D-Rp A. R. 775-777 (D)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: c. 1579-1603

Archive	Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark	A. R. 775-777 (D)
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Format	portrait
Measurements	275 x 200 mm
Notations	black void mensural
Inventory	This MS has not yet been inventoried by DIAMM. If you would like to submit an inventory, please send it to diamm@music.ox.ac.uk
External Links	images
External Authorities	RISM Online (sources/1001131569)
Provenance	Southern Germany or Austria, Germany
Contents	Contains 23 compositions from 3 composers.

General Description

A Discantus partbook from a set of six books; each has title page "Orlandi Lassi sex vocum", although a considerable number of other composers are included. Probably copied from Lassus's prints of 1565/1566 inter alia. Only a few pieces are fully texted, the remainder usually having only a text incipit; the books may have been copied for instrumental performance (see BrinzingS 1998 and KörndleR 2019), and pieces from no. 62 onwards have instruments listed at the beginning, although parts are not allocated to instruments.

Written by one main scribe; a second scribe wrote nos. 107–113 in all parts; two other scrobes copied parts in the Altus, and nos. 121-124 were added by later hands. Of South German/Austrian provenance.

DIAMM, 2025

Physical Description

Nos. 99–108 and 118–120 are missing from the Tenor book.

DIAMM, 2025

Date

1579 on title page

DIAMM, 2025

Foliation

No foliation or pagination. Original numbering of pieces 1-120, with individual partes often separately numbered. (Nos. 121-124 added in score by later hands). Modern pencil pagination.

DIAMM, 2025

Index

Alphabetical listing of pieces at front of Discantus only.

