A Venitare and Kyriale of the Utrecht use probably from St. Lawrence's, Rotterdam (suggested by a troped Benedicamus addressed to St. Lawrence on f. 84). Contains the tones of the Venite, the Lamentations, 2 Credos, Sanctus and an Agnus a 2, chants for the blessing of the font on Holy Saturday, etc. Bought from W. Ridler for £ 3 in December, 1886. Its previous owner was the Rev. H. T. Ellacombe, in whose sale it was lot 895.
GB-Ob MS. Lat. liturg. d. 1
Bodleian Library, Oxford, England
manuscript of polyphony: Late 14th century
| Archive | Bodleian Library, Oxford, England (GB-Ob) |
|---|---|
| Shelfmark | MS. Lat. liturg. d. 1 |
| Surface | Parchment |
| Numbering System | Foliation |
| Format | portrait |
| Measurements | 221 x 145 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 7 compositions, 7 are anonymous. |
General Description
Binding
White parchment over cardboard; a red painted title-piece at the top of the spine bears the words 'Church || Music' in ink. 18th or even 19th century.
Notation
Gothic neumes of Hufnagel type (double clef simultaneously using c and F is typical of this notation; in the Patrems, minims are introduced by attaching a tail to oblique breves)
Ruling
8 brown four-line staves per page
Foliation
40v-52, 85v-86
Foliation
Pencil foliation at t.r.r.; doubtless dates from the same time as the binding.
Decoration
Initials are plain but red in colour.
Surface
Parchment
RISM Description
RISM B/IV 2: A late 14th century parchment manuscript meas. 221 x 145 mm. and containing 86 folios plus 2 blank paper folios belonging to the binding. The latter dates from the 18th or even the 19th century and consists of white parchment over cardboard; a red painted title-piece at the top of the spine bears the words "Church || Music" in ink. The pencil foliation at t.r.r. doubtless dates from the same time as the binding. The codex was bought from W. Ridler for £ 3 in December, 1886. Its previous owner was the Rev. H. T. Ellacombe, in whose sale it was lot 895. It is a Venitare and Kyriale of the Utrecht use probably from St. Lawrence's, Rotterdam, if one may judge from the troped Benedicamus addressed to St. Lawrence on f. 84. The contents are the tones of the Venite, the Lamentations, 2 Credos, Sanctus and an Agnus a 2, chants for the blessing of the font on Holy Saturday, etc. The notation consists of Gothic neumes of Hufnagel type on 8 brown four-line staves per page with the double clef simultaneously using c and F typical of this notation. In the Patrems, minims are introduced by attaching a tail to oblique breves. Initials are plain but red in colour.
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‡ denotes primary source study
Harrison, Frank Llewellyn. 1982. Two liturgical manuscripts of Dutch origin in the Bodleian Library, Oxford, and music for the ordinary of the mass in late medieval Netherlands. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 32/1: 76-95.
Dijk, Stephen J P van. 1952-4. Latin Liturgical Manuscripts and Printed Books. 7 vols. Pages: II, 1, p. 144.
Frere, Walter Howard. 1894-1932, repr. Hildesheim, 1967. Bibliotheca Musico-Liturgica: A Descriptive Handlist of the Musical and Latin-Liturgical Mss. of the Middle Ages Preserved in the Libraries of Great Britain and Ireland. 2 vols. London: The Plainsong and Medieval Music Society. Pages: no. 213.
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Reinhard Strohm
Thursday, 26 January, 2023
Provenance corrected.
Paul Shannon
Thursday, 30 July, 2020
Harrison article added to bibliography
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description