A cartulary of St. Mary's Abbey in seven sections: f. 1-11v, 12-13v, 14-18v, 19-24v, 25-27v, 28-29v, and 30-36v; 3 types of script are involved: (a) Beneventan, (b) Carolingian Gothic, and (c) Gothic. The music is a two-part Sanctus on f. 36v. The text has the Tro 'Osanna. Osanna sum meliflua'. The scribe, who probably wrote the music as well as the text, is no. 7 of the Beneventan group.
HR-ZAb cartulary
Archiv von St Marien, Zadar, Croatia
non-music MS with interpolated music: 12th and 13th century
| Archive | Archiv von St Marien, Zadar, Croatia (HR-ZAb) |
|---|---|
| Shelfmark | cartulary |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Parchment |
| Format | portrait |
| Measurements | 252x156 to 251x175 (a later ternio inserted between folios 2 and 3 of the basic MS measures 188 x 118) mm |
| Other Identifiers |
|
| Notations |
|
| Relationships |
|
| Provenance |
|
| Contents | Contains 1 composition, 1 is anonymous. |
General Description
Binding
cardboard covered with parchment, in poor condition
Notation
square notation (reminiscent of that in GB-Lo 357), featuring some doubled puncta, occasional virgae harmonised with puncta, otherwise puncta and ligatures, some of which are quite long.
Ruling
three seven- or eight-line staves
Surface
parchment
RISM Description
RISM B/IV 2: A parchment cartulary of St. Mary's Abbey containing 36 folios and dating mainly from the 12th and 13th century. The size of the folios varies from 252 x 156 mm. to 251 x 175 mm. A later ternio inserted between folios 2 and 3 of the basic ms measures 188 x 118 mm. There are 7 sections to the ms: f. 1-11v, 12-13v, 14-18v, 19-24v, 25-27v, 28-29v, and 30-36v; and 3 types of script are involved: (a) Beneventan, (b) Carolingian Gothic, and (c) Gothic. The binding is of cardboard covered with parchment, and is in a poor state of preservation. The music is a two-part Sanctus in score on three seven- or eight-line staves. The text has the Tro "Osanna. Osanna sum meliflua". The scribe, who probably wrote the music as well as the text, is no. 7 of the Beneventan group. The notation dates from the early 13th century, and is reminiscent of that in GB-Lo 357. It is a rudimentary square notation, featuring some doubled puncta, occasional virgae harmonised with puncta, otherwise puncta and ligatures, some quite long. The work appears at the very end of the manuscript on f. 36 v.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
The inventory could not be loaded.
‡ denotes primary source study
Novak, Y. 1959. Zadarski Kartulur . Pages: (facsimile of the Sanctus, followed by a transcription at the end of the book, the latter by Sirola; Novak's edition of the Sanctus text on p. 272).
Sirola, B. 1943. Codex S. Mariae Jadrensis. Sv. Cecilija, . Pages: nos. 4-5, p. 109ff (transcription of the Sanctus).
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description