DIAMM, 2025

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
inside front cover–2	index	-	-	-
index Appears on: inside front cover–2
5	In principio erat verbum - 1a pars (of 3): In principio erat verbum	6	-	Lassus, Orlande de (ca. 1532–1594)
In principio erat verbum - 1a pars (of 3): In principio erat verbum Lassus, Orlande de (ca. 1532–1594) Appears on: 5 Genres: Motet Number of voices: 6 Voice: Discantus primus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: In principio erat verbum et verbum
6	In principio erat verbum - 2a pars (of 3): Fuit homo missus	4	-	Lassus, Orlande de (ca. 1532–1594)
In principio erat verbum - 2a pars (of 3): Fuit homo missus Lassus, Orlande de (ca. 1532–1594) Appears on: 6 Genres: Motet Number of voices: 4 Voice: Discantus primus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Secunda pars : Fuit homo missus a deo
7	In principio erat verbum - 3a pars (of 3): In propria venit	6	-	Lassus, Orlande de (ca. 1532–1594)
In principio erat verbum - 3a pars (of 3): In propria venit Lassus, Orlande de (ca. 1532–1594) Appears on: 7 Genres: Motet Number of voices: 6 Voice: Discantus primus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Tertia pars : In propria venit et sui eum non receperunt
8	Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit	6	-	Lassus, Orlande de (ca. 1532–1594)
Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit Lassus, Orlande de (ca. 1532–1594) Appears on: 8 Genres: Motet Number of voices: 6 Voice: Secundus Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Tempus est ut revertar
9	Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet	6	-	Lassus, Orlande de (ca. 1532–1594)
Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet Lassus, Orlande de (ca. 1532–1594) Appears on: 9 Genres: Motet Number of voices: 6 Voice: Secundus Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Secunda pars : Nisi ego abiero paraclitus non veniet
10	Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo	6	-	Lassus, Orlande de (ca. 1532–1594)
Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo Lassus, Orlande de (ca. 1532–1594) Appears on: 10 Genres: Motet Number of voices: 6 Voice: Secundus Discantus Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: ... Non timebo dominus michi adjutor
10	Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino	6	-	Lassus, Orlande de (ca. 1532–1594)
Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino Lassus, Orlande de (ca. 1532–1594) Appears on: 10 Genres: Motet Number of voices: 6 Voice: Secundus Discantus Languages: Latin Mensuration: cut-c 3 Clef: c1 Voice Text: Secunda pars : Bonum est confidere in domino
11	Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes	6	-	Lassus, Orlande de (ca. 1532–1594)
Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes Lassus, Orlande de (ca. 1532–1594) Appears on: 11 Genres: Motet Number of voices: 6 Voice: Secundus Discantus Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Congratulamini mihi omnes qui diligitis Dominum
12	Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	6	-	Lassus, Orlande de (ca. 1532–1594)
Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi Lassus, Orlande de (ca. 1532–1594) Appears on: 12 Genres: Motet Number of voices: 6 Voice: Secundus Discantus Languages: Latin Mensuration: cut-c Clef: g2 Voice Text: Secunda pars : Tulerunt dominum meum et nescio ubi posuerunt
13	Domine deduc me - 1a pars (of 2): Domine deduc me in justitia tua	6	-	Lassus, Orlande de (ca. 1532–1594)
Domine deduc me - 1a pars (of 2): Domine deduc me in justitia tua Lassus, Orlande de (ca. 1532–1594) Appears on: 13 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Domine deduc me in Justitia tua
13	Domine deduc me - 2a pars (of 2): Sepulchrum patens est guttur eorum	6	-	Lassus, Orlande de (ca. 1532–1594)
Domine deduc me - 2a pars (of 2): Sepulchrum patens est guttur eorum Lassus, Orlande de (ca. 1532–1594) Appears on: 13 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Secunda pars : Sepulchrum patens est guttur eorum
14	Nuptiae factae sunt - 1a pars (of 4): Nuptiae factae sunt in Cana Galilaeae	6	-	Lassus, Orlande de (ca. 1532–1594)
Nuptiae factae sunt - 1a pars (of 4): Nuptiae factae sunt in Cana Galilaeae Lassus, Orlande de (ca. 1532–1594) Appears on: 14 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c 3 Clef: c1 Voice Text: Nuptiae factae sunt in Cana Galilee
14–15	Nuptiae factae sunt - 2a pars (of 4): Dixit mater eius ministris quodcumque	6	-	Lassus, Orlande de (ca. 1532–1594)
Nuptiae factae sunt - 2a pars (of 4): Dixit mater eius ministris quodcumque Lassus, Orlande de (ca. 1532–1594) Appears on: 14–15 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Secunda pars : Dixit mater eius ministris quodcumque dixerit vobis
15	Nuptiae factae sunt - 3a pars (of 4): Et dicit eis Jesus haurite nunc	3	-	Lassus, Orlande de (ca. 1532–1594)
Nuptiae factae sunt - 3a pars (of 4): Et dicit eis Jesus haurite nunc Lassus, Orlande de (ca. 1532–1594) Appears on: 15 Genres: Motet Number of voices: 3 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Tertia pars : Et dicit eis Jesus harite nunc et ferte
16	Nuptiae factae sunt - 4a pars (of 4): Omnis homo primum bonum vinum ponit	6	-	Lassus, Orlande de (ca. 1532–1594)
Nuptiae factae sunt - 4a pars (of 4): Omnis homo primum bonum vinum ponit Lassus, Orlande de (ca. 1532–1594) Appears on: 16 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Mensuration: cut-c Clef: c1 Voice Text: Quarta pars : Omnis homo primum bonum vinum ponit
17	I dolci colli - 1a pars (of 2): I doci colli ov'io lasciai	6	Alessandro Striggio	Striggio, Alessandro (ca. 1536–1592)
I dolci colli - 1a pars (of 2): I doci colli ov'io lasciai Striggio, Alessandro (ca. 1536–1592) Appears on: 17 Genres: Madrigal (Italian) Source Attribution: Alessandro Striggio Number of voices: 6 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c1 Voice Text: I dolci colli ov' io lasciai me stesso partendo [text incipit only]
18	I dolci colli - 2a pars (of 2): E qual cervo ferito di saetta	6	-	Striggio, Alessandro (ca. 1536–1592)
I dolci colli - 2a pars (of 2): E qual cervo ferito di saetta Striggio, Alessandro (ca. 1536–1592) Appears on: 18 Genres: Madrigal (Italian) Number of voices: 6 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c1 Voice Text: Et qual cervo ferito di saetta [text incipit only]
18–19	Nasce la pena mia non potendo mirar	6	-	Striggio, Alessandro (ca. 1536–1592)
Nasce la pena mia non potendo mirar Striggio, Alessandro (ca. 1536–1592) Appears on: 18–19 Genres: Italian secular Number of voices: 6 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c1 Voice Text: Nasce la pena mia Non potendo mirar [text incipit only]
19	Ancor ch'io possa dire che d'haver (6vv)	6	-	Striggio, Alessandro (ca. 1536–1592)
Ancor ch'io possa dire che d'haver (6vv) Striggio, Alessandro (ca. 1536–1592) Appears on: 19 Genres: Madrigal (Italian) Number of voices: 6 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c1 Voice Text: Anchor ch'io possa dire [text incipit only]
20	Lasciat' hai morte - 1a pars (of 2): Lasciat' hai morte senza sol il mondo	6	-	Striggio, Alessandro (ca. 1536–1592)
Lasciat' hai morte - 1a pars (of 2): Lasciat' hai morte senza sol il mondo Striggio, Alessandro (ca. 1536–1592) Appears on: 20 Genres: Madrigal (Italian) Number of voices: 6 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c1 Voice Text: Lasciat' hai morte senza sol il mondo [text incipit only]
20	Lasciat' hai morte - 2a pars (of 2): Pianger l'aere, et la terra	6	-	Striggio, Alessandro (ca. 1536–1592)
Lasciat' hai morte - 2a pars (of 2): Pianger l'aere, et la terra Striggio, Alessandro (ca. 1536–1592) Appears on: 20 Genres: Madrigal (Italian) Number of voices: 6 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c1 Voice Text: Secunda pars : Pianger l'aere et la terra e' l mar devrebbe [text incipit only]
21	Madonna poi ch' occider mi volete	6	-	Striggio, Alessandro (ca. 1536–1592)
Madonna poi ch' occider mi volete Striggio, Alessandro (ca. 1536–1592) Appears on: 21 Genres: Madrigal (Italian) Number of voices: 6 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c1 Voice Text: Madonna poi ch' occider mi volete [text incipit only]
21	Ancor che col partire	6	-	Cambio, Perissone
Ancor che col partire Cambio, Perissone Appears on: 21 Genres: Madrigal (Italian) Number of voices: 6 Voice: [no designation] Languages: Italian Mensuration: cut-c Clef: c1 Voice Text: Anchor che col partire [text incipit only]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]
[-]	-	-	-	Anonymous
[Unknown Title] Appears on: [-]

