Two separate but adjacent folios from Oskar Fleischer's scrapbook of over 50 examples of early church music from the 11th to the 16th century.
US-R Oskar Fleischer Collection, SC1998.67, Box 1, Folder 1
Sibley Musical Library, Rochester, New York, United States
fragment: 14th century
| Archive | Sibley Musical Library, Rochester, New York, United States (US-R) |
|---|---|
| Shelfmark | Oskar Fleischer Collection, SC1998.67, Box 1, Folder 1 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Parchment |
| Measurements | 298 x 186 / 295 x 208 mm |
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| Contents | Contains 3 compositions, 1 from 1 composer, 2 are anonymous. |
General Description
Physical Description
Both folios have lost most of the top line of notation, while f. 1 is also cut away vertically at the right; this page is in the worst condition, though generally readable.
Notation
Ars Nova (accidentals are few. Triple bars are used for the finis punctorum)
Ruling
11 red five-line staves per page
Decoration
Initials are in red, except for one in green (which was probably originally blue).
RISM Description
RISM B/IV 2: 2 separate but adjacent folios from Oskar Fleischer's scrapbook of over 50 examples of early church music from the 11th to the 16th century. The 2 folios in question measure 298 x 186 and 295 x 208 mm. respectively and date from the mid-14th century. The Ars Nova notation has much in common with I-IV, like the repertoire. There are 11 red five-line staves per page and initials are in red, except for one in green (which was probably originally blue). Both folios have lost most of the top line of notation, while f. 1 is also cut away vertically at the right; this page is in the worst condition, though generally readable. Accidentals are few. Triple bars are used for the finis punctorum.
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‡ denotes primary source study
Hasselman, Margaret Paine. 1970. The French Chanson in the Fourteenth Century. UC Berkeley, PhD. dissertation. Pages: 10, 12, 13.
Stäblein-Harder, Hanna. 1962. Fourteenth-Century Mass Music in France. Corpus mensurabilis musicae, vol. 29. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, nos. 27, 47 (transcription of R 44 2 and 3 after I-IV 50 and F-APT 16 bis 46); II, 42f, 57ff.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: I, 150ff (transcription of no. 2).
Schrade, Leo. 1954. The Mass of Toulouse. Revue Belge de Musicologie, 8: 84ff. Pages: 88, 90f, 94.
Gastoué, Amédée (editor). 1936. Le manuscrit de musique polyphonique du trésor d'Apt. 10 vols. Paris: La société française de musicologie. Pages: nos. VII and XLVI (transcription of R 44 2 and 3 after F-APT16 bis).
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. Pages: I, 190ff.
Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: 176, 184.
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Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description