Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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2–3 | Ich will des Herren Zorn tragen | Gregor: Langius | |
Appears on:
2–3
Genres:
Motet
Source Attribution:
Gregor: Langius
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4–7 | Psallite Domino in cithara | [anon] | Anonymous |
Psallite Domino in citharaAnonymous
Appears on:
4–7
Genres:
Motet
Source Attribution:
[anon]
General Note2 voice parts (Discantus I & II) are copied in this book |
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6–9 | Der ehlich Stand ist ehrenwert | [anon] | Anonymous |
Der ehlich Stand ist ehrenwertAnonymous
Appears on:
6–9
Genres:
Motet
Source Attribution:
[anon]
Layout2 voice parts (D1 & D2) copied in this book |
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10–11 | Wer buhlen will der schleich heimlich | Jacobus Regnart | |
Appears on:
10–11
Genres:
Motet
Source Attribution:
Jacobus Regnart
|
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12–14 | Ein Maidlein zu dem Brunnen ging (2p. Das Meidlein trägt Pantoffeln an) | Orlandus | |
Appears on:
12–14
Genres:
Lied
Source Attribution:
Orlandus
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14–18 | Fahr immer hin ich will nicht viel mehr sagen | Lech: | |
Appears on:
14–18
Genres:
Motet
Source Attribution:
Lech:
|
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19 | Den Herren lobt ihr Heiden all (= Nations louez le Seigneur) | [Goudimel] | |
Appears on:
19
Genres:
Psalm
Source Attribution:
[Goudimel]
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20–21 | Cantate Domino canticum novum (6vv) | Orlandi | |
Appears on:
20–21
Genres:
Motet
Source Attribution:
Orlandi
|
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22–24 | Ein freundtlich Weib erfreuet ihren Mann | Dressleri | |
Appears on:
22–24
Genres:
Motet
Source Attribution:
Dressleri
General Noteunfinished: blank staves are left for the last 2 lines of music which were not copied |
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24–25 | Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat | Orlandi | |
Appears on:
24–25
Genres:
Alleluia, Motet
Source Attribution:
Orlandi
|
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25–26 | Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant | - | |
Appears on:
25–26
Genres:
Alleluia
|
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26–28 | Ego dormio et cor meum vigilat (2p. Anima mea liquefacta est) | [anon] | Anonymous |
Appears on:
26–28
Genres:
Motet
Source Attribution:
[anon]
|
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29 | Repleatur os meum - 1a pars (of 2): Repleatur os meum | Jacobus Handell | |
Appears on:
29
Genres:
Motet
Source Attribution:
Jacobus Handell
|
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30–31 | Repleatur os meum - 2a pars (of 2): Exsurge gloria mea | - | |
Appears on:
30–31
Genres:
Motet
|
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31–32 | Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper | Orlandi | |
Appears on:
31–32
Genres:
Motet
Source Attribution:
Orlandi
|
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32–33 | Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea | - | |
Appears on:
32–33
Genres:
Motet
|
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34–35 | Exsultate Deo adjutori nostri (5vv) | Jacobus Handell | |
Appears on:
34–35
Genres:
Motet
Source Attribution:
Jacobus Handell
|
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35–36 | Zion spricht der Herr hat mich verlassen (= Madonna più che mai) | Romani | |
Appears on:
35–36
Genres:
Contrafactum, Motet
Source Attribution:
Romani
|
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37 | Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius | Orlandus | |
Appears on:
37
Genres:
Motet
Source Attribution:
Orlandus
|
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38–39 | Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius | - | |
Appears on:
38–39
Genres:
Motet
|
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39–40 | Laudate Dominum omnes gentes, laudate eum | [Judex] |
Judex, Valentin
(?)
