Material of irregular shapes and widely varying sizes, remains of 22-24 folios from 3 gatherings, apparently the only surviving remnants of a choirbook of unknown original size. Copied by a single scribe, perhaps in Lwów.
PL-Pu 7022 (Lvov fragments)
Biblioteka Uniwersytecka im. Adama Michiewicza, Poznan, Poland
fragments: Late 15th - early 16th century; late 1480s?
| Archive | Biblioteka Uniwersytecka im. Adama Michiewicza, Poznan, Poland (PL-Pu) |
|---|---|
| Shelfmark | 7022 (Lvov fragments) |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Measurements | Ca. 245 x 175-200 mm |
| Other Identifiers |
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| Relationships |
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| Provenance |
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| Contents | Contains 24 compositions, 15 from 4 composers, 9 are anonymous. |
General Description
Physical Description
All fragments mutilated and in very poor condition; some music trimmed away or illegible
Notation
not indicated
Foliation
Fragments organised into (probable) fascicles and modern numbering applied to indicate where in the fascicles the fragments would have been located.
Decoration
Inked Gothic initials.
Surface
paper
Census Catalogue of Music Description
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5 Masses, 4 motets, 2 textless pieces = 11 (all fragmentary) (Dufay)-1, (Domarto)-1, (Josquin)-2, (P. Wilhelmi)-1, anon-6
18 fragmentary paper folios, now of irregular shapes and widely varying sizes (average ca. 245 x 175-200) + 17 smaller scraps and strips, all recovered from bindings. Apparently the only surviving remnants of a choirbook of unknown original size. All fragments mutilated and in very poor condition; some music trimmed away or illegible. Copied by a single scribe. Inked Gothic initials.
Late 15th or early 16th century. Perhaps copied in Lwów. Owned in 20th century by the musicologist Adolf Chybiński (1880-1952); deposited in present library following Chybiński's death.
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‡ denotes primary source study
Gancarczyk, Pawel, and Lenka Hlavkova-Mrackova. 2017. The Lviv Fragments and Missa L’homme armé sexti toni: Questions on Early Josquin Reception in Central Europe. Tijdschrift van de Koninklijke Vereniging voor Nedeerlandse Muziekgeschiedenis, LXVII-1/2: 139-161. Notes: discussion; description; dating; facsimile (partial); concordances (partial); contents (partial).
Perz, Miroslaw. 1989. Fragmenty lwowskie. Źródło dzieł Dufaya, Josquina, Piotra de Domarto i Piotra z Grudziądza w Polsce XV wieku. Muzyka, 34/3: 3-46.
Perz, Miroslaw. 1986. The Lvov Fragments: A Source for Works by Dufay, Josquin, Petrus de Domarto, and Petrus de Grudencz in 15th-Century Poland. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 36: 26–51. Notes: physical description; discussion; contents; facsimile (partial); concordances; transcription (partial); gathering digrams; watermarks.
Perz, Miroslaw. 1984. Zur Textunterlegungspraxis in der Mehrstimmigkeit des 14. und 15. Jahrhunderts und über einige in Polen Neu-und Wiedergefundene Quellen dieser Zeit. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten, vol. 10. edited by Miroslaw Perz, 327-49. Kassel: Bärenreiter. Pages: 342,346-7.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description