1 Quintus partbook of an original 5. Copied in Low Countries (LowBV).
| Archive | Biblioteca Statale, Lucca, Italy (I-Lg) |
|---|---|
| Shelfmark | MS 775 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 147 x 210 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 74 compositions, 34 from 15 composers, 40 are anonymous. |
General Description
Binding
New covers of light blue cardboard.
Watermark
One watermark (letter 'p') resembles Briquet #8649; second watermark (pot with crown) not in Briquet.
Notation
black void mensural notation
Foliation
Modern ink foliation, 1-63, beginning on second original folio; later hand, in pencil, has numbered first original folio as '1' and changed number on second folio to '1 bis.'
Decoration
Inked calligraphic initials
Surface
paper
RISM Description
RISM B IV/5:
XVIe s. 63ff. Papier, 147x210 mm. Foliotation ancienne (à laquelle on a ajouté 1 au f. limin. et 1bis au f. 1). Les ff. 1, 61v, 62r-v, 63v sont blancs. Notation mesurée blanche. 4 portées par p. Livre de Quinta pars (ou Tenor 2) seulment.
Ce ms., seul livre qui ait survécu des 5 livres d'un ensemble de motets, a été probablement copié par un scribe néerlandais, à en juger par l'écriture, et aussi par le répertoire, avec 1 motet de Tylman Susato (exemple à peu près unique dans un ms. italien) dans les recueils imprimés duquel on retrouve d'ailleurs quelques-uns des motets de ce ms. 7 concordances (nos. 5, 6, 10, 14, 18, 34, 40) avec le ms. de la Vallicelliana (I-Rv55-60) que l'on a pu dater 1530-31 (Lowinsky) permettent d'attribuer une date assez proche (entre 1532 et 1540) au ms. de Lucca, d'autant plus que le motet de Lupus (n° 2) apparaît dans un imprimé en 1535 (Attaingnant 1535/5) et 2 de ceux d'Arcadelt (nos 14 et 34) en 1538 (Moderne 1538/2), et aussi que le n° 40 aurait été composé pour la visite du Cardinal Ippolito Medici à Venise en octobre 1532 (Dunning, 284f). Le filigrane (balance vénitienne à plateaux ronds), banal dans les Etats de Venise, ne se trouve plus après 1555.
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Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
49 motets
(Arcadelt)-2, (Arcadelt/Verdelot)-1, (Briant)-1, (Briant/Richafort)-1, (Cadéac)-2, (Cadéac/Hesdin)-1, (Conseil)-1, (Crecquillon)-1, (Gombert)-3, (Gombert/Hellinck)-1, (Gombert/Jaquet of Mantua)-1, (Jaquet of Mantua)-1, Jaquet of Mantua [Jachet]/Berchem/Lebrun)-1, (Jaquet of Mantua/Lupus)-2, (Jaquet of Mantua/Werrecore)-1, (Jhan of Ferrara)-2, (F. Layolle)-1, (LeCocq)-1, (Lhéritier)-1, (Lupi)-2, (Penet)-1, (Richafort)-1, (Rore)-2, Susato-1, (Willaert)-7, anon-10
1 paper partbook of an original 5 (Q-i + 64 + i folios), 145 x 210. Modern ink foliation, 1-63, beginning on second original folio; later hand, in pencil, has numbered first original folio as "1" and changed number on second folio to "1 bis." New covers of light blue cardboard. No index. Copied by a single scribe. Inked calligraphic initials. One watermark (letter "p") resembles Briquet #8649; second watermark (pot with crown) not in Briquet.
Mid 16th century. Copied in Low Countries (LowBV).
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‡ denotes primary source study
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: II, 127.
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 335ff, passim. Notes: contents list (partial); concordances (partial).
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 657, 661. Notes: contents list (partial); concordances (partial).
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 219-220. Notes: contents list (partial); concordances (partial); incipits (partial).
Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 134, 143ff. Notes: contents list (partial); concordances (partial).
Slim, H Colin. 1972. A Gift of Madrigals and Motets. Chicago and London. Pages: I, 222. Notes: contents list (partial); concordances (partial).
Blackburn, Bonnie J. 1970. The Lupus Problem. University of Chicago, Unpublished Ph.D. dissertation. Pages: 376ff. Notes: contents list (partial); concordances (partial).
Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München, vol. 2. Wiesbaden. Pages: 104. Notes: contents list (partial); concordances (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 64. Notes: contents list (partial); concordances (partial).
Main, Alexander. 1960. Costanzo Festa: The Masses and Motets. New York University, Unpublished Ph.D. dissertation. Pages: 65. Notes: mention of MS; contents list (partial).
Lowinsky, Edward E. 1950. A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome. Journal of the American Musicological Society, 3: 173-232. Pages: 197-198, 223. Notes: physical description (partial); contents list (partial); concordances (partial).
Baralli, Raffaello. 1909. Catalogo descrittivo dei Codici musicali della Biblioteca Governativa di Lucca. Lucca. Pages: 9ff.
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Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description