English mensural notation on red 5-line staves and later continental type notation c.1300
US-PRu Garrett 119
University Library, Princeton, United States
Codex fragment (polyphony), removed from host manuscript: c. 1300
| Archive | University Library, Princeton, United States (US-PRu) |
|---|---|
| Shelfmark | Garrett 119 |
| Surface | Parchment |
| Measurements | 257 x 150; 257 x 150; 245 x 150; 257 x 54 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 8 compositions, 8 are anonymous. |
Notation
Foliation
flyleaves 1-6v, Y and Z and internal palimpsests 35r-36r
Surface
parchment
RISM Description
RISM B/IV 1: A 14th century parchment manuscript meas. 257 x 150 mm. and containing 69 folios numbered in modern pencil at t.r.r. The corpus of the ms is Walter of Lille's Alexandreis in Latin, mostly written in neat cols, using only the middle third of the page vertically. The binding is 16th century brown leather with blind and gilt tooling. In part the ms is a palimpsest with erased accounts from Revesby Abbey and on some pages erased music. The musical flyleaves have now been removed from the parent ms and are kept in an envelope. Fragment A is the largest musical remain and consists of the two parchment sections f. 3-4 and f. 2-5, the first of which meas. 257 x 150 mm. came originally immediately above the second meas. 245 x 150 mm. on what was apparently a rotulus with music on both sides. Side 1, which consists of f. 3-4v over f. 2v and 5, is written in English mensural notation on red five-line staves, while side 2 uses a slightly later notation of c. 1300 of continental type. Fragment B is a leaf from a different source, which was originally wider than the present volume by several centimetres, though the page now meas. the same as f. 3-4. It is numbered f. 1 and 6. Only one side contains music, again in English mensural notation of c. 1300, this time on 13 red five-line staves as against the 10 on each page of fragment A. The two motets are in a rather incomplete state, though even fragment A is by no means perfect: in fact, f. 2 is a mere stub. Fragment C (f. Y-Z) is just a strip of parchment meas. 257x54 mm. on which an original left margin can be seen at f. Zv. The remains are from Latin motets in English mensural notation like that on fragment A. One piece begins "Virgo . . . stabile mater era".
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2v and 5r
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‡ denotes primary source study
Preece, Isobel Woods. 2000. W3: Some Fragments of Fourteenth-Century Scottish Polyphony. Our Awin Scottis Use: Music in the Scottish Church up to 1603, Studies in the Music of Scotland. Universities of Glasgow and Aberdeen.
Harrison, Frank Llewellyn. 1978. Polyphonic Music for a Chapel of Edward . Music & Letters, 59, no. 4: 420-428.
Dittmer, Luther A. 1960. Publications of Mediaeval Musical Manuscripts VI: Oxford Latin Liturgical D 20, London Add. Ms. 25031, Chicago Ms. 654 App. Publications of Mediaeval Music Manuscripts, vol. 6. Brooklyn: Institute of Mediaeval Music. Pages: 43 f (facsimile of A 4 after Worc).
Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain. London: Routledge. Pages: 144f.
Dittmer, Luther A (editor). 1957. The Worcester Fragments: A Catalogue Raisonné and Transcription, s.l. Musicological Studies and Documents, vol. 2. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: no. 67 (transcription of A4); 46f.
Levy, K J. 1951. New material on the early motet in England. A Report on the Princeton MS. Garrett 119. Journal of the American Musicological Society, 4: 220-239. Pages: 228f (facsimile of f. 3 and 4v, and f. 2v and 5), 232ff (transcription of A 2 and A 4).
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Julia Craig-McFeely
Friday, 15 March, 2019
Bibliography of Cod. Guelf. 499 Helmst. updated with info from HAB source; also additional info added to description, provenance info amplified, and inventory updated.
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description