Tota pulchra es amica mea et macula II: Flores apparuerunt
| Composer | |
|---|---|
| Genre | Motet |
| Cycles |
|
Appears in
| Source | Location | Voices |
|---|---|---|
| GB-Ob MS. Canon. Misc. 213 | 42v |
Voice:
[no designation]
Voice Text:
Tota pulcra es amica mea
Voice:
[no designation]
Voice Text:
Tota pulchra es amica mea et macula
Voice:
[no designation]
Voice Text:
Tota pulcra es amica
|
| F-Pnm NAF 4379 (Seville Chansonnier (part)) | 65 |
Voice:
[no designation]
Voice Text:
Tota pulchra es amica mea et macula
|
| F-Sm 222 C. 22 | 16 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Tota pulchra
|
| I-Bc Q.15 | 238v–239r |
Voice:
I
Clef:
c1
Voice Text:
Tota pulcra es
Voice:
II
Clef:
c1
Voice Text:
Tota pulcra es
Voice:
Contratenor
Clef:
c3
Voice Text:
flores veni de lybano veni
Voice:
Tenor
Clef:
c3
|
| I-Bu MS 2216 | 33v–34 |
Voice:
[no designation]
Voice Text:
Tota pulcra es amica mea …
Voice:
[no designation]
Voice Text:
Tota pulcra es amica mea …
Voice:
[no designation]
Voice Text:
Tota pulcra es amica mea …
|
Bibliography
Cumming, Julie Emelyn. 1999. The Motet in the Age of Du Fay. Cambridge. pp. pp. 128-9 (BU).
Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. pp. pp. 262-6 (Ox and Q15).