A modern compilation of medieval fragments, of which no. 9 is a bifolio of polyphonic music. All four items are conductus, although the rondellus technique is employed in no. 1 in even verses. This is indicated by the presence of the rondellus text in blue in the top voice and in red in the middle one. This bifolio was not the middle one of a fascicle.
GB-Occc MS 489
Corpus Christi College, Oxford, England
Codex fragment (polyphony), within fragment collection: 3rd quarter 13th century
| Archive | Corpus Christi College, Oxford, England (GB-Occc) |
|---|---|
| Shelfmark | MS 489 |
| Surface | Parchment |
| Format | portrait |
| Measurements | 223 x 150 (the top margin was originally 20mm longer) mm |
| Other Identifiers |
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| Notations |
|
| Provenance |
|
| Contents | Contains 4 compositions, 4 are anonymous. |
General Description
Notation
Notre Dame type, but typically English in its use of the English conjunctura and long final notes with up to 9 lines protruding vertically above and below the body of the note
Ruling
12 red five-line staves per page
Foliation
22a-22bv
Decoration
Initials are in blue or red alternatelyl there are also some rhombs
Surface
parchment
RISM Description
RISM B/IV 1: A modern compilation of medieval fragments, of which no. 9 is a bifolio of 13th century polyphonic music. The modern binding is of green and black morocco with gilt lines at the corners and on the spine. The parchment bifolio meas. 223 Xl50 mm., but the top margin was originally 2 cm. longer. The notation is of Notre Dame type, but typically English in its use of the English conjunctura and long final notes with up to 9 lines protruding vertically above and below the body of the note. There are 12 red five-line staves per page, and initials are in blue or red alternately. Rhombs also appear from time to time. All four items are conductus, although the rondellus technique is employed in no. 1 in even verses. This is indicated by the presence of the rondellus text in blue in the top voice and in red in the middle one. This bifolio was not the middle one of a fascicle.
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1
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‡ denotes primary source study
Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain. London: Routledge. Pages: 139ff (transcription of no. 2 after both sources).
Hughes, Dom Anselm. 1953. History of Music in Sound. Pages: 64f (transcription of the rondellus sections of no. 1); 65.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description