Composer	Compositions
Anonymous	[No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – inside front cover–2 [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-]
Cambio, Perissone	Ancor che col partire – 21
Lassus, Orlande de (ca. 1532-1594)	Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes – 11 Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi – 12 Domine deduc me - 1a pars (of 2): Domine deduc me in justitia tua – 13 Domine deduc me - 2a pars (of 2): Sepulchrum patens est guttur eorum – 13 Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo – 10 Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino – 10 In principio erat verbum - 1a pars (of 3): In principio erat verbum – 5 In principio erat verbum - 2a pars (of 3): Fuit homo missus – 6 In principio erat verbum - 3a pars (of 3): In propria venit – 7 Nuptiae factae sunt - 1a pars (of 4): Nuptiae factae sunt in Cana Galilaeae – 14 Nuptiae factae sunt - 2a pars (of 4): Dixit mater eius ministris quodcumque – 14–15 Nuptiae factae sunt - 3a pars (of 4): Et dicit eis Jesus haurite nunc – 15 Nuptiae factae sunt - 4a pars (of 4): Omnis homo primum bonum vinum ponit – 16 Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit – 8 Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet – 9
Striggio, Alessandro (ca. 1536-1592)	Ancor ch'io possa dire che d'haver (6vv) – 19 I dolci colli - 1a pars (of 2): I doci colli ov'io lasciai – 17 I dolci colli - 2a pars (of 2): E qual cervo ferito di saetta – 18 Lasciat' hai morte - 1a pars (of 2): Lasciat' hai morte senza sol il mondo – 20 Lasciat' hai morte - 2a pars (of 2): Pianger l'aere, et la terra – 20 Madonna poi ch' occider mi volete – 21 Nasce la pena mia non potendo mirar – 18–19

