D-Dl MS Löbau 31 [Discantus]

Sächsische Landesbibliothek, Dresden, Germany

Partbook: c. 1590-1600

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Löbau 31 [Discantus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements c. 150 x 190 mm
Copyists
Relationships
External Links
External Authorities
Provenance
  • Löbau, Bavaria, Germany
Contents 45 pieces from 17 composers
General Description

A Discantus partbook from a (probably incomplete) set of five books; each consists of 10 prints with manuscript additions. 7 of the ms pieces are bound at the front (Mus.Löb.31,1), the remaining 33 at the back (Mus.Löb.31,12), although the Tenor book does not have, or has lost, the ms additions at the front of the book. Copied by several scribes, among them Christoph Nostwitz.

The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

DIAMM, 2024
Extent

9+39ff

DIAMM, 2024
Date

One date in the ms, which may be "1592" or may simply be "15.9"

DIAMM, 2024
Foliation

No foliation. 12 of the pieces are numbered I-XII (these being nos. 2-13 of the ms section at the back of the book).

Modern pagination, continuous in each book (from 31,1 at the front to 31,12 at the back), and also through the 5 books: D 1-18, 19-96; A 97-118, 119-196; T (rear only) 197-274, B 275-294, 295-370, Q 371-386, 387-451.

DIAMM, 2024

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–3 Ich will des Herren Zorn tragen Gregor: Langius
Appears on: 2–3
Genres: Motet
Source Attribution: Gregor: Langius
4–7 Psallite Domino in cithara [anon] Anonymous
Appears on: 4–7
Genres: Motet
Source Attribution: [anon]
General Note

2 voice parts (Discantus I & II) are copied in this book

6–9 Der ehlich Stand ist ehrenwert [anon] Anonymous
Appears on: 6–9
Genres: Motet
Source Attribution: [anon]
Layout

2 voice parts (D1 & D2) copied in this book

10–11 Wer buhlen will der schleich heimlich Jacobus Regnart
Appears on: 10–11
Genres: Motet
Source Attribution: Jacobus Regnart
12–14 Ein Maidlein zu dem Brunnen ging (2p. Das Meidlein trägt Pantoffeln an) Orlandus
Appears on: 12–14
Genres: Lied
Source Attribution: Orlandus
14–18 Fahr immer hin ich will nicht viel mehr sagen Lech:
Appears on: 14–18
Genres: Motet
Source Attribution: Lech:
19 Den Herren lobt ihr Heiden all (= Nations louez le Seigneur) [Goudimel]
Appears on: 19
Genres: Psalm
Source Attribution: [Goudimel]
20–21 Cantate Domino canticum novum (6vv) Orlandi
Appears on: 20–21
Genres: Motet
Source Attribution: Orlandi
22–24 Ein freundtlich Weib erfreuet ihren Mann Dressleri
Appears on: 22–24
Genres: Motet
Source Attribution: Dressleri
General Note

unfinished: blank staves are left for the last 2 lines of music which were not copied

24–25 Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat Orlandi
Appears on: 24–25
Genres: Alleluia, Motet
Source Attribution: Orlandi
25–26 Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant -
Appears on: 25–26
Genres: Alleluia
26–28 Ego dormio et cor meum vigilat (2p. Anima mea liquefacta est) [anon] Anonymous
Appears on: 26–28
Genres: Motet
Source Attribution: [anon]
29 Repleatur os meum - 1a pars (of 2): Repleatur os meum Jacobus Handell
Appears on: 29
Genres: Motet
Source Attribution: Jacobus Handell
30–31 Repleatur os meum - 2a pars (of 2): Exsurge gloria mea -
Appears on: 30–31
Genres: Motet
31–32 Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper Orlandi
Appears on: 31–32
Genres: Motet
Source Attribution: Orlandi
32–33 Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea -
Appears on: 32–33
Genres: Motet
34–35 Exsultate Deo adjutori nostri (5vv) Jacobus Handell
Appears on: 34–35
Genres: Motet
Source Attribution: Jacobus Handell
35–36 Zion spricht der Herr hat mich verlassen (= Madonna più che mai) Romani
Appears on: 35–36
Genres: Contrafactum, Motet
Source Attribution: Romani
37 Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius Orlandus
Appears on: 37
Genres: Motet
Source Attribution: Orlandus
38–39 Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius -
Appears on: 38–39
Genres: Motet
39–40 Laudate Dominum omnes gentes, laudate eum [Judex]
Appears on: 39–40
Genres: Motet
Source Attribution: [Judex]
Concordances

