Front flyleaves bearing a single upper voice of a Credo on their versos, carelessly written. The Amen is incomplete. The host MS is a corpus of 47 folios containing an account of the money accruing from the foundation of birthday feasts for the year 1388. The leaf now bearing music was presumably empty originally; thus the music should probably be dated slightly later than the accounts.
B-La Cathédrale Saint-Lambert (Liège). Chanoines de la Petite Table, n° 1
Archives de l'Etat, Liège, Belgium
manuscript of polyphony: late 14th century. Dated 1388
| Archive | Archives de l'Etat, Liège, Belgium (B-La) |
|---|---|
| Shelfmark | Cathédrale Saint-Lambert (Liège). Chanoines de la Petite Table, n° 1 |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 285 x 205 mm |
| Other Identifiers |
|
| Notations |
|
| Provenance |
|
| Contents | Contains 1 composition, 1 is anonymous. |
General Description
Binding
parchment covered in brown leather
Notation
Ars Nova. Sections in black alternate with sections in white: Patrem - omnia facta sunt (black), Qui propter nos.. .non erit finis (white), Et in spiritum.. .venturi seculi (black), Amen (white). The change in notational colour is not arbitrary, but reflects an alternation between tempus imperfectum cum prolatione perfecta and tempus imperfectum cum prolatione imperfecta
Date
dated 1388
Ruling
the two pages of music contain 7 and 8 brown five-line staves respectively
Foliation
1v and probably one other page
Foliation
original Roman foliation begins at f. 2 and continues till f. 28 (I-XXVII), after which there is a modern pencil foliation to f. 48 (28-47, since the front flyleaf is not included)
Surface
paper
RISM Description
RISM B/IV 2: A paper manuscript dated 1388 and meas. 285 x 205 mm., La 1388 contains 47 folios + 1 front flyleaf in a parchment binding covered in brown leather. The original Roman foliation begins at f. 2 and continues till f. 28 (I-XXVII), after which there is a modern pencil foliation to f. 48 (28-47, since the front flyleaf is not included). The contents of the ms corpus are an account of the money accruing from the foundation of birthday feasts for the year 1388. The music is written on the verso of f. I, as I shall call the front flyleaf, which was presumably empty originally. For this reason the music should probably be dated slightly later than the accounts. It consists of a single upper voice of a Credo in carelessly written Ars Nova notation. Curiously enough, sections in black notation alternate with sections in white as follows: Patrem - omnia facta sunt (black), Qui propter nos.. .non erit finis (white), Et in spiritum.. .venturi seculi (black), Amen (white). The Amen is incomplete, probably lacking the final stave or so. The change in notational colour is not arbitrary, but reflects an alternation between tempus imperfectum cum prolatione perfecta and tempus imperfectum cum prolatione imperfecta. The two pages of music contain 7 and 8 brown five-line staves respectively.
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1 / A
The inventory could not be loaded.
‡ denotes primary source study
Clercx-Lejeune, Suzanne, and Suzanne Clercx. 1962. Les debuts de la messe unitaire et de la "Missa parodia" au XIVe siecle et pricipalement dans l'oeuvre de Johannes Ciconia. L'Ars Nova italiana del Trecento, Certaldo. Pages: opp. 98 and 102 (facsimile of f. I-Iv); 99 ff.
Clercx-Lejeune, Suzanne. 1960. Johannes Ciconia. Pages: II, pl. XV and XV bis (facsimile of f.1).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description