D-Dl MS Löbau 31 [Quintus]

Sächsische Landesbibliothek, Dresden, Germany

Partbook: c. 1590-1600

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Löbau 31 [Quintus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements c. 150 x 190 mm
Copyists
Relationships
External Links
External Authorities
Provenance
  • Löbau, Bavaria, Germany
Contents 39 pieces from 15 composers
General Description

A Quintus partbook from a (probably incomplete) set of five books; each consists of 10 prints with manuscript additions. 7 of the ms pieces are bound at the front (Mus.Löb.31,1), the remaining 33 at the back (Mus.Löb.31,12), although the Tenor book does not have, or has lost, the ms additions at the front of the book. Copied by several scribes, among them Christoph Nostwitz.

The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

DIAMM, 2024
Extent

8+33 ff.

DIAMM, 2024
Date

One date in the ms, which may be "1592" or may simply be "15.9"

DIAMM, 2024
Foliation

No foliation. 12 of the pieces are numbered I-XII (these being nos. 2-13 of the ms section at the back of the book).

Modern pagination, continuous in each book (from 31,1 at the front to 31,12 at the back), and also through the 5 books: D 1-18, 19-96; A 97-118, 119-196; T (rear only) 197-274, B 275-294, 295-370, Q 371-386, 387-451.

DIAMM, 2024

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
371–373 Ich will des Herren Zorn tragen Gregor: Langius
Appears on: 371–373
Genres: Motet
Source Attribution: Gregor: Langius
373–374 Psallite Domino in cithara [anon] Anonymous
Appears on: 373–374
Genres: Motet
Source Attribution: [anon]
374–375 Der ehlich Stand ist ehrenwert [anon] Anonymous
Appears on: 374–375
Genres: Motet
Source Attribution: [anon]
376–377 Wer buhlen will der schleich heimlich Jacobus Regnart
Appears on: 376–377
Genres: Motet
Source Attribution: Jacobus Regnart
378–380 Ein Maidlein zu dem Brunnen ging (2p. Das Meidlein trägt Pantoffeln an) Orlandus
Appears on: 378–380
Genres: Lied
Source Attribution: Orlandus
380–382 O Jesu mein Jesu selig ist der Leib And. Hammerschmid
Appears on: 380–382
Genres: Motet
Source Attribution: And. Hammerschmid
Voice: [no designation]
Languages: none
Voice Text: [untexted instrumental part]
General Note

untexted instrumental part

383–386 [blank pages] [Goudimel] -

[blank pages]

Appears on: 383–386
Source Attribution: [Goudimel]
387–392 Cantate Domino canticum novum (6vv) Orlandi
Appears on: 387–392
Genres: Motet
Source Attribution: Orlandi
Layout

parts for both Quinta & Sexta vox are copied in this book

391–393 Ein freundtlich Weib erfreuet ihren Mann Dressleri
Appears on: 391–393
Genres: Motet
Source Attribution: Dressleri
General Note

incomplete - two blank staves left on p.393 but no music copied

393–394 Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat Orlandi
Appears on: 393–394
Genres: Alleluia, Motet
Source Attribution: Orlandi
394–395 Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant -
Appears on: 394–395
Genres: Alleluia
395–397 Ego dormio et cor meum vigilat (2p. Anima mea liquefacta est) [anon] Anonymous
Appears on: 395–397
Genres: Motet
Source Attribution: [anon]
397–398 Repleatur os meum - 1a pars (of 2): Repleatur os meum Jacobus Handell
Appears on: 397–398
Genres: Motet
Source Attribution: Jacobus Handell
398–400 Repleatur os meum - 2a pars (of 2): Exsurge gloria mea -
Appears on: 398–400
Genres: Motet
400–401 Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper Orlandi
Appears on: 400–401
Genres: Motet
Source Attribution: Orlandi
401–402 Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea -
Appears on: 401–402
Genres: Motet
403–404 Exsultate Deo adjutori nostri (5vv) Jacobus Handell
Appears on: 403–404
Genres: Motet
Source Attribution: Jacobus Handell
404–405 Zion spricht der Herr hat mich verlassen (= Madonna più che mai) Romani
Appears on: 404–405
Genres: Contrafactum, Motet
Source Attribution: Romani
406 Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius Orlandus
Appears on: 406
Genres: Motet
Source Attribution: Orlandus
407–408 Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius -
Appears on: 407–408
Genres: Motet
408–409 Laudate Dominum omnes gentes, laudate eum [Judex]
Appears on: 408–409
Genres: Motet
Source Attribution: [Judex]
410 Wie lang o Gott - 1a pars (of 2): Wie lang o Gott in unserer Not [Lassus]
Appears on: 410
Genres: Motet
Source Attribution: [Lassus]
411–412 Wie lang o Gott - 2a pars (of 2): Verzag Herz nit Gott wird dein Bitt' -
Appears on: 411–412
Genres: Motet
412–413 Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio Orlandi
Appears on: 412–413
Genres: Motet
Source Attribution: Orlandi
413–414 Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera -
Appears on: 413–414
Genres: Motet
414–417 Gratia Dei salvati sumus non ex nobis [Burck]
Appears on: 414–417
Genres: Motet
Source Attribution: [Burck]
417–419 Speremus meliora omnes spem nomine sacro [Wert]
Appears on: 417–419
Genres: Motet
Source Attribution: [Wert]
419–421 Delectare in Domino Gregorius Langius
Appears on: 419–421
Genres: Motet
Source Attribution: Gregorius Langius
421–422 Nil adeo certum est misero mortalibus orbe Paulus Schedius
Appears on: 421–422
Genres: Motet
Source Attribution: Paulus Schedius
422–425 Exaudi Domine orationem Greg: Langius
Appears on: 422–425
Genres: Motet
Source Attribution: Greg: Langius
425–429 Fried' schaff o Herr durch deine Ehr' (2p. Reich bistu Herr zur Gnaden Gwehr) [Schede]
Appears on: 425–429
Genres: Motet
Source Attribution: [Schede]
429–431 Ein tugendsames Weib ist eine edle Gabe Georgius Rosaemontanus
Appears on: 429–431
Genres: Motet
Source Attribution: Georgius Rosaemontanus
431–433 Magnificate Dominum mecum Valent: Judex
Appears on: 431–433
Genres: Motet
Source Attribution: Valent: Judex
433–436 Omnes sitientes venite ad aquas Gregorius Langius
Appears on: 433–436
Genres: Motet
Source Attribution: Gregorius Langius
436–439 Et respondens Jesus Gregorii Langii
Appears on: 436–439
Genres: Motet
Source Attribution: Gregorii Langii
439–442 Ecce venit tibi rex tuus mansuetus [Lange]
Appears on: 439–442
Genres: Motet
Source Attribution: [Lange]
443–445 [blank pages] Gregor: Langii -

