Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula
Composer | |
---|---|
Genre | Motet |
Cycles |
|
Appears in
Source | Location | Voices |
---|---|---|
CH-SGs Cod. Sang. 463 [Discantus] (Tschudi Liederbuch) | 37v |
Voice:
[no designation]
Voice Text:
Tota pulchra es amica mea et macula II: Flores apparuerunt vineae florentes
|
CH-SGs Cod. Sang. 463 [Altus] (Tschudi Liederbuch) | 97v | |
F-Pnm NAF 1817 | 49v–50 |
Voice:
[no designation]
Voice Text:
Tota pulchra es amica mea et macula
|
I-CT MS 95 | 46v–48 |
Voice:
[no designation]
Voice Text:
Tota pulchra es amica mea et macula
|
I-CT MS 96 | 46v–48 |
Voice:
[no designation]
Voice Text:
Tota pulcra es amica mea …
|
I-Fn MS II.I.232 | 92v–93 |
Voice:
[no designation]
Voice Text:
Tota pulchra es amica mea et macula
|
Bibliography
Miller, Clement A (editor). 1965. Henricus Glarean. Dodecachordon. Musicological Studies and Documents. Neuhausen nr. Stuttgart: American Institute of Musicology/Hänssler Verlag. pp. 334-340.
Just, Martin (editor). 1964. Heinrich Isaac. Vier Marienmotetten zu 4 und 5 Stimmen. Das Chorwerk. Wolfenbüttel. pp. 1-8.