Hamm, Charles E. 1983. Interrelationships between Manuscript and Printed Sources of Polyphonic Music in the Early Sixteenth Century-An Overview. Datierung und Filiation von Musikhandschriften der Josquin-Zeit, Wolfenbütteler Forschungen. 1-13.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Hamm, Charles E, and Ann Besser Scott. 1972. A Study and Inventory of the Manuscript Modena, Biblioteca Estense, a.X.I.11 (ModB). Musica Disciplina, 101-43.

Hamm, Charles E (editor). 1969-. Leonel Power: Complete Works. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology.

Hamm, Charles E. 1969. Another Barbingant Mass. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 83-90. Pittsburgh.

Hamm, Charles E. 1968. A Catalogue of Anonymous English Music in Fifteenth-Century Continental Manuscripts. Musica Disciplina, 47-76.

Hamm, Charles E. 1968. Musiche del Quattrocento in S. Petronio. Revista Italiana di Musicologia, 215-32.

Hamm, Charles E. 1968. The Motets of Lionel Power. Studies in Music History: Essays for Oliver Strunk, 127-36. Princeton.

Hamm, Charles E. 1965. The Reson Mass. Journal of the American Musicological Society, 5-21.

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice.  Princeton.

Hamm, Charles E. 1964. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice.  Princeton.

Hamm, Charles E. 1962. Manuscript Structure in the Dufay Era. Acta Musicologica, 166–84.

Hamm, Charles E. 1962. Manuscript Structure in the Dufay Era. Acta Musicologica, 166-84.

Hamm, Charles E. 1960. A Group of Anonymous English Pieces in Trent 87. Music and Letters, 211-5.

Hamm, Charles E. 1960. The Manuscript San Pietro B 80. Revue Belge de Musicologie, 40-55.