Originally two in 14th-15th century manuscripts bound together. Contains on f. 1 the text of the so-called Melker Marienlied. On the outer edge of this sheet, and perpendicular to the text, one finds two textless voices, which have nothing to do with the Marian song. Contents: 1 Part of the manuscript: Melker Marienlied (12th century); Kalendarium; various tracts; Catalogus Pontificum. 2. Part: Melker Chronik 1123-1564; Babenberger Chronik. From the monastery of Melk.
A-M MS 391
Bibliothek des Benediktinerstifts, Melk, Austria
non-music MS with interpolated music: 15th century
| Archive | Bibliothek des Benediktinerstifts, Melk, Austria (A-M) |
|---|---|
| Shelfmark | MS 391 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Mixed Paper and Parchment |
| Measurements | 330 x 235 mm |
| Other Identifiers |
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| Notations |
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| Provenance |
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| Contents | Contains 1 composition from 1 composer. |
General Description
Binding
leather with blind pressing; 18th-19th century
Notation
full black mensural
Ruling
three red 5-line staves
Foliation
Modern foliation and older pagination
Surface
22 + 69 parchment + 3 paper
RISM Description
RISM B/IV 3: 12./16. Jh.; ursprünglich zwei im 14./15. Jh. zusammengebundene Handschriften von 22 + 69 Pergament-Blätter + 3 am Schluß hinzugefügten Papier-Blätter, 330 x 235 mm. Moderne Foliierung und ältere Pag. - Einband: 18./19. Jh., Leder mit Blindpressung.
Die aus dem Kloster Melk stammende Handschrift enthält auf f. 1 den Text des sog. Melker Marienliedes. Am äußeren Rande dieses Blatt finden sich, senkrecht zum Text notiert, zwei textlose, auf 3 roten Fünfliniensystemen in französischer Mensuralnotation um 1400 aufgezeichnete Stimmen, die mit dem Marienlied jedoch nichts zu tun haben.
Inhalt: 1. Teil der Handschrift: Melker Marienlied (12. Jh.); Kalendarium; verschiedene Traktate; Catalogus pontificum. 2. Teil: Melker Chronik 1123-1564; Babenberger Chronik.
[Translation] 12th/16th century, originally two in 14th-15th century manuscripts bound together by 22 + 69 parchment leaves + 3 added at the end of the paper sheets, 330 x 235 mm. Modern foliation and older pagination - Binding: 18th-19th century, leather with blind pressing.
This manuscript from the monastery of Melk contains on f. 1 the text of the so-called Melker Marienlied. On the outer edge of this sheet, and perpendicular to the text, one finds two textless voices on three red 5-line staves, in french mensural notation from around 1400, which have nothing to do with the Marian song.
Contents: 1 Part of the manuscript: Melker Marienlied (12th century); Kalendarium; various tracts; Catalogus Pontificum. 2. Part: Melker Chronik 1123-1564; Babenberger Chronik.
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‡ denotes primary source study
Flotzinger, Rudolf. 2002. Zur Beurteilung der Balladen in den Handschriften Vorau 380 und Melk 391. Album amicorum Albert Dunning in occasione del suo LXV compleanno, edited by Rudolf Flotzinger, 147-153. (Turnhout: Brepols.
Berger, Christian. 1992. Hexachord, Mensur und Textstruktur: Studien zum französischen Lied des 14. Jahrhunderts. Beihefte zum Archiv für Musikwissenschaft, vol. 35. Stuttgart: Steiner. Pages: 52, 264.
Wilkins, Nigel E. 1984. The late mediaeval French lyric: with music and without. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten, vol. 10. edited by Nigel E Wilkins, Kassel: Bärenreiter. Pages: 155-174.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation. Pages: 167, 187-189.
Borren, Charles van den. 1924. Le Manuscrit Musical M. 222 C. 22 de la Bibliothèque de Strasbourg (XV Siècle) Brûlé en 1870, et Reconstitué d'après une Copie Partielle d'Edmond de Coussemaker. Antwerp: E. Secelle. Pages: 64.
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Elisabeth Hufnagel
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description