La belle se siet au piet de la tour

Bibliography

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Montellier, Ernest. 1938. Quatorze chansons du xve siècle extraites des archives namuroises. Commission de la vieille chanson populaire: Annuaire, 1939, 153-211. Antwerp. pp. p. 188 (Namur, music) and 189 (text)..

Nicholson, Edward W. B, Stainer Sir John, John F. R. Stainer, and Cécie Stainer. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer.  London. pp. p. 122 (Ox).

Riemann, Hugo. 1906. Hausmusik aus alter Zeit. Intime Gesänge mit Instrumental-Begleitung aus dem 14. bis 15. Jahrh. in ihrer Originalgestalt.  Leipzig: Breitkopf & Härtel. pp. p. 16 (Ox)..

Vellekoop, Kees, and Jan van Biezen. 1984. Aspects of Stroke Notation in the Gruuthuse Manuscript and other sources. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 34: 3-25. pp. pp. 9-12 (Namur in parrellel with Ox).

Brown, Howard Mayer, and Jaap van Benthem. 1991. Secular Works for Three Voices: Critical Commentary. New Josquin Edition.  Utrecht. pp. p. 131 (Rei).

Duffin, Ross W (ed.) 1983. Guillaume Dufay: Chansons: Forty-five Settings in Original Notation from Oxford, Bodleian Library MS Canonici 213.  Miami, FL. pp. p. 16 (Ox)..

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc.. pp. 1/vi, no.12 (Ox)..

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc.. pp. 37, p. 24 (Rei + Ox)..