Polyphony on new ff. 3'-4, 28'-29, 36'-39, 43'-44, 50'-53, 76'-78', 79'-80, 91'-92, 93-93', and 134', copied by several scribes. Copied in Prague, for use at Church of Sts. Peter and Paul.
CZ-Pst MS K Vs 376
Státní Archiv, Prague, Czech Republic
chant book with added polyphony: 15th century
| Archive | Státní Archiv, Prague, Czech Republic (CZ-Pst) |
|---|---|
| Shelfmark | MS K Vs 376 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 210 x 147 mm |
| Other Identifiers |
|
| Notations |
|
| Relationships |
|
| Provenance |
|
| Contents | Contains 18 compositions, 18 are anonymous. |
General Description
Binding
Original covers of leather over wooden boards (only fragments remain)
Notation
Bohemian chant notation and black mensural notation
Date
Ca. 1450-80 (CernPW).
Foliation
Original foliation, a V-X ... q VII (some original folios now missing); modern foliation, 1-200.
Decoration
Small inked initials.
Surface
paper
RISM Description
RISM B IV/3: 15. Jh.; 200 Blätter Papier, 210 x 147 mm. Moderne Foliierung von f. 1-200; originale Foliierung a V-X, b I-X bis q VII (einige Blätter fehlen). Je Seite bis zu 8 schwarze Fünfliniensysteme (vereinzelt auch Drei- und Vierliniensysteme) mit böhmischer Choral- und schwarzer Mensuralnotation — Einband: nur Reste des originalen Einbandes erhalten; mit Leder überzogene Holzdeckel.
Diese Handschrift, ein aus der Prager Kapitelskirche St. Peter und Paul (Vyšehrad) stammendes Kantionale, gehört mit zu den wichtigsten Quellen böhmischer Musik. Sie wurde um die Mitte und in der zweiten Hälfte des 15. Jh. von verschiedenen Händen geschrieben und enthält vor allem lat., aber auch vereinzelt tschech. textierte Gesänge.
Inhalt: f. 1-22 Ordinariumssätze; f. 23-36 Kantionen; f. 36v-38 Patrem; f. 39-68 Kantionen; f. 68-76 Ordinariumssätze; f. 66-80v Kantionen; f. 81-139v Sequenzen, Tropen, Kantionen und tropierte Ordinariumssätze; f. 140ff (etwas jünger) Sequenzen, Ordinariumssätze, Alleluia.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Cantionale, with polyphony:
1 Credo, 1 Sanctus, 1 processional hymn, 13 motets = 16
Anonymous
200 paper folios, 210 x 147. Original foliation, a V-X ... q VII (some original folios now missing); modern foliation, 1-200. Original covers of leather over wooden boards (only fragments remain). Polyphony on new ff. 3'-4, 28'-29, 36'-39, 43'-44, 50'-53, 76'-78', 79'-80, 91'-92, 93-93', and 134', copied in Bohemian chant notation and black mensural notation by several scribes. Small inked initials.
Ca. 1450-80 (CernPW). Copied in Prague, for use at Church of Sts. Peter and Paul.
Loading inventory…
The inventory could not be loaded.
‡ denotes primary source study
Brewer, Charles Everett. 1984. The Introduction of the Ars Nova into East Central Europe: A Study of Late Medieval Polish Sources. City University of New York, Unpublished Ph.D. dissertation. Pages: 316-9,330,346-7,458-62,562. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Ward, Tom Robert. 1981. A Central European Repertory in Munich, Bayerische Staatsbibliothek, Clm 14274. Early Music History, 1: 325-43. Pages: 338. Notes: contents list (partial); concordances (partial).
Černý, Jaromír. 1975. Stredovëky vicehlas v Ceskych zemích. Miscellanea Musicologica [Prague], 27-28: 9-116. Pages: 89. Notes: mention of MS; contents list (partial).
Černý, Jaromír. 1975. Petrus Wilhelmi de Grudencz: Neznámy Skladatel Doby Dufayovy v Ceskych Pramenech. Hudební Veda, 12: 195-238. Pages: 198,205,209,211. Notes: mention of MS; contents list (partial).
Černý, Jaromír. 1972. Die mehrtextige Motette des 14. und 15. Jahrhunderts in Böhmen. Colloquia on the History and Theory of Music at the International Musical Festival in Brno V, Pages: 79. Notes: contents list (partial); mention of MS; discussion.
Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800. Kassel. Pages: B IV/3,235-8. Notes: physical description; contents list (partial); concordances (partial); incipits (partial); additional bibliography.
Černý, Jaromír. 1971. K nejstarSím dejinám moteta v ceskych zemích. Miscellanea Musicologica [Prague], 24: 7-90. Pages: 48-9. Notes: contents list (partial); concordances (partial).
Ameln, Konrad. 1970. 'Resonet in laudibus'-'Joseph, lieber Joseph mein'. Jahrbuch für Liturgik und Hymnologie, 15: 52ff. Pages: 65,93-5,98-101. Notes: contents list (partial); transcription (partial); texts (partial); mention of MS; discussion.
Fischer, Kurt von. 1969. Neue Quellen Mehrstimmiger Musik des 15. Jahrhunderts aus Schweizerischen Klostern. Renaissance-Muziek 1400-1600: Donum Natalicium René Bernard Lenaerts, edited by Kurt von Fischer, 293-301. Leuven: Katholieke Universiteit, Seminarie voor Muziekwetenschap. Pages: 295. Notes: contents list (partial); concordances (partial).
Thannabaur, Peter Josef. 1962. Das einstimmige Sanctus der römischen Messe in der handschriftlichen Überlieferung des 11. bis 16. Jahrhunderts. Erlanger Arbeiten zur Musikwissenschaft, vol. 1. Munich. Pages: 113 u. 230.
Buzga, J. 1949-79. Prager Handschriften. Die Musik in Geschichte und Gegenwart, 1st Edition, 10: . Pages: 1595f.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 302, 304, 314.
Orel, Dobroslav. 1922. Kancionál Franusuv. Prague. Pages: 105 (Ue. von Nr. 6).
Orel, Dobroslav. 1914. Der Mensuralkodex "Speciálnik": Ein Beitrag zur Geschichte der Mensuralmusik und Notenschrift in Böhmen bis 1540. Vienna. Notes: concordances (partial); incipits (partial).
Nejedly, Zdenëk. 1913. Reprinted 1955-6 as Vols. 43-5 of the author's complete works. Citations refer to original edition.. Dejiny Husitského Zpevu za Válek Husitsky'ch. Prague. Pages: I.
Orel, Dobroslav. 1910. Surgit in 'hac du'. Kirchenmusikalisches Jahrbuch, 23: 77(Anm.1)u.82. Pages: 74ff. (betrifft nur die einst. Stücke).
Blume, C, and Guido Maria Dreves (editors). 1886-1922; Reprinted: Frankfurt am Main 1961; Indices 1978. Analecta Hymnica Medii Aevi. 55 vols. Leipzig. Pages: II, 19 fr. u. XLVb.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description