US-R Oskar Fleischer Collection, SC1998.67, Box 1, Folder 1

Sibley Musical Library, Rochester, New York, United States

fragment: 14th century

Archive	Sibley Musical Library, Rochester, New York, United States (US-R)
Shelfmark	Oskar Fleischer Collection, SC1998.67, Box 1, Folder 1
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Measurements	298 x 186 / 295 x 208 mm
Other Identifiers	RISM: US-R 44 RISM: BF olim (Former shelfmark): Fleischer fragment 44
Notations	Ars Nova
Relationships	Fleischer, Oskar (owner)
External Links	14th-century French music notation tutorials images
Provenance	France
Contents	Contains 3 compositions, 1 from 1 composer, 2 are anonymous.

General Description

Two separate but adjacent folios from Oskar Fleischer's scrapbook of over 50 examples of early church music from the 11th to the 16th century.

DIAMM, 2017

Physical Description

Both folios have lost most of the top line of notation, while f. 1 is also cut away vertically at the right; this page is in the worst condition, though generally readable.

DIAMM, 2017

Notation

Ars Nova (accidentals are few. Triple bars are used for the finis punctorum)

DIAMM, 2017

Ruling

11 red five-line staves per page

DIAMM, 2017

Decoration

Initials are in red, except for one in green (which was probably originally blue).

DIAMM, 2017

RISM Description

RISM B/IV 2: 2 separate but adjacent folios from Oskar Fleischer's scrapbook of over 50 examples of early church music from the 11th to the 16th century. The 2 folios in question measure 298 x 186 and 295 x 208 mm. respectively and date from the mid-14th century. The Ars Nova notation has much in common with I-IV, like the repertoire. There are 11 red five-line staves per page and initials are in red, except for one in green (which was probably originally blue). Both folios have lost most of the top line of notation, while f. 1 is also cut away vertically at the right; this page is in the worst condition, though generally readable. Accidentals are few. Triple bars are used for the finis punctorum.

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Répertoire International des Sources Musicales

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Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
1	et belle amie a mon talant	3	-	Anonymous
et belle amie a mon talant Anonymous Appears on: 1 Genres: Chace Number of voices: 3 Voice: [no designation] Languages: French Clef: c3 Voice Text: et belle amie a mon talant General Note beginning lost and various other mutilations Layout parts
1v–2	Et in terra pax (Gloria), [Tro] Qui sonitu melodia	3	-	Anonymous
Et in terra pax (Gloria), [Tro] Qui sonitu melodia Anonymous Appears on: 1v–2 Genres: Mass Ordinary, Troped Gloria Number of voices: 3 Voice: Cantus Languages: Latin Clef: c1 Voice Text: Et in terra pax hominibus bone voluntatis. [Tro] Qui sonitu melodie Voice: Tenor Languages: Latin Clef: c3 Voice Text: Qui sonitu Voice: Contratenor Languages: Latin Clef: c3 Voice Text: Qui sonitu Layout parts
2v	[Mass of Barcelona] Patrem omnipotentem [Credo]	3	-	Sortes
[Mass of Barcelona] Patrem omnipotentem [Credo] Sortes Appears on: 2v Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 3 Voice: Cantus Languages: Latin Clef: c1 Voice Text: Patrem omnipotentem, Factorem celi Voice: Tenor Languages: none Clef: c3 Voice: Contratenor Languages: none Clef: c3 General Note Cantus only of the Credo "de rege", beg. at "Christum filium dei unigenitum" Layout parts

Composer	Compositions
Anonymous	Et in terra pax (Gloria), [Tro] Qui sonitu melodia – 1v–2 et belle amie a mon talant – 1
Sortes	[Mass of Barcelona] Patrem omnipotentem [Credo] – 2v

Composition	Composers (? Uncertain)	Folios / Pages
[Mass of Barcelona] Patrem omnipotentem [Credo]	Sortes	2v
et belle amie a mon talant	Anonymous	1
Et in terra pax (Gloria), [Tro] Qui sonitu melodia	Anonymous	1v–2

‡ denotes primary source study

Hasselman, Margaret Paine. 1970. The French Chanson in the Fourteenth Century. UC Berkeley, PhD. dissertation. Pages: 10, 12, 13.

Stäblein-Harder, Hanna. 1962. Fourteenth-Century Mass Music in France. Corpus mensurabilis musicae, vol. 29. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, nos. 27, 47 (transcription of R 44 2 and 3 after I-IV 50 and F-APT 16 bis 46); II, 42f, 57ff.

Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: I, 150ff (transcription of no. 2).

Schrade, Leo. 1954. The Mass of Toulouse. Revue Belge de Musicologie, 8: 84ff. Pages: 88, 90f, 94.

Gastoué, Amédée (editor). 1936. Le manuscrit de musique polyphonique du trésor d'Apt. 10 vols. Paris: La société française de musicologie. Pages: nos. VII and XLVI (transcription of R 44 2 and 3 after F-APT16 bis).

Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. Pages: I, 190ff.

Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: 176, 184.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description