|
Appears on:
39–40
Genres:
Motet
Source Attribution:
[Judex]
ConcordancesCod.Guelf.322 (attribution: Valentin Judex) |
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41 | Wie lang o Gott - 1a pars (of 2): Wie lang o Gott in unserer Not | [Lassus] | |
Appears on:
41
Genres:
Motet
Source Attribution:
[Lassus]
|
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42 | Wie lang o Gott - 2a pars (of 2): Verzag Herz nit Gott wird dein Bitt' | - | |
Appears on:
42
Genres:
Motet
|
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43 | Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio | Orlandi | |
Appears on:
43
Genres:
Motet
Source Attribution:
Orlandi
|
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44 | Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera | - | |
Appears on:
44
Genres:
Motet
|
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45–48 | Gratia Dei salvati sumus non ex nobis | [Burck] | |
Appears on:
45–48
Genres:
Motet
Source Attribution:
[Burck]
|
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48–51 | Richte mich Gott | [Dressler] | |
Appears on:
48–51
Genres:
Motet
Source Attribution:
[Dressler]
|
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51–53 | Auf dich allein du treuer Gott | [Burck] | |
Appears on:
51–53
Genres:
Motet
Source Attribution:
[Burck]
|
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53–56 | Speremus meliora omnes spem nomine sacro | [Wert] | |
Appears on:
53–56
Genres:
Motet
Source Attribution:
[Wert]
|
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56–57 | Delectare in Domino | Gregorius Langius | |
Appears on:
56–57
Genres:
Motet
Source Attribution:
Gregorius Langius
|
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58 | Nil adeo certum est misero mortalibus orbe | Paulus Schedius | |
Appears on:
58
Genres:
Motet
Source Attribution:
Paulus Schedius
|
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59–60 | Exaudi Domine orationem | Greg: Langius | |
Appears on:
59–60
Genres:
Motet
Source Attribution:
Greg: Langius
General NoteThe part is unfinished: 4 lines of blank staves are left for the end of the music which was not copied. |
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61–65 | Fried' schaff o Herr durch deine Ehr' (2p. Reich bistu Herr zur Gnaden Gwehr) | [Schede] | |
Appears on:
61–65
Genres:
Motet
Source Attribution:
[Schede]
|
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65–68 | Jedermann sei Untertan der Obrigkeit | [anon] | Anonymous |
Jedermann sei Untertan der ObrigkeitAnonymous
Appears on:
65–68
Genres:
Motet
Source Attribution:
[anon]
|
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68–71 | Das ist der Wille des der mich gesandt hat | [Dressler] | |
Appears on:
68–71
Genres:
Motet
Source Attribution:
[Dressler]
|
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71–73 | Ein tugendsames Weib ist eine edle Gabe | Georgius Rosaemontanus | |
Appears on:
71–73
Genres:
Motet
Source Attribution:
Georgius Rosaemontanus
|
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73–75 | Beatus vir qui in lege (4vv) | Jacob Händel | |
Appears on:
73–75
Genres:
Motet
Source Attribution:
Jacob Händel
|
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75–78 | Der Mensch vom Weibe geboren | Johan Winckler | |
Appears on:
75–78
Genres:
Motet
Source Attribution:
Johan Winckler
|
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78–80 | Magnificate Dominum mecum | Valent: Judex | |
Appears on:
78–80
Genres:
Motet
Source Attribution:
Valent: Judex
|
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81–83 | Omnes sitientes venite ad aquas | Gregorius Langius | |
Appears on:
81–83
Genres:
Motet
Source Attribution:
Gregorius Langius
|
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83–86 | Et respondens Jesus | Gregorii Langii | |
Appears on:
83–86
Genres:
Motet
Source Attribution:
Gregorii Langii
|
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86–88 | Ecce venit tibi rex tuus mansuetus | [Lange] | |
Appears on:
86–88
Genres:
Motet
Source Attribution:
[Lange]
|
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89–91 | Tota pulchra es amica mea | Gregor: Langii | |
Appears on:
89–91
Genres:
Motet
Source Attribution:
Gregor: Langii
|
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92–95 | Ich freue mich in dem Herren | Barth: Gesii [or Johan Sigfrid] | |
Appears on:
92–95
Genres:
Motet
Source Attribution:
Barth: Gesii [or Johan Sigfrid]
General Noteattributed to Sigfrid in Dresden 1/D/503 |
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95–96 | Hart halt' ich noch an dir mein Gott | Barth: Gesii | |
Appears on:
95–96
Genres:
Motet
Source Attribution:
Barth: Gesii
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