| Archive | Santa Eulalia, Archivo Musical, Jacaltenango, Guatemala (GCA-Jse) |
|---|---|
| Shelfmark | 7 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Pagination |
| Measurements | 310 x 260 mm |
| Other Identifiers |
|
| Inventory | This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk |
| Copyists |
|
| Provenance |
|
| Contents | 1 pieces from 4 composers Contains 3 uninventoried works or miscellaneous sections. |
Composite of two originally separate manuscripts (defined by new pp. 1-96 and 97-172) first bound together in 18th or 19th century. Copied by many scribes, including Juan Sanches. Copied in Jacaltenango (Guatemala), for use at Church of Santa Eulalia.
Folios in poor condition; many torn and fragmentary
Original leather covers.
not indicated
Modern pencil pagination, 1-172
paper
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Masses, 1 Magnificat, 17 psalms, 2 hymns, 1 Passion (incomplete), 3 motets, 8 Spanish sacred pieces =34 + 7 duplicates = 41
(Anchieta/Compère/Peñalosa/A. Ribera)-1, R. Ceballos-1, (Franco) -1, anon-31
86 paper folios, 310 x 260. Composite of two originally separate manuscripts (defined by new pp. 1-96 and 97-172) first bound together in 18th or 19th century. Folios in poor condition; many torn and fragmentary. Modern pencil pagination, 1-172. Original leather covers. No index. Copied by many scribes, including Juan Sanches. Some crude inked initials, in various styles.
17th and early 18th century. Copied in Jacaltenango (Guatemala), for use at Church of Santa Eulalia.
This source has not been fully inventoried. If you would like to contribute an inventory please get in touch. E-mail diamm@music.ox.ac.uk.
| Composition | Composers (? Uncertain) | Folios / Pages | Source Attribution |
|---|---|---|---|
| O bone Jesu illumina oculos meos | 66–68 | - |
| Composers (? Uncertain) | Folios / Pages | Item title | Attribution in Source |
|---|---|---|---|
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Works by | [-] | - | - |
| Composer | Compositions |
|---|---|
| Anchieta, Juan de (1462–1523) |
|
| Compère, Loyset (ca. 1445–1518) |
|
| Penalosa, Francisco de |
|
| Ribera, Antonio de |
|
| Composition | Composers (? Uncertain) | Folios / Pages |
|---|---|---|
| O bone Jesu illumina oculos meos | 66–68 |
‡ denotes primary source study
Borg, Paul. 1980. The Jacaltenango Miscellany: A Revised Catalogue. Inter-American Music Review, 55-64.
Snow, Robert Joseph. 1980. The Extant Music of Rodrigo de Ceballos and Its Sources. Detroit Studies in Music Bibliography. Detroit. Pages: 26,59-60,98-9.
Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 87-107. Pages: 95.
Stevenson, Robert. 1970. Renaissance and Baroque Musical Sources in the Americas. Washington, D.C. Pages: 53-4.
Pujol O.S.B., David. 1965. Polifonia espaíiola desconocida conservada en el Archivo Capitular de la Catedral de Guatemala y de la Iglesia parroquial de Santa Eulàlia de Jacaltenango. Anuário Musical, 3-10. Pages: 9-10.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Surface Note
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description