F-DOU 90

Bibliothèque Marceline Desbordes-Valmore [former Bibliothèque Municipale], Douai, France

chant book with added polyphony: 12th century

Archive Bibliothèque Marceline Desbordes-Valmore [former Bibliothèque Municipale], Douai, France (F-DOU)
Shelfmark 90
Image Availability DIAMM does not have images of this source.
Surface Mixed Paper and Parchment
Numbering System Foliation
Measurements 235 x 145; 239 x 150 mm
Other Identifiers
  • RISM: Douai 90
Notations
  • Metz-type neumes
Inventory This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
Relationships
Provenance
  • France
General Description

Two manuscripts that make up a Missal from the Abbey of Anchin. Vol. II has some slightly later additions at the end. The first of these is the two-part sequence Verbum bonum et suave personemus illud ave in score on f. 178-178v. The two voices of the sequence occupy the bottom two staves of each accolade. Apart from the ornaments, the incipit has much in common with W1 313.

DIAMM, 2017
Binding

dark brown leather over wooden boards with designs and blind tooling on the cover; dated 1499

DIAMM, 2017
Notation

Metz neumes

DIAMM, 2017
Ruling

alternately red and green four-line staves; fully notated pages (of which there are few) contain 16 or 17 staves. 3 red four-line staves to an accolade, 4 accolades per page (vol. II: f. 178-178v)

DIAMM, 2017
Foliation

modern foliation at t.r.r. stamped in printer's ink. Both volumes have an incomplete older foliation: vol. I has i-xxxi in Roman numerals of the 15th century or slightly later on f. 149-179; vol. II has i-CLI in somewhat later figures on f. 29-184 at t.m.v.

DIAMM, 2017
Decoration

slightly Gothic minuscule with initials of various colours, especially red, blue or green, with some miniatures; initials in red or blue (fol. II: f. 178-178v)

DIAMM, 2017
Surface

parchment; iii paper + ii + 188 + i parchment + iii paper

DIAMM, 2017
RISM Description

RISM B/IV 1: Two 12th century parchment manuscripts meas, respectively 235 x 145 mm. and 239 x 150 mm. and containing 179 and 188 folios. In addition, vol. I has 1 blank unnumbered parchment folio at the front, while vol. II has 2 blank unnumbered parchment folios at the front, 1 at the back and 3 modern blank unnumbered paper folios each end. The two volumes make up a Missal from the Abbey of Anchin with much music in elegant Metz neumes on alternately red and green four-line staves. The old signatures D. 123 and 124 from Anchin are still to be seen. The binding of dark brown leather over wooden boards has designs and blind tooling on the cover; it is dated 1499. The foliation at t.r.r. is a modern one stamped in printer's ink. Both volumes have an incomplete older foliation : vol. I has i-xxxi in Roman numerals of the 15th century or slightly later on f. 149-179, while vol. II has i-CLI in somewhat later figures on f. 29-184 at t.m.v. The script is a slightly Gothic minuscule with initials of various colours, especially red, blue or green, with some miniatures. A fully notated page, of which there are few, contains 16 or 17 staves. Vol. II has some slightly later additions at the end, still in Metz neumes. The first of these is the two-part sequence Verbum bonum et suave personemus illud ave in score on f. 178-178v. There are 3 red four-line staves to an accolade, of which there are 4 per page. Initials are in red or blue. The two voices of the sequence occupy the bottom two staves of each accolade. Apart from the ornaments, the incipit has much in common with W1 313.

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Répertoire International des Sources Musicales

denotes primary source study

Seay, Albert. 1957. Le Manuscrit 695 de la Bibliothèque Communale d'Assise. Revue de Musicologie, 10ff. Pages: 32ff (transcription after As 6); 11, 18, 24-27.

Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times.  New York: W.W. Norton & Co. Pages: 270, 306.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III, no. 54 (facsimile and transcription after Hu); I, 176, 183ff, 374.

Wooldridge, Harry Ellis. 1901. Oxford History of Music I.  Oxford: Clarendon. Pages: I, 80 (transcription).

Coussemaker, Charles Edmond Henri de. 1852. Histoire de l'harmonie au moyen-âge. Pages: pl. xxiv-xxv (facsimile), p. xxiiff at back (transcription); 43f.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description