa del Gallo (Christmas mass): KyrieAnonymous
Appears on:
52v–55
Genres:
Kyrie eleison, Mass Ordinary
|
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52v–55 | Misa del Gallo (Christmas mass): Gloria | - | Anonymous |
Misa del Gallo (Christmas mass): GloriaAnonymous
Appears on:
52v–55
Genres:
Gloria (et in terra pax), Mass Ordinary
|
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52v–55 | Misa del Gallo (Christmas mass): Credo | - | Anonymous |
Misa del Gallo (Christmas mass): CredoAnonymous
Appears on:
52v–55
Genres:
Credo (patrem omnipotentem), Mass Ordinary
|
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52v–55 | Misa del Gallo (Christmas mass): Sanctus | - | Anonymous |
Misa del Gallo (Christmas mass): SanctusAnonymous
Appears on:
52v–55
Genres:
Mass Ordinary, Sanctus [& Benedictus]
General NoteNo Osanna or Benedictus |
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52v–55 | Misa del Gallo (Christmas mass): Agnus Dei | - | Anonymous |
Appears on:
52v–55
Genres:
Agnus Dei, Mass Ordinary
General NoteOnly one Agnus Dei "miserere nobis" |
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56 | Alleluia. Dominus dixit as me (Misa del Gallo - Christmas mass) | - | Anonymous |
Appears on:
56
Genres:
Alleluia
|
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56 | In splendoribus (Communion, Misa del Gallo - Christmas mass) | - | Anonymous |
Appears on:
56
Genres:
Communion
|
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56v | Hodie nobis de caelo (Misa del Gallo - Christmas mass) | - | Anonymous |
Appears on:
56v
Genres:
Motet
|
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56v | Hodie illuxit dies (Misa del Gallo - Christmas mass) | - | Anonymous |
Appears on:
56v
Genres:
Motet
|
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57 | O magnum mysterium (Misa del Gallo - Christmas mass) | - | Anonymous |
Appears on:
57
Genres:
Motet
|
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57–57v | Domine audivi (Misa del Gallo - Christmas mass) | - | Anonymous |
Appears on:
57–57v
Genres:
Motet
|
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57v | Gloria in excelsis Deo (I) (Misa del Gallo - Christmas mass) | - | Anonymous |
Appears on:
57v
Genres:
Motet
|
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57v | Gloria in excelsis Deo (II) (Misa del Gallo - Christmas mass) | - | Anonymous |
Appears on:
57v
Genres:
Motet
|
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58–58v | Et erexit (tone 8) | - | Anonymous |
Et erexit (tone 8)Anonymous
Appears on:
58–58v
Genres:
Canticle
|
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58v–59 | [Dixit Dominus] Donec ponam inimicos (tone 1) | - | Anonymous |
Appears on:
58v–59
Genres:
Psalm
|
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59 | [De profundis] Fiant aures tuae (tone 4) | - | Anonymous |
[De profundis] Fiant aures tuae (tone 4)Anonymous
Appears on:
59
Genres:
Psalm
|
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59v–60 | [Laudate pueri] Sit nomen nomini (tone 6) | - | Anonymous |
Appears on:
59v–60
Genres:
Psalm
|
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60–60v | [Lauda Jerusalem] Quoniam confortavit (tone 8) | - | Anonymous |
Appears on:
60–60v
Genres:
Psalm
|
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60v | Christe redemptor | - | Anonymous |
Christe redemptorAnonymous
Appears on:
60v
Genres:
Hymn
General Noteverse 1 only |
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61–61v | Psalm-tone formulae (all 8 tones) | - | Anonymous |
Psalm-tone formulae (all 8 tones)Anonymous
Appears on:
61–61v
Genres:
Psalm
General NotePsalm-tone fabordon formulae in each of the 8 tones, set ot Dixit Dominus v.2 "Donec ponam inimicos". Followed by an untexted additional setting in tone 2. Tones 1-7, f. 61; tone 8 & additional tone 2, f. 61v. |
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61v | Christus natus est nobis | - | Anonymous |
Christus natus est nobisAnonymous
Appears on:
61v
Genres:
Antiphon
|
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62v–63 | Magnificat (tone 8): Et exultavit [K.443] | - | Anonymous |
Appears on:
62v–63
Genres:
BVM, Canticle, Magnificat
|
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64v–65v | Lamentations (5): Aleph. Quomodo sedet sola civitas Beth. Plorans ploravit in nocte Gimel. Migravit Iudas propter afflictionem Daleth. Vie Sion lugent eo quod non Heth. Facti sunt hostes eius in capite Jerusalem convertere ad Dominum Deum | (anon) | |
Appears on:
64v–65v
Genres:
Motet
Source Attribution:
(anon)
|
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66v–67 | Veni sancte Spiritus | - | Anonymous |
Veni sancte SpiritusAnonymous
Appears on:
66v–67
Genres:
Sequence
ConcordancesSame music as the following piece 'Lauda Sion' |
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67v–68 | Lauda Sion | - | Anonymous |
Lauda SionAnonymous
Appears on:
67v–68
Genres:
Sequence
ConcordancesSame music as the preceding piece 'Veni sancte spiritus' |
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68v–69v, 72 | Magnificat (tone 6): Et exultavit [K.925] | Morales | |
Appears on:
68v–69v, 72
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Morales
General NoteNelson2010 explores Morales' re-use of ideas from this composition in writing the piece in the published 'set'. Item BibliographyNelson, Bernadette. 2010. A Little Known Part-Book From Toledo. Music By Morales, Guerrero, Jorge De Santa María, Alonso Lobo And Others In Barcelona, Instituto Español De Musicología, Fondo Reserva, Ms 1. Anuario Musical, 25-56. Pages: 31-34. |
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70–71 | Magnificat (tone 1): Anima mea [K.923} | Morales | |
Appears on:
70–71
Genres:
BVM, Canticle, Magnificat
Source Attribution:
Morales
General NoteNelson2010 explores Morales' re-use of ideas from this composition in writing the piece in the published 'set'. Item BibliographyNelson, Bernadette. 2010. A Little Known Part-Book From Toledo. Music By Morales, Guerrero, Jorge De Santa María, Alonso Lobo And Others In Barcelona, Instituto Español De Musicología, Fondo Reserva, Ms 1. Anuario Musical, 25-56. Pages: 31-34. |
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71v | Ne recorderis dirige dum veneris / Kyrie eleison | (anon) | |
Appears on:
71v
Genres:
Responsory, Verse
Source Attribution:
(anon)
General Noteincomplete |