PL-Pu 7022 (Lvov fragments)

Biblioteka Uniwersytecka im. Adama Michiewicza, Poznan, Poland

fragments: Late 15th - early 16th century; late 1480s?

Archive	Biblioteka Uniwersytecka im. Adama Michiewicza, Poznan, Poland (PL-Pu)
Shelfmark	7022 (Lvov fragments)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None
Measurements	Ca. 245 x 175-200 mm
Other Identifiers	CCM: PozU 7022
Relationships	Chybinski, Adolf (1880–1952) (owner) ? Lviv Cathedral (copied at)
Provenance	Poland
Contents	24 pieces from 5 composers

General Description

Material of irregular shapes and widely varying sizes, remains of 22-24 folios from 3 gatherings, apparently the only surviving remnants of a choirbook of unknown original size. Copied by a single scribe, perhaps in Lwów.

DIAMM, 2017

Physical Description

All fragments mutilated and in very poor condition; some music trimmed away or illegible

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Fragments organised into (probable) fascicles and modern numbering applied to indicate where in the fascicles the fragments would have been located.

DIAMM, 2022

Decoration

Inked Gothic initials.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 4 motets, 2 textless pieces = 11 (all fragmentary) (Dufay)-1, (Domarto)-1, (Josquin)-2, (P. Wilhelmi)-1, anon-6

18 fragmentary paper folios, now of irregular shapes and widely varying sizes (average ca. 245 x 175-200) + 17 smaller scraps and strips, all recovered from bindings. Apparently the only surviving remnants of a choirbook of unknown original size. All fragments mutilated and in very poor condition; some music trimmed away or illegible. Copied by a single scribe. Inked Gothic initials.