Cod.Guelf.322 (attribution: Valentin Judex)

41 Wie lang o Gott - 1a pars (of 2): Wie lang o Gott in unserer Not [Lassus]
Appears on: 41
Genres: Motet
Source Attribution: [Lassus]
42 Wie lang o Gott - 2a pars (of 2): Verzag Herz nit Gott wird dein Bitt' -
Appears on: 42
Genres: Motet
43 Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio Orlandi
Appears on: 43
Genres: Motet
Source Attribution: Orlandi
44 Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera -
Appears on: 44
Genres: Motet
45–48 Gratia Dei salvati sumus non ex nobis [Burck]
Appears on: 45–48
Genres: Motet
Source Attribution: [Burck]
48–51 Richte mich Gott [Dressler]
Appears on: 48–51
Genres: Motet
Source Attribution: [Dressler]
51–53 Auf dich allein du treuer Gott [Burck]
Appears on: 51–53
Genres: Motet
Source Attribution: [Burck]
53–56 Speremus meliora omnes spem nomine sacro [Wert]
Appears on: 53–56
Genres: Motet
Source Attribution: [Wert]
56–57 Delectare in Domino Gregorius Langius
Appears on: 56–57
Genres: Motet
Source Attribution: Gregorius Langius
58 Nil adeo certum est misero mortalibus orbe Paulus Schedius
Appears on: 58
Genres: Motet
Source Attribution: Paulus Schedius
59–60 Exaudi Domine orationem Greg: Langius
Appears on: 59–60
Genres: Motet
Source Attribution: Greg: Langius
General Note

The part is unfinished: 4 lines of blank staves are left for the end of the music which was not copied.

61–65 Fried' schaff o Herr durch deine Ehr' (2p. Reich bistu Herr zur Gnaden Gwehr) [Schede]
Appears on: 61–65
Genres: Motet
Source Attribution: [Schede]
65–68 Jedermann sei Untertan der Obrigkeit [anon] Anonymous
Appears on: 65–68
Genres: Motet
Source Attribution: [anon]
68–71 Das ist der Wille des der mich gesandt hat [Dressler]
Appears on: 68–71
Genres: Motet
Source Attribution: [Dressler]
71–73 Ein tugendsames Weib ist eine edle Gabe Georgius Rosaemontanus
Appears on: 71–73
Genres: Motet
Source Attribution: Georgius Rosaemontanus
73–75 Beatus vir qui in lege (4vv) Jacob Händel
Appears on: 73–75
Genres: Motet
Source Attribution: Jacob Händel
75–78 Der Mensch vom Weibe geboren Johan Winckler
Appears on: 75–78
Genres: Motet
Source Attribution: Johan Winckler
78–80 Magnificate Dominum mecum Valent: Judex
Appears on: 78–80
Genres: Motet
Source Attribution: Valent: Judex
81–83 Omnes sitientes venite ad aquas Gregorius Langius
Appears on: 81–83
Genres: Motet
Source Attribution: Gregorius Langius
83–86 Et respondens Jesus Gregorii Langii
Appears on: 83–86
Genres: Motet
Source Attribution: Gregorii Langii
86–88 Ecce venit tibi rex tuus mansuetus [Lange]
Appears on: 86–88
Genres: Motet
Source Attribution: [Lange]
89–91 Tota pulchra es amica mea Gregor: Langii
Appears on: 89–91
Genres: Motet
Source Attribution: Gregor: Langii
92–95 Ich freue mich in dem Herren Barth: Gesii [or Johan Sigfrid]
Appears on: 92–95
Genres: Motet
Source Attribution: Barth: Gesii [or Johan Sigfrid]
General Note

