Missa O pulcherrima: Patrem omnipotentem [Credo]
| Composer | |
|---|---|
| Genres | Credo (patrem omnipotentem), Mass Ordinary |
| Cycles |
|
General Note
None of the four versions of this Credo (in D-Mbs Mus. MS 3224, GB-Ob MS. Canon. Misc. 213, I-Bc Q.15, I-Bu MS 2216) are completely concordant: there are differences in both the tenor and the contratenor. Widaman, 'The Mass Ordinary Settings of Arnold de Lantins' (vol. 2), has edited these four versions in parallel.
Appears in
| Source | Source Date | Location | Source Attribution | Voices |
|---|---|---|---|---|
| GB-Ob MS. Canon. Misc. 213 | Early 15th century | 65–66 | - |
Voice:
[no designation]
Voice Text:
Patrem omnipotentem
|
| D-Mbs Mus. MS 3224 | c. 1440-5 | 3 | Raynaldus de Lantins [=Arnold] |
Voice:
[no designation]
Voice Text:
Patrem omnipotentem (= Credo), (Fragment of C and T, up to 'et homo factus est')
|
| I-Bc Q.15 | 15th century, copying completed 1440 | 174v–176r | Ar de lantinis |
Voice:
I
Clef:
c1
Voice Text:
Patrem
Voice:
Contratenor
Clef:
c3
Voice:
Tenor
Clef:
c3
Voice Text:
Patrem
|
| I-Bu MS 2216 | 15th century, before 1440 | 17v–19 | [A. DE LANTINS] |
Voice:
[no designation]
Voice Text:
[Credo] Patrem
|
Bibliography
Widaman, Jean. 1988. The Mass Ordinary Settings of Arnold de Lantins: A Case Study in the Transmission of Early Fifteenth-Century Music. Brandeis University, Ph.D. pp. II pp. 161-195.
Borren, Charles van den (editor). 1932; 2nd rev. edn., London, 1962. Polyphonia sacra: A Continental Miscellany of the Fifteenth Century. Nashdom Abbey, Burnham, Bucks., and London: Plainsong and Mediaeval Music Society. pp. pp. 16-28.