Late 15th or early 16th century. Perhaps copied in Lwów. Owned in 20th century by the musicologist Adolf Chybiński (1880-1952); deposited in present library following Chybiński's death.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
I:1v–I:2v	Missa Ave regina caelorum: Kyrie	-	Du Fay, Guillaume (1397–1474)
Missa Ave regina caelorum: Kyrie Du Fay, Guillaume (1397–1474) Appears on: I:1v–I:2v Genres: Kyrie eleison, Mass Ordinary General Note fragmentary, though one or more voice-parts preserved for almost all of the Kyrie.
I:5r–I:8v	Missa Ave regina caelorum: Gloria. Et in terra	-	Du Fay, Guillaume (1397–1474)
Missa Ave regina caelorum: Gloria. Et in terra Du Fay, Guillaume (1397–1474) Appears on: I:5r–I:8v Genres: Gloria (et in terra pax), Mass Ordinary General Note fragmentary, Ct & B from Qui tollis to end only. Folio 7 is a strip only.
I:5r–I:8v	Missa Ave regina caelorum: Credo	-	Du Fay, Guillaume (1397–1474)
Missa Ave regina caelorum: Credo Du Fay, Guillaume (1397–1474) Appears on: I:5r–I:8v Genres: Credo (patrem omnipotentem), Mass Ordinary General Note fragmentary: opening (to 'facta sunt') all 4 voices, thereafter 2 of 4 voices for most of the remainder. Folio 7 is a strip only.
I:5r–I:8v	Missa Ave regina caelorum: Sanctus	-	Du Fay, Guillaume (1397–1474)
Missa Ave regina caelorum: Sanctus Du Fay, Guillaume (1397–1474) Appears on: I:5r–I:8v Genres: Mass Ordinary, Sanctus [& Benedictus] General Note fragmentary: opening only, D & T until 'gloria tua'
I:13r–I:15v	Missa a4: Gloria	-	Anonymous
Missa a4: Gloria Anonymous Appears on: I:13r–I:15v Genres: Gloria (et in terra pax), Mass Ordinary Concordances Note: this mass is concordant with one of the two in A-LIs 529. General Note fragmentary: Qui tollis to end, Ct & D only. Folios 13-14 strips only
I:13r–I:15v, 17r-18v	Missa a4: Credo	-	Anonymous
Missa a4: Credo Anonymous Appears on: I:13r–I:15v, 17r-18v Genres: Credo (patrem omnipotentem), Mass Ordinary Concordances Note: this mass is concordant with one of the two in A-LIs 529. General Note fragmentary: two voice-parts survive for most of the Credo, all 4 voices for 'Et in spiritum' to end. Folios 13-14 strips only
I:17r–I:18v	Missa a4: Sanctus	-	Anonymous
Missa a4: Sanctus Anonymous Appears on: I:17r–I:18v Genres: Mass Ordinary, Sanctus [& Benedictus] Concordances Note: this mass is concordant with one of the two in A-LIs 529. General Note fragmentary: B & T to 'gloria tua' only
I:21r	Missa a4: Agnus Dei	-	Anonymous
Missa a4: Agnus Dei Anonymous Appears on: I:21r Genres: Agnus Dei, Mass Ordinary Concordances Note: this mass is concordant with one of the two in A-LIs 529. General Note Folio 21 very fragmentary: a few notes of Ct only
II:5r–II:6v	Missa L’ami baudichon 5.1: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa L’ami baudichon 5.1: Credo Despres, Josquin (ca. 1450–1521) Appears on: II:5r–II:6v General Note fragments of 2 voice parts from the final section
II:5r–II:6v	Missa L’ami baudichon 5.1: Sanctus	-	Despres, Josquin (ca. 1450–1521)
Missa L’ami baudichon 5.1: Sanctus Despres, Josquin (ca. 1450–1521) Appears on: II:5r–II:6v Genres: Mass Ordinary, Sanctus [& Benedictus] General Note opening Sanctus, all 4 voices; fragments of 1-2 voice parts from the remainder
II:5r–II:6v	Missa L’ami baudichon 5.1: Agnus Dei	-	Despres, Josquin (ca. 1450–1521)
Missa L’ami baudichon 5.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: II:5r–II:6v Genres: Agnus Dei, Mass Ordinary General Note a few notes from 2 voice-parts in each of the 2 Agnus sections
II:8r–II:9v	Missa Spiritus almus: Kyrie	[anon]	Domarto, Petrus de
Missa Spiritus almus: Kyrie Domarto, Petrus de Appears on: II:8r–II:9v Genres: Kyrie eleison, Mass Ordinary Source Attribution: [anon] General Note fols. 8-9 are strips only: a few notes from the Kyrie and Gloria (various voice-parts) preserved.
II:8r–II:9v	Missa Spiritus almus: Et in terra pax [Gloria]	-	Domarto, Petrus de
Missa Spiritus almus: Et in terra pax [Gloria] Domarto, Petrus de Appears on: II:8r–II:9v Genres: Gloria (et in terra pax), Mass Ordinary General Note fols. 8-9 are strips only: a few notes from the Kyrie and Gloria (various voice-parts) preserved.
II:11r–II:12v	Missa Spiritus almus. Patrem omnipotentem [Credo]	-	Domarto, Petrus de
Missa Spiritus almus. Patrem omnipotentem [Credo] Domarto, Petrus de Appears on: II:11r–II:12v Genres: Credo (patrem omnipotentem), Mass Ordinary General Note Ct & B from beginning to 'factus est'; all 4 voices 'Crucifixus' to 'Amen'
II:11r–II:12v	Missa Spiritus almus: Sanctus	-	Domarto, Petrus de
Missa Spiritus almus: Sanctus Domarto, Petrus de Appears on: II:11r–II:12v Genres: Mass Ordinary, Sanctus [& Benedictus] General Note D & T preserved, from Sanctus to Osanna
III:1r	untexted	-	Anonymous
untexted Anonymous Appears on: III:1r Genres: textless General Note 2 Discantus voices & a Bassus, opening of D1 missing
III:1r	Hodie Deus homo factus	-	Anonymous
Hodie Deus homo factus Anonymous Appears on: III:1r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hodie deus homo factus General Note 'Gloria tibi' only, 4vv
III:1v	Missa L'homme armé sexti toni 6.2: Kyrie	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Kyrie Despres, Josquin (ca. 1450–1521) Appears on: III:1v Genres: Kyrie eleison, Mass Ordinary General Note fragment, opening for S & T only
III:4r–III:4v	Missa L'homme armé sexti toni 6.2: Gloria	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Gloria Despres, Josquin (ca. 1450–1521) Appears on: III:4r–III:4v Genres: Gloria (et in terra pax), Mass Ordinary General Note fragment, Qui tollis-Amen for A & B only
III:6r–III:6v	Missa L'homme armé sexti toni 6.2: Credo	-	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé sexti toni 6.2: Credo Despres, Josquin (ca. 1450–1521) Appears on: III:6r–III:6v Genres: Credo (patrem omnipotentem), Mass Ordinary General Note fragment, S & T from beginning to 'sepultus est'
III:11r	... dominorum [bonum te?] ...	-	Anonymous
... dominorum [bonum te?] ... Anonymous Appears on: III:11r Genres: Motet General Note fragments of 2vv (Ct & B?) from end of a piece. A few words of text only remain
III:11v–III:13r	Beata viscera Mariae virginis	-	Anonymous
Beata viscera Mariae virginis Anonymous Appears on: III:11v–III:13r Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beata viscera Mariae virginis General Note fragments of 5 voice parts survive
III:13v	Probitate eminentem triumphali / Ploditando exarare	-	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)
Probitate eminentem triumphali / Ploditando exarare Grudencz, Petrus Wilhelmi de (1392–ca. 1480) Appears on: III:13v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Probitate eminentem triumphali General Note opening only: D almost entirely preserved, lacking the opening notes; and half of T
III:16r	untexted	-	Anonymous
untexted Anonymous Appears on: III:16r Genres: textless General Note fragments of Ct & B

