A Troper of South French origin.
GB-Lbl Add. MS 36881
British Library, London, England
chant book with added polyphony: 12th or early 13th centuries
| Archive | British Library, London, England (GB-Lbl) |
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| Shelfmark | Add. MS 36881 |
| Surface | Parchment |
| Measurements | 160 x 105 mm |
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| Contents | Contains 29 compositions, 29 are anonymous. |
General Description
Notation
Aquitanian point
Foliation
27 ff
Surface
parchment
RISM Description
RISM B/IV 1: A 12th or early 13th century parchment Troper of South French origin meas. 160 x 105 mm. and containing 27 folios, which consist of 3 quaternios and an incomplete ternio (i.e. the last 3 folios were cut out, leaving stubs). The ternio is smaller than the rest, meas. 132 x 102 mm., and uses a rudimentary square notation. It is, moreover, in a different hand and employs blue as well as red initials; it is probably slightly later than the corpus, for it has 7 red four-line staves per page, but only contains monodies. The corpus (f. 1-24v) is clearly in Aquitanian point notation (oblongs, often joined in ligature) on dry-point staves, usually of four lines but varying, with g, c or f letters as clefs. The initials are all red and a red line divides the two parts in polyphony. There are rudimentary bar-lines, as in other mss of this period, and 8 or 9 staves per page. Monody alternates with polyphony, and in the corpus groups I and III are polyphonic (f. 1-14 and 17-23), groups II and IV mainly monodic (f. 14-16v and 23-24v), though no. 20 turns out to be in two parts in spite of its monodic appearance. There is a gap before f. 17, and evidently odd pages or perhaps a complete fascicle are missing. The binding is a piece of parchment 170 x 130 mm. which contains 15th century letters of the alphabet inside the back cover. There is no old foliation, but a modern red ink pagination at t.r.r. and t.l.v. has been crossed out and replaced by a modern pencil foliation at t.r.r. The ms was purchased by the British Museum on January 12, 1904 from P. Birb. It is generally considered by scholars that StM-D is not from St. Martial itself, but the polyphonic repertoire is largely concordant with StM-A, B and C.
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7v
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‡ denotes primary source study
Marshall, J M. 1962. Hidden Polyphony in a Manuscript from St. Martial de Limoges. Journal of the American Musicological Society, 15: 131ff. Pages: 142f (transcription of StM-D 3 and 17).
Parrish, Carl. 1957. The Notation of Medieval Music. Pages: pl. XXII (facsimile of StM-D, f. 2-2v).
Hughes, Dom Anselm. 1954-60. New Oxford History of Music. Pages: 296ff.
Stäblein, Bruno. 1949-79. Saint-Martial. Die Musik in Geschichte und Gegenwart, 1st Edition, 11: . Pages: 1265 (transcription of StM-D 28); 1263ff.
Schneider, Màrius. 1935. Geschichte der Mehrstimmigkeit. 2 vols. Pages: nos. 117, 119, 120, 121, 122, 123, 124 + 125 (transcriptions of StM-D 3, 1, 2, 8, 9, 5 and 16); 84ff.
Spanke, Hans. 1930-1931. St. Martial-Studien. Zeitschrift für französische Sprache und Literatur, 54: 282ff,385ff. Pages: 315ff, 399.
Spanke, Hans. 1928-1932. Die Londoner St. Martial-Conductushandschrift', and Anglès, H: 'La música del Ms. de Londres, British Museum, Add. 36881. Butlletí de la Biblioteca de Catalunya, 8: 280ff. Pages: 301 (facs. of StM-JDf.llv-12); 305ff, 307f, 308f, 309, 310, 311, 311, 312, 314 (transcriptions of StM-D 1, 2, 13-19 and 27); 289ff (complete texts).
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Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description