Tant a souttille pointure la tres gentille / Bien pert qu'en moi n’a dart point, mal / Cuius pulcritudinem sol et luna mirantur
| Composer | Anonymous |
|---|---|
| Genre | Motet |
Appears in
| Source | Location | Voices |
|---|---|---|
| F-CH MS 564 (Chantilly Codex) | 71v–72 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Tant a suptile pointure la tres gentile
Voice:
[no designation]
Clef:
c2
Voice Text:
Bien pert qu'en moy n'a dart point, mal
Voice:
Tenor
Clef:
c4
Voice Text:
Cuius pulcritudinem sol et luna mirantur
|
| F-AS 983 | 62v |
Voice:
Triplum
Clef:
c1
Voice Text:
Tant a souttille pointure la tres gentille
Voice:
Motetus
Clef:
c2
Voice Text:
Bien pert qu-en moy n’a dart point, mal
Voice:
Tenor
Clef:
c4
Voice Text:
Cuius pulcritudinem sol et luna mirantur
|
| I-IV MS CXV (115) (Ivrea Codex) | 18v–19 |
Voice:
[no designation]
Clef:
c1
Voice Text:
Tant a souttille pointure la tres gentille
Voice:
[no designation]
Clef:
c2
Voice Text:
Bien pert qu'en moy n'a dart point, mal
Voice:
Tenor
Clef:
c4
Voice Text:
Cuius pulcritudinem
|
Bibliography
Günther, Ursula (editor). 1965. The Motets of the Manuscripts Chantilly, musée condé, 564 (olim 1047) and Modena, Biblioteca estense, a. M. 5, 24 (olim lat. 568). Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. 1-3.
Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (5), 70-73.
Johnson, M. 1955. The Motets of the Codex Ivrea. Indiana University, Ph. D. pp. (2), 121.