Patrem ab eterno / Patrem omnipotentem / Talis est
| Composer | Anonymous |
|---|---|
| Genres | Mass Ordinary, Motet, Troped Credo |
Appears in
| Source | Location | Voices |
|---|---|---|
| GB-Odiamm Virtual Reconstruction of Cambrai fragments (F-CA(n)) | (9v) F-CA Inc. B 144, i verso–(10r) F-CA MS B 1328, 1r | |
| F-CA Inc. B 144 | i_v (L-I:9v) |
Voice:
[no designation]
Voice Text:
Patrem ab eterno / Patrem omnipotentem / Tallis est
|
| F-CA MS B 1328 | 1 (L-I:10) |
Voice:
[no designation]
Clef:
c1g3
Voice Text:
Patrem ab eterno/ Patrem omnipotentem/Talis est
Voice:
Tenor
Clef:
f3
|
Bibliography
Lerch, Irmgard. 1987. Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter. pp. 2: 88-108.
Hasselman, Margaret Paine. 1970. The French Chanson in the Fourteenth Century. UC Berkeley, PhD. dissertation. pp. (2), 169.
Stäblein-Harder, Hanna. 1962. Fourteenth-Century Mass Music in France. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. 66.