US-PRu Garrett 119

University Library, Princeton, United States

non-music MS with interpolated music: 13th to early 14th century (c.1300)

Archive University Library, Princeton, United States (US-PRu)
Shelfmark Garrett 119
Surface Parchment
Numbering System None
Measurements 257 x 150; 257 x 150; 245 x 150; 257 x 54 mm
Other Identifiers
  • RISM: Princeton
Notations
  • English mensural
Relationships
Provenance
  • England
Contents 8 pieces from 1 composers
Notation

English mensural notation on red 5-line staves and later continental type notation c.1300

DIAMM, 2017
Foliation

flyleaves 1-6v, Y and Z and internal palimpsests 35r-36r

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM B/IV 1: A 14th century parchment manuscript meas. 257 x 150 mm. and containing 69 folios numbered in modern pencil at t.r.r. The corpus of the ms is Walter of Lille's Alexandreis in Latin, mostly written in neat cols, using only the middle third of the page vertically. The binding is 16th century brown leather with blind and gilt tooling. In part the ms is a palimpsest with erased accounts from Revesby Abbey and on some pages erased music. The musical flyleaves have now been removed from the parent ms and are kept in an envelope. Fragment A is the largest musical remain and consists of the two parchment sections f. 3-4 and f. 2-5, the first of which meas. 257 x 150 mm. came originally immediately above the second meas. 245 x 150 mm. on what was apparently a rotulus with music on both sides. Side 1, which consists of f. 3-4v over f. 2v and 5, is written in English mensural notation on red five-line staves, while side 2 uses a slightly later notation of c. 1300 of continental type. Fragment B is a leaf from a different source, which was originally wider than the present volume by several centimetres, though the page now meas. the same as f. 3-4. It is numbered f. 1 and 6. Only one side contains music, again in English mensural notation of c. 1300, this time on 13 red five-line staves as against the 10 on each page of fragment A. The two motets are in a rather incomplete state, though even fragment A is by no means perfect: in fact, f. 2 is a mere stub. Fragment C (f. Y-Z) is just a strip of parchment meas. 257x54 mm. on which an original left margin can be seen at f. Zv. The remains are from Latin motets in English mensural notation like that on fragment A. One piece begins "Virgo . . . stabile mater era".

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Répertoire International des Sources Musicales

3v and 4r

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
3–4v Regis aula regentis omnia…vernans de stirpe rega - Anonymous
Appears on: 3–4v
Genres: Motet
Voice: Triplum
Languages: Latin
Clef: c2
Voice Text: [Regis aula regentis omnia

Voice: Motetus
Languages: Latin
Clef: c2
Voice Text: [Regis aula regentis omnia…vernans de stirpe regia…Expl.

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: [R]e-, regis aula regentis omnia
General Note

end of Tr, end of Mot and complete T; 3 staves of Mot and T erased but many notes legible

Layout

parts

3 and 4v Tota pulcra es amica mea / Anima mea liquefacta est - Anonymous
Appears on: 3 and 4v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c5

Voice: [no designation]
Languages: Latin
Clef: c3
Voice Text: [A]nima mea liquefacta est

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: [T]ota pulcra es, amica mea
General Note

bottom half of T stave cut away

Layout

parts

1 and 6v …gaudii polth? peperisti. Gaude digna tam benigna…Expl… / Dou way, Robin, the child wile wepe - Anonymous
Appears on: 1 and 6v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: no clef
Voice Text: …gaudii polth(?) peperisti. Gaude digna tam benigna…Expl…

Voice: [no designation]
Languages: English
Clef: c4
Voice Text: Dou way, Robin, the child wile wepe
General Note

end of Mot and complete T

Layout

parts

1 and 6v -scit ortu solis naturalis / - t - -libate floruit integritate - Anonymous
Appears on: 1 and 6v
Genres: Motet
Voice: [no designation]
Languages: none
Clef: c3

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [ ] - t - [ ] -libate floruit integritate

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [ ]-scit ortu solis naturalis
General Note

apparently complete three-part motet, but left margin is in poor condition and T has been largely erased

Layout

parts

2v and 5 Alleluia. caelica rite - Anonymous
Appears on: 2v and 5
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [Alleluia celica rite]

Voice: Tenor
Languages: none
Clef: no clef
Voice Text: …Expl…

Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: [A]l-, Alleluia celica rite
General Note

Tr mostly lost; first half of T largely cut away

Layout

parts

4, 3v, 2, 5v Thomas gemma Cantuarie / Thomas cesus in Doveria - Anonymous
Appears on: 4, 3v, 2, 5v
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: [T]homas cesus in Doviria

Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: [T]homas genmma Cantuarie

Voice: Tenor Primus
Languages: none
Clef: c5

Voice: Tenor
Languages: none
Clef: c5
General Note

Opening of T2 and nearly all of T 1 lost

Layout

parts

5v and 2 Si lingua lota fuerit / Mors amar- - Anonymous
Appears on: 5v and 2
Genres: Motet
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: [M]ors amar-

Voice: [no designation]
Languages: Latin
Clef: c1
Voice Text: [S]i lingua lota fuerit
General Note

end of Tr missing, Mot cut away except for a few notes and T completely lost

Layout

parts

YZr–YZv Virgo . . . stabile mater era - Anonymous
Appears on: YZr–YZv
Genres: Motet
Voice: [no designation]
Languages: Latin

Images © University Library, Princeton

denotes primary source study

Preece, Isobel Woods. 2000. W3: Some Fragments of Fourteenth-Century Scottish Polyphony. Our Awin Scottis Use: Music in the Scottish Church up to 1603, Studies in the Music of Scotland.  Universities of Glasgow and Aberdeen.

Harrison, Frank Llewellyn. 1978. Polyphonic Music for a Chapel of Edward . Music & Letters, 420-428.

Dittmer, Luther A. 1960. Publications of Mediaeval Musical Manuscripts VI: Oxford Latin Liturgical D 20, London Add. Ms. 25031, Chicago Ms. 654 App. Publications of Mediaeval Music Manuscripts.  Brooklyn: Institute of Mediaeval Music. Pages: 43 f (facsimile of A 4 after Worc).

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain.  London: Routledge. Pages: 144f.

Dittmer, Luther A (editor). 1957. The Worcester Fragments: A Catalogue Raisonné and Transcription, s.l. Musicological Studies and Documents.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: no. 67 (transcription of A4); 46f.

Levy, K J. 1951. New material on the early motet in England. A Report on the Princeton MS. Garrett 119. Journal of the American Musicological Society, 220-239. Pages: 228f (facsimile of f. 3 and 4v, and f. 2v and 5), 232ff (transcription of A 2 and A 4).

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Julia Craig-McFeely

Friday, 15 March, 2019

Bibliography of Cod. Guelf. 499 Helmst. updated with info from HAB source; also additional info added to description, provenance info amplified, and inventory updated.

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description