[blank pages]

Appears on: 443–445
Source Attribution: Gregor: Langii
Voice: [no designation]
Languages: none
Voice Text: [pages left blank for Lange's "Tota pulchra" but no music copied]
General Note

[pages left blank for Lange's "Tota pulchra" but no music copied]

446–449 Ich freue mich in dem Herren Barth: Gesii [or Johan Sigfrid]
Appears on: 446–449
Genres: Motet
Source Attribution: Barth: Gesii [or Johan Sigfrid]
General Note

attributed to Sigfrid in Dresden 1/D/503

449–451 Hart halt' ich noch an dir mein Gott Barth: Gesii
Appears on: 449–451
Genres: Motet
Source Attribution: Barth: Gesii
Composer Compositions
Anonymous
Burck, Joachim à (1546–1610)
Dressler, Gallus
Gesius, Bartholomäus (ca. 1555–1613)
Hammerschmidt, Andreas (ca. 1611–1675)
Handl (Gallus), Jacobus (1550–1591)
Judex, Valentin
Lange, Gregor (ca. 1540–1587)
Lassus, Orlande de (ca. 1532–1594)
Regnart, Jacob (ca. 1540–1599)
Romano, Alessandro (ca. 1533–1592)
Rosenberg, Georg
Schede, Paul Melissus
Sigfrid, Johannes
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat 393–394
Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant 394–395
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper 400–401
Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea 401–402
Cantate Domino canticum novum (6vv) 387–392
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius 406
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius 407–408
Delectare in Domino 419–421
Der ehlich Stand ist ehrenwert Anonymous 374–375
Ecce venit tibi rex tuus mansuetus 439–442
Ego dormio et cor meum vigilat (2p. Anima mea liquefacta est) Anonymous 395–397
Ein freundtlich Weib erfreuet ihren Mann 391–393
Ein Maidlein zu dem Brunnen ging (2p. Das Meidlein trägt Pantoffeln an) 378–380
Ein tugendsames Weib ist eine edle Gabe 429–431
Et respondens Jesus 436–439
Exaudi Domine orationem 422–425
Exsultate Deo adjutori nostri (5vv) 403–404
Fried' schaff o Herr durch deine Ehr' (2p. Reich bistu Herr zur Gnaden Gwehr) 425–429
Gratia Dei salvati sumus non ex nobis 414–417
Hart halt' ich noch an dir mein Gott 449–451
Ich freue mich in dem Herren 446–449
Ich will des Herren Zorn tragen 371–373
Laudate Dominum omnes gentes, laudate eum 408–409
Magnificate Dominum mecum 431–433
Nil adeo certum est misero mortalibus orbe 421–422
O Jesu mein Jesu selig ist der Leib 380–382
Omnes sitientes venite ad aquas 433–436
Psallite Domino in cithara Anonymous 373–374
Repleatur os meum - 1a pars (of 2): Repleatur os meum 397–398
Repleatur os meum - 2a pars (of 2): Exsurge gloria mea 398–400
Speremus meliora omnes spem nomine sacro 417–419
Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio 412–413
Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera 413–414
Wer buhlen will der schleich heimlich 376–377
Wie lang o Gott - 1a pars (of 2): Wie lang o Gott in unserer Not 410
Wie lang o Gott - 2a pars (of 2): Verzag Herz nit Gott wird dein Bitt' 411–412
Zion spricht der Herr hat mich verlassen (= Madonna più che mai) 404–405

Set: MS Löbau 31 (1-5)

Type: Partbooks

No images available

D-Dl MS Löbau 31 [Altus]

No images available

D-Dl MS Löbau 31 [Bassus]

No images available

D-Dl MS Löbau 31 [Discantus]

No images available

D-Dl MS Löbau 31 [Quintus]

No images available

D-Dl MS Löbau 31 [Tenor]

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 133-5. Notes: physical description (partial); contents list; concordances (partial).

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