Troper and Sequentiary, with a polyphonic Sanctus Tro Clangat cetus' on f. 18v-19. Probably written for Tortosa cathedral.
Concordances & Cognates:
ORF - Barcelona, Orfeó Català, Ms 1
HUE - Burgos, Monasterio de Las Huelgas, Ms. s/n
| Archive | Biblioteca de la Catedral, Tortosa, Spain (E-TO) |
|---|---|
| Shelfmark | Cód. 135 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Parchment |
| Measurements | 262 x 173 mm |
| Other Identifiers |
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| Provenance |
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| Contents | Contains 1 composition, 1 is anonymous. |
Troper and Sequentiary, with a polyphonic Sanctus Tro Clangat cetus' on f. 18v-19. Probably written for Tortosa cathedral.
Concordances & Cognates:
ORF - Barcelona, Orfeó Català, Ms 1
HUE - Burgos, Monasterio de Las Huelgas, Ms. s/n
Aquitanian
dry point lines with f and c lines in red (Troper) and yellow (Sequentiary). The f clef is always marked at the beginning of a stave. In the polyphonic piece on f. 18v-19 there are 8 staves per page; the c clef is also usually marked in the top part
red initials
parchment
A 13th century parchment manuscript meas. 262 x 173 mm. and containing 144 folios. The Aquitanian notation of this Troper and Sequentiary is written on dry point lines with f and c lines in red and yellow respectively. The f clef is always marked at the beginning of a stave. In the top part of the polyphonic piece on f. 18v-19, the c clef is also usually marked in the top part. The composition in question is the"Sanctus Tro Clangat cetus", which is identical with Hu 15. Here the two parts are divided by a brown line, as in other Aquitanian sources in score. There are 8 staves per page, and initials are in red. The ms seems to have been written for Tortosa cathedral.
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‡ denotes primary source study
Anglès, Higinio. 1936. La Música a Catalunya fins al segle XIII. Pages: 162, 260 and passim.
Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III, no. 16 (facsimile and transcription after Hu); I, 83 (facsimile of Tortosa C 135); I, 77, 127 (facsimile and transcription after Barcelona, Bibl. del Orfeó Català, 1); I, 82ff, 126ff and passim.
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