Composition	Composers (? Uncertain)	Folios / Pages
Ancor ch'io possa dire che d'haver (6vv)	Striggio, Alessandro (ca. 1536–1592)	19
Ancor che col partire	Cambio, Perissone	21
Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes	Lassus, Orlande de (ca. 1532–1594)	11
Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi	Lassus, Orlande de (ca. 1532–1594)	12
Domine deduc me - 1a pars (of 2): Domine deduc me in justitia tua	Lassus, Orlande de (ca. 1532–1594)	13
Domine deduc me - 2a pars (of 2): Sepulchrum patens est guttur eorum	Lassus, Orlande de (ca. 1532–1594)	13
Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo	Lassus, Orlande de (ca. 1532–1594)	10
Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino	Lassus, Orlande de (ca. 1532–1594)	10
I dolci colli - 1a pars (of 2): I doci colli ov'io lasciai	Striggio, Alessandro (ca. 1536–1592)	17
I dolci colli - 2a pars (of 2): E qual cervo ferito di saetta	Striggio, Alessandro (ca. 1536–1592)	18
In principio erat verbum - 1a pars (of 3): In principio erat verbum	Lassus, Orlande de (ca. 1532–1594)	5
In principio erat verbum - 2a pars (of 3): Fuit homo missus	Lassus, Orlande de (ca. 1532–1594)	6
In principio erat verbum - 3a pars (of 3): In propria venit	Lassus, Orlande de (ca. 1532–1594)	7
Lasciat' hai morte - 1a pars (of 2): Lasciat' hai morte senza sol il mondo	Striggio, Alessandro (ca. 1536–1592)	20
Lasciat' hai morte - 2a pars (of 2): Pianger l'aere, et la terra	Striggio, Alessandro (ca. 1536–1592)	20
Madonna poi ch' occider mi volete	Striggio, Alessandro (ca. 1536–1592)	21
Nasce la pena mia non potendo mirar	Striggio, Alessandro (ca. 1536–1592)	18–19
Nuptiae factae sunt - 1a pars (of 4): Nuptiae factae sunt in Cana Galilaeae	Lassus, Orlande de (ca. 1532–1594)	14
Nuptiae factae sunt - 2a pars (of 4): Dixit mater eius ministris quodcumque	Lassus, Orlande de (ca. 1532–1594)	14–15
Nuptiae factae sunt - 3a pars (of 4): Et dicit eis Jesus haurite nunc	Lassus, Orlande de (ca. 1532–1594)	15
Nuptiae factae sunt - 4a pars (of 4): Omnis homo primum bonum vinum ponit	Lassus, Orlande de (ca. 1532–1594)	16
Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit	Lassus, Orlande de (ca. 1532–1594)	8
Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet	Lassus, Orlande de (ca. 1532–1594)	9

‡ denotes primary source study

Körndle, Franz. 2019. Hofkapelle versus Stadtpfeiferei. Die Stimmbücher A. R. 775–777 der Bischöflichen Zentralbibliothek in Regensburg. .

Brinzing, Armin. 1998. Studien zur instrumentalen Ensemblemusik im deutschsprachigen Raum des 16. Jahrhunderts. Abhandlungen zur Musikgeschichte, vol. 4. Pages: 110-128.

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai. Munich: Henle. Pages: 41-47.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.