La belle se siet au piet de la tour
| Composer | |
|---|---|
| Genre | Chanson |
Appears in
| Source | Location | Voices |
|---|---|---|
| GB-Ob MS. Canon. Misc. 213 | 31 |
Voice:
[no designation]
Voice Text:
La belle se sit a pi du sic la tour
|
| F-Pnm NAF 4379 (Seville Chansonnier (part)) | 61r |
Voice:
[no designation]
Voice Text:
La belle
|
| I-Bu MS 2216 | 52v |
Voice:
[no designation]
Voice Text:
La belle se sit a pi du [sic] la tour …
|
| B-Naet Transports de l'Echevinage de Namur, Reg. 8 | 293v |
Bibliography
Clinkscale, Edward Henry (editor). 1993. Gesamtausgabe der Werke von Robert de Févin = Collected works of Robert de Févin. Ottawa: Institute of Mediaeval Music. pp. p. 137 (Ox).
van Benthem, Jaap, and Howard Mayer Brown. 1991. Secular Works for Three Voices: Critical Commentary. New Josquin Edition. Utrecht. pp. p. 131 (Rei).
van Biezen, Jan, and Kees Vellekoop. 1984. Aspects of Stroke Notation in the Gruuthuse Manuscript and other sources. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 3-25. pp. pp. 9-12 (Namur in parrellel with Ox).
Duffin, Ross W (editor). 1983. Guillaume Dufay: Chansons: Forty-five Settings in Original Notation from Oxford, Bodleian Library MS Canonici 213. Miami, FL. pp. p. 16 (Ox)..
[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. pp. 1/vi, no.12 (Ox)..
Montellier, Ernest. 1938. Quatorze chansons du xve siècle extraites des archives namuroises. Commission de la vieille chanson populaire: Annuaire, 1939, 153-211. Antwerp. pp. p. 188 (Namur, music) and 189 (text)..
Riemann, Hugo. 1906. Hausmusik aus alter Zeit. Intime Gesänge mit Instrumental-Begleitung aus dem 14. bis 15. Jahrh. in ihrer Originalgestalt. Leipzig: Breitkopf & Härtel. pp. p. 16 (Ox)..
Stainer, John F. R, Cécie Stainer, Edward W. B. Nicholson, and Stainer Sir John. 1898; reprinted as EBM I: 1966. Dufay and his Contemporaries: Fifty Compositions (Ranging from about A.D. 1400 to 1440) Transcribed from MS. Canonici misc. 213, in the Bodleian Library, Oxford, with an introduction by E.W.B. Nicholson, and a critical analysis of the music by Sir John Stainer. London. pp. p. 122 (Ox).