attributed to Sigfrid in Dresden 1/D/503

95–96 Hart halt' ich noch an dir mein Gott Barth: Gesii
Appears on: 95–96
Genres: Motet
Source Attribution: Barth: Gesii
Composer Compositions
Anonymous
Burck, Joachim à (1546–1610)
Dressler, Gallus
Gesius, Bartholomäus (ca. 1555–1613)
Goudimel, Claude (ca. 1514–1572)
Handl (Gallus), Jacobus (1550–1591)
Judex, Valentin
Lange, Gregor (ca. 1540–1587)
Lassus, Orlande de (ca. 1532–1594)
Lechner, Leonhard
Regnart, Jacob (ca. 1540–1599)
Romano, Alessandro (ca. 1533–1592)
Rosenberg, Georg
Schede, Paul Melissus
Sigfrid, Johannes
Wert, Giaches [Jaches] de (1535–1596)
Winckler, Johan
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat 24–25
Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant 25–26
Auf dich allein du treuer Gott 51–53
Beatus vir qui in lege (4vv) 73–75
Benedicam Dominum - 1a pars (of 2): Benedicam Dominum in omni tempore semper 31–32
Benedicam Dominum - 2a pars (of 2): In Domino laudabitur anima mea 32–33
Cantate Domino canticum novum (6vv) 20–21
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius 37
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius 38–39
Das ist der Wille des der mich gesandt hat 68–71
Delectare in Domino 56–57
Den Herren lobt ihr Heiden all (= Nations louez le Seigneur) 19
Der ehlich Stand ist ehrenwert Anonymous 6–9
Der Mensch vom Weibe geboren 75–78
Ecce venit tibi rex tuus mansuetus 86–88
Ego dormio et cor meum vigilat (2p. Anima mea liquefacta est) Anonymous 26–28
Ein freundtlich Weib erfreuet ihren Mann 22–24
Ein Maidlein zu dem Brunnen ging (2p. Das Meidlein trägt Pantoffeln an) 12–14
Ein tugendsames Weib ist eine edle Gabe 71–73
Et respondens Jesus 83–86
Exaudi Domine orationem 59–60
Exsultate Deo adjutori nostri (5vv) 34–35
Fahr immer hin ich will nicht viel mehr sagen 14–18
Fried' schaff o Herr durch deine Ehr' (2p. Reich bistu Herr zur Gnaden Gwehr) 61–65
Gratia Dei salvati sumus non ex nobis 45–48
Hart halt' ich noch an dir mein Gott 95–96
Ich freue mich in dem Herren 92–95
Ich will des Herren Zorn tragen 2–3
Jedermann sei Untertan der Obrigkeit Anonymous 65–68
Laudate Dominum omnes gentes, laudate eum 39–40
Magnificate Dominum mecum 78–80
Nil adeo certum est misero mortalibus orbe 58
Omnes sitientes venite ad aquas 81–83
Psallite Domino in cithara Anonymous 4–7
Repleatur os meum - 1a pars (of 2): Repleatur os meum 29
Repleatur os meum - 2a pars (of 2): Exsurge gloria mea 30–31
Richte mich Gott 48–51
Speremus meliora omnes spem nomine sacro 53–56
Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio 43
Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera 44
Tota pulchra es amica mea 89–91
Wer buhlen will der schleich heimlich 10–11
Wie lang o Gott - 1a pars (of 2): Wie lang o Gott in unserer Not 41
Wie lang o Gott - 2a pars (of 2): Verzag Herz nit Gott wird dein Bitt' 42
Zion spricht der Herr hat mich verlassen (= Madonna più che mai) 35–36

Set: MS Löbau 31 (1-5)

Type: Partbooks

No images available

D-Dl MS Löbau 31 [Altus]

No images available

D-Dl MS Löbau 31 [Bassus]

No images available

D-Dl MS Löbau 31 [Discantus]

No images available

D-Dl MS Löbau 31 [Quintus]

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D-Dl MS Löbau 31 [Tenor]

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 133-5. Notes: physical description (partial); contents list; concordances (partial).

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