Composer	Compositions
Anonymous	... dominorum [bonum te?] ... – III:11r Beata viscera Mariae virginis – III:11v–III:13r Hodie Deus homo factus – III:1r Missa a4: Agnus Dei – I:21r Missa a4: Credo – I:13r–I:15v, 17r-18v Missa a4: Gloria – I:13r–I:15v Missa a4: Sanctus – I:17r–I:18v untexted – III:16r untexted – III:1r
Despres, Josquin (ca. 1450–1521)	Missa L'homme armé sexti toni 6.2: Credo – III:6r–III:6v Missa L'homme armé sexti toni 6.2: Gloria – III:4r–III:4v Missa L'homme armé sexti toni 6.2: Kyrie – III:1v Missa L’ami baudichon 5.1: Agnus Dei – II:5r–II:6v Missa L’ami baudichon 5.1: Credo – II:5r–II:6v Missa L’ami baudichon 5.1: Sanctus – II:5r–II:6v
Domarto, Petrus de	Missa Spiritus almus. Patrem omnipotentem [Credo] – II:11r–II:12v Missa Spiritus almus: Et in terra pax [Gloria] – II:8r–II:9v Missa Spiritus almus: Kyrie – II:8r–II:9v Missa Spiritus almus: Sanctus – II:11r–II:12v
Du Fay, Guillaume (1397–1474)	Missa Ave regina caelorum: Credo – I:5r–I:8v Missa Ave regina caelorum: Gloria. Et in terra – I:5r–I:8v Missa Ave regina caelorum: Kyrie – I:1v–I:2v Missa Ave regina caelorum: Sanctus – I:5r–I:8v
Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	Probitate eminentem triumphali / Ploditando exarare – III:13v

Composition	Composers (? Uncertain)	Folios / Pages
... dominorum [bonum te?] ...	Anonymous	III:11r
Beata viscera Mariae virginis	Anonymous	III:11v–III:13r
Hodie Deus homo factus	Anonymous	III:1r
Missa a4: Agnus Dei	Anonymous	I:21r
Missa a4: Credo	Anonymous	I:13r–I:15v, 17r-18v
Missa a4: Gloria	Anonymous	I:13r–I:15v
Missa a4: Sanctus	Anonymous	I:17r–I:18v
Missa Ave regina caelorum: Credo	Du Fay, Guillaume (1397–1474)	I:5r–I:8v
Missa Ave regina caelorum: Gloria. Et in terra	Du Fay, Guillaume (1397–1474)	I:5r–I:8v
Missa Ave regina caelorum: Kyrie	Du Fay, Guillaume (1397–1474)	I:1v–I:2v
Missa Ave regina caelorum: Sanctus	Du Fay, Guillaume (1397–1474)	I:5r–I:8v
Missa L'homme armé sexti toni 6.2: Credo	Despres, Josquin (ca. 1450–1521)	III:6r–III:6v
Missa L'homme armé sexti toni 6.2: Gloria	Despres, Josquin (ca. 1450–1521)	III:4r–III:4v
Missa L'homme armé sexti toni 6.2: Kyrie	Despres, Josquin (ca. 1450–1521)	III:1v
Missa L’ami baudichon 5.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	II:5r–II:6v
Missa L’ami baudichon 5.1: Credo	Despres, Josquin (ca. 1450–1521)	II:5r–II:6v
Missa L’ami baudichon 5.1: Sanctus	Despres, Josquin (ca. 1450–1521)	II:5r–II:6v
Missa Spiritus almus. Patrem omnipotentem [Credo]	Domarto, Petrus de	II:11r–II:12v
Missa Spiritus almus: Et in terra pax [Gloria]	Domarto, Petrus de	II:8r–II:9v
Missa Spiritus almus: Kyrie	Domarto, Petrus de	II:8r–II:9v
Missa Spiritus almus: Sanctus	Domarto, Petrus de	II:11r–II:12v
Probitate eminentem triumphali / Ploditando exarare	Grudencz, Petrus Wilhelmi de (1392–ca. 1480)	III:13v
untexted	Anonymous	III:1r
untexted	Anonymous	III:16r

‡ denotes primary source study

Gancarczyk, Pawel, and Lenka Hlavkova-Mrackova. 2017. The Lviv Fragments and Missa L’homme armé sexti toni: Questions on Early Josquin Reception in Central Europe. Tijdschrift van de Koninklijke Vereniging voor Nedeerlandse Muziekgeschiedenis, 139-161. Notes: discussion; description; dating; facsimile (partial); concordances (partial); contents (partial).

Perz, Miroslaw. 1989. Fragmenty lwowskie. Źródło dzieł Dufaya, Josquina, Piotra de Domarto i Piotra z Grudziądza w Polsce XV wieku. Muzyka, 3-46.

Perz, Miroslaw. 1986. The Lvov Fragments: A Source for Works by Dufay, Josquin, Petrus de Domarto, and Petrus de Grudencz in 15th-Century Poland. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 26–51. Notes: physical description; discussion; contents; facsimile (partial); concordances; transcription (partial); gathering digrams; watermarks.

Perz, Miroslaw. 1984. Zur Textunterlegungspraxis in der Mehrstimmigkeit des 14. und 15. Jahrhunderts und über einige in Polen Neu-und Wiedergefundene Quellen dieser Zeit. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten. edited by Miroslaw Perz, 327-49. Kassel: Bärenreiter. Pages: 342,346-7.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description