Composite of two originally separate manuscripts (defined by new pp. 1-96 and 97-172) first bound together in 18th or 19th century. Copied by many scribes, including Juan Sanches. Copied in Jacaltenango (Guatemala), for use at Church of Santa Eulalia.
| Archive | Santa Eulalia, Archivo Musical, Jacaltenango, Guatemala (GCA-Jse) |
|---|---|
| Shelfmark | 7 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Pagination |
| Measurements | 310 x 260 mm |
| Other Identifiers |
|
| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Copyists |
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| Provenance |
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| Contents | Contains 1 composition from 4 composers. Contains uninventoried compositions from 2 composers. |
General Description
Physical Description
Folios in poor condition; many torn and fragmentary
Binding
Original leather covers.
Notation
not indicated
Foliation
Modern pencil pagination, 1-172
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Masses, 1 Magnificat, 17 psalms, 2 hymns, 1 Passion (incomplete), 3 motets, 8 Spanish sacred pieces =34 + 7 duplicates = 41
(Anchieta/Compère/Peñalosa/A. Ribera)-1, R. Ceballos-1, (Franco) -1, anon-31
86 paper folios, 310 x 260. Composite of two originally separate manuscripts (defined by new pp. 1-96 and 97-172) first bound together in 18th or 19th century. Folios in poor condition; many torn and fragmentary. Modern pencil pagination, 1-172. Original leather covers. No index. Copied by many scribes, including Juan Sanches. Some crude inked initials, in various styles.
17th and early 18th century. Copied in Jacaltenango (Guatemala), for use at Church of Santa Eulalia.
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‡ denotes primary source study
Borg, Paul. 1980. The Jacaltenango Miscellany: A Revised Catalogue. Inter-American Music Review, 3/1: 55-64.
Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography, vol. 44. Detroit. Pages: 26,59-60,98-9.
Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 20: 87-107. Pages: 95.
Stevenson, Robert. 1970. Renaissance and Baroque Musical Sources in the Americas. Washington, D.C. Pages: 53-4.
Pujol O.S.B., David. 1965. Polifonia espaíiola desconocida conservada en el Archivo Capitular de la Catedral de Guatemala y de la Iglesia parroquial de Santa Eulàlia de Jacaltenango. Anuário Musical, 20: 3-10. Pages